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Gilescat18-0313-Final-DPS.Pdf 2018/2019 Contents FOREWORD I write this as the glamour of the Oscars ceremony plays out on the TV in my hotel room. Simultaneously I keep an eye on the Italian elections coverage on the BBC, on Reuters to try to assess the effect of another drop in world stock indexes on my pension (as if I could!), whilst also trying to determine what it might mean to rule out “passporting rights” for UK banks after Brexit. Then I realise, with a sudden stab of guilt, that all these concerns are trivial compared to those of a civilian in eastern Ghouta, trying to survive the daily onslaught of President Assad’s forces, or to the daily Head Office and General Enquiries D Giles Limited anguish of a Venezuelan parent desperately trying to find essential drugs 4 Crescent Stables for their child. The world seems a bleak and downright unhinged place, London SW15 2TN filled with daily suffering, chaos, crass populism, and social inequality. www.gilesltd.com Then I wonder if these events are not in fact all the manifestation of T: +44 (0)20 8780 5060 a common phenomenon. The rise of the Rightist Alliance and the 5-Star Managing Director Movement in Italy, the Front National in France’s socialist heartlands, “hard Dan Giles [email protected] Brexit” voters in Labour’s UK strongholds, the daily pendulum swing of President Trump’s policy: all seem fuelled by the massive rise in inequality Production Director Sarah McLaughlin of wealth and opportunity over the past decade, and stoked by the fear [email protected] of immigration, of “the other” claiming what we once saw as our own. I Production Manager know I’m sounding about as coherent as Frances McDormand’s Oscars Louise Ramsay acceptance speech—but hear me out. [email protected] A new generation of populist leaders has exploited this frustration and Managing Editor anger—and the consequent loss of faith in traditional politicians and public Allison McCormick [email protected] institutions—for their own ends. But none of these fears, nor the manner of their exploitation, is new: they have existed in our society for millennia Editorial Manager Pat Barylski and have been used as sticks to beat marginalized social groups as a means [email protected] to channel popular fury and disdain for the personal or political gain of an Editorial Assistant individual, cause, or ruling body. Louise Parfitt Take our forthcoming title Medieval Monsters: Terrors, Aliens, Wonders [email protected] (June 2018). On one level this volume explores our abiding fascination with Sales, Marketing and PR Enquiries monsters and the enduring power and influence that they have exerted Liz Japes Sales and Marketing Manager throughout Western history – look no further than The Hobbit, Harry Potter, D Giles Limited or Game of Thrones. But on another level, this volume reminds us of how The Hive 66 High Street minority groups in our society, be they women, Jews, Muslims, the poor Lewes or the mentally ill, have all been depicted through the ages as monstrous BN7 1XG T: +44 (0)1273 480711 in order to reinforce their marginalized status by those who seek to gain [email protected] from this. US Marketing Manager So I leave you with this thought: if the debates we’re seeing play out Karen Lunstead today in our social and political institutions are really nothing new, then T: +1 302 231 8192 [email protected] surely all of us have the ability to challenge and re-calibrate these debates; to stop (or at least slow) the swinging pendulum of politics by focussing on Registered Office 20–21 Jockey’s Fields, London WC1R 4BW Registered in England 4885042 those values that unite us, and by looking beyond the illusion of populist New Titles 3 short-term fixes. D Giles Limited reserves the right to change information without notice Complete List 47 Dan Giles This catalogue is also available to view at: www.gilesltd.com Managing Director Sales and Distribution 72 : New Titles Exporting Caravaggio 5 Fabergé Rediscovered 7 Medieval Monsters 9 Canova’s George Washington 11 Everyday Beauty 13 Trevor Paglen 15 Ribera 17 Love and Wisdom 19 Masterpieces of French Faience 21 Beyond the Face 23 The Charterhouse of Bruges 25 The Orléans Collection 27 Augusta Savage 29 The Story of Virginia 31 Past Time 33 PyeongChang 2018 35 Luigi Valadier 37 Vermeer’s Mistress and Maid 39 The Scher Collection of Commemorative Medals 41 Pictures with Purpose 43 Digital Conserving Caravaggio’s Crucifixion of Saint Andrew 44 Recently Reprinted Spectacular 45 Through the African American Lens 45 Michelangelo Merisi da Caravaggio (1571–1610) The Crucifixion of Saint Andrew (detail), 1606–7 Oil on canvas, 202.5 × 152.7 cm The Cleveland Museum of Art, Leonard C. Hanna Jr. Fund, 1976.2 EXPORTING CARAVAGGIO The Crucifixion of St Andrew UK£21.95 / US$28.95 Paperback ISBN 978-1-911282-24-2 184 pages 216 × 216 mm (8 ½ × 8 ½ in) Erin E. Benay is the Climo 103 colour and 17 b&w illustrations Assistant Professor of Renaissance In association with the Cleveland and Baroque Art in Case Western Museum of Art Reserve University’s department April 2018 of Art History and Art Erin E. Benay The Crucifixion of Saint Andrew marks a turning point in the life and work of Michelangelo Merisi da Caravaggio (1571–1610). Painted in Naples in 1606–7 while the artist was on the run from the authorities, it exemplifies the influential tenebristic style the artist developed during his rise to fame in Rome, while signalling the introduction of an even grittier realism in his work. Author Erin E. Benay recounts the complex history of this masterwork and its understudied position in Caravaggio’s oeuvre. She reveals the ways in which the painting functioned first as a devotional aid and subsequently as a harbinger of Caravaggism abroad. Documentary and archival discoveries, along with the Cleveland Museum of Art’s two-year conservation and technical study of the painting, allow an interpretation not possible until now. Exporting Caravaggio: The Crucifixion of Saint Andrew is the fourth book in the Cleveland Masterwork Series. New Titles — 5 Twelve Monograms Egg, (detail) Firm of Fabergé, Mikhail Perkhin, workmaster St. Petersburg, 1896 Gold, enamel, diamonds, satin FABERGÉ REDISCOVERED 3 ⅛ × 2 ³⁄₁₆ in. (7.94 × 5.56 cm) Hillwood Estate, Museum & Gardens Acc. no. 11.63 Dr Wilfried Zeisler is Hillwood’s chief curator Jennifer Levy was Hillwood’s curatorial assistant from 2015 to 2017 Ulla Tillander-Godenhielm is a jeweller and art historian based in Helsinki, Finland UK£35.00 / US$44.95 Hardback Anna and Vincent Palmade ISBN 978-1-911282-16-7 are Fabergé researchers, and 224 pages responsible for tracking down Wilfried Zeisler 240 × 265 mm (9 ½ × 10 ½ in) many lost Fabergé objects Foreword by Kate Markert Portrait 175 colour illustrations Galina Korneva is a well-known Contributions by Jennifer Levy, Ulla Tillander-Godenhielm, Anna and Vincent In association with Hillwood Estate, specialist in the history of Russia, Palmade, Galina Korneva and Tatiana Cheboksarova Museum & Gardens, Washington, DC and the co-author of several June 2018 books with Tatiana Cheboksarova The firm of Fabergé, jeweller to the Russian court, was founded in St. Petersburg in 1842. Expanded by the founder’s son, Peter Carl Fabergé, the firm became one of the most famous jewellers of the late nineteenth to early twentieth centuries. Major American collectors, such as Marjorie Merriweather Post, played a significant role in Fabergé’s success after the fall of the Russian imperial regime, and her mansion at Hillwood, Washington DC, now has a collection of about ninety pieces, including two imperial Easter eggs, various works of art of imperial provenance, silver, jewellery, hardstone and religious items. Recent research on Fabergé, revelations from the Russian public archives, and the discovery of objects thought to be lost have brought to light new information about Fabergé’s career and his creations, including material on several of Hillwood’s Fabergé items. With fabulous new photography, exquisite works of art and illuminating focus spreads by Fabergé experts, this new volume presents the firm in the broader history of nineteenth- and twentieth-century jewellery and goldsmithing, documents new attributions and provenances, and examines our continuing fascination with Fabergé’s remarkable work. New Titles — 7 Fall of the Rebel Angels (detail) From Psalter-Hours of Yolande de Soissons France, Amiens, ca. 1280–99 and ca. 1400 The Morgan Library and Museum, New York MEDIEVAL MONSTERS Terrors, Aliens, Wonders Sherry C. M. Lindquist is associate UK£30.00 / US$39.95 professor of Art History at Hardback Western Illinois University ISBN 978-1-911282-18-1 176 pages Asa Simon Mittman is professor 229 × 279 mm (9 × 11 in) of Art History at California State Portrait University, Chico 100 colour illustrations In association with the Morgan China Miéville is an award-winning Library and Museum, New York fantasy fiction writer and author June 2018 of Kraken Sherry C. M. Lindquist and Asa Simon Mittman Preface by China Miéville Medieval Monsters: Terrors, Aliens, Wonders explores the abiding fascination with monsters and the enduring power and influence that they have had throughout the history of Western civilization. This new volume features over ninety illustrations from sumptuously decorated manuscripts—drawn from the Morgan Library & Museum’s renowned collection of medieval and Renaissance illuminated manuscripts—presenting a glorious array of monsters and monstrosities that reveals their varied roles in medieval society. It is divided into three main sections: terrors, aliens, and wonders. The first features the more familiar medieval monsters—dragons, demons, and hellmouths— often depicted in battle with heroes or saints, as well as sacred terrors, such as martyrs.
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