Special List 414: the Middle East
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Recent Acquisitions: a Rare Work by Jacobus Tevius Barry Taylor
Recent Acquisitions: a Rare Work by Jacobus Tevius Barry Taylor The British Library has recently had the good fortune to buy a rare work by a major figure in Portuguese Renaissance Humanism. Its description is as follows: Iacobi Tevii Lusitani. Epodon siue Ia(m)bicorum carminum libri tres [...] Ad Sebastianum primum, inuictissimum Lusitaniæ Regem (Lisbon: Francisco Correia, 1565) 12º. [6], 171 [sic for 160], [2], 66 leaves.1 British Library pressmark: RB.23.a.23815 The work is divided into three books: 1. Sententiarum vtilium quidem omnibus hominibus, sed regibus ac rerum moderatoribus præcipue, quibus addita est boni principis institutio. 2. Hymnorum ad Iesum Christum & ad diuos huiusce regni patronos pro Regis salute & rerum felicissimo statu. 3. De perfecto Episcopo & alia opuscula ad Henricum Serenissimum principem, cardinalemque illustrissimum regnique moderatorem sapientissimum. The author, Diogo de Teive, wrote only under the Latin form of his name, Jacobus Te vius.2 He was born in Braga between 1513 and 1515, and died between 1565 and 1579, probably in Lisbon. His career displays both the glory of Portuguese Humanism and its decline under the Inquisition. Like many a scholar of his generation,Tevius was a traveller, a situation aided by the international currency of Latin. From the age of twelve he studied at the Collège de Sainte-Barbe in Paris, under a Portuguese mentor, Diogo de Gouveia Senior. From 1532 to 1534 he taught at Salamanca. Finding the Spanish university town did not provide him with the peace and quiet necessary for study, he returned to France, studying law at Toulouse and teaching at Bordeaux, where he held a chair in Humanities. -
Barry Lawrence Ruderman Antique Maps Inc
Barry Lawrence Ruderman Antique Maps Inc. 7407 La Jolla Boulevard www.raremaps.com (858) 551-8500 La Jolla, CA 92037 [email protected] Scheeps-Togt Door Don Henrique de Menezes van Couchin na Panatta int gebide des Samorynzen Konink Van Calicut gelegen Stock#: 66717 Map Maker: van der Aa Date: 1700 Place: Amsterdam Color: Hand Colored Condition: VG+ Size: 9 x 6 inches Price: $ 395.00 Description: Fine image of the Arabian Peninsula and much of India, illustrating the third and final voyage of Vasco Da Gama, which result in his death and the ascendancy of Henrique de Menezes as Governor of India. The name Bischa appears on the map. This would seem to be an early printed appearance of the name "Bishita," a name which dates back to the 8th and 9th Centuries, when it appeared in Eastern Syriatic documents of the Old Testament, "referencing the prosperity of the 'Bayt Qatarya' region." (see, Khalid Al-Jaber, Media In Qatar, Katara (Publishin House 2021), p. 23) Vasco da Gama was a Portuguese explorer and the first European to reach India by sea. His initial voyage to India (1497–1499) is widely considered a milestone in world history. Da Gama's discovery of the sea route to India opened the way for an age of global imperialism and enabled the Portuguese to establish a long-lasting colonial empire in Asia. After the death of King Manuel I in late 1521, his son and successor, King John III of Portugal set about reviewing the Portuguese government overseas. Vasco da Gama re-emerged as an important adviser to the new king's appointments and strategy. -
Literatura Portuguesa
LITERATURA PORTUGUESA III - LITERATURA PORTUGUESA E HISTÓRIA NO LONGO SÉCULO XIX Helder Garmes - 1º semestre de 2019 - Segunda-feira - Noturno Proposta: O curso propõe discutir a relação entre literatura e história em Portugal no decorrer do chamado longo século XIX, que adentra ao início do século XX. Serão tratados os seguintes escritores: Almeida Garrett, Alexandre Herculano, Camilo Castelo Branco, Eça de Queirós, Camilo Pessanha e Fernando Pessoa. Ainda que de forma panorâmica, por tratar de diversos autores, o curso mantém o foco na relação entre literatura e história, tema crucial para o estudo da literatura portuguesa desse período. FEVEREIRO 18 – Apresentação do programa – O século XIX em Portugal – Literatura Comparada 25 - Debate Literatura e História – Roger Chartier e João Adolfo Hansen MARÇO 04 – Carnaval 11 – Almeida Garrett – Frei Luís de Sousa SANDMANN, Marcelo Corrêa. “Frei Luís de Sousa: um clássico romântico”. Letras, Curitiba, n. 51, p. 93-130, jan./jun. 1999. Editora da UFPR. 18 – Alexandre Herculano – “A morte do Lidador”, do livro Lendas e narrativas OLIVEIRA, Rodrigo Santos de. “A construção do imaginário do guerreiro lusitano romântico em A morte do lidador de Alexandre Herculano”. Historiæ, Rio Grande, 8 (1): 93-107, 2017. 25 – Semana Santa ABRIL 01 – Alexandre Herculano – “A dama do pé de cabra”, do livro Lendas e Narrativas ALVES, Carla Carvalho. “A dama do pé de cabra”: entre o histórico e o fantástico, Desassossego, n. 11, 2014, p.48-59 8 – Camilo Castelo Branco – O senhor do Paço de Ninães 15 – Semana Santa 22 – Camilo Castelo Branco – O senhor do Paço de Ninães PAVANELO, Luciene Marie. -
Network Map of Knowledge And
Humphry Davy George Grosz Patrick Galvin August Wilhelm von Hofmann Mervyn Gotsman Peter Blake Willa Cather Norman Vincent Peale Hans Holbein the Elder David Bomberg Hans Lewy Mark Ryden Juan Gris Ian Stevenson Charles Coleman (English painter) Mauritz de Haas David Drake Donald E. Westlake John Morton Blum Yehuda Amichai Stephen Smale Bernd and Hilla Becher Vitsentzos Kornaros Maxfield Parrish L. Sprague de Camp Derek Jarman Baron Carl von Rokitansky John LaFarge Richard Francis Burton Jamie Hewlett George Sterling Sergei Winogradsky Federico Halbherr Jean-Léon Gérôme William M. Bass Roy Lichtenstein Jacob Isaakszoon van Ruisdael Tony Cliff Julia Margaret Cameron Arnold Sommerfeld Adrian Willaert Olga Arsenievna Oleinik LeMoine Fitzgerald Christian Krohg Wilfred Thesiger Jean-Joseph Benjamin-Constant Eva Hesse `Abd Allah ibn `Abbas Him Mark Lai Clark Ashton Smith Clint Eastwood Therkel Mathiassen Bettie Page Frank DuMond Peter Whittle Salvador Espriu Gaetano Fichera William Cubley Jean Tinguely Amado Nervo Sarat Chandra Chattopadhyay Ferdinand Hodler Françoise Sagan Dave Meltzer Anton Julius Carlson Bela Cikoš Sesija John Cleese Kan Nyunt Charlotte Lamb Benjamin Silliman Howard Hendricks Jim Russell (cartoonist) Kate Chopin Gary Becker Harvey Kurtzman Michel Tapié John C. Maxwell Stan Pitt Henry Lawson Gustave Boulanger Wayne Shorter Irshad Kamil Joseph Greenberg Dungeons & Dragons Serbian epic poetry Adrian Ludwig Richter Eliseu Visconti Albert Maignan Syed Nazeer Husain Hakushu Kitahara Lim Cheng Hoe David Brin Bernard Ogilvie Dodge Star Wars Karel Capek Hudson River School Alfred Hitchcock Vladimir Colin Robert Kroetsch Shah Abdul Latif Bhittai Stephen Sondheim Robert Ludlum Frank Frazetta Walter Tevis Sax Rohmer Rafael Sabatini Ralph Nader Manon Gropius Aristide Maillol Ed Roth Jonathan Dordick Abdur Razzaq (Professor) John W. -
Secrecy, Ostentation, and the Illustration of Exotic Animals in Sixteenth-Century Portugal
ANNALS OF SCIENCE, Vol. 66, No. 1, January 2009, 59Á82 Secrecy, Ostentation, and the Illustration of Exotic Animals in Sixteenth-Century Portugal PALMIRA FONTES DA COSTA Unit of History and Philosophy of Science and Technology, Faculty of Sciences and Technology, Universidade Nova de Lisboa, 2829-516 Campus da Caparica, Portugal Received 6 December 2007. Revised paper accepted 5 August 2008 Summary During the first decades of the sixteenth century, several animals described and viewed as exotic by the Europeans were regularly shipped from India to Lisbon. This paper addresses the relevance of these ‘new’ animals to knowledge and visual representations of the natural world. It discusses their cultural and scientific meaning in Portuguese travel literature of the period as well as printed illustrations, charts and tapestries. This paper suggests that Portugal did not make the most of its unique position in bringing news and animals from Asia. This was either because secrecy associated with trade and military interests hindered the diffusion of illustrations presented in Portuguese travel literature or because the illustrations commissioned by the nobility were represented on expensive media such as parchments and tapestries and remained treasured possessions. However, the essay also proposes that the Portuguese contributed to a new sense of the experience and meaning of nature and that they were crucial mediators in access to new knowledge and new ways of representing the natural world during this period. Contents 1. Introduction. ..........................................59 2. The place of exotic animals in Portuguese travel literature . ...........61 3. The place of exotic animals at the Portuguese Court.. ...............70 4. Exotic animals and political influence. -
Alexandre Herculano E a Construção Do Texto Histórico: Escrita, Fontes E Narrativa
UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS MICHELLE FERNANDA TASCA Alexandre Herculano e a construção do texto histórico: escrita, fontes e narrativa CAMPINAS 2018 MICHELLE FERNANDA TASCA Alexandre Herculano e a construção do texto histórico: escrita, fontes e narrativa Tese apresentada ao Instituto de Filosofia e Ciências Humanas da Universidade Estadual de Campinas como parte dos requisitos exigidos para a obtenção do título de Doutora em História na Área de Política Memória e Cidade. Supervisor/Orientador: Cristina Meneguello ESSE EXEMPLAR CORRESPONDE À VERSÃO FINAL DA TESE DEFENDIDA PELA ALUNA MICHELLE FERNANDA TASCA E ORIENTADA PELA PROFESSORA DOUTORA CRISTINA MENEGUELLO. ______________________________________ CAMPINAS 2018 UNIVERSIDADE ESTADUAL DE CAMPINAS INSTITUTO DE FILOSOFIA E CIÊNCIAS HUMANAS A Comissão Julgadora dos trabalhos de Defesa de Tese de Doutorado, composta pelos Professores Doutores a seguir descritos, em sessão pública realizada em 12 de abril de 2018, considerou a candidata Michelle Fernanda Tasca aprovada. Profa. Dra. Cristina Meneguello Prof. Dr. Luiz Estevam de Oliveira Fernandes Prof. Dr. José Alves de Freitas Neto Profa. Dra. Iara Lís Franco Schiavinatto Prof. Dr. Julio Cesar Bentivoglio A Ata de Defesa com as respectivas assinaturas dos membros encontra-se no SIGA/Sistema de Fluxo de Dissertações/Teses e na Secretaria do Programa de Pós-Graduação em História do Instituto de Filosofia e Ciências Humanas. Para meus pais... AGRADECIMETOS Escrever os agradecimentos de um trabalho é atestá-lo como concluído. É uma parte fácil se pensada em relação a tudo o que trabalhamos para chegar nesse momento. Mas é também a mais difícil, pois exige a consciência do fim. -
Authors, Translators & Other Masqueraders
Transgressing Authority – Authors, Translators and Other Masqueraders Alexandra Lopes The huge success of Walter Scott in Portugal in the first half of the 19th century was partially achieved by sacrificing the ironic take on authorship his Waverley Novels entailed. This article examines translations of his works within the context of 19th century Portugal with a focus on the translation(s) of Waverley. The briefest perusal of the Portuguese texts reveals plentiful instances of new textual authority, which naturally compose a sometimes very different author(ship) -- an authorship often mediated by French translations. Thus a complex web of authority emerges effectively, if deviously, (re)creating the polyphony of authorial voices and the displacement of the empirical author first staged by the source texts themselves. Keywords: authorship, literary translation, translation history, translatability L’immense succès connu par Walter Scott au Portugal dans la première moitié du XIXe siècle se doit en partie au sacrifice de la dimension ironique de la voix auctoriale dans sa série Waverley. Cet article examine les traductions des oeuvres de Scott dans le contexte du Portugal de l’époque en portant une attention particulière aux traductions de Waverley. Même un très bref aperçu des textes portuguais révèle de nombreux exemples d’instances nouvelles d’autorité narrative, lesquelles créent une voix auctoriale parfois très différente de celle du texte original à cause souvent du rôle médiateur des traductions françaises. Un tissu complexe de voix auctoriales émerge ainsi, bien que par le biais d’artifices, recréant la polyphonie des voix auctoriales et le déplacement de l’auteur empirique, mis en scène d’abord par les textes originaux. -
University of California
UNIVERSITY OF CALIFORNIA Santa Barbara The United States and the Barbary Pirates: Adventures in Sexuality, State-Building, and Nationalism, 1784-1815 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Jason Raphael Zeledon Committee in charge: Professor Patricia Cohen, co-chair Professor John Majewski, co-chair Professor Salim Yaqub Professor Mhoze Chikowero June 2016 The dissertation of Jason Raphael Zeledon is approved ______________________________________________ Mhoze Chikowero ______________________________________________ Salim Yaqub ______________________________________________ Patricia Cohen, Committee Co-Chair ______________________________________________ John Majewski, Committee Co-Chair June 2016 ACKNOWLEDGEMENTS First, I would like to thank my eleventh-grade American History teacher, Peggy Ormsby. If I had not taken her AP class, my life probably would have gone in a different direction! At that time math was my favorite subject, but her class got me hooked on studying American History. Thanks, too, to the excellent teachers and mentors in graduate school who shaped and challenged my thinking. At American University (where I earned my M.A.), I’d like to thank Max Friedman, Andrew Lewis, Kate Haulman, and Eileen Findlay. I transferred to UCSB to finish my Ph.D. and have thoroughly enjoyed working with Pat Cohen, John Majewski, Salim Yaqub, and Mhoze Chikowero. I’d especially like to thank Pat, who provided insightful feedback on early drafts of my chapter about the Mellimelli mission (which has been published in Diplomatic History). Additionally, I’d like to thank UCSB’s History, Writing, and English Departments for providing Teaching Assistantships and the staffs of the Historical Society of Pennsylvania, the Library of Congress Manuscript Reading Room, and the Huntington Library for their help and friendliness. -
The Portrait of Juana of Austria in the Bilbao Fine Arts Museum
IN THE KING’S NAME The Portrait of Juana of Austria in the Bilbao Fine Arts Museum Leticia Ruiz Gómez This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao Photography credits © Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao: fig. 1 © Kunsthistorisches Museum, Wien: fig. 7 © Musées Royaux des Beaux Arts de Belgique, Bruxelles: fig. 4 © Museo Nacional del Prado, Madrid: figs. 2, 3, 5, 9 and 10 © Patrimonio Nacional, Madrid: figs. 6 and 8 Text published in: B’06 : Buletina = Boletín = Bulletin. Bilbao : Bilboko Arte Eder Museoa = Museo de Bellas Artes de Bilbao = Bilbao Fine Arts Museum, no. 2, 2007, pp. 85-123. Sponsored by: 2 n the 1550s Princess Juana of Portugal was a regular subject for portrait artists, being one of the leading women in the House of Austria, the dynasty that dominated the political scene in Europe throughout the I16th century. The youngest daughter of Charles V and Isabella of Portugal, she had a special role to play in her father’s geopolitical strategies, first as the wife of the heir to the Portuguese throne, to whom she bore a posthumous son who would eventually come to the throne of Spain’s neighbour, and subsequently as regent of the Emperor’s peninsular territories. -
The Other Nineteenth Century
Historical Stories: Arnaldo Gama and the Traditional Historical Novel Ana Maria Marques Translated by Claire Williams Abstract. In this study Ana Maria Marques examines Arnaldo Gama’s Romantic historical writing, by engaging examples from his works along with the author’s own comments. She discusses how Gama attains a realistic diegetic universe through the inclusion of elements of local color, insistent descriptions, the reconstruction of social and cultural environments, real historical figures and events within the invented plot, yet with the author’s poetic license to modernize language and other necessary elements, in this re-articulation of History through fiction. 1. History in the Novel. The historical novels penned by Arnaldo Gama (1828-1869), which fall within the category of the Romantic historical novel, are intended to serve the dual purposes of educating and entertaining the reader. The Porto-based author, in a similar way to Alexandre Herculano, never tired of repeating the didactic aims behind his works: Demais eu nao o queria narrado no estilo severo e seco, em que se escreve a historia; queria-o de maneira que todos o lessem, que instruisse deleitando, utile dulci [...]. Queria... queria uma novela, um romance historico, que toda a genre Portuguese Literary & Cultural Studies 12 (2007): 183-94. © University of Massachusetts Dartmouth. PORTUGUESE LITERARY & CULTURAL STUDIES 12 lesse, que toda a gente quisesse ler; porque, enfim, meu caro amigo, estou convencido que a maneira de ensinar a historia aqueles que nao se aplicam aos livros, aqueles cuja profissao os arreda de poder fazer estudos serios e seguidos, e o romancea-la, dialogando-a, e dando vida a epoca, dando vida aos personagens, dando vida as localidades [...]. -
European Latin Drama of the Early Modern Period in Spain, Portugal and Latin America
1 European Latin Drama of the Early Modern Period in Spain, Portugal and Latin America Joaquín Pascual Barea Introduction In the Hispanic Neo-Latin theatre, ancient drama converged with cultured and popular medieval genres such as elegiac comedy, debates and religious performances, as well as humanistic comedy from Italy and from the Low Countries, and other dramatic, poetic and oratorical genres from the Modern Age. Before a historical survey, we also analyze the influence of Aristotle’s and Horace’s poetics and of ancient drama on Neo-Latin drama, paying particular attention to the structure, the number of acts, the characters, the use of prose or verse, and the main dramatic genres. The History of Neo-Latin drama in Iberia and Latin America has been divided into four periods. During the reign of the Catholic Kings (1479–1516), the first Latin eclogues and dialogues produced in Spain, and the works of Hercules Florus and Johannes Parthenius de Tovar in the Kingdom of Aragon deserve our interest. Under the King and Emperor Charles (1516–1556), we consider the main authors of Neo-Latin drama: Joannes Angelus Gonsalves and Joannes Baptista Agnesius in Valencia, and Franciscus Satorres in Catalonia; Joannes Maldonatus in Salamanca and Burgos; Joannes Petreius at the University of Alcalá de Henares, and Franciscus Cervantes de Salazar in Mexico, as well as Didacus Tevius in Portugal under John III (1521–1557). A few months before the reign of King Sebastian in Portugal and King Philip in Spain (1556–1598), the Society of Jesus started their dramatic activity in the different provinces of Iberia: Portugal, Andalusia, Castile, Toledo and Aragon. -
A New Companion to Hispanic Mysticism Brill’S Companions to the Christian Tradition
A New Companion to Hispanic Mysticism Brill’s Companions to the Christian Tradition A series of handbooks and reference works on the intellectual and religious life of Europe, 500–1700 VOLUME 19 A New Companion to Hispanic Mysticism Edited by Hilaire Kallendorf LEIDEN • BOSTON 2010 Cover illustration: Confraternity painting (detail) of Saint Michael the Archangel and Souls (Igreja Sandim, Vila Nova de Gaia, Portugal) (Photo: María Gabriela Oliveira). Th is book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data A new companion to Hispanic mysticism / edited by Hilaire Kallendorf. p. cm. — (Brill’s companions to the Christian tradition, ISSN 1871-6377 ; v. 19) Includes bibliographical references and index. ISBN 978-90-04-18350-6 (hardback : alk. paper) 1. Mysticism—Iberian Peninsula—History. 2. Iberian Peninsula—Church history. 3. Mysticism—Spain—Colonies—America—History. 4. Spain—Colonies—America— Church history. I. Kallendorf, Hilaire, 1974- II. Title. III. Series. BV5077.I18N48 2010 248.2’20917561—dc22 2010016132 ISSN 1871-6377 ISBN 978 90 04 18350 6 Copyright 2010 by Koninklijke Brill NV, Leiden, Th e Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Koninklijke Brill NV provided that the appropriate fees are paid directly to Th e Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA.