The La Trobe Journal No 90 December 2012 End Matter
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Introduction Itinerary
ANTARCTICA - AKADEMIK SHOKALSKY TRIP CODE ACHEIWM DEPARTURE 10/02/2022 DURATION 25 Days LOCATIONS East Antarctica INTRODUCTION This is a 25 day expedition voyage to East Antarctica starting and ending in Invercargill, New Zealand. The journey will explore the rugged landscape and wildlife-rich Subantarctic Islands and cross the Antarctic circle into Mawsonâs Antarctica. Conditions depending, it will hope to visit Cape Denison, the location of Mawsonâs Hut. East Antarctica is one of the most remote and least frequented stretches of coast in the world and was the fascination of Australian Antarctic explorer, Sir Douglas Mawson. A true Australian hero, Douglas Mawson's initial interest in Antarctica was scientific. Whilst others were racing for polar records, Mawson was studying Antarctica and leading the charge on claiming a large chunk of the continent for Australia. On his quest Mawson, along with Xavier Mertz and Belgrave Ninnis, set out to explore and study east of the Mawson's Hut. On what began as a journey of discovery and science ended in Mertz and Ninnis perishing and Mawson surviving extreme conditions against all odds, with next to no food or supplies in the bitter cold of Antarctica. This expedition allows you to embrace your inner explorer to the backdrop of incredible scenery such as glaciers, icebergs and rare fauna while looking out for myriad whale, seal and penguin species. A truly unique journey not to be missed. ITINERARY DAY 1: Invercargill Arrive at Invercargill, New Zealand’s southernmost city. Established by Scottish settlers, the area’s wealth of rich farmland is well suited to the sheep and dairy farms that dot the landscape. -
A Sheffield Hallam University Thesis
The polar sublime in contemporary poetry of Arctic and Antarctic exploration. JACKSON, Andrew Buchanan. Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/20170/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/20170/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. jj Learning and information Services I Adsetts Centre, City Campus * Sheffield S1 1WD 102 156 549 0 REFERENCE ProQuest Number: 10700005 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10700005 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 The Polar Sublime in Contemporary Poetry of Arctic and Antarctic Exploration Andrew Buchanan Jackson A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of Doctor of Philosophy September 2015 Abstract In this thesis I formulate the concept of a polar sublime, building on the work of Chauncy Loomis and Francis Spufford, and use this new framework for the appraisal of contemporary polar-themed poetry. -
Annual Report Contents About Museums Australia Inc
Museums Australia (Victoria) Melbourne Museum Carlton Gardens, Carlton PO Box 385 Carlton South, Victoria 3053 (03) 8341 7344 Regional Freecall 1800 680 082 www.mavic.asn.au 08 annual report Contents About Museums Australia Inc. (Victoria) About Museums Australia Inc. (Victoria) .................................................................................................. 2 Mission Enabling museums and their Training and Professional Development President’s Report .................................................................................................................................... 3 services, including phone and print-based people to develop their capacity to inspire advice, referrals, workshops and seminars. Treasurer’s Report .................................................................................................................................... 4 Membership and Networking Executive Director’s Report ...................................................................................................................... 5 and engage their communities. to proactively and reactively identify initiatives for the benefit of existing and Management ............................................................................................................................................. 7 potential members and links with the wider museum sector. The weekly Training & Professional Development and Member Events ................................................................... 9 Statement of Purpose MA (Vic) represents -
In the Annals of Antarctic Exploration the Names Shackleton, Scott and Mawson Are Well Known and Documented
In the annals of Antarctic exploration the names Shackleton, Scott and Mawson are well known and documented. However there were many others involved in the expeditions. The name of Ninnis came to light recently when Hayward’s Auction House sold some sketches by Aubrey Howard Ninnis, and the trail was very interesting. On 4 August 1914 Ernest Shackleton left Buenos Aires in Endurance for the Weddell Sea on his ‘Imperial Trans-Antarctic Expedition’ which aimed to cross the continent from the Weddell Sea via the South Pole to McMurdo Sound. Aurora was a steam yacht built in Glasgow in 1876 for a whaling company operating out of New Foundland from 1876 to 1910. In 1910 she was bought by Douglas Mawson for his Australasian Antarctic Expedition. In 1914 Sir Ernest Shackleton tasked Aurora to help set up supply depots along the route for his Trans-Antarctic Expedition. The Aurora sailed from Sydney on15 December 1914 for the Ross Sea where she moored to the shore in Cape Evans Bay, McMurdo Sound. Her mission was to land supplies and lay depots inland to 80 degrees south for the Shackleton party. Though secured to shore by six wire cable attached to anchors embedded in the ice, the Aurora was carried away by a blizzard on 6 May 1915 and driven many miles out to sea. Ten men were stranded on shore, but Ninnis was stranded on board. The ship managed to break free of the ice on 18 July 1915, and after much drama she finally berthed at Port Chalmers on 3 April 1916. -
Antarctic Primer
Antarctic Primer By Nigel Sitwell, Tom Ritchie & Gary Miller By Nigel Sitwell, Tom Ritchie & Gary Miller Designed by: Olivia Young, Aurora Expeditions October 2018 Cover image © I.Tortosa Morgan Suite 12, Level 2 35 Buckingham Street Surry Hills, Sydney NSW 2010, Australia To anyone who goes to the Antarctic, there is a tremendous appeal, an unparalleled combination of grandeur, beauty, vastness, loneliness, and malevolence —all of which sound terribly melodramatic — but which truly convey the actual feeling of Antarctica. Where else in the world are all of these descriptions really true? —Captain T.L.M. Sunter, ‘The Antarctic Century Newsletter ANTARCTIC PRIMER 2018 | 3 CONTENTS I. CONSERVING ANTARCTICA Guidance for Visitors to the Antarctic Antarctica’s Historic Heritage South Georgia Biosecurity II. THE PHYSICAL ENVIRONMENT Antarctica The Southern Ocean The Continent Climate Atmospheric Phenomena The Ozone Hole Climate Change Sea Ice The Antarctic Ice Cap Icebergs A Short Glossary of Ice Terms III. THE BIOLOGICAL ENVIRONMENT Life in Antarctica Adapting to the Cold The Kingdom of Krill IV. THE WILDLIFE Antarctic Squids Antarctic Fishes Antarctic Birds Antarctic Seals Antarctic Whales 4 AURORA EXPEDITIONS | Pioneering expedition travel to the heart of nature. CONTENTS V. EXPLORERS AND SCIENTISTS The Exploration of Antarctica The Antarctic Treaty VI. PLACES YOU MAY VISIT South Shetland Islands Antarctic Peninsula Weddell Sea South Orkney Islands South Georgia The Falkland Islands South Sandwich Islands The Historic Ross Sea Sector Commonwealth Bay VII. FURTHER READING VIII. WILDLIFE CHECKLISTS ANTARCTIC PRIMER 2018 | 5 Adélie penguins in the Antarctic Peninsula I. CONSERVING ANTARCTICA Antarctica is the largest wilderness area on earth, a place that must be preserved in its present, virtually pristine state. -
2018-Annual-Report.Pdf
2018 ANNUAL REPORT GROWING TODAY. BUILDING New Fishermans Bend Campus 2022* Southbank Campus Redevelopment 2019* New Student Precinct 2022* THE IDEAS OF Engineering ideas for the 21st century Melbourne’s new creative centre Bringing the campus community together The University is creating a world-class engineering school for the This ambitious $200 million project, including the new Melbourne Co-created with students, the New Student Precinct at Parkville will 21st century, including a new purpose-built engineering campus Conservatorium, brings music and fine arts students together at the provide a place for students to connect, engage and innovate. TOMORROW at Melbourne’s Fishermans Bend – Australia’s newest design and heart of the Melbourne Arts Precinct. It supports the Faculty of Fine Arts This vibrant precinct will bring together student services with study engineering precinct. and Music’s standing as a world-leading arts education institution with spaces, arts and cultural facilities with food and retail outlets; all in close cutting-edge facilities and strong industry links. proximity to the Parkville campus. Science Gallery Melbourne 2020* Old Quadrangle Redevelopment 2019* Western Edge Biosciences Parkville 2019* Werribee Campus Redevelopment 2019* Growing minds in arts and science Reaffirming the heart of the University Where modern facilities meet our living Victoria’s world-class home for veterinary The newest addition to an acclaimed international network with eight Following an extensive restoration and the incorporation of cultural and heritage education and animal treatment nodes worldwide, the landmark Science Gallery Melbourne will be event spaces, the Old Quad will be reaffirmed as the University’s cultural, Bringing three faculties together for the first time, our Western Edge Through a $63 million investment, the University is expanding its embedded in the University of Melbourne ’s new innovation precinct, civic and ceremonial heart. -
News from the Collections
News from the collections Grainger Museum reopening Melbourne Conservatorium of The Grainger Museum officially Music; Dr Peter Tregear of Monash re-opened on Friday 15 October, University; and Brian Allison and following a seven-year closure. Astrid Krautschneider, Curators of Over the past few years substantial the Grainger Museum. conservation works were carried out The Grainger Museum is located on the heritage-registered building on Royal Parade, near Gate 13, under the supervision of conservation Parkville Campus. The opening architects Lovell Chen, along with hours are Tuesday to Friday 1pm to improvements to the facilities for 4.30pm and Sunday 1pm to 4.30pm. visitors, collections and staff. The new Closed Monday and Saturday, public suite of exhibitions, curated by the holidays and Christmas through Grainger Museum staff and designed January. Percy’s Café is open 8am to by Lucy Bannyan of Bannyan Wood 5pm, Monday to Friday. For further Design, explore Grainger’s life, times information or to join the mailing list and work. Funding was provided see www.grainger.unimelb.edu.au. by the University, the University Library, the University Annual MacPherson, Ormond Professor of G.W.L. Marshall-Hall: Appeal, bequests and donors. The Music and Director of the Melbourne A symposium guest speaker at the launch was Conservatorium of Music. Professor The collections of the Grainger Professor Malcolm Gillies, Vice- Gillies’ keynote paper ‘Grainger Museum provide an invaluable Chancellor of London Metropolitan 50 years on’ explored Percy Grainger’s research resource that extend far University and a leading Grainger current place in both the world of beyond the life and music of Percy scholar. -
Corangamite Heritage Study Stage 2 Volume 3 Reviewed
CORANGAMITE HERITAGE STUDY STAGE 2 VOLUME 3 REVIEWED AND REVISED THEMATIC ENVIRONMENTAL HISTORY Prepared for Corangamite Shire Council Samantha Westbrooke Ray Tonkin 13 Richards Street 179 Spensley St Coburg 3058 Clifton Hill 3068 ph 03 9354 3451 ph 03 9029 3687 mob 0417 537 413 mob 0408 313 721 [email protected] [email protected] INTRODUCTION This report comprises Volume 3 of the Corangamite Heritage Study (Stage 2) 2013 (the Study). The purpose of the Study is to complete the identification, assessment and documentation of places of post-contact cultural significance within Corangamite Shire, excluding the town of Camperdown (the study area) and to make recommendations for their future conservation. This volume contains the Reviewed and Revised Thematic Environmental History. It should be read in conjunction with Volumes 1 & 2 of the Study, which contain the following: • Volume 1. Overview, Methodology & Recommendations • Volume 2. Citations for Precincts, Individual Places and Cultural Landscapes This document was reviewed and revised by Ray Tonkin and Samantha Westbrooke in July 2013 as part of the completion of the Corangamite Heritage Study, Stage 2. This was a task required by the brief for the Stage 2 study and was designed to ensure that the findings of the Stage 2 study were incorporated into the final version of the Thematic Environmental History. The revision largely amounts to the addition of material to supplement certain themes and the addition of further examples of places that illustrate those themes. There has also been a significant re-formatting of the document. Most of the original version was presented in a landscape format. -
Curator's Acknowledgements
4 Curator’s acknowledgements The exhibition has been researched with generous help from many people. Yvonne Boyd, David Chalker, Valerie Herbst, Clare Golson, Barbara Blackman, Felicity St John Moore, Derek Wrigley, Colin Ploughman, Sebastian Clark, Heather Rusden, and Jim Davidson provided invaluable information about the artists during the time of their fellowships. Howard Morphy — my co-writer — Pip Deveson, and Ian Dunlop gave advice and support on the subject of Narritjin and his paintings. ANU’s archivists and Deirdre Ward found thick files and photographs relating to the fellowships. Curators Deborah Hart and Elena Taylor contributed insights into Arthur Boyd’s Caged Painter series of paintings, and David Boon did the same about Nolan’s Riverbend.The directors of national institutions, Ron Radford of the National Gallery of Australia, Cradock Morton of the National Museum of Australia, Gerard Vaughan of the National Gallery of Victoria and Peter Haynes of the Nolan Gallery, kindly agreed to lend key works from their collections. The ABC’s gifted producer, Arthur Hill, made a short feature film about the Three Creative Fellows. Librarians of The Canberra Times, the National Gallery of Australia, the Art Gallery of New South Wales and the Art Gallery of South Australia provided material from their libraries. Photographers Stuart Hay, Brenton McGeachey, Pip Deveson, George Serras and Dragi Markovic supplied high quality images for the catalogue. Mark Henderson and John Carr at the National Museum were most generous with their time. Bruce Egan, the Registrar at the National Gallery, smoothed some awkward transport problems. Martin Gascoigne took me to Toolamba and into the country around Canberra in search of appropriate photographs of landscapes. -
Ii: Mary Alice Evatt, Modern Art and the National Art Gallery of New South Wales
Cultivating the Arts Page 394 CHAPTER 9 - WAGING WAR ON THE ESTABLISHMENT? II: MARY ALICE EVATT, MODERN ART AND THE NATIONAL ART GALLERY OF NEW SOUTH WALES The basic details concerning Mary Alice Evatt's patronage of modern art have been documented. While she was the first woman appointed as a member of the board of trustees of the National Art Gallery of New South Wales, the rest of her story does not immediately suggest continuity between her cultural interests and those of women who displayed neither modernist nor radical inclinations; who, for example, manned charity- style committees in the name of music or the theatre. The wife of the prominent judge and Labor politician, Bert Evatt, Mary Alice studied at the modernist Sydney Crowley-Fizelle and Melbourne Bell-Shore schools during the 1930s. Later, she studied in Paris under Andre Lhote. Her husband shared her interest in art, particularly modern art, and opened the first exhibition of the Contemporary Art Society in Melbourne 1939, and an exhibition in Sydney in the same year. His brother, Clive Evatt, as the New South Wales Minister for Education, appointed Mary Alice to the Board of Trustees in 1943. As a trustee she played a role in the selection of Dobell's portrait of Joshua Smith for the 1943 Archibald Prize. Two stories thus merge to obscure further analysis of Mary Alice Evatt's contribution to the artistic life of the two cities: the artistic confrontation between modernist and anti- modernist forces; and the political career of her husband, particularly knowledge of his later role as leader of the Labor opposition to Robert Menzies' Liberal Party. -
Cape Denison MAWSON CENTENNIAL 1911–2011, Commonwealth Bay
Cape Denison MAWSON CENTENNIAL 1911–2011, Commonwealth Bay Mawson and the Australasian Geology of Cape Denison Landforms of Cape Denison Position of Cape Denison in Gondwana Antarctic Expedition The two dominant rock-types found at Cape Denison Cape Denison is a small ice-free rocky outcrop covering Around 270 Million years ago the continents that we are orthogneiss and amphibolite. There are also minor less than one square kilometre, which emerges from The Australasian Antarctic Expedition (AAE) took place know today were part of a single ancient supercontinent occurrences of coarse grained felsic pegmatites. beneath the continental ice sheet. Stillwell (1918) reported between 1911 and 1914, and was organised and led by called Pangea. Later, Pangea split into two smaller that the continental ice sheet rises steeply behind Cape the geologist, Dr Douglas Mawson. The expedition was The Cape Denison Orthogneiss was described by Stillwell (1918) as supercontinents, Laurasia and Gondwana, and Denison reaching an altitude of ‘1000 ft in three miles and jointly funded by the Australian and British Governments coarse-grained grey quartz-feldspar layered granitic gneiss. These rock Antarctica formed part of Gondwana. with contributions received from various individuals and types are normally formed by metamorphism (changed by extreme heat 1500 ft in five and a half miles’ (approximately 300 metres and pressure) of granites. The Cape Denison Orthogneiss is found around In current reconstructions of the supercontinent Gondwana, the Cape scientific societies, including the Australasian Association to 450 metres over 8.9 kilometres). Photography by Chris Carson Cape Denison, the nearby offshore Mackellar Islands, and nearby outcrops Denison–Commonwealth Bay region was located adjacent to the coast for the Advancement of Science. -
Media Release
SENATOR THE HON GEORGE BRANDIS QC ATTORNEY-GENERAL MINISTER FOR THE ARTS MEDIA RELEASE NEW DIRECTOR OF THE NATIONAL GALLERY OF AUSTRALIA Today I am pleased to announce that following an international search Professor Gerard Vaughan AM has been appointed as the new Director of the National Gallery of Australia. Professor Vaughan is a recognised international scholar and has had a distinguished career in the museum and galleries sector. He has an outstanding record of leadership, stakeholder engagement, fundraising and cultural diplomacy. Professor Vaughan has extensive knowledge of the arts sector gained in his thirteen years as Director of the National Gallery of Victoria, as Director of the British Museum Development Trust and in roles at Oxford University and with the Felton Bequest. Currently, he is a Professorial Fellow at the Australian Institute of Art History at the University of Melbourne, on the Board of the University of Melbourne Humanities Foundation and has previously served as a member of the Council of Australian Art Museum Directors. Professor Vaughan was appointed a Member of the Order of Australia in 2011 for services to the arts and was awarded the Légion d’honneur in 2013. I welcome Professor Vaughan’s vision and enthusiasm for the Gallery, which includes further strengthening the Gallery’s role as a leader in scholarship and research, forging stronger diplomatic ties in the South East Asia and Pacific region, and increasing access to the nation’s major art collection. Professor Vaughan has been appointed for a period of three years and will take up his new role on 10 November.