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Astro2020 Science White Paper
Astro2020 Science White Paper QUASAR MICROLENSING: REVOLUTIONIZING OUR UNDERSTANDING OF QUASAR STRUCTURE AND DYNAMICS Thematic Area: ☒ Galaxy Evolution Principal Author: Name: Leonidas A Moustakas Institution: Jet Propulsion Laboratory, California Institute of Technology Email: [email protected] Phone: 818-393-5095 Co-authors: Timo Anguita (Universidad Andres Bello), George Chartas (College of Charleston), Matthew Cornachione (US Naval Academy), Xinyu Dai (University of Oklahoma), Carina Fian (Instituto de Astrofísica de Canarias and Departamento de Astrofísica, Universidad de la Laguna), Jorge Jimenez-Vicente (Univ. de Granada), Kathleen Labrie (Gemini Observatory), Chelsea Macleod (Center for Astrophysics, Harvard University), Evencio Mediavilla (Instituto de Astrofísica de Canarias), Christopher W Morgan (US Naval Academy), Matthew O’Dowd (Lehman College, City University of New York), Geraint Lewis (University of Sydney), Chelsea MacLeod (Center for Astrophysics, Harvard-Smithsonian), Evencio Mediavilla, (Instituto de Astrofísica de Canarias), Veronica Motta (Universidad de Valparaiso), Anna Nierenberg (Jet Propulsion Laboratory), David Pooley (Trinity University), Karina Rojas (Ecole Polytechnique Fédérale de Lausanne and LSSTC Data Science Fellow), Dominique Sluse (STAR institute, University of Liège), Georgios Vernardos (University of Groningen), Rachel Webster (University of Melbourne), Suk Yee Yong (University of Melbourne) Abstract: Microlensing by stars within distant galaxies acting as strong gravitational lenses of multiply-imaged quasars, provides a unique and direct measurement of the internal structure of the lensed quasar on nano-arcsecond scales. The measurement relies on the temporal variation of high-magnification caustic crossings which vary on timescales of days to years. Multiwavelength observations provide information from distinct emission regions in the quasar. Through monitoring of these strong gravitational lenses, a full tomographic view can emerge with Astronomical-Unit scale resolution. -
Annual Report Contents About Museums Australia Inc
Museums Australia (Victoria) Melbourne Museum Carlton Gardens, Carlton PO Box 385 Carlton South, Victoria 3053 (03) 8341 7344 Regional Freecall 1800 680 082 www.mavic.asn.au 08 annual report Contents About Museums Australia Inc. (Victoria) About Museums Australia Inc. (Victoria) .................................................................................................. 2 Mission Enabling museums and their Training and Professional Development President’s Report .................................................................................................................................... 3 services, including phone and print-based people to develop their capacity to inspire advice, referrals, workshops and seminars. Treasurer’s Report .................................................................................................................................... 4 Membership and Networking Executive Director’s Report ...................................................................................................................... 5 and engage their communities. to proactively and reactively identify initiatives for the benefit of existing and Management ............................................................................................................................................. 7 potential members and links with the wider museum sector. The weekly Training & Professional Development and Member Events ................................................................... 9 Statement of Purpose MA (Vic) represents -
2018-Annual-Report.Pdf
2018 ANNUAL REPORT GROWING TODAY. BUILDING New Fishermans Bend Campus 2022* Southbank Campus Redevelopment 2019* New Student Precinct 2022* THE IDEAS OF Engineering ideas for the 21st century Melbourne’s new creative centre Bringing the campus community together The University is creating a world-class engineering school for the This ambitious $200 million project, including the new Melbourne Co-created with students, the New Student Precinct at Parkville will 21st century, including a new purpose-built engineering campus Conservatorium, brings music and fine arts students together at the provide a place for students to connect, engage and innovate. TOMORROW at Melbourne’s Fishermans Bend – Australia’s newest design and heart of the Melbourne Arts Precinct. It supports the Faculty of Fine Arts This vibrant precinct will bring together student services with study engineering precinct. and Music’s standing as a world-leading arts education institution with spaces, arts and cultural facilities with food and retail outlets; all in close cutting-edge facilities and strong industry links. proximity to the Parkville campus. Science Gallery Melbourne 2020* Old Quadrangle Redevelopment 2019* Western Edge Biosciences Parkville 2019* Werribee Campus Redevelopment 2019* Growing minds in arts and science Reaffirming the heart of the University Where modern facilities meet our living Victoria’s world-class home for veterinary The newest addition to an acclaimed international network with eight Following an extensive restoration and the incorporation of cultural and heritage education and animal treatment nodes worldwide, the landmark Science Gallery Melbourne will be event spaces, the Old Quad will be reaffirmed as the University’s cultural, Bringing three faculties together for the first time, our Western Edge Through a $63 million investment, the University is expanding its embedded in the University of Melbourne ’s new innovation precinct, civic and ceremonial heart. -
News from the Collections
News from the collections Grainger Museum reopening Melbourne Conservatorium of The Grainger Museum officially Music; Dr Peter Tregear of Monash re-opened on Friday 15 October, University; and Brian Allison and following a seven-year closure. Astrid Krautschneider, Curators of Over the past few years substantial the Grainger Museum. conservation works were carried out The Grainger Museum is located on the heritage-registered building on Royal Parade, near Gate 13, under the supervision of conservation Parkville Campus. The opening architects Lovell Chen, along with hours are Tuesday to Friday 1pm to improvements to the facilities for 4.30pm and Sunday 1pm to 4.30pm. visitors, collections and staff. The new Closed Monday and Saturday, public suite of exhibitions, curated by the holidays and Christmas through Grainger Museum staff and designed January. Percy’s Café is open 8am to by Lucy Bannyan of Bannyan Wood 5pm, Monday to Friday. For further Design, explore Grainger’s life, times information or to join the mailing list and work. Funding was provided see www.grainger.unimelb.edu.au. by the University, the University Library, the University Annual MacPherson, Ormond Professor of G.W.L. Marshall-Hall: Appeal, bequests and donors. The Music and Director of the Melbourne A symposium guest speaker at the launch was Conservatorium of Music. Professor The collections of the Grainger Professor Malcolm Gillies, Vice- Gillies’ keynote paper ‘Grainger Museum provide an invaluable Chancellor of London Metropolitan 50 years on’ explored Percy Grainger’s research resource that extend far University and a leading Grainger current place in both the world of beyond the life and music of Percy scholar. -
Guided Tour Map (PDF 2MB)
Map V4 EXPLORE the UNIVERSITY OF MELBOURNE STORIES SECRETS ONE OF THE WORLD’S MOST BEAUTIFUL DISCOVER AND INSPIRING UNIVERSITY CAMPUSES. WELCOME! WELCOME TO THE UNIVERSITY OF MELBOURNE, AN INTERNATIONALLY RECOGNISED RESEARCH-INTENSIVE UNIVERSITY WITH A TRADITION OF EXCELLENCE IN TEACHING AND LEARNING, RESEARCH AND RESEARCH TRAINING, AND COMMUNITY ENGAGEMENT. THE UNIVERSITY WAS FOUNDED IN 1853, AND IS SITUATED IN THE HEART OF THE WORLD’S MOST LIVEABLE CITY. USE THIS MAP TO PLAN YOUR VISIT – WHETHER YOU’RE DISCOVERING 150 YEARS OF MELBOURNE’S HISTORY, ABOUT TO STUDY OR WORK HERE, OR JUST WANT TO EXPLORE OUR BEAUTIFUL CAMPUS. GETTING AROUND ON FOOT MELBOURNE VISITOR SHUTTLE The Parkville campus is a 15–20 minute walk The Melbourne Visitor Shuttle hop-on-hop-off bus north of Melbourne’s CBD. includes a stop at the University of Melbourne. Climb aboard and explore any of the 13 precincts. The University is Stop 7. Tickets are $10. BY TRAM, TRAIN OR BUS www.thatsmelbourne.com.au Catch the number 19 tram on Elizabeth Street and alight at Stop 14, or tram number 1, 3/3a, 5, 6, 8, 16, GRAB A MEMENTO OF YOUR VISIT 64, 67 or 72 on Swanston Street and alight at the Melbourne University Tram Stop. TO THE UNIVERSITY OF MELBOURNE The 401 bus from North Melbourne train station is A great selection of University of Melbourne clothes a free shuttle for validated public transport ticket and merchandise is available at the Co-op Bookshop holders stopping at the Royal Melbourne and at Stop 1 on the corner of Grattan and Swanston Women’s hospitals and the University of Melbourne’s Streets or online: www.shop.unimelb.edu.au Gate 10 on Grattan Street. -
Annual Report
BACK COVER FOLD FRONT COVER / aNNual rePorT / Gallery Hours 2015 24 High St Northcote T +61 3 9482 4484 [email protected] Arts Project Australia Inc Mon to Fri 9am–5pm VIC 3070 Australia F +61 3 9482 1852 www.artsproject.org.au ABN 99 804 795 393 Sat 10am–5pm INSIDE FRONT COVER FOLD INSIDE BACK COVER FRONT COVER BACK COVER BELOW Bobby Kyriakopoulos Jodie Noble Terry Williams THANK YOU Not titled (street in Not titled (after Not titled (Jet pack) 2013 to the following donors for their generous support in 2014/15 Carlton, Victoria) 2015 John Perceval’s material, cotton, watercolour and ink ceramic angels) 2015 wool, stuffing on paper ceramic 105 � 68 � 32 cm 38 � 28 cm 48 � 28 � 27 cm Government Melbourne Social Equity Patrick Corrigan Rita Mantell Institute Libby Cousins Bernard Marshall Department of Health Merricote Jane Crappsley Julian Martin and Human Services Sundowner Caravan Jean Cussen Chris Mason Australian Government & Cabin Park Kaye Cussen Rob McHaffie Department of Social Third Drawer Down Evelyn Dalpas Lilach & Danny Mileikowski Services Zarella Investments Denise Damianos Vivien Millane Creative Victoria Dassanayaka Ashley & Liora Miller Australia Council BuildinG donors Myra & Zev Degen Travis Moon City of Darebin Martin & Vanessa Delatycki Stephen & Robyn Morris Brockhoff Foundation Council of Adult, Robyn Durham Joanne Murray Community Support Fund Community & Catherine Easton Nicole Newman Dame Elisabeth Murdoch Further Education Kate Elliott Chris Ogden Hugh D Williamson OUr MANIFESTO. Leigh Ellwood Jim Pavlidis PhilanthroPic Foundation Christine Encel Michael Pearce Ian Potter Foundation Lynne Farrel & Greg Smith Mary & Josh Pila John T. Reid Charitable John T Reid Charitable We march to the beat of our own drum and map our Peter Fay Ronny & Jackie Pila Trusts Trusts Dr Isaac Feldman Brett Porter own future. -
Fiona Mcmonagle
FIONA MCMONAGLE BIOGRAPHY 1977 Letterkenny, Ireland Emigrated to Australia EDUCATION 1998–2000 Bachelor of Fine Arts (Painting), Victorian College of the Arts, Melbourne 1996–1997 Associate Diploma of Visual Arts, RMIT, Melbourne SELECTED SOLO EXHIBITIONS 2018 The Weekend, Sophie Gannon Gallery, Melbourne 2017 Hugo Michell, Adelaide Heiser Gallery, Brisbane 2016 Do I Look Like I Care, La Trobe University Museum of Art, Melbourne 2013 Olsen Irwin Gallery, Sydney 2011 Heiser Gallery, Brisbane Rex Irwin Art Dealer, Sydney 2009 Rex Irwin Art Dealer, Sydney 2008 Rex Irwin Art Dealer, Sydney 2007 Crossley & Scott Contemporary, Melbourne 2005 Crossley & Scott Contemporary, Melbourne 2004 Kaliman Gallery, Sydney 2003 Crossley & Scott Contemporary, Melbourne Kaliman Gallery, Sydney 2001 Spare Room, Project Space, RMIT, Melbourne SELECTED GROUP EXHIBITIONS 2018 So Fine: Contemporary Women Artists Make Australian History, National Portrait Gallery, Canberra 2017 Video Easy, Sophie Gannon Gallery, Melbourne Let’s Play: The Art of Our Time, Bunjil Place, Melbourne Play On: 10 Years of the Basil Sellers, touring, NETS 2016 Basil Sellers Art Prize 5, Ian Potter Museum of Art, University of Melbourne, Melbourne The Popular Pet Show, National Portrait Gallery, Canberra National Works on Paper Prize, Mornington Peninsula Regional Gallery, Mornington, VIC Luminous: 100 Years of Watercolour, National Gallery of Victoria, Melbourne Adelaide Biennial: Magic Object, Art Gallery of South Australia, Adelaide 2015 National Self-Portrait Prize, UQ Art Museum, Brisbane -
Collections6.Pdf
University of Melbourne Issue 6, June 2010 COLLECTIONS University of Melbourne Collections Issue 6, June 2010 University of Melbourne Collections succeeds University of Melbourne Library Journal, published from 1993 to December 2005. University of Melbourne Collections is produced by the Cultural Collections Group and the Publications Team, University of Melbourne Library. Editor: Dr Belinda Nemec Assistant editor: Stephanie Jaehrling Design concept: 3 Deep Design Design implementation: Jacqueline Barnett Advisory committee: Shane Cahill, Dr Alison Inglis, Robyn Krause-Hale, Jock Murphy, Associate Professor Robyn Sloggett Published by the University Library University of Melbourne Victoria 3010 Australia Telephone (03) 8344 0269 Email [email protected] © The University of Melbourne 2010 ISSN 1835-6028 (Print) ISSN 1836-0408 (Online) All material appearing in this publication is copyright and cannot be reproduced without the written permission of the publisher and the relevant author. The views expressed herein are those of individuals and not necessarily those of the University of Melbourne. Note to contributors: Contributions relating to one or more of the cultural collections of the University of Melbourne are welcome. Please contact the editor, Belinda Nemec, on (03) 8344 0269 or [email protected]. For more information on the cultural collections see www.unimelb.edu.au/culturalcollections. Additional copies of University of Melbourne Collections are available for $20 plus postage and handling. Please contact the editor. Subscription to University of Melbourne Collections is one of the many benefits of membership of the Friends of the Baillieu Library, Grainger Museum Members and Members of the Ian Potter Museum of Art. See www.unimelb.edu.au/culturalcollections/ links/friends.html Front cover: Illustration from Violet Teague and Geraldine Rede, Night fall in the ti-tree (illustrated book, designed, illustrated, printed and hand-bound by the artists; colour woodcut; 32 pages, printed image 24.4 x 17.4 cm), London: Elkin Matthews, 1906. -
Mita Brierley Project Officer, AAL
Astronomy Australia Ltd Member update Mita Brierley Project Officer, AAL September 2013 AAL’s context NCA’s 2006 Decadal Plan called for: “A peak body to coordinate Australia’s astronomical activities and to represent it in international partnerships.” AAL Vision: Astronomers in Australia will have access to the best astronomical research infrastructure. AAL Mission: – Engage with Australian astronomers to advance the national research infrastructure priorities of the decadal plan. – Advise the Australian Government on future investments. – Manage investments. www.astronomyaustralia.org.au 2 October 2013 2 What is AAL? Vision: Astronomers in Australia will have access to the best astronomical research infrastructure. www.astronomyaustralia.org.au 2 October 2013 3 Member Representatives AAO A/Prof Andrew Hopkins Australian National University Prof Matthew Colless CSIRO Dr Simon Johnston Curtin University Prof Steven Tingay Macquarie University Prof Quentin Parker Monash University Prof Alexander Heger Swinburne University Prof Karl Glazebrook University of Adelaide Dr Gavin Rowell University of Melbourne Prof Rachel Webster University of New South Wales Prof John Storey University of Queensland Prof Halina Rubinsztein-Dunlop University of Sydney Prof Peter Tuthill University of Tasmania Prof John Dickey University of Western Australia Prof Peter Quinn 4 2 October 2013 Community Representation AAL members elect the Board AAL Committees appointed by the Board Vacancies advertised Aug-Sept each year www.astronomyaustralia.org.au 2 October -
BRENT HARRIS Brent Harris' Paintings And
BRENT HARRIS Brent Harris’ paintings and works on paper are brooding, dripping swamplands delineated in the most meticulous way. Stark planes, often black and white, belie the swooping organic gestures and expressionist shapes. ‘[M]any of his forms vibrate, rise and fall, and cause the viewer’s eye much exercise in following them,’ noted James Mollison in Art and Australia recently. But what surprises most is the sensuality of the work; as though the sharp lines and immaculate surfaces can barely contain the emotions brooding beneath. This is the Unconscious meshed with a taut, graphic sensibility. Brent Harris has exhibited extensively in Australia since 1985. Recently his work was seen in Orifice, Australian Centre for Contemporary Art and Field Work: Australian Contemporary Art 1968-2002 at the National Gallery of Victoria. His solo show - The Face - at the Art Gallery of New South Wales in 2004 was described by Peter Hill as ‘of-its-time yet strangely out-of-time.’ 1 BRENT HARRIS Born 1956, Palmerston North, New Zealand Lives and works in Melbourne Represented by Tolarno Galleries, Melbourne EDUCATION 1984-2 Bachelor of Fine Art, Victoria College of the Arts, Melbourne 1981 Diploma of Art and Design, Footscray College of TAFE, Melbourne SELECTED SOLO EXHIBITIONS 2016 The Otherside - A Backroom Project by Brent Harris, Tolarno Galleries, Melbourne 2015 Dreamer, Tolarno Galleries, Melbourne 2012 Brent Harris, National Gallery of Victoria, Melbourne 2011 the reassembled self, Martin Browne Contemporary, Sydney 2010 Surrender and Catch, -
6 Midsized Black Holes.Pdf
3/31/21, 11:46 AM Page 1 of 1 ASTROPHYSICS Long-MissingLong-Missing MidsizeMidsize BlackBlack HoleHole FlashesFlashes IntoInto ViewView By JONATHAN O'CALLAGHAN March 29, 2021 Black holes seemed to come only in sizes small and XXL. A new search strategy has uncovered a black hole of “intermediate” mass, raising hopes of more to come. 2 The intermediate-mass black hole fits the gap between star-size examples and supermassive behemoths. Samuel Velasco/Quanta Magazine t the heart of almost every large galaxy lies an object of A immense proportions — a supermassive black hole. Up to billions of times more massive than our sun, these titans drive the evolution of the galaxies they inhabit. Yet astronomers can’t figure out how they got so big. Some appear to have formed as early as 600 million years after the Big Bang, when the universe was just 4% of its current age. From our understanding of black hole growth, that seems impossible. “There is simply not enough time to build such a massive black hole so early in the universe,” said Łukasz Wyrzykowski, an astronomer at Warsaw University. Without, that is, something to seed their growth, he said. Those “seeds” are believed to be intermediate-mass black holes — giant black holes that fall in a mass gap between stellar-mass black holes, formed from dead stars, and supermassive black holes. Intermediate-mass black holes should weigh anywhere from 100 to 100,000 solar masses, and they’re thought to form a crucial step in the growth of the monsters at the centers of galaxies. -
Indigenous Australian Art: an Analytical and Cultural Study Fall 2018
ANTH-UA 9038.SY1 or SCA-UA 9836.SY1 Indigenous Australian Art: An Analytical and Cultural Study Fall 2018 Instructor Information ● Petronella Vaarzon-Morel ● Consultation by appointment (Mon 9:00am – 12:00pm) ● [email protected] (Please allow at least 24 hours for your instructor to respond to your emails) Course Information Pre-Requisite: None Mondays: 12:30 – 3:30pm Room 302, NYU Sydney Academic Centre. Science House: 157-161 Gloucester Street, The Rocks NSW 2000 This course is a survey of the principal themes and issues in the development of Indigenous art in Australia. It focuses on some of the regional and historical variations of Aboriginal art in the context of the colonisation of Australia, while considering the issues of its circulation and evaluation within contemporary discourses of value. Topics include the cosmological dimensions of the art, its political implications, its relationship to cultural and national identity, and its aesthetic frameworks. There will be four required fieldtrips/excursions during which students will visit some of the major collections of Indigenous Australian art as well as exhibitions of contemporary works. The class will involve lectures, student presentations, discussion, and video material to accompany lectures. There will also be guest presentations from Indigenous artists and Indigenous curators of art. Required field trip/excursions: Week 1 (Monday 3 Sep): Museum of Contemporary Art, Exhibition: John Mawurndjul, I am the old and the new. Week 2 (Monday 10 Sep): Guided tour of Aboriginal rock art sites at Ku-ring-gai Chase National Park This field trip is in lieu of normal class time from 12:30m – 3:30pm.