The Works 2019-2020 Editorial Staff
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INDIA Transcript of D. Sharifa Interviewe
GLOBAL FEMINISMS: COMPARATIVE CASE STUDIES OF WOMEN’S ACTIVISM AND SCHOLARSHIP SITE: INDIA Transcript of D. Sharifa Interviewer: C.S. Lakshmi Location: Pudukkottai, Tamilnadu, India Date: 9-12 July, 2004 Language of Interview: Tamil SPARROW Sound & Picture Archives for Research on Women B-32, Jeet Nagar, J.P. Road, Versova, Mumbai-400061 Tel: 2824 5958, 2826 8575 & 2632 8143 E-mail: [email protected] Website: www.sparrowonline.org Acknowledgments Global Feminisms: Comparative Case Studies of Women’s Activism and Scholarship was housed at the Institute for Research on Women and Gender at the University of Michigan (UM) in Ann Arbor, Michigan. The project was co-directed by Abigail Stewart, Jayati Lal and Kristin McGuire. The China site was housed at the China Women’s University in Beijing, China and directed by Wang Jinling and Zhang Jian, in collaboration with UM faculty member Wang Zheng. The India site was housed at the Sound and Picture Archives for Research on Women (SPARROW) in Mumbai, India and directed by C.S. Lakshmi, in collaboration with UM faculty members Jayati Lal and Abigail Stewart. The Poland site was housed at Fundacja Kobiet eFKa (Women’s Foundation eFKa) in Krakow, Poland and directed by Slawka Walczewska, in collaboration with UM faculty member Magdalena Zaborowska. The U.S. site was housed at the Institute for Research on Women and Gender at the University of Michigan in Ann Arbor, Michigan and directed by UM faculty member Elizabeth Cole. Graduate student interns on the project included Nicola Curtin, Kim Dorazio, Jana Haritatos, Helen Ho, Julianna Lee, Sumiao Li, Zakiya Luna, Leslie Marsh, Sridevi Nair, Justyna Pas, Rosa Peralta, Desdamona Rios and Ying Zhang. -
Stranje House
Stranje House A School for Unusual Girls by Kathleen Baldwin Stranje House, School for Unusual Girls Kathleen Baldwin, page 2 Chapter 1 Banished London, 1814 “I’ll wager Sir Isaac Newton’s parents didn’t pack him off to a school to reform his manners.” I smoothed my traveling skirts and risked a glance at my parents. They sat across from me, stone-faced and indifferent to my arguments. “Do be quiet, Georgiana.” With gloved fingers my mother massaged her forehead. Our coach slowed and rolled to a complete standstill, waylaid by crowds spilling into the road. All of London celebrated Napoleon’s capture and imprisonment on the isle of Elba. Rich and poor danced in the streets, rejoicing together and singing songs around makeshift fires. Their jubilation made my journey to exile all the more dismal. My father drummed fingers against his thigh and muttered curse words about our snail-like progress through London. Mother closed her eyes as if in slumber, a ploy to evade my petitions. She could not possibly be sleeping while holding her spine in such an erect formation. She didn’t even allow herself the luxury of leaning back against the squibs for fear of crumpling the feathers on her bonnet. Somehow, some way, I had to make them see reason. “This is a pointless expense. Surely you realize I have no more use for a schoolroom. Next week I turn sixteen, and since I have already been out in society--” Mother snapped to attention, suddenly wide awake. “Oh yes, Georgiana, I’m well aware of the fact that you have already been out in society. -
Mujersita Youth Pedagogies: Race, Gender, and (Counter)Surveillance in the New Latnx South
MUJERSITA YOUTH PEDAGOGIES: RACE, GENDER, AND (COUNTER)SURVEILLANCE IN THE NEW LATNX SOUTH Esmeralda Rodríguez A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the School of Education. Chapel Hill 2018 Approved by: Claudia Cervantes-Soon George Noblit Juan F. Carrillo Sherick Hughes Luis Urrieta, Jr. © 2018 Esmeralda Rodríguez ALL RIGHTS RESERVED ii ABSTRACT ESMERALDA RODRIGUEZ: Mujerista Youth Pedagogies: Race, Gender, and (Counter)Surveillance in the New Latinx South (Under the direction of Claudia Cervantes-Soon and George Noblit) Though there is a body of research that deconstructs essentialized perspectives on Latinx youth (Cervantes-Soon, 2012; 2017; Cammarota, 2008; 2011; Denner & Guzman, 2006; Garcia, 2012: Stanton-Salazar, 2001; Valdes, 2001; Valenzuela, 1999) a large body of research has failed to perceive Latina girls in nuanced ways. Additionally, mainstream research and broader discourses on Latina adolescents have been dominated by a hyper-focus on the “problem of [Latinx] adolescent behavior” (Akom, Cammarota, & Ginwright, 2008, p. 1). In the face of this, however, Chicana and Latina feminist writers use academic research and narrative writing to testify against deficit portrayals of Latinas. However, a review of these works has also spotlighted the reality that even this critical body of work has ignored the wisdoms and lived experiences of Latina youth. There has been much work that focuses on the perspectives of adult women who tend to look back to their youth in order to make sense of their adulthood. Conversely, this research age-gap has elucidated the importance of youth experiences and the need to for nuanced scholarship that centers their experiential knowledge. -
Most Requested Songs of 2016
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2016 RANK ARTIST SONG 1 Ronson, Mark Feat. Bruno Mars Uptown Funk 2 Journey Don't Stop Believin' 3 Walk The Moon Shut Up And Dance 4 Cupid Cupid Shuffle 5 Houston, Whitney I Wanna Dance With Somebody (Who Loves Me) 6 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 7 Swift, Taylor Shake It Off 8 V.I.C. Wobble 9 Black Eyed Peas I Gotta Feeling 10 Sheeran, Ed Thinking Out Loud 11 Williams, Pharrell Happy 12 AC/DC You Shook Me All Night Long 13 Usher Feat. Ludacris & Lil' Jon Yeah 14 DJ Casper Cha Cha Slide 15 Mars, Bruno Marry You 16 Bon Jovi Livin' On A Prayer 17 Maroon 5 Sugar 18 Isley Brothers Shout 19 Morrison, Van Brown Eyed Girl 20 B-52's Love Shack 21 Outkast Hey Ya! 22 Brooks, Garth Friends In Low Places 23 Legend, John All Of Me 24 DJ Snake Feat. Lil Jon Turn Down For What 25 Sir Mix-A-Lot Baby Got Back 26 Timberlake, Justin Can't Stop The Feeling! 27 Loggins, Kenny Footloose 28 Beatles Twist And Shout 29 Earth, Wind & Fire September 30 Jackson, Michael Billie Jean 31 Def Leppard Pour Some Sugar On Me 32 Beyonce Single Ladies (Put A Ring On It) 33 Rihanna Feat. Calvin Harris We Found Love 34 Spice Girls Wannabe 35 Temptations My Girl 36 Sinatra, Frank The Way You Look Tonight 37 Silento Watch Me 38 Timberlake, Justin Sexyback 39 Lynyrd Skynyrd Sweet Home Alabama 40 Jordan, Montell This Is How We Do It 41 Sister Sledge We Are Family 42 Weeknd Can't Feel My Face 43 Dnce Cake By The Ocean 44 Flo Rida My House 45 Lmfao Feat. -
Why Me Lord.P7
This book is designed for your personal reading pleasure and profit. It is also designed for group study. A leader’s guide with helps and hints for teachers and visual aids (Victor Multiuse Transparency Masters) is available from your local bookstore or from the publisher. Fifth printing, 1987 Most of the Scripture quotations in this book are from the King James Version of the Bible (KJV). Other quotations are from the Holy Bible: New International Version (NIV), © 1973, 1978, 1984, International Bible Society. Used by permission of Zondervan Bible Publishers; the New American Standard Bible (NASB), © the Lockman Foundation, 1960, 1962, 1963, 1968, 1971, 1972, 1973, 1975, 1977. Used by permission. Recommended Dewey Decimal Classification: 241.1 Suggested subject heading: THE WILL OF GOD IN CRISES Library of Congress Catalog Card Number 80-52947 ISBN: 0-89693-007-6 © 1981 by SP Publications, Inc. All rights reserved Printed in the United States of America VICTOR BOOKS A division of SP Publications, Inc. Wheaton, Illinois 60187 Dedication To the women in my life: Mary, my mother Emma, Pat, and Lillian, my sisters Cathy, my wife Lori, my daughter Gerrie, my editor Gloria, my secretary Anita, my typist Contents Preface 9 Part I—How to Live 1 Why? Why? Why? 13 2 The Choice Is Yours 22 3Triumph Out of Tragedy 28 Part II—How to Die 4 Life after All 39 5 Am I Normal? 45 6 Broken Hearts Do Heal 52 Part III—How to Help 7 How to Help a Grieving Friend 63 8 Helping a Friend Cope with a Terminal Illness 73 9 How to Explain Death to a Child 82 10 Making the Funeral Arrangements 90 11 After the Funeral Is Ove 98 12 Preparing for Your Own Death 105 13 Questions and Answers about Death— 112 Can a Christian Commit Suicide? 112 What Happens to People between Death and the Resurrection? 113 Will We Know Each Other in Heaven? 114 Is Dying Painful? 115 What Happens to Babies after Death? 116 What Is Heaven Like? 117 Preface How to live! How to die! We all need to know how to do that. -
The Top 7000+ Pop Songs of All-Time 1900-2017
The Top 7000+ Pop Songs of All-Time 1900-2017 Researched, compiled, and calculated by Lance Mangham Contents • Sources • The Top 100 of All-Time • The Top 100 of Each Year (2017-1956) • The Top 50 of 1955 • The Top 40 of 1954 • The Top 20 of Each Year (1953-1930) • The Top 10 of Each Year (1929-1900) SOURCES FOR YEARLY RANKINGS iHeart Radio Top 50 2018 AT 40 (Vince revision) 1989-1970 Billboard AC 2018 Record World/Music Vendor Billboard Adult Pop Songs 2018 (Barry Kowal) 1981-1955 AT 40 (Barry Kowal) 2018-2009 WABC 1981-1961 Hits 1 2018-2017 Randy Price (Billboard/Cashbox) 1979-1970 Billboard Pop Songs 2018-2008 Ranking the 70s 1979-1970 Billboard Radio Songs 2018-2006 Record World 1979-1970 Mediabase Hot AC 2018-2006 Billboard Top 40 (Barry Kowal) 1969-1955 Mediabase AC 2018-2006 Ranking the 60s 1969-1960 Pop Radio Top 20 HAC 2018-2005 Great American Songbook 1969-1968, Mediabase Top 40 2018-2000 1961-1940 American Top 40 2018-1998 The Elvis Era 1963-1956 Rock On The Net 2018-1980 Gilbert & Theroux 1963-1956 Pop Radio Top 20 2018-1941 Hit Parade 1955-1954 Mediabase Powerplay 2017-2016 Billboard Disc Jockey 1953-1950, Apple Top Selling Songs 2017-2016 1948-1947 Mediabase Big Picture 2017-2015 Billboard Jukebox 1953-1949 Radio & Records (Barry Kowal) 2008-1974 Billboard Sales 1953-1946 TSort 2008-1900 Cashbox (Barry Kowal) 1953-1945 Radio & Records CHR/T40/Pop 2007-2001, Hit Parade (Barry Kowal) 1953-1935 1995-1974 Billboard Disc Jockey (BK) 1949, Radio & Records Hot AC 2005-1996 1946-1945 Radio & Records AC 2005-1996 Billboard Jukebox -
Boy Small TRADE EDITION
ALL RIGHTS RESERVED Original Works Publishing CAUTION: Professionals and amateurs are hereby warned that this play is subject to royalty. It is fully protected by Original Works Publishing, and the copyright laws of the United States. All rights, including professional, amateur, motion pictures, recitation, lecturing, public reading, radio broadcasting, television, and the rights of translation into foreign languages are strictly reserved. The performance rights to this play are controlled by Original Works Publishing and royalty arrangements and licenses must be secured well in advance of presentation. PLEASE NOTE that amateur royalty fees are set upon application in accordance with your producing circumstances. When applying for a royalty quotation and license please give us the number of performances intended, dates of production, your seating capacity and admission fee. Royalties are payable with negotiation from Original Works Publishing. Royalty of the required amount must be paid whether the play is presented for charity or gain and whether or not admission is charged. Particular emphasis is laid on the question of amateur or professional readings, permission and terms for which must be secured from Original Works Publishing through direct contact. Copying from this book in whole or in part is strictly for- bidden by law, and the right of performance is not transferable. Whenever the play is produced the following notice must appear on all programs, printing, and advertising for the play: “Produced by special arrangement with Original Works Publishing. www.originalworksonline.com” Due authorship credit must be given on all programs, print- ing and advertising for the play. Boy Small © MT Cozzola Trade Edition, 2016 ISBN 978-1-63092-086-9 Also Available From Original Works Publishing Play Nice by Robin Rice Synopsis: The Diamond siblings use the only resources they have, the dramatic role-play of their imaginations, to cope with the abusive Dragon Queen - their mother. -
Representing Disempowerment on Teen Drama Television
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 7-5-2012 12:00 AM Watching High School: Representing Disempowerment on Teen Drama Television Sarah M. Baxter The University of Western Ontario Supervisor Paulette Rothbauer The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Sarah M. Baxter 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Recommended Citation Baxter, Sarah M., "Watching High School: Representing Disempowerment on Teen Drama Television" (2012). Electronic Thesis and Dissertation Repository. 644. https://ir.lib.uwo.ca/etd/644 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. WATCHING HIGH SCHOOL: REPRESENTING DISEMPOWERMENT ON TEEN DRAMA TELEVISION (Spine title: Watching High School) (Thesis format: Monograph) by Sarah Mae Baxter Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sarah Mae Baxter 2012 i THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
David Study 4
Copyright material It is the nature from © 2017 STUDY NUMBER FOUR - 1 Samuel 21:1-22:23 a of variety lecture v. 1 David went to Nob, to Ahimelech the priest. Ahimelech trembled when by Bible he met him, and asked, "Why are you alone? Why is no one with you?" of notes sources, v. 2 David answered Ahimelech the priest, The king charged me with a Teaching certain matter and said to me, 'No one is to know anything about your to mission and your instructions.' As for my men, I have told them to meet contain all me at a certain place. Resources of v. 3 Now then, what do you have on hand? Give me five loaves of bread, or which whatever you can find." references v. 4 But the priest answered David, "I don't have an ordinary bread on have hand; however, there is some consecrated bread here--provided the men by Don been have kept themselves from women." that v. 5 David replied, "Indeed women have been kept from us, as usual Anderson may whenever I set out. The men's things are holy even on missions that are not appropriately holy. How much more so today!" prove v. 6 So the priest gave him the consecrated bread, since there was no bread Ministries. there except the bread of the Presence that had been removed from before difficult the Lord and replaced by hot bread on the day it was taken away. credited v. 7 Now one of Saul's servants was there that day, detained before the to The Lord; he was Doeg the Edomite, Saul's head shepherd. -
Pdf, 227.86 KB
00:00:00 Music Music Gentle, trilling music with a steady drumbeat plays under the dialogue. 00:00:01 Promo Promo Speaker: Bullseye with Jesse Thorn is a production of MaximumFun.org and is distributed by NPR. [Music fades out.] 00:00:13 Jesse Host I’m Jesse Thorn. It’s Bullseye! Thorn 00:00:14 Music Music “Huddle Formation” from the album Thunder, Lightning, Strike by The Go! Team. A fast, upbeat, peppy song. Music plays as Jesse speaks, then fades out. 00:00:22 Jesse Host Josh Gondelman is a standup comic and a writer. And he’s also really nice. Like, if you say his name to somebody in comedy—if you go up to somebody and say, “Hey, what do you think about Josh Gondelman?” They’re gonna say, [excited] “Oh! Josh Gondelman! He’s so nice!” When Josh takes the stage, he says that he’s like if a cardigan were a person. But Josh Gondelman isn’t just nice. He’s also incisive. He’s a brilliant writer. He’s won two Peabodys and three Emmys for writing on John Oliver’s show, Last Week Tonight, and these days he writes for Showtime’s Desus & Maro. He also has a new book out. It’s about learning to be nice and how to not let the nice be the enemy of the good. It’s called Nice Try: Stories of Best Intentions and Mixed Results. Before we get into the interview, let’s play a bit of his standup. This is from his most recent album, Dancing on a Weeknight, which came out earlier this year. -
Most Requested Songs of 2016
Top 200 Most Requested Songs Based on millions of requests made through the DJ Intelligence music request system at weddings & parties in 2016 RANK ARTIST SONG 1 Ronson, Mark Feat. Bruno Mars Uptown Funk 2 Journey Don't Stop Believin' 3 Walk The Moon Shut Up And Dance 4 Cupid Cupid Shuffle 5 Houston, Whitney I Wanna Dance With Somebody (Who Loves Me) 6 Diamond, Neil Sweet Caroline (Good Times Never Seemed So Good) 7 Swift, Taylor Shake It Off 8 V.I.C. Wobble 9 Black Eyed Peas I Gotta Feeling 10 Sheeran, Ed Thinking Out Loud 11 Williams, Pharrell Happy 12 AC/DC You Shook Me All Night Long 13 Usher Feat. Ludacris & Lil' Jon Yeah 14 DJ Casper Cha Cha Slide 15 Mars, Bruno Marry You 16 Bon Jovi Livin' On A Prayer 17 Maroon 5 Sugar 18 Isley Brothers Shout 19 Morrison, Van Brown Eyed Girl 20 B-52's Love Shack 21 Outkast Hey Ya! 22 Brooks, Garth Friends In Low Places 23 Legend, John All Of Me 24 DJ Snake Feat. Lil Jon Turn Down For What 25 Sir Mix-A-Lot Baby Got Back 26 Timberlake, Justin Can't Stop The Feeling! 27 Loggins, Kenny Footloose 28 Beatles Twist And Shout 29 Earth, Wind & Fire September 30 Jackson, Michael Billie Jean 31 Def Leppard Pour Some Sugar On Me 32 Beyonce Single Ladies (Put A Ring On It) 33 Rihanna Feat. Calvin Harris We Found Love 34 Spice Girls Wannabe 35 Temptations My Girl 36 Sinatra, Frank The Way You Look Tonight 37 Silento Watch Me 38 Timberlake, Justin Sexyback 39 Lynyrd Skynyrd Sweet Home Alabama 40 Jordan, Montell This Is How We Do It 41 Sister Sledge We Are Family 42 Weeknd Can't Feel My Face 43 Dnce Cake By The Ocean 44 Flo Rida My House 45 Lmfao Feat. -
THE FIREBIRD Production Script
THE FIREBIRD Written By Tim Errickson Tim Errickson 917-880-5483 [email protected] (c) 2010 IN THE DARKNESS… We hear quiet, and someone walking down a city street at night. Cars, distant conversation, maybe music from a car as it passes. Finally a car pulls up, the sound ‘what the…” and then a struggle. Quick. Almost unnoticed. A door closes, and the car pulls away. Silence. SCENE 1 Dan's office. We hear the buzz of the intercom, the buzz of blackberries, the phone ringing…as we come up on Irene in Dan's office, seated. Perhaps they don't even look at each other. DAN (breaking the silence) Irene… IRENE Don't. (beat) DAN Look, Irene… IRENE No, goddamn it. NO! Be quiet. (beat) I don't…I don't know what to do, Danny. DAN (quietly) How is Joe doing? IRENE Oh, how the hell do you think he's doing? How are any of us doing? (gathers herself) He blames himself for not…Hell, I dunno what he blames himself for. DAN All I've done is ask how I can help you…tell me what you need. IRENE (full of anger) How could you let this happen, Danny? DAN Let this happen? I did everything you asked me! 1 IRENE Obviously not enough. (beat) DAN You screwed me, Irene. You know that? IRENE I what…? DAN You asked me to help you…and you put me in a position where I couldn't win. Refuse you, I'm an asshole. Do it, and...I don't know what I am.