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John F. Morrison Phd Thesis
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository 'THE AFFIRMATION OF BEHAN?' AN UNDERSTANDING OF THE POLITICISATION PROCESS OF THE PROVISIONAL IRISH REPUBLICAN MOVEMENT THROUGH AN ORGANISATIONAL ANALYSIS OF SPLITS FROM 1969 TO 1997 John F. Morrison A Thesis Submitted for the Degree of PhD at the University of St Andrews 2010 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/3158 This item is protected by original copyright ‘The Affirmation of Behan?’ An Understanding of the Politicisation Process of the Provisional Irish Republican Movement Through an Organisational Analysis of Splits from 1969 to 1997. John F. Morrison School of International Relations Ph.D. 2010 SUBMISSION OF PHD AND MPHIL THESES REQUIRED DECLARATIONS 1. Candidate’s declarations: I, John F. Morrison, hereby certify that this thesis, which is approximately 82,000 words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. I was admitted as a research student in September 2005 and as a candidate for the degree of Ph.D. in May, 2007; the higher study for which this is a record was carried out in the University of St Andrews between 2005 and 2010. Date 25-Aug-10 Signature of candidate 2. Supervisor’s declaration: I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Ph.D. -
Ringer Helps USA, WWE Tag Team for Carmax
Ringer Helps USA, WWE Tag Team for CarMax 03.25.2021 Everything's a competition between WWE Superstars Mike "The Miz" Mizanin and John Morrison, from professional wrestling (natch) to mini-golf and ultimately, car purchasing. When they both set off to prove they can buy the best car, little do they know that they have both sought an advantage at CarMax-one in person and one online. The final result is that they end up with the same car at virtually the same time. The spot was originated by the NBCU Creative Partnerships team who brought together USA, WWE and CarMax and then handed the project over to Encino, Calif.-based creative agency Ringer. "This spot started with a great concept created by the NBCU Creative Partnerships team and then we came aboard to flesh out the script, produce the shoot and do post," said Rob Meltzer, Ringer director and founder, in a statement. "One of our main goals was to make sure that the tone rang true for WWE fans, so we did a deep dive into the history of this iconic tag team and included lots of inside jokes that fans would recognize." CREDITS Network: NBCUniversal (USA) Client: NBCU Creative Partnerships SVP, Creative & Development, Cable & News: Jamie Cutburth VP, Creative Partnerships: Sharon Ngoi Creative Director, Creative Partnerships: Lisa Esselstein Multiplatform Producer/Editor: Felipe Henriquez Project Manager: Aubrey Henken VP, Marketing: Meredith Momoda Sr. Director, Marketing: Jason Bisogni Sr. Manager, Marketing: Genny Neely Specialist, Marketing: Zach Brenman Sr. Executive Producer: Janelle Albino Sr. Producer: Lance Billington USA Creative Director, Creative Marketing: Tom Neff Creative Director, Design: Stan Rapoport WWE VP, Branding & Development: Rob Cinguina VP, Global Media Partnerships: Anne Grotefeld Director, Global Media Partnerships: Darrell Johnson VP, Partnership Marketing: Laura Todd Producer: Michael Meza Writer: Todd Bellanca Director, Campaign Management: Michael Sykucki Agency: Ringer Executive Producer: Silke Thompson Writer/Director: Rob Meltzer Head of Post-Production: Daniel Elkayam. -
Wxw Holds Keynote on Wxw NOW Streaming
wXw holds keynote on wXw NOW streaming service, announces details on Germany's first wrestling network wXw just announced the first in-depth details on our new "wXw NOW" streaming network, which will launch one month from now on 8/13 at www.wxwnow.de. It will not just be a collection of shows like a lot of companies offer for a monthly fee via Pivotshare but also offer original content and a lot of archived shows, some dating back as far as 2006. We will also have our uniquely designed interface/UI, while hosting and infrastructure will be managed by Vimeo, our long-time streaming partner, dating back to 2013. Wrestling journalist Markus Gronemann (DarkMat.eu, Wrestling Observer) considers this to be the biggest launch of an over-the-top pro wrestling channel by a single promotion since New Japan World. wXw Managing Director Christian Jakobi held a keynote presentation tonight at 8 pm CEST at the wXw Wrestling Academy training school, which was streamed live on Facebook (the video is available, albeit only in German, here) and talked about what future and past events and what kind of original content would be available. We had up to 750 viewers simultaneously on Facebook and also had some students and a trainer (Toby Blunt) in attendance to provide some crowd noise and cheering at key points during the announcement. Marquee Events are wXw's version of pay-per-view caliber shows, where feuds start and end and international talent often appears. There currently are 10 marquee events on the calendar, with some of them being multi-day shows: -
Grappling with Race: a Textual Analysis of Race Within the Wwe
GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg. -
Timeline WWE
WWE & SO Bharat February 25, 2014 Mumbai, Maharashtra State Athletic Meet 500 Athletes along with 120 Coaches and 120 Volunteers March 12-16, 2014 New Delhi National Athletic Championship 585 Special Athletes and 158 Coaches from 27 states of India With every engagement with the WWE superstars considerable excitement stimulates the Digital, Print, Electronic Media world along with Social Media, awarding visibility to the abilities of Persons with Intellectual disabilities through the support of the global celebrities Timeline WWE 18th September 2014, Mumbai WWE Celebrity Football Tournament SO Bharat Goa vs.SO Bharat Maharashtra, refreed by Bad News Barret, WWE Wrestler. Match concluded at 4-2 in favour of Goa Meeting with Carl Sequeira, WWE April 29, 2014, Delhi Carl visited the National Office, Delhi on Tuesday, April 29, 2014 to explore opportunities of collaborating with SO Bharat. He discussed possibility to support the Indian contingent, for the SO WSG LA 2015, with Sports kit. July 2015 WWE announced its partnership with Special Olympics Bharat for the 2015 Special Olympics World Games. The announcement was made in Mumbai by Victor R. Vaz, National Sports Director, Special Olympics Bharat and Rukn Kizilbash, General Manager, WWE India. The sports kit sponsored by WWE was unveiled in the presence of a few Athletes and honoured guests www.specialolympicsbharat.org 2 Timeline WWE On 29 July the Indian delegation enjoyed a photo session with WWE stars Eva Marie and William Regal at the entertainment City , Alumni Park, University of Southern California www.specialolympicsbharat.org 3 Timeline WWE August 28, 2015 Athletes spent an exciting session with Mark Henry, WWE star who engaged individually with all the SO Bharat Athletes. -
The Operational Aesthetic in the Performance of Professional Wrestling William P
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2005 The operational aesthetic in the performance of professional wrestling William P. Lipscomb III Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Communication Commons Recommended Citation Lipscomb III, William P., "The operational aesthetic in the performance of professional wrestling" (2005). LSU Doctoral Dissertations. 3825. https://digitalcommons.lsu.edu/gradschool_dissertations/3825 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE OPERATIONAL AESTHETIC IN THE PERFORMANCE OF PROFESSIONAL WRESTLING A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Communication Studies by William P. Lipscomb III B.S., University of Southern Mississippi, 1990 B.S., University of Southern Mississippi, 1991 M.S., University of Southern Mississippi, 1993 May 2005 ©Copyright 2005 William P. Lipscomb III All rights reserved ii ACKNOWLEDGMENTS I am so thankful for the love and support of my entire family, especially my mom and dad. Both my parents were gifted educators, and without their wisdom, guidance, and encouragement none of this would have been possible. Special thanks to my brother John for all the positive vibes, and to Joy who was there for me during some very dark days. -
Red Smith Wrote That Baseball Was a Dull Game Only to Dull Minds. in His
Published November 3, 2007 at http://muchnick.net/HitmanReview.pdf Review of Bret Hart’s Hitman: My Real Life in the Cartoon World of Wrestling By Irvin Muchnick Red Smith wrote that baseball was a dull game only to dull minds. In his sprawling autobiography, Bret Hart sets out to prove that the genre “pro wrestling literature” is oxymoronic only to oxymorons. And Hart succeeds. Despite its intimidating length, Hitman: My Real Life in the Cartoon World of Wrestling (a runaway bestseller in Canada, not yet available in the U.S.) has a surprisingly high muscle-to-fat ratio. With the superb Have a Nice Day! , published in 1999, Mick Foley pioneered the picaresque wrestler’s memoir. But Hart, who doesn’t do goofy, is hunting bigger game. Inevitably, one turns to earthy details of mundane score-settling – both conscious and unconscious, both within the peculiar industry that defined him and within the even more peculiar Calgary-based clan that, for a certain population of fans, helped define the industry. Before getting to all that, though, it’s important to remark upon the sheer beauty of the prose in Hitman ’s best parts. Like his favorite writer, Mark Helprin, Hart occupies the border between phantasmagoria and realism. My favorite passages cover his foreign travels, during which he either reflects on the social conditions he observes there (Manila) or delights in lush landscape (Capetown). Domestically, you can all but smell the Alberta and Saskatchewan prairies; faithful depictions of hardscrabble life on the tundra, inside and outside the ring, make for something close to the Great Western Canadian Novel. -
El Movimiento De La Gente Maya Derrota La Ley
Breves de América Latina Latin briefs www.elreporteroSF.com Volume 25, Edition No. 18, September 23 - 30, 2015 Anniversary El movimiento de la gente maya derrota la ley Monsanto en Guatemala por Christin Sandberg Las manifestaciones IC Revista se concentraron fuera del Palacio de Congresos Con- Papa Francisco - Pope Francis El 4 de septiembre, stitucional en la ciudad de Mayan people’s movement defeats después de diez días de gen- Guatemala durante más de eralizadas protestas calle- una semana, y coincidieron jeras contra la expansión con varias comunidades y Monsanto law in Guatemala EE.UU. pagará gigantesca biotecnológica organizaciones mayas en mil millones de Monsanto en territorio defensa de la soberanía ali- by Christin Sandberg movements, trade unions City during more than a guatemalteco, grupos de mentaria a través de man- IC Magazine and farmer and women’s week, and coincided with de dólares indígenas unidos por los damientos judiciales con organizations won a vic- several Mayan communities movimientos sociales, sin- el fin de detener al Con- On Sept. 4, after ten tory when congress finally and organizations defending a nativo dicatos, agricultores y orga- greso y el presidente, Otto days of widespread street repealed the legislation that food sovereignty through nizaciones de mujeres gan- Pérez Molina, de: deja que protests against the biotech had been approved in June. court injunctions in order americanos aron una victoria cuando el la nueva ley sobre protec- giant Monsanto’s expan- The demonstrations to stop the Congress and the por los servicios de cable de Congreso finalmente derogó ción a variedades de plan- sion into Guatemalan terri- were concentrated outside President, Otto Pérez Moli- El Reportero la legislación que había tory, groups of indigenous the Congress and Constitu- na, from letting the new law sido aprobada en junio. -
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The Ledger DANCE PHILLY’S GOT TALENT On Oct. 6, the Westphal College of Media Arts & Design brought Philadelphians to their feet for an immersive public dance per- formance inside the Barnes Foundation. The all-day spectacle explored the tension between public and private experiences by uniting professional and amateur dancers to perform work by re- nowned modern dance choreographer Boris Charmatz (pictured here leading a warm up). Charmatz is one of the most important figures in modern dance working today and his company has presented major performances at the Museum of Modern Art and the Tate Modern in London, among others. This second annual Philadelphia Museum of Dance project was organized at the Barnes in partnership with Drexel’s dance program. Number of dancers who participated, including 200+more than 60 Drexel students. 2,000 Number of people who came to watch the performances. $300, Duration in hours of the public 000 Grant from the Pew Center of Arts & performances inside the Barnes. 6 Heritage in support of the event. 2 Drexel Magazine JACQUES-JEAN TIZIOU WINTER/SPRING 2019 1 TABLE OF CONTENTS UP FRONT FEATURE STORY THE VIEW FROM MAIN I am so impressed when young Drexel graduates hit the ground running, and each year’s “40 under 40” list provides new and inspiring examples — as you will discover in this issue of Drexel Magazine. From my perspective, learning about the many paths taken by our alumni also reaffirms the steps your alma mater is taking to better prepare tomorrow’s graduates. Our approach is rooted in the classroom and lab, as well as the workplace and in our neighborhoods — as you might expect from a university that excels in ex- periential learning. -
PWTORCH NEWSLETTER • PAGE 2 Www
ISSUE #1255 - MAY 26, 2012 TOP FIVE STORIES OF THE WEEK PPV ROUNDTABLE (1) Raw expanding to three hours on July 23 (2) Impact going live every week this summer (3) Flair parting ways with TNA, WWE bound WWE OVER THE LIMIT (4) Raw going “interactive” with weekly voting Staff Scores & Reviews (5) Laurinaitis pins Cena after Show turns heel Pat McNeill, columnist (6.5): The main problem with WWE Over The Limit? The main event went over the limit of what we’ll accept from WWE. You can argue that there was no reason to book John Cena against John Laurinaitis on a pay-per-view, and you’d be right. RawHEA eDLxINpE AaNnALYdSsIS to thrhoeurse, a nhd uosuaullyr tsher e’Js eunoulgyh re2de3eming But on top of that, there was no reason to book content to make it worth the investment. But Cena versus Laurinaitis to go as long as any other three hours? Three hours of lousy content is By Wade Keller, editor major pay-per-view match. And there was no enough that next time viewers might just tune in reason for Cena to drag the match out. It didn’t fit If you follow an industry long enough, you’re for a just an hour instead of the usual two and the storyline. And it made John Cena look like a bound to see some bad decisions being made. certainly not commit to all three. Or they might chump. or like The Stinger, when Big Show turned Some are worse than others, but it’s rare when pick their segments, watching the predictably heel for the umpteenth time and cost him the you think you might be seeing the Worst newsmaking segments at the start of each hour match. -
The Oral Poetics of Professional Wrestling, Or Laying the Smackdown on Homer
Oral Tradition, 29/1 (201X): 127-148 The Oral Poetics of Professional Wrestling, or Laying the Smackdown on Homer William Duffy Since its development in the first half of the twentieth century, Milman Parry and Albert Lord’s theory of “composition in performance” has been central to the study of oral poetry (J. M. Foley 1998:ix-x). This theory and others based on it have been used in the analysis of poetic traditions like those of the West African griots, the Viking skalds, and, most famously, the ancient Greek epics.1 However, scholars have rarely applied Parry-Lord theory to material other than oral poetry, with the notable exceptions of musical forms like jazz, African drumming, and freestyle rap.2 Parry and Lord themselves, on the other hand, referred to the works they catalogued as performances, making it possible to use their ideas beyond poetry and music. The usefulness of Parry-Lord theory in studies of different poetic traditions tempted me to view other genres of performance from this perspective. In this paper I offer up one such genre for analysis —professional wrestling—and show that interpreting the tropes of wrestling through the lens of composition in performance provides information that, in return, can help with analysis of materials more commonly addressed by this theory. Before beginning this effort, it will be useful to identify the qualities that a work must possess to be considered a “composition in performance,” in order to see if professional wrestling qualifies. The first, and probably most important and straightforward, criterion is that, as Lord (1960:13) says, “the moment of composition is the performance.” This disqualifies art forms like theater and ballet, works typically planned in advance and containing words and/or actions that must be performed at precise times and following a precise order. -
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