Il posto de Ermanno Olmi

Italia - 1961 - 93 min FICHA ESTUDIANTE

> (El empleo) forma parte de una colección de películas europeas: la colección CinEd, un programa de educación cinematográfica para jóvenes.

> Esta ficha de estudiante me permite redescubrir la película, recorrerla en palabras e imágenes, saber más sobre dónde viven los personajes y su tiempo, crear e inventar, ir más allá descubriendo otras obras: películas, libros, música, fotografías, pinturas....

Al participar en CinEd, comparto el descubrimiento de las películas con jóvenes de otros países, de toda Europa.

A La película B En Europa y otros lugares C La película y yo D Ir más lejos Il posto A La película (9) (1) (5) (3) (7) 2 /9 1 Un recorrido enimágenes seveQué enlapelícula (10) (4) (2) (6) (8)

CinEd — Ficha estudiante Il posto okay withit. okay boy instead ofaccountant, butheis resource. Hegetsajobasanerrand from theheadofhuman interview Domenico iscalledfor thejob (4) company. to do a competitive exam for a big ney towards because hehas thecity hisjour Hestarts ofMilan. suburbs humble familylivingintherural Domenico is the older son in a (1) tests Domenico hasto face. The psychotecnic exam, oneofthe (3) the job. afriendship.They start girl, whoisalsorunningfor Magalì, among thecustomers henotices a enters amilkbarfor lunch.Here, theexam, Domenico After taking (2) A A

Magali: Domenico: Magali: Domenico : Magali: Domenico: Magali: Domenico: Magali: Domenico: Domenico: Magali: Domenico: Magali: Domenico:  La película La película

No way?  No. Ah…  The food at thecoffee shopisn’t bad. Well, we ate inthekitchen. I saw you eating at thecoffee shop. Just a little. Justalittle. Are you from outtown? It’ll goupmy nose. It’ll Just adrop onyour finger, it’s perfume, what are you doing? No… youwhat, thougt?Can’t know you There’s noonehome, my motherworks. What adunce! No, it’s thecafé. Want some? food. stinksoffried It smell it? - ball intheoffice. He agrees. and invites himto theNew Year’s Eve arrives Magalì is goingbackto work, hoffice, hopingshe’ll find it. Whilehe herintoother mailandbrings her puts theletter together withallthe cardting a Christmas for He Magalì. wri Domenico is sitting at his desk, (7) He goesbackhomealone. colleagues so he doesn’t approach her. withsome again, butheseeshertalking day hewaitsof theworking for Magalì Atand notices theend hisnewaspect. hisbreakDuring helooksinthemirror (6) goes away. It’s raining cats anddogshe the company, but she doesn’t arrive. Domenico waits for outside Magalì (5)

3 /9 2 1 - back oftheroom. so Domenico sitsinthedesk but theothercolleages don’t agree, vacancy, adeskinthefront row, An accountant dies. There’s anew (9) and(10) launches himselfinto theparty. isn’tbut Magalì there. Domenico to dance inthecenter oftheroom, andall the couples start finally starts party, waiting for Magalì. The party theNew door during Year’s Eve towardsDomenico islooking the (8) seveQué enlapelícula Domenico: employee The mail Domenico: employee The mail Domenico: employee The mail película seescuchaenla Qué : : :  Yes? Thank you. Icamehere for... resources. Yes, floor... fourth human resources. Fourth floor,Fourth human ...for theexam.

CinEd — Ficha estudiante Il posto A A La película La película person whotheface belongsto; itisthesynthesis ofuniversal history. » derstand theessence ofexistence. Ialways shootfaces. For me, aface isnotonlythesynthesis ofthe because what I’m you through interested can un detailsandclose-ups, in is details and close-ups; films correspond« My with my way of “seeing” life. When I enter a room, Ilook at thewholepicture, Olmi talksabouthiscinema: Magali: Domenico:  Magali: Domenico: Magali: Domenico:  Magali: Domenico:  Magali: Domenico: 4 The onewiththeraincoat? /9 Twenty –four  What was your answer to theproblem? formula. Poor guy. Maybe he’d forgotten the Did you goto commercial school? Did you seethemannearwindow? Mine,too. wasn’t It hard. very He was married. Hewas wearing awed ding ring. No, middleschool. Iwanted to studylan I’ll get married andthatI’ll willbethat. getmarried guages, butigave itup. orlater Sooner No, notat all. 3 2 . de lapelícula sehadichoacercaQué película seescuchaenla Qué - - -

CinEd —Ficha estudiante Il posto B B ¿Cómo decimos travelled. by Fiat crowded streets, theway Italian subverting the symbolsofthiseconomic boom,the “500” produced automobiles factory. Italian The automobile was oneof Torino, Automobiles 'Italian Factory, Turin'), thebiggest Turin was thelocation ofFIAT (Fabbrica Automobili Italiana and Turin. centre of this cultural, change, social and mostly industrial so theywere massively exported. Two citieswere at the andcompetitive had agoodquality these industries prices, metallurgical, mechanicalandchemical. The of products consistent theyear helpduring ofthereconstruction: The were most dynamic sectors the ones that received to grow soonstarted insize. whichvery the city began to rise,new factories and from to the countryside fabric. People went where from to the poor South North, economic, radical changing socialandproductive ofItalian was theso-called It “economic boom”, whichshowed a and thelandscape. habits ofpopulation, thelookofcity development transformed theway oflivinginItaly, the At thebeginning of1960awildandfastindustrial Context: O emprego Portugal: L'emploi Francia: otros lugares En Europa y Il posto Il otros lugares En Europa y El empleo España: Reino Unido: Reino en otros países? Il posto Il Italia: 5 /9 listings, whichspecified:" we don’t rent out to southerners ". attitude, that showed for onethingthrough thereal estate foundSoutherners awidespread hostileandeven racist together withalotofintegration problems. the third “southern” Naples andPalermo, after in city from 719.000to 1.125.000inhabitants) sothat itbecame a highpercentage ofimmigrants (from 1951to 1957itwent the depressed ofPiemonte, countryside absorbed thecity manpower, alongwiththefluxof workers coming from migration phenomenon, because of the high demand of by Sica and Zavattini.Turin De was also protagonist of a a famous1952filmiscalled “ 545.000 to 841.000 units, that is to say 54%. No wonder employment increased, between 1951and1961,from represented Milan oftheeconomic boom: thecapitalcity 2 1 títulos Una película,varios Postul Rumanía: títulos Una película,varios Místo Checa: República Postas Lituania: Miracle inMilan Miracle Paikka nuorellePaikka miehelle Finlandia: Мястото Мястото Bulgaria: ”, directed

CinEd — Ficha estudiante Il posto B C Posters from different countries narration of history that Iwouldnarration change?And how? ofhistory the film? Am I in history? fond ofthecharacters Are there any things I did not like within the Are there any thingsIdidnotlikewithinthe What hasstruckmeinDomenico's character? What kind ofsensations andemotions arouseWhat kind What character? hasstruck meinMagali's otros lugares En Europa y y yo y La película Czech Republic : Yugoslavia France 6 /9 would itbe? most? lan where thefilmisset? methe What surprised his emotions,work, hisencounters, hisfeelings. being Domenico, and tell abouthisfirstday of different? world inthe same way?working Would itbe

andMi What would aboutItaly Iliketo know Do InowadaysDo imagine theentrance inthe If Icould changetheendingof If Imaginary diary of a character: I imagine I imagine ofacharacter: diary Imaginary Poland Germany 2 1 época La películaysu Aprendo eimagino Spain Il PostoIl , what , what -

CinEd — Ficha estudiante Il posto C C or drawings. I chooseamovie sequence where scenes are told to insidethecompanyrecreate andtry thesamesequence withphotos photos insidemy taking schoolto recreate Itry theinsideoffilmed company. I create my own poster ofthefilm.

Dear Ermanno...

I write a letter to the director, Ermanno Olmi about what I think of this movie:

directing choices. What was the most exciting thing,

What I dislike,

What I didn't understand of his sources (paintings, comics, photographs, movie shots. They can come from different I findsomeimagesthat recall methose some otherimages? in question. also create my photograms ofthemoment given to meandlabelalltheimages. Ican mind at thetime).Istickthemonsheet struck methemost(regardless ofmy state of images corresponding to themoments that videoclips, advertising, news, othermovies...) In the film there are several images thefilm thereIn are several images theseimagesof Do I select from the photograms in the section from thephotogramsI select inthesection y yo y La película y yo y La película Il PostoIl cined.eu/es/espacio-jovenes-espectadores Espacio Jóvenes Espectadores remind me of remind meof 7 /9 I write a letter to the actors that interpret Domenico and Magali, telling them what I think about the movie and their characters. the relationship between thetwo characters. to theevolution describe of composition trying Icreateimages ofDomenico andMagali. avisual forming apoem. them inorder andassociate themwithwords moved,that struck, shocked me the most... I put classification of my ten favourite images, theone each other. images that Iseeinthemovie andlinkthemto I search thelandscapes, buildings, architecture comment them. mirrored andfiltered through glasses. Ifindand In the In Young Space, Spectator Ichoosesome the In Young Space, Spectator Idoa 2 1 Aprendo eimagino imágenes Seleccionar ycrear nuevas

CinEd — Ficha estudiante Il posto D If Ilikedthisfilmmight alsolike...If "Conflicts", "Looks". of extracts Some told in old housesthat willbedestroyed, likethestories residential to buildingisbeingconstructed replace Chinoof2000inBarcelonaBarrio where agiant similar to the makethecity and theconstructors in 1961, the change of the landscape, the cranes analysed in themes arethe city two ofthemostimportant andtransformationThe changeofsociety of ( by JoséLuis Guerin film

En construcción

in

the En construcción. C “Il posto”. “Il in lejos más Ir E Il posto Il d

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are available intheeducational films tion (2001, Spain) The transformation ofMilan )

8 /9 met. away he hasjust from homewithsomejunkies and doesn’t understandwhy his sonwants to run Mr.a punk. Stoychev thinks he is a good father coach, EmilStoychev. into Hesuddenlyturned Rado, 12year old, isthesonofawaterpolo ( ( film 2010, Bulgaria) by2010, Bulgaria) Dragomir Sholev

in SHELTER (PODSLON),

the C in E : "At thetable", "Distance", d

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CinEd — Ficha estudiante Il posto El autor deestafichaestudiante es Vincenzo Ardito - CooperativaGet. D If Iwas interestedIf inthisfilmorthequestionsitdealswith,maybe I would alsolike... need to gobackto order. ofa became oneofthemainsupporters manifesto thepost-war during period, Sironi, to adhering thefuturist Mario after that thecitiesare goingthrough. stories express inthesameway thechanges even thoughindifferent periods. two The be compared to by theonedescribed Olmi, a city, that ischanging andthat Milan, can Sironi tells landscape of about a Suburban of disorientation andsolitude. that produces asense dimension ofdarkness on the other side a constructive energy; power that creates anoverwhelming expanding: ononesideadimensionof context aurban that constantly characterises Sironi’s work expresses thedoubletension Paesaggio urbano from, almostinterror. against everyone. A hate he runs is onthering, hefeels alotofhate he hates because, activity when he famous inthe world of boxing, an of self-punishment: hewillbecome for Simone’s –isaform misfortune for him–whothinksheisresponsible complex. Heachieves asuccess that most sensitive, the more spiritually about hischaracter: “Rocco isthe and hisbrothers from the movie by Visconti Rocco Parondi

This character This This artwork lejos más Ir , : :

by Mario Sironi,by Mario 1940. . Visconti says . Visconti Rocco Rocco 9 /9 Marcovaldo -Ovvero le stagioni in Marcovaldo lestagioni in -Ovvero impersonal, andalienating place. meaning any factory, ananonymous, is anonymous; itisthefactory, works,character sothat thefactory to theplace describe where his Calvino uses the same method economicyears boom. ofItalian inthe city industrial ageneric describe the city’s name, becausehewants to or Turin; Calvino chooses not to specify that couldset inacity beeitherMilan ofthe1960s. city industrial The novel is the countryside, whoisexiled inan Chaplin, a man from or the suburbs is a “pure character” likeCharlie The central ofthenovel character EINAUDI . citta This book This - Italo Calvino, - Italo 1963- :

CinEd —Ficha estudiante