Classica Ottobre
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EARLY MUSIC NOW with SARA SCHNEIDER Broadcast Schedule — Winter 2019
EARLY MUSIC NOW WITH SARA SCHNEIDER Broadcast Schedule — Winter 2019 PROGRAM #: EMN 18-27 RELEASE: December 24, 2018 Gaudete! Music for Christmas This week's program features Christmas music from several centuries to help get you in the holiday spirit, with hymns and carols by Michael Praetorius and Johannes Brassart, a Christmas concerto by Francesco Manfredini, and a traditional German carol sung by Emma Kirkby. Other performers include La Morra and the Gabrieli Consort and Players. PROGRAM #: EMN 18-28 RELEASE: December 31, 2018 To Drive the Cold Winter Away This week, Early Music Now presents songs to usher out the old year, and welcome the new; plus ditties and dances to bring some cheer to the cold winter days! Our performers include Pomerium, Ensemble Gilles Binchois, and The Dufay Collective. PROGRAM #: EMN 18-29 RELEASE: January 7, 2019 La Serenissima The 16th century Venetian School influenced composers all over Europe- from the polychoral masterpieces of Gabrieli to the innovative keyboard music of Merulo. We'll also hear selections from the Odhecaton: the earliest music collection printed using movable type, published by Petrucci in Venice in 1501. PROGRAM #: EMN 18-30 RELEASE: January 14, 2019 Music at the court of Emperor Maximilian I Maximilian I of Austria employed some of the finest artists and musicians of his time to glorify his reign and create a permanent legacy. He was known for wanting music in his environment constantly, even when he was alone. We'll hear from the composers who served him, like Isaac and Senfl, plus some of the music that shaped his young adulthood at the Burgundian court. -
Singing the Middle Ages: Between Scholars and Trotskyists Livio Giuliano (Università Degli Studi Di Milano)
TRANS 18 (2014) DOSSIER: VOCAL PERFORMANCE AND TECHNOLOGICAL PRACTICES: NEW PERSPECTIVES IN THE STUDY OF VOCAL MUSIC TRADITION Singing the Middle Ages: Between Scholars and Trotskyists Livio Giuliano (Università degli Studi di Milano) Resumen Abstract A partire dalla rilettura di Notre Dame proposta da Davide Daolmi, In connection with the interpretation of Notre Dame proposed by si indagano le ragioni che hanno permesso l’invenzione moderna Davide Daolmi in this journal, the article analyzes the reasons that dell’esecuzione polifonica del XII-XIII secolo, ripercorrendo gli allowed the modern invention of polyphonic performance of 12th esperimenti promossi nel corso del primo Novecento e and 13th centuries, tracing experiments promoted during the early consolidatisi, in pieno early music revival, verso la fine degli anni 20th century and strengthened in the early music revival in the late Settanta. Le scelte musicali compiute appaiono espressione del Seventies. The musical choices appear as expressions of a cultural mainstream culturale più che dell’evidenza documentaria e mainstream more than documentary evidence: at the beginning the tuttavia, se all’inizio le ragioni musicologiche, pur provvisorie e musicological reasons are references for the first performances (with pregiudiziali sul Medioevo, rimangono riferimento per le prime preconceptions about Middle Age), then the vocal interpretation of esecuzioni, in seguito le proposte vocali del Dopoguerra hanno the second Postwar became extraneous to the historical research preferito una strada slegata dalla ricerca storica (in realtà priva di (moreover lacking of any new contribution) and found aesthetic nuovi apporti) per trovare ragioni e alibi estetici in ambiti alibis in different environment (social, politic, market). -
PÉROTIN and the ARS ANTIQUA the Hilliard Ensemble
CORO hilliard live CORO hilliard live 1 The Hilliard Ensemble For more than three decades now The Hilliard Ensemble has been active in the realms of both early and contemporary music. As well as recording and performing music by composers such as Pérotin, Dufay, Josquin and Bach the ensemble has been involved in the creation of a large number of new works. James PÉROTIN MacMillan, Heinz Holliger, Arvo Pärt, Steven Hartke and many other composers have written both large and the and small-scale pieces for them. The ensemble’s performances ARS frequently include collaborations with other musicians such as the saxophonist Jan Garbarek, violinist ANTIQUA Christoph Poppen, violist Kim Kashkashian and orchestras including the New York Philharmonic, the BBC Symphony Orchestra and the Philadelphia Orchestra. John Potter’s contribution was crucial to getting the Hilliard Live project under way. John has since left to take up a post in the Music Department of York University. His place in the group has been filled by Steven Harrold. www.hilliardensemble.demon.co.uk the hilliard ensemble To find out more about CORO and to buy CDs, visit www.thesixteen.com cor16046 The hilliard live series of recordings came about for various reasons. 1 Vetus abit littera Anon. (C13th) 3:47 At the time self-published recordings were a fairly new and increasingly David James Rogers Covey-Crump John Potter Gordon Jones common phenomenon in popular music and we were keen to see if 2 Deus misertus hominis Anon. (C13th) 5:00 we could make the process work for us in the context of a series of David James Rogers Covey-Crump John Potter Gordon Jones public concerts. -
Norway's Jazz Identity by © 2019 Ashley Hirt MA
Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization. -
University Musical Society the Milliard Ensemble
UNIVERSITY MUSICAL SOCIETY THE MILLIARD ENSEMBLE David James, Countertenor John Potter, Tenor Rogers Covey-Crump, Tenor Gordon Jones, Baritone Tuesday Evening, March 5, 1991, at 8:00 Rackham Auditorium, Ann Arbor, Michigan Sound Patterns Tu civium primas ......................... Anonymous (c. 14th century) Alma polls religio - Axe poli cum artica ............... Anorrymous (c. 14th century) Reginarum dominam ....................... .Anonymous (c. 1170) Summa ............................. Arvo Part (b. 1935) Verbum bonum et suave ..................... .Anonymous (c. 1170) Musicalis sciencia Sciencie laudabili ................. Anonymous (c. 14th century) Glorious Hill .......................... Gavin Bryars (b. 1943) INTERMISSION Miraculous love's wounding .................. .Thomas Morley (1557-1602) Thomas gemma Cantuarie .................... .Anorrymous (14th century) In nets of golden wyers ..................... Thomas Morley (1557-1602) Tu solus qui facis mirabilia ................... Josquin Desprez (c. 1440-1521) Litany for the Whale ........................ John Cage (b. 1912) Prest est mon mal ..................... Cornelius Verdonck (1563-1625) Joy, mirth, triumphs ...................... Henry Purcell (1659-1695) Gloria from Messe de Nostre Dame ............. Guillaume de Machaut (c. 1300-1377) The Milliard Ensemble appears by arrangement with Beverly Simmons, Artist Representative, Cleveland, Ohio. The Hillard Ensemble records for ECM, EMI, and Harmonia Mundi France. Copies of this title page are available in larger print; -
Nominierte in Der Kategorie Ensemble/Orchester Des Jahres
Nominierte in der Kategorie Ensemble/Orchester des Jahres Academy of St Martin Akademie für Alte Akademie für Alte Akademie für Alte Musik Amsterdam Amsterdam in the Fields Musik Berlin Musik Berlin Berlin Sinfonietta Sinfoniettal Händel – Concerti Grossi Beethoven Beethoven & Knecht J. S. Bach Vivaldi Bach Balthasar-Neumann- Bamberger Bayerische BBC National Orchestra BBC Symphony Orchestra Boston Symphony Chor & Ensemble Symphoniker Kammerphilharmonie of Wales / Christoph- Orchestra Mathias Mueller Henze – Heliogabalus Schumann / Schubert Longing for Paradise Missa Solemnis Imperator Adès conducts Adès Alexander Veprik Nominierte in der Kategorie Ensemble/Orchester des Jahres Akademie für Alte Capella de la Torre Capella Gabetta Chamber Orchestra Chor des Bayerischen Chor des Bayerischen Musik Berlin of Europe Rundfunks Rundfunks Tango Seasons Beethoven & Knecht Air Music Die Zauberflöte Antonin Dvorak Love? Chorus and Orchestra of the Deutsche Oper City of Birmingham Cobario Compagnia di Punto Concertgebouworkest Concerto Köln Symphony Orchestra Das Wunder der Heliane Beethoven Geminiani: Quinta Weinberg Symphonies Weit weg Symphonies 1-3 Rachmaninoff Essentia Nominierte in der Kategorie Ensemble/Orchester des Jahres Cuarteto Casals Caroline Eidsten Dahl Danish Chamber Deutsche Donderer, Tetzlaff, Hara, Dresdner Philharmonie Christian Kjos, Kate Hearne Orchestra Kammerakademie Neuss Yoon, Simonian, Feteyeva Beethoven Telemann Recorder Sonatas Gossec Jonny Shostakovich: the 15 Streichquartette Beethoven Symphonies Duo Brüggen-Plank -
Antonio Vivaldi (1678-1741)
Ospedale della Pietà in Venice Opernhaus Prag Antonio Vivaldi (1678-1741) Complete Opera – Antonio Vivaldi – Complete Opera – Index - Complete Operas by Antonio Vivaldi Page Preface 3 Cantatas 1 RV687 Wedding Cantata 'Gloria e Imeneo' (Wedding cantata) 4 2 RV690 Serenata a 3 'Mio cor, povero cor' (My poor heart) 5 3 RV693 Serenata a 3 'La senna festegiante' 6 Operas 1 RV697 Argippo 7 2 RV699 Armida al campo d'Egitto 8 3 RV700 Arsilda, Regina di Ponto 9 4 RV702 Atenaide 10 5 RV703 Bajazet - Il Tamerlano 11 6 RV705 Catone in Utica 12 7 RV709 Dorilla in Tempe 13 8 RV710 Ercole sul Termodonte 14 9 RV711 Farnace 15 10 RV714 La fida ninfa 16 11 RV717 Il Giustino 17 12 RV718 Griselda 18 13 RV719 L'incoronazione di Dario 19 14 RV723 Motezuma 20 15 RV725 L'Olimpiade 21 16 RV726 L'oracolo in Messenia 22 17 RV727 Orlando finto pazzo 23 18 RV728 Orlando furioso 24 19 RV729 Ottone in Villa 25 20 RV731 Rosmira Fedele 26 21 RV734 La Silvia (incomplete) 27 22 RV736 Il Teuzzone 27 23 RV738 Tito Manlio 29 24 RV739 La verita in cimento 30 25 RV740 Il Tigrane (Fragment) 31 2 – Antonio Vivaldi – Complete Opera – Preface In 17th century Italy is quite affected by the opera fever. The genus just newly created is celebrated everywhere. Not quite. For in Romee were allowed operas for decades heard exclusively in a closed society. The Papal State, who wanted to seem virtuous achieved at least outwardly like all these stories about love, lust, passions and all the ancient heroes and gods was morally rather questionable. -
Creativity in Jazz
Creativity in Jazz Norman Lawrence Meehan A thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy New Zealand School of Music 2014 1 Creativity in Jazz ................................................................................................................ 1 Acknowledgements .......................................................................................................... 7 Part One: Creativity and Jazz ......................................................................................... 8 Introduction ........................................................................................................................ 9 Why are these questions important? .................................................................................. 9 The central idea ....................................................................................................................... 17 Thesis Plan ................................................................................................................................ 19 Chapter One: Creativity, and its importance ......................................................... 24 Why is creativity important? ............................................................................................... 24 Creativity in Music? ................................................................................................................ 27 Defining creativity ................................................................................................................. -
The Tallis Scholars English Madrigals Mp3, Flac, Wma
The Tallis Scholars English Madrigals mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: English Madrigals Country: US Released: 1986 Style: Medieval MP3 version RAR size: 1187 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1972 mb Rating: 4.9 Votes: 209 Other Formats: VOX AHX DTS MP4 AAC RA APE Tracklist Hide Credits All Creatures Now A1 Composed By – John Bennet Hark! Alleluia A2 Composed By – Thomas Morley Phyllis, I Fain Would Die Now A3 Composed By – Thomas Morley Cruel Madame A4 Composed By – Thomas Vautor Ah, Dear Heart A5 Composed By – Orlando Gibbons Draw On Sweet Night A6 Composed By – John Wilbye Hark, All Ye Lovely Saints B1 Composed By – Thomas Weelkes Sleep, Fleshly Birth B2 Composed By – Robert Ramsey Carters, Now Cast Down B3 Composed By – Giles Farnaby Woe Is Me B4 Composed By – Thomas Tomkins Though Amaryllis Dance B5 Composed By – William Byrd The Silver Swan B6 Composed By – Orlando Gibbons Credits Alto Vocals – Margaret Philipot Bass Vocals – Francis Steele, Julian Walker Countertenor Vocals – Michael Chance Soprano Vocals – Alison Gough, Emily Van Evera Tenor Vocals – Andrew King , Rufus Muller* Notes XDR (Expanded Dynamic Range) cassette. Digital Recording. Other versions Category Artist Title (Format) Label Category Country Year Musical The Tallis English Madrigals MHS 4840H Heritage MHS 4840H US 1983 Scholars (LP) Society The Tallis English Madrigals Classics For CFP 4391 CFP 4391 UK 1982 Scholars (LP) Pleasure Various, The Tallis Various, The Scholars, Peter Angel Records, AE-34483 Tallis -
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality By Carlo Estolano Commentaries for the PhD folio of compositions University of York Music December 2017 2 3 Unbound Jazz: Composing and Performing in a Multi-Cultural Tonality Thesis submitted in partial fulfilment of a PhD degree in Music at The University of York, December 2018 by Carlo Estolano. Abstract This folio is conceived to propose and demonstrate music realisation of original compositions throughout the employment of elements of mainly two distinct sources: a selection from the wide palette of Brazilian folk styles that have improvisation as a strong element, which is internationally acknowledged as Brazilian Jazz; and its intersections with a certain style of European Jazz represented by artists notable by their keenness to combine elements from distinct musical genres with their Classical background, such as Ralph Towner, Jan Garbarek, John Abercrombie, Eberhard Weber, Kenny Wheeler, Terje Rypdal, Keith Jarrett to name a few. Both Brazilian and European approaches to Jazz seem to share processes of appropriation of foreign musical languages, as well as utilising characteristic features of their own traditions. Another common ground is their relation with some elements and procedures of classical music. The methodology to accomplish an organized collection of musical material was to divide them in five major influences, part of them by composers and part by genres notable by having evolved through absorbing elements from distinct cultural sources. In five projects, fifteen original compositions are provided along with their recorded and/or filmed performances and commentaries about the compositional aspects, concerningthe style or composer focused on. -
Federico Maria Sardelli
F EDERICO M ARIA S A R D E L L I – Conductor In 1984 Federico Maria Sardelli, originally a flutist, founded the Baroque orchestra Modo Antiquo, with which he appears, as both soloist and conductor, at major festivals throughout Europe and in such concert halls as Concertgebouw Amsterdam, Théâtre des Champs-Elysées Paris, Tchaikovsky Concert Hall Moscow and Auditorium Parco della Musica in Rome. He is regularly invited as a guest conductor by many prestigious symphony orchestras, including Orchestra Barocca dell’Accademia di Santa Cecilia di Roma, Gewandhaus Lipzig, Maggio Musicale Fiorentino, Filarmonica Arturo Toscanini, Orchestra Filarmonica di Torino, Staatskapelle Halle, Kammerakademie Potsdam, Real Filarmonia de Galicia, Orchestra dei Pomeriggi Musicali di Milano. Federico Maria Sardelli has been a notable protagonist in the Vivaldi renaissance of the past few years: he conducted the world premiere recording and performance of many Vivaldi’s operas. In 2005, at Rotterdam Concertgebouw, he conducted the world premiere of Motezuma , rediscovered after 270 years. In 2006 he conducted the world premiere of Vivaldi’s L’Atenaide at Teatro della Pergola in Florence. In 2012 he recorded the last eight Vivaldi works reappeared ( New Discoveries II , Naïve) and conducted the world premiere of the new version of Orlando Furioso , rediscovered and reconstituted by him (Festival de Beaune, Naïve recording). In 2007 he has been Principal Conductor of Händel Festspiele in Halle, where he conducted Ariodante. Among the most important production he has conducted, Giasone by Francesco Cavalli at Vlaamse Opera Antwerp, Olivo e Pasquale at Festival Donizetti Bergamo, Dido and Aeneas at Teatro Regio Turin, La Dafne and Alceste at Maggio Musicale Fiorentino, Händel’s Teseo at Tchaikovsky Concert Hall in Moscow. -
A Good Deal of the Pieces, Especially Those in The
A good deal of the pieces, especially those in the second half of the semester, can be found in the Naxos Digital Library; (search CLIO for Naxos Digital Library) many are in the Online Reserves (accessed through the Music Humanities webpage). Key: on website: look for a link to it on the webpage associated with that piece iTunes: purchase it at iTunes Courseworks: in the class files section of Courseworks Naxos: available to stream at the Naxos Digital Library Online Reserves: available for RealAudio stream at the Online Reserves note for Mac users: streaming does not work on a Mac; save the link to your desktop (or Music HUM folder). Open the link and you can stream with that. Anonymous: Kyrie IV (Cunctipotens genitor) Benedictine Abbey Choir of Munsterschwarzach and Pater Godehard Joppich: Gregorian Chant (iTunes) Anonymous (Tuotilo?): Kyrie Cunctipotens Genitor on website Anonymous: Puer Natus Est Benedictine Abbey Choir of Munsterschwarzach and Pater Godehard Joppich: Gregorian Chant (iTunes) Perotin: Beata Viscera Hilliard Ensemble: Perotin (iTunes) also Online Reserves Anonymous from Codex Calixtinus: Kyrie trope: Cunctipotens genitor Anonymous 4: Miracles of Santiago: Medieval Chant and Polyphony (iTunes) Anonymous: Alleluia Nativitas on website (linked on Perotin: Alleluia Nativas page) Perotin: Alleluia, "Nativitas gloriose virginis Marie" Courseworks Anonymous: Viderunt Omnes on website (linked on Perotin: Viderunt page) Perotin: Viderunt Courseworks Guillaume de Machaut: Kyrie from Messe de Notre Dame Courseworks Anonymous: