DOCSLIB.ORG

Nominierte in Der Kategorie Ensemble/Orchester Des Jahres

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nominierte in Der Kategorie Ensemble/Orchester Des Jahres Nominierte in der Kategorie Ensemble/Orchester des Jahres Academy of St Martin Akademie für Alte Akademie für Alte Akademie für Alte Musik Amsterdam Amsterdam in the Fields Musik Berlin Musik Berlin Berlin Sinfonietta Sinfoniettal Händel – Concerti Grossi Beethoven Beethoven & Knecht J. S. Bach Vivaldi Bach Balthasar-Neumann- Bamberger Bayerische BBC National Orchestra BBC Symphony Orchestra Boston Symphony Chor & Ensemble Symphoniker Kammerphilharmonie of Wales / Christoph- Orchestra Mathias Mueller Henze – Heliogabalus Schumann / Schubert Longing for Paradise Missa Solemnis Imperator Adès conducts Adès Alexander Veprik Nominierte in der Kategorie Ensemble/Orchester des Jahres Akademie für Alte Capella de la Torre Capella Gabetta Chamber Orchestra Chor des Bayerischen Chor des Bayerischen Musik Berlin of Europe Rundfunks Rundfunks Tango Seasons Beethoven & Knecht Air Music Die Zauberflöte Antonin Dvorak Love? Chorus and Orchestra of the Deutsche Oper City of Birmingham Cobario Compagnia di Punto Concertgebouworkest Concerto Köln Symphony Orchestra Das Wunder der Heliane Beethoven Geminiani: Quinta Weinberg Symphonies Weit weg Symphonies 1-3 Rachmaninoff Essentia Nominierte in der Kategorie Ensemble/Orchester des Jahres Cuarteto Casals Caroline Eidsten Dahl Danish Chamber Deutsche Donderer, Tetzlaff, Hara, Dresdner Philharmonie Christian Kjos, Kate Hearne Orchestra Kammerakademie Neuss Yoon, Simonian, Feteyeva Beethoven Telemann Recorder Sonatas Gossec Jonny Shostakovich: the 15 Streichquartette Beethoven Symphonies Duo Brüggen-Plank Duo Ingolfsson- East-West Chamber Echo Collective Emerson String Ensemble Stoupel Orchestra Quartett BachWerkVokal Enescu 12 Conversations La Belle Èpoque Weinberg with Thilo Heinzmann The New York Concert Cantate Domino Nominierte in der Kategorie Ensemble/Orchester des Jahres Ensemble Diderot Ensemble Diderot Ensemble minui Ensemble Modern Ensemble Modern Ensemble Nuanz Opera suites for The Paris Album The London Album nonet Act 1 Mark Andre Riss Kurt Weill Palette Ensemble Resonanz Ensemble Resonanz Ensemble Resonanz Filarmonica della franz ensemble Freiburger Scala Barockorchester Haydn – Sieben Mozart – Sinfonien Bryce Dessner - Letzten Worte 39-41 Tenebre The Fellini Album Ferdinand Ries Beethoven: Leonore Nominierte in der Kategorie Ensemble/Orchester des Jahres Freiburger Barockorchester Georgisches German Brass Gewandhausorchester Kammerorchester Leipzig Gewandhauschor Hamburger Symphoniker Beethoven Klavierkonzerte Ingolstadt 2&5 Trip to America Bruckner Symphonies 6&9 Beethoven Haydn / Mayr Ströme Heidelberger Hessischer Rundfunk Horenstein Ensemble Il Giardino Armonico Il Pomo d‘oro Sinfoniker Sinfonieorchester Il Pomo d‘Oro Salieri strictly private Prokofiev Dichterliebe Farinelli Händel: Agrippina Facce d‘amore Nominierte in der Kategorie Ensemble/Orchester des Jahres Insula Orchestra Jerusalem Quartett Kammerchor Klaviertrio Hannover Kloeckner / Dörken Kurpfälzisches Stuttgart Kammerorchester Zwischen Nostalgie Beethoven The Yiddish Cabaret Bach‘s Family Beethoven und Revolution Mannheim Mozart – So Jin Kim Kuss Quartett L‘Arpeggiata La Cetra Ensemble Art D‘Echo Latvian Festival Lautten Compagney Barockorchester Basel Orchestra Weinberg Luigi Rossi Mr Handel‘s Dinner Triumvirat La Traviata Circle Line Nominierte in der Kategorie Ensemble/Orchester des Jahres Les Arts Florissants Les Passion de l‘Ame Les Siecles Les Talens Lyriques Les Talens Lyriques Les Talens Lyriques Monteverdi Biber/Schmelzer/Fux Mahler - Titan Isis Tarare Gounod Faust (1859) Lithuanian National Symphony London Symphony Lucerne Festival Luzerner Mädchenchor MDR Sinfonieorchester Orchestra / Kremerata Baltica Orchestra Orchestra Sinfonieorchester / Hannover Leipzig / Behzod Abduraimov Kammersymphonie Berlin Works by Raminta Šerkšnytė Elgar Richard Strauss Rachmaninoff in Lucerne Tarkmann: Inka-Kantate Werke von Hanns Eisler Nominierte in der Kategorie Ensemble/Orchester des Jahres Mozart Piano Münchner Münchner Münchner NDR Chor NDR Elbphilharmonie Quartet Rundfunkorchester Rundfunkorchester Rundfunkorchester Orchester Gabriel Fauré Verdi: I due Foscari Rossini: Sigismondo Giovin Fiamma MONDNACHT Bruckner: Sinfonie 7 NDR Radiophilharmonie NeoBarock NHK Symphony NHK Symphony Norz/Tong/Bowron/ Oberton String Octet Orchestra Orchestra Rees/Forster Epic Orchestra Metamorphose Mahler: Sinfonie 6 Bela Bartok Favourites Slavic Soul Nominierte in der Kategorie Ensemble/Orchester des Jahres Orchestra Filarmonica Orchestre Métropolitain Orchestre National ORF Radio Symphony Orquestra Filarmónica Pachl/Klaas della Scala de Montréal de Lille Orchester Wien de Gran Canaria Cherubini Discoveries Verdi Belle Epoque Von Weber: Euryanthe Sol Y Vida Melodramen III Pera Ensemble Philharmonia Philharmonix PKF – Prague Pygmalion Quatuor Enène Orchestra Philharmonia The Saint and the Sultan The Vienna Berlin Beethoven around Lise Davidsen Music Club 2 Benjamin Bernheim Liberta! the World Nominierte in der Kategorie Ensemble/Orchester des Jahres RIAS Kammerchor Riot Ensemble Royal Liverpool Orchestra of the Royal Royal Scottisch RTS Symphony Orchestra Philharmonic Orchestra Opera House National Orchestra Missa Cellensis Beethoven Greatest Classical Music Song Offerings La Traviata Chopin Piano Concertos Moments in Movies Rundfunkchor Berlin Russian National San Francisco Sariel / Concerto Schumann Quartett Shanghai Symphony Philharmonic Symphony Foscari Orchestra Brahms None but the lonely heart Ives: Symphonies 3/4 Rembrandt! Chiaroscuro Gateways Nominierte in der Kategorie Ensemble/Orchester des Jahres Silver-Garburg Piano Sinfonieorchester Sinfonieorchester Basel Symphonieorchester Staatskapelle Dresden Symphonieorchester des Duo Basel St. Gallen Bayerischen Rundfunks Luciano Berio- Schumann: The Illumination The Secret Fauré 2 Transformation Elle Symphonies Beethoven: 9 Symphonieorchester des Symphonieorchester des Symphonieorchester des Symphonieorchester des Bayerischen Rundfunks Bayerischen Rundfunks The Hilliard Ensemble The Philadelphia Bayerischen Rundfunks Bayerischen Rundfunks Orchestra Suk: Asrael Beethoven Violin Concerto Remember me, my dear Shostakovich Symphony 10 Saint-Saëns / Poulenc Marsalis Nominierte in der Kategorie Ensemble/Orchester des Jahres The Philadelphia Orchestra The Philhadelphia The Wave Quartet Trio Roseau Uwaga! Vocal Concert Dresden Destination Rachmaninov Orchestra Arrival alle menschen Mahler: Symphony 8 Carmen Piano Trios werden brüder Freimaurermusik Voktett Hannover Voyager Quartet WDR Wiener Klaviertrio Wiener Philharmoniker Wiener Sinfonieorchester Philharmoniker Liebesweisen The Peace Concert Winterreise Franz Joseph Clement Beethoven Versailles Beethoven Nominierte in der Kategorie Ensemble/Orchester des Jahres Wiener Philharmoniker Wiener Wiener Philharmoniker Wunderkammer Zürcher Philharmoniker Kammerorchester Sommernachtskonzert Neujahrskonzert 2020 2019 Wien Bach: Johannes Passion Belle Époque.
Load more

Recommended publications
  • EARLY MUSIC NOW with SARA SCHNEIDER Broadcast Schedule — Winter 2019
    EARLY MUSIC NOW WITH SARA SCHNEIDER Broadcast Schedule — Winter 2019 PROGRAM #: EMN 18-27 RELEASE: December 24, 2018 Gaudete! Music for Christmas This week's program features Christmas music from several centuries to help get you in the holiday spirit, with hymns and carols by Michael Praetorius and Johannes Brassart, a Christmas concerto by Francesco Manfredini, and a traditional German carol sung by Emma Kirkby. Other performers include La Morra and the Gabrieli Consort and Players. PROGRAM #: EMN 18-28 RELEASE: December 31, 2018 To Drive the Cold Winter Away This week, Early Music Now presents songs to usher out the old year, and welcome the new; plus ditties and dances to bring some cheer to the cold winter days! Our performers include Pomerium, Ensemble Gilles Binchois, and The Dufay Collective. PROGRAM #: EMN 18-29 RELEASE: January 7, 2019 La Serenissima The 16th century Venetian School influenced composers all over Europe- from the polychoral masterpieces of Gabrieli to the innovative keyboard music of Merulo. We'll also hear selections from the Odhecaton: the earliest music collection printed using movable type, published by Petrucci in Venice in 1501. PROGRAM #: EMN 18-30 RELEASE: January 14, 2019 Music at the court of Emperor Maximilian I Maximilian I of Austria employed some of the finest artists and musicians of his time to glorify his reign and create a permanent legacy. He was known for wanting music in his environment constantly, even when he was alone. We'll hear from the composers who served him, like Isaac and Senfl, plus some of the music that shaped his young adulthood at the Burgundian court.
    [Show full text]
  • Singing the Middle Ages: Between Scholars and Trotskyists Livio Giuliano (Università Degli Studi Di Milano)
    TRANS 18 (2014) DOSSIER: VOCAL PERFORMANCE AND TECHNOLOGICAL PRACTICES: NEW PERSPECTIVES IN THE STUDY OF VOCAL MUSIC TRADITION Singing the Middle Ages: Between Scholars and Trotskyists Livio Giuliano (Università degli Studi di Milano) Resumen Abstract A partire dalla rilettura di Notre Dame proposta da Davide Daolmi, In connection with the interpretation of Notre Dame proposed by si indagano le ragioni che hanno permesso l’invenzione moderna Davide Daolmi in this journal, the article analyzes the reasons that dell’esecuzione polifonica del XII-XIII secolo, ripercorrendo gli allowed the modern invention of polyphonic performance of 12th esperimenti promossi nel corso del primo Novecento e and 13th centuries, tracing experiments promoted during the early consolidatisi, in pieno early music revival, verso la fine degli anni 20th century and strengthened in the early music revival in the late Settanta. Le scelte musicali compiute appaiono espressione del Seventies. The musical choices appear as expressions of a cultural mainstream culturale più che dell’evidenza documentaria e mainstream more than documentary evidence: at the beginning the tuttavia, se all’inizio le ragioni musicologiche, pur provvisorie e musicological reasons are references for the first performances (with pregiudiziali sul Medioevo, rimangono riferimento per le prime preconceptions about Middle Age), then the vocal interpretation of esecuzioni, in seguito le proposte vocali del Dopoguerra hanno the second Postwar became extraneous to the historical research preferito una strada slegata dalla ricerca storica (in realtà priva di (moreover lacking of any new contribution) and found aesthetic nuovi apporti) per trovare ragioni e alibi estetici in ambiti alibis in different environment (social, politic, market).
    [Show full text]
  • PÉROTIN and the ARS ANTIQUA the Hilliard Ensemble
    CORO hilliard live CORO hilliard live 1 The Hilliard Ensemble For more than three decades now The Hilliard Ensemble has been active in the realms of both early and contemporary music. As well as recording and performing music by composers such as Pérotin, Dufay, Josquin and Bach the ensemble has been involved in the creation of a large number of new works. James PÉROTIN MacMillan, Heinz Holliger, Arvo Pärt, Steven Hartke and many other composers have written both large and the and small-scale pieces for them. The ensemble’s performances ARS frequently include collaborations with other musicians such as the saxophonist Jan Garbarek, violinist ANTIQUA Christoph Poppen, violist Kim Kashkashian and orchestras including the New York Philharmonic, the BBC Symphony Orchestra and the Philadelphia Orchestra. John Potter’s contribution was crucial to getting the Hilliard Live project under way. John has since left to take up a post in the Music Department of York University. His place in the group has been filled by Steven Harrold. www.hilliardensemble.demon.co.uk the hilliard ensemble To find out more about CORO and to buy CDs, visit www.thesixteen.com cor16046 The hilliard live series of recordings came about for various reasons. 1 Vetus abit littera Anon. (C13th) 3:47 At the time self-published recordings were a fairly new and increasingly David James Rogers Covey-Crump John Potter Gordon Jones common phenomenon in popular music and we were keen to see if 2 Deus misertus hominis Anon. (C13th) 5:00 we could make the process work for us in the context of a series of David James Rogers Covey-Crump John Potter Gordon Jones public concerts.
    [Show full text]
  • Norway's Jazz Identity by © 2019 Ashley Hirt MA
    Mountain Sound: Norway’s Jazz Identity By © 2019 Ashley Hirt M.A., University of Idaho, 2011 B.A., Pittsburg State University, 2009 Submitted to the graduate degree program in Musicology and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Musicology. __________________________ Chair: Dr. Roberta Freund Schwartz __________________________ Dr. Bryan Haaheim __________________________ Dr. Paul Laird __________________________ Dr. Sherrie Tucker __________________________ Dr. Ketty Wong-Cruz The dissertation committee for Ashley Hirt certifies that this is the approved version of the following dissertation: _____________________________ Chair: Date approved: ii Abstract Jazz musicians in Norway have cultivated a distinctive sound, driven by timbral markers and visual album aesthetics that are associated with the cold mountain valleys and fjords of their home country. This jazz dialect was developed in the decade following the Nazi occupation of Norway, when Norwegians utilized jazz as a subtle tool of resistance to Nazi cultural policies. This dialect was further enriched through the Scandinavian residencies of African American free jazz pioneers Don Cherry, Ornette Coleman, and George Russell, who tutored Norwegian saxophonist Jan Garbarek. Garbarek is credited with codifying the “Nordic sound” in the 1960s and ‘70s through his improvisations on numerous albums released on the ECM label. Throughout this document I will define, describe, and contextualize this sound concept. Today, the Nordic sound is embraced by Norwegian musicians and cultural institutions alike, and has come to form a significant component of modern Norwegian artistic identity. This document explores these dynamics and how they all contribute to a Norwegian jazz scene that continues to grow and flourish, expressing this jazz identity in a world marked by increasing globalization.
    [Show full text]
  • University Musical Society the Milliard Ensemble
    UNIVERSITY MUSICAL SOCIETY THE MILLIARD ENSEMBLE David James, Countertenor John Potter, Tenor Rogers Covey-Crump, Tenor Gordon Jones, Baritone Tuesday Evening, March 5, 1991, at 8:00 Rackham Auditorium, Ann Arbor, Michigan Sound Patterns Tu civium primas ......................... Anonymous (c. 14th century) Alma polls religio - Axe poli cum artica ............... Anorrymous (c. 14th century) Reginarum dominam ....................... .Anonymous (c. 1170) Summa ............................. Arvo Part (b. 1935) Verbum bonum et suave ..................... .Anonymous (c. 1170) Musicalis sciencia Sciencie laudabili ................. Anonymous (c. 14th century) Glorious Hill .......................... Gavin Bryars (b. 1943) INTERMISSION Miraculous love's wounding .................. .Thomas Morley (1557-1602) Thomas gemma Cantuarie .................... .Anorrymous (14th century) In nets of golden wyers ..................... Thomas Morley (1557-1602) Tu solus qui facis mirabilia ................... Josquin Desprez (c. 1440-1521) Litany for the Whale ........................ John Cage (b. 1912) Prest est mon mal ..................... Cornelius Verdonck (1563-1625) Joy, mirth, triumphs ...................... Henry Purcell (1659-1695) Gloria from Messe de Nostre Dame ............. Guillaume de Machaut (c. 1300-1377) The Milliard Ensemble appears by arrangement with Beverly Simmons, Artist Representative, Cleveland, Ohio. The Hillard Ensemble records for ECM, EMI, and Harmonia Mundi France. Copies of this title page are available in larger print;
    [Show full text]
  • Creativity in Jazz
    Creativity in Jazz Norman Lawrence Meehan A thesis submitted to Massey University and Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy New Zealand School of Music 2014 1 Creativity in Jazz ................................................................................................................ 1 Acknowledgements .......................................................................................................... 7 Part One: Creativity and Jazz ......................................................................................... 8 Introduction ........................................................................................................................ 9 Why are these questions important? .................................................................................. 9 The central idea ....................................................................................................................... 17 Thesis Plan ................................................................................................................................ 19 Chapter One: Creativity, and its importance ......................................................... 24 Why is creativity important? ............................................................................................... 24 Creativity in Music? ................................................................................................................ 27 Defining creativity .................................................................................................................
    [Show full text]
  • The Tallis Scholars English Madrigals Mp3, Flac, Wma
    The Tallis Scholars English Madrigals mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: English Madrigals Country: US Released: 1986 Style: Medieval MP3 version RAR size: 1187 mb FLAC version RAR size: 1509 mb WMA version RAR size: 1972 mb Rating: 4.9 Votes: 209 Other Formats: VOX AHX DTS MP4 AAC RA APE Tracklist Hide Credits All Creatures Now A1 Composed By – John Bennet Hark! Alleluia A2 Composed By – Thomas Morley Phyllis, I Fain Would Die Now A3 Composed By – Thomas Morley Cruel Madame A4 Composed By – Thomas Vautor Ah, Dear Heart A5 Composed By – Orlando Gibbons Draw On Sweet Night A6 Composed By – John Wilbye Hark, All Ye Lovely Saints B1 Composed By – Thomas Weelkes Sleep, Fleshly Birth B2 Composed By – Robert Ramsey Carters, Now Cast Down B3 Composed By – Giles Farnaby Woe Is Me B4 Composed By – Thomas Tomkins Though Amaryllis Dance B5 Composed By – William Byrd The Silver Swan B6 Composed By – Orlando Gibbons Credits Alto Vocals – Margaret Philipot Bass Vocals – Francis Steele, Julian Walker Countertenor Vocals – Michael Chance Soprano Vocals – Alison Gough, Emily Van Evera Tenor Vocals – Andrew King , Rufus Muller* Notes XDR (Expanded Dynamic Range) cassette. Digital Recording. Other versions Category Artist Title (Format) Label Category Country Year Musical The Tallis English Madrigals MHS 4840H Heritage MHS 4840H US 1983 Scholars (LP) Society The Tallis English Madrigals Classics For CFP 4391 CFP 4391 UK 1982 Scholars (LP) Pleasure Various, The Tallis Various, The Scholars, Peter Angel Records, AE-34483 Tallis
    [Show full text]
  • Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
    Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality By Carlo Estolano Commentaries for the PhD folio of compositions University of York Music December 2017 2 3 Unbound Jazz: Composing and Performing in a Multi-Cultural Tonality Thesis submitted in partial fulfilment of a PhD degree in Music at The University of York, December 2018 by Carlo Estolano. Abstract This folio is conceived to propose and demonstrate music realisation of original compositions throughout the employment of elements of mainly two distinct sources: a selection from the wide palette of Brazilian folk styles that have improvisation as a strong element, which is internationally acknowledged as Brazilian Jazz; and its intersections with a certain style of European Jazz represented by artists notable by their keenness to combine elements from distinct musical genres with their Classical background, such as Ralph Towner, Jan Garbarek, John Abercrombie, Eberhard Weber, Kenny Wheeler, Terje Rypdal, Keith Jarrett to name a few. Both Brazilian and European approaches to Jazz seem to share processes of appropriation of foreign musical languages, as well as utilising characteristic features of their own traditions. Another common ground is their relation with some elements and procedures of classical music. The methodology to accomplish an organized collection of musical material was to divide them in five major influences, part of them by composers and part by genres notable by having evolved through absorbing elements from distinct cultural sources. In five projects, fifteen original compositions are provided along with their recorded and/or filmed performances and commentaries about the compositional aspects, concerningthe style or composer focused on.
    [Show full text]
  • A Good Deal of the Pieces, Especially Those in The
    A good deal of the pieces, especially those in the second half of the semester, can be found in the Naxos Digital Library; (search CLIO for Naxos Digital Library) many are in the Online Reserves (accessed through the Music Humanities webpage). Key: on website: look for a link to it on the webpage associated with that piece iTunes: purchase it at iTunes Courseworks: in the class files section of Courseworks Naxos: available to stream at the Naxos Digital Library Online Reserves: available for RealAudio stream at the Online Reserves note for Mac users: streaming does not work on a Mac; save the link to your desktop (or Music HUM folder). Open the link and you can stream with that. Anonymous: Kyrie IV (Cunctipotens genitor) Benedictine Abbey Choir of Munsterschwarzach and Pater Godehard Joppich: Gregorian Chant (iTunes) Anonymous (Tuotilo?): Kyrie Cunctipotens Genitor on website Anonymous: Puer Natus Est Benedictine Abbey Choir of Munsterschwarzach and Pater Godehard Joppich: Gregorian Chant (iTunes) Perotin: Beata Viscera Hilliard Ensemble: Perotin (iTunes) also Online Reserves Anonymous from Codex Calixtinus: Kyrie trope: Cunctipotens genitor Anonymous 4: Miracles of Santiago: Medieval Chant and Polyphony (iTunes) Anonymous: Alleluia Nativitas on website (linked on Perotin: Alleluia Nativas page) Perotin: Alleluia, "Nativitas gloriose virginis Marie" Courseworks Anonymous: Viderunt Omnes on website (linked on Perotin: Viderunt page) Perotin: Viderunt Courseworks Guillaume de Machaut: Kyrie from Messe de Notre Dame Courseworks Anonymous:
    [Show full text]
  • Review of the Hilliard Ensemble, Guillaume De Machaut: Motets
    Marshall University Marshall Digital Scholar Music Faculty Research School of Music 8-2004 Review of The Hilliard Ensemble, Guillaume de Machaut: Motets. ECM Records, 2004 Vicki Stroeher Follow this and additional works at: https://mds.marshall.edu/music_faculty Part of the Musicology Commons Guillaume de Machaut Motets Machaut must have regarded his sively any novelties in texture, rhythm, or The Hilliard Ensemble motets as important to his compositional melody. The hocker, for example, comes 2001, ECM New Series, ECM output, because he placed them as the across in the hands of the Hilliard En­ B0001859-02 second genre after his revered Lais and semble as a natural occurrence, yet retains 62'26" before the now-famous Messe de Notre its significanceto the work as a whole. Dame in his compilation of a "complete Since this advance copy did not in- HE motets of Guillaume edition" manuscript.3 His preferred tex­ de Machaut (1300-1377), ture in these motets is three voices (tenor, Tthough described by one duplum or motetus, and triplum); only scholar as "conservative and backward­ four use four voices, adding an untexted looking" because of their heavy use of contratenor. All the motets are double NoRTHERN French texts, nonetheless provide a rich texted. Only two have a Latin duplum melodic, rhythmic, and harmonic palette and French triplum. The majority, fif­ forthe extraordinary voices of the Hilliard teen, feature two French texts, while the LIGHTS Ensemble. 1 The ensemble's recording of rest are in Latin. Machaut favored CHORAL f ES'I7IVAL eighteen of the twenty-three known works plainchant tenors, since only one of the in this genre (a twenty-fourth exists, but French motets has a secular French tenor its attribution is spurious), is exemplary ( Tant doucement m'ont attrait - Eins que and should delight both the medieval ma dame - Ruina, no.
    [Show full text]
  • Antoine Brumel 9:13 Than Recording Is, After All, What Music Is About
    CORO hilliard live CORO hilliard live 3 The Hilliard Ensemble For more than three decades now The Hilliard Ensemble has been active in the realms of both early and contemporary music. As well as recording and performing music by composers such as Pérotin, Dufay, Josquin and Bach the ensemble has been involved in the creation of a large number of new works. James MacMillan, Heinz Holliger, Arvo Pärt, Steven Hartke and many other composers have written both large and small-scale pieces for them. The ensemble’s performances frequently include collaborations with other musicians such as the saxophonist Jan Garbarek, violinist ANTOINE Christoph Poppen, violist Kim Kashkashian and orchestras including the New York Philharmonic, the BBC Symphony Orchestra and the Philadelphia Orchestra. BRUMEL John Potter’s contribution was crucial to getting the Hilliard Live project under way. John has since left to take up a post in the Music Department of York University. His place in the group has been filled by Steven Harrold. www.hilliardensemble.demon.co.uk the hilliard ensemble To find out more about CORO and to buy CDs, visit www.thesixteen.com cor16052 The hilliard live series of recordings came about for various reasons. At the time self-published recordings were a fairly new and increasingly ANTOINE common phenomenon in popular music and we were keen to see if we could make the process work for us in the context of a series of BRUMEL public concerts. Perhaps the most important motive for this experiment was our desire to capture the atmosphere and excitement of concert performances of some of our favourite repertoire.
    [Show full text]
  • Postmodern Middle Ages: Medieval Music at the Dawn of the Twenty- First Century
    Copyright rests with Florilegium. The contents of the journal may not be copied, reprinted, or posted electronically without the editor's express written permission, although users are welcome to download and print articles for individual use. Postmodern Middle Ages: Medieval Music at the Dawn of the Twenty- First Century Annetie Kreutziger-Herr In the October 1995 issue of Good Housekeeping, there appears an advertisement for a new "Barbie Collector's Series," featuring for the first time a doll called "Medieval Lady Barbie." Clad in a precious garment of the high Gothic style, this icon of our time is a dramatic representation of how the Middle Ages are perceived m popular culture at the end of the twentieth century. Medieval Lady Barbie is certainly not meant to function as an historically accurate document: she is first of all a toy, one of Mattel's many collector's series toys (compare Ebersole/Peabody 16, and Rand 164), and Ae use of a medieval garment for this twentiety-century doll illustrates that the Middle Ages have become a kind of treasure trove that can be mined in any way we like; they have become a kind of "queer accessory," as Erica Rand has expressed it in her anthropological study of the Barbie. By using a medieval dress, the maker does not wish to allude to the Middle Ages as a whole; rather, he wishes to play with iso- lated aspects of the distant era. The dress has a strangely comforting quality about it and an emotional nearness that is both apparent and mysterious.
    [Show full text]