Coalition-Talent-Roster.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

+44 (0)207 099 0050 CoalitionAgency.com [email protected] TALENT ROSTER MARCH 2018 Abbie McCarthy (BBC Introducing) Jameela Jamil Thomas Nicholas (American Ace (Radio 1Xtra) James Haskell Pie) Afro B Jamie East (Virgin Radio) Toby Anstis (Heart) Alex Zane Jo Whiley Toby Tarrant (Radio X) Ana Matronic Johnny Vaughan (Radio X) Tom Green Arron Crascall Jordan North (Radio 1) Tom Parker (The Wanted) Artful Dodger Judge Rinder Tony Christie Beat a Maxx Karen Harding Trevor Nelson (Radio 1Xtra) Becca D (MTV) Katie Thistleton Union J Ben Hanlin Kodaline Vernon Kay Brody Jenner Kristian Nairn (Game of Thrones) Will Manning (Capital) Cassetteboy Lauren Pope The Wombats Cel Spellman (Radio 1) LCpl Richard Jones (BGT) Yasmin Evans (Radio 1Xtra) Charli XCX Lotto Boyzz Charlie Hedges (Kiss) The Mac Twins Brands & Tours Chris Stark (Radio 1) Massaoke Coffee House Sessions Coldabank Matt Edmondson (Radio 1) Hedkandi Dan Caplen Matt Terry Just Can’t Get Enough 80s Dave Berry (Absolute) Matt Richardson Ministry of Sound Dave Pearce The Midnight Beast Pure Anthems Dermot O’Leary (Radio 2) Nick Grimshaw (Radio 1) Pure Garage Dev (Radio 1) Ollie Weeks Pure House DJ Pied Piper Pixie Lott Pure Grime Dom Joly Remel London Raver Tots Edith Bowman Rick Edwards Official Charts After Party Finn Jones Rickie & Melvin (Kiss) Propaganda Francis Boulle Roberto (Heart 80s) Fred Sirieix (First Dates) Russell Kane (Virgin Radio) Freddie Smith (Kiss) Sam Darlaston (Kiss) Gary Davies Sara Cox (Radio 2) George Shelley Scott Mills (Radio 1) Greg James (Radio 1) Seani B (Radio 1Xtra) Headphone Disco Shift K3y The Hoosiers Shola Ama Huw Stephens (Radio 1) The Showhawk Duo Jack & Joel Sondr Jack Maynard Steve Jones Suzi Perry 2nd Floor, 15 Little Portland Street, London, W1W 8BW Company Registration No. 5426067 | Registered Office: 6th Floor, Charlotte Building, 17 Gresse Street, London, W1T 1QL .

Copy Link

Recommended publications

Scott Marshall Dubbing Mixer
Scott Marshall Dubbing Mixer Profile Scott has over 14 years’ experience as a Re-recording Mixer, Sound Designer / Editor and Immersive Audio Artist working across many genres including, Film, TV, Factual Ent, Commercials, 360 Video, Virtual Reality Audio Design and many other forms of Audio Post Production. He is highly creative mixer and designer who's experience and skillset will bring the best out of your productions, shows and films. Credits VR / 360 Spatial Audio One Shot VR – VR Pilots / VR Training Military XR Consequences AR – Immersive Experience – Bose Ltd & Playlines AR Ouija 2: Origin of Evil - VR 360 - Universal Pictures HD VIA Alice, Red Bull Music – VR Experience – Event & Online – Red Bull & Virtual Guest Tottenham Hot Spurs; White Heart Lane – VR Experience – Animal Vegetable Mineral Reading FC Kit Launch – Event & VR Release – Gate Reality Films NME Awards Nominations Party - Biffy Clyro Performance - 360 Experience - VRX Fact Ent / Entertainment / Documentary / Drama Inside Iceland- Ricochet for Channel 5 Ultimate Rides- Barcroft Studios for A&E Networks/ TBC Network Incredible Science of Temperature – BBC Science / BBC4 / BBC Studios X-Factor – Series 15. Farm Group. ITV Moto Mongolia – Documentary Film. Theatrical 7.1 Dolby Mix, Goldcrest Films Witless – Series 3. 5 x 30mins. Objective Media Group Patients of a Saint Movie – Gold Crab & Nubian Films / Archstone Distribution Stacey Dooley Investigates: Young Sex For Sale In Japan -1 x 60min - BBC 3 The Turner Prize 2016: The Nominees – 1 x 30min - BBC4 Matilda and the Ramsay bunch - Series 3 – CBBC/Objective Media Group/Ramsay Productions Canaletto & The Art of Venice Exhibition – 1 x 90 min – EOS & Seventh Art Productions.
[Show full text]
ANNIE LEVY Make-Up Designer and Hair Stylist Special FX Artist Visa and Social Security for North America
ANNIE LEVY Make-Up Designer and Hair Stylist Special FX Artist Visa and Social Security for North America FILM & TV STARSTRUCK – SEASON 2 Hair and Make-up Designer Avalon Television / HBO / BBC1 Director: Jamie Jay Johnson SEXY BEASTS Hair and Make-up Designer Lion TV / Netflix Directors: Sam Campbell, Roman Green THE ROYAL WEDDING LIVE WITH CORD & Personal Hair, Make-Up & SFX to Kristen Wiig TISH Director: Andrew Steele HBO & Sky Atlantic WHO DO YOU THINK YOU ARE (USA) Personal Hair & Make-up to Josh Duhamel TLC / Shed Media US Director: Graham Sherrington MY FAVOURITE SKETCH Personal Hair & Make-up to Sally Phillips ITV/ Potato Director: Richard Pengelley A LEAGUE OF THEIR OWN XMAS SPECIAL Personal Hair, Make-up & SFXto Jack Whitehall SKY ONE/ CPL Productions Director: David Taylor JAMES ACASTER: REPERTOIRE Personal Hair & Make-up to James Acaster Netflix/ Turtle Canyon Media Director: Stuart Laws PROFESSOR GREEN: DANGEROUS DOGS Personal Hair & Make-up to Professor Green BBC Three/ Antidote Director: Matt Pelly JOLT Crowd Supervisor, Hair & Make-up Metropolitan Studios Director: Tanya Wexler THE FAST SHOW CELEBRATION Hair & Make-Up Designer Gold/ Crook Productions Director: Paul King/ Angus McIntyre GRINGOLANDIA Hair & Make-Up Designer (series 2-3) Netflix/Lone Star Productions Director: Cristobal Ross CLASS DISMISSED Hair & Make-Up Designer (Series 2-4) BBC ONE Director: Dermot Canterbury STATH LETS FLATS Hair & Make-Up Designer (Pilot) Channel 4 Director Dan Clarke JONNY PELHAM’S COMEDY SHORT Hair & Make-Up Designer Sky One Director:
[Show full text]
David-Greathead-Cv
David Greathead Avid Offline / Online Profile Previously staff editor at Prime Focus, David Greathead is well loved and renowned for his speed and creativity. He really understands individual director’s quirks and creative preferences and pushes it further to produce promos and programmes with real style and flair. In addition to this he is very laid back and easy to get along with and brings calm to a stressful environment. Long Form Credits “How To Garden With Carol Klein” Series 2, 5 x 60min. The gardening guru shares her insights on everything from edibles to ornamentals. Knickerbocker Glory for Channel 5 “The Nolans Coming Home” 1 x 60min. The singing sisters return to dry land after their incredible sea trip. Colleen, Linda, Maureen and Anne share more glamorous, revelatory and moving moments. Koska for Quest Red “Ricky and Ralphs Very Northern Roadtrip” 2 x 1hr episodes. Royle Family stars Ricky Tomlinson and Ralf Little reunite for a road trip in a campervan around the North of England. The stars share memories, entertain each other, and discover just what sets the north apart from the rest of the UK. North One for UKTV “The Wonderful World of Chocolate” 1 x 60min. Documentary series. The UK chocolate market is worth over £5 billion a year. This delicious world is packed with eccentric and colourful modern day Willy Wonkas - many of whom have given up everything in their pursuit of chocolate perfection. This series uncovers eye-popping factory secrets and reveals chocolate’s rich history. Elephant House Studios for Channel 5. “Garden Rescue” 6 x 45min.
[Show full text]
The Bbc Trust Report: On-Screen and On-Air Talent Including an Independent Assessment and Report by Oliver & Ohlbaum Associates
THE BBC TRUST REPORT: ON-SCREEN AND ON-AIR TALENT INCLUDING AN INDEPENDENT ASSESSMENT AND REPORT BY OLIVER & OHLBAUM ASSOCIATES MAY 2008 2 BBC TRUST CONCLUSIONS The issue of talent costs The BBC Trust operates to protect the interests of licence fee payers who pay for and own the BBC. As part of this we seek to ensure quality and value for money for licence fee payers and to challenge BBC management to use everything at their disposal to deliver both. An area where this is particularly complex is the salaries paid to on-screen and on-air talent. During the course of 2006, press reports about presenters’ salaries aroused industry and public concern and led some people to question the BBC’s approach to the talent it employs. This debate was still live when the Trust was established as the BBC’s governing body in January 2007. It was and has remained a topic raised by the public with Trustees during our appearances on radio phone-ins and at public meetings in all parts of the UK. Against this background the Trust commissioned an independent review, conducted by Oliver and Ohlbaum Associates Ltd (O&O), to provide an in depth examination of the BBC’s use of on air and on screen talent. We posed O&O three specific questions: • How do the size and structure of the BBC's reward packages for talent compare with the rest of the market? • What has been the impact of the BBC's policy on the talent market, particularly in relation to cost inflation? • To what extent do the BBC's policy and processes in relation to investment in, and reward of, talent support value for money? We are publishing O&O’s report which seeks to answer these questions, the BBC management’s response to the points it raises and our own judgements informed by this evidence.
[Show full text]
Rhys James Comedian / Writer / Actor
Rhys James Comedian / Writer / Actor Rhys James is an accomplished comedian, writer and actor who you will have seen on ‘Roast Battle’ (Comedy Central), ‘Russell Howard’s Stand Up Central’ (Comedy Central), ‘A League of Their Own’ (Sky One) and ‘Live At The Apollo’ (BBC Two) and as a regular panellist on ‘Mock The Week’ (BBC Two). He has performed six solo shows at the Edinburgh Fringe to sell-out audiences and critical acclaim, with his 2019 show ‘Snitch’ being one of the best reviewed comedy shows at the Edinburgh Fringe. Agents Carly Peters Assistant [email protected] Holly Haycock 0203 214 0985 [email protected] Roles Television Production Character Director Company GUESSABLE Series 2 Guest Liz Clare & Ollie Tuesday's Child / Bartlett Comedy Central MOCK THE WEEK (S15 - 20) Panellist Angst Productions / BBC Two POINTLESS CELEBRITIES Guest Endemol Shine UK / BBC Series 14 CELEBRITY MASTERMIND Contestant Hat Trick Productions / BBC One RICHARD OSMAN'S HOUSE Guest Endemol Shine UK / BBC OF GAMES Series 4 Two United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Character Director Company COMEDY GAME NIGHT Guest Barbara Wiltshire Monkey Kingdom / Comedy Central / Channel 5 A LEAGUE OF THEIR OWN Panellist Sky One COMEDIANS: HOME ALONE Himself Done + Dusted / BBC Two LIVE AT THE APOLLO Stand-up Paul Wheeler Open Mike Productions Ltd / BBC Two COMEDY CENTRAL AT THE Stand-up Performer Comedy Central COMEDY STORE (2 Episodes) ROAST
[Show full text]
RDE 2018 Vienna Prel Programme 18No Yellow
Radiodays Europe 2018 “The World Is Listening” Vienna 18-20 March 2018 Conference Programme Sunday Masterclasses at the end of this programme. V18 20180307 Monday 19 March 9.00-10.00 Track 1 Hall E Radiodays Europe 2018 – official opening: The World is Listening Welcome to Radiodays Europe 2018 in Vienna! What are the big themes for radio this year? How is our industry changing? What are the new challenges and the latest innovations in radio and audio in 2018? Don´t miss this fast paced first session, with a number of shorter keynotes, interviews and surprises! Radio industry keynote: The revolution will be broadcast: reinventing radio Bob Shennan (Director, Radio and Music, BBC, UK) From a complete re-imagining of its national networks 50 years ago to the introduction of a new family of digital networks, and a growing catalogue of award-winning podcasts, the wheels of revolution at BBC Radio rarely cease turning. Bob Shennan looks forward to reaffirming the BBC’s relationship with its audience and to introducing the joys of radio to a new generation of listeners by leading the way with new digital technologies. Welcome addresses: Anders Held (Co-Founder and Manager, Radiodays Europe, Sweden) Corinna Drumm (Director General, Austrian Association of Commercial Broadcasters VÖP, Austria) Monika Eigensperger (Head of Radio, ORF, Austria) European industry addresses: Graham Dixon (Head of Radio, EBU, Switzerland) Stefan Möller (President, AER, Finland) Thematic keynotes: Getting it together Siobhan Kenny (CEO, Radiocentre, UK) Radio companies often obsess about how they can gain an advantage over their broadcasting competitors. Siobhan Kenny considers when it makes sense for radio businesses to collaborate and reveals how working together can help deliver strong business benefits for the whole industry.
[Show full text]
Russell Brand
Russell Brand Arena-level stand-up that asks us to think as well as laugh The Guardian Awards: • Winner: British Comedy Awards: Outstanding Contribution To Comedy 2011 • Winner: British Comedy Awards: Best Live Stand-Up 2008 • Winner: Television and Radio Awards: Best Television Performer in a Non-Acting Role • Winner: British Comedy Awards: Best Newcomer 2006 • Winner: Loaded Laftas: Best Stand-Up 2006 • Winner: Time Out: Best Stand-Up 2006 Russell Brand is an award-winning comedian, writer, actor and presenter. Russell initially rose to fame in 2003 for his work as a presenter on MTV and on Big Brother spin-off, Big Brother’s Big Mouth. Since then he has become one of the most recognisable and best-loved comedy performers in the world, with a series of sold-out tours, bestselling DVDs and a number of major film roles to his name. His first nationwide stand-up tour, 2006’s Shame, was a huge success, eventually being filmed at London’s iconic Shepherd’s Bush Empire and released as a bestselling DVD, entitled Russell Brand: Live. He followed that tour with 2007’s Only Joking (released on DVD as Doin’ Life) and in 2009 embarked on his debut series of US dates with Scandalous. His critically–acclaimed 2013 show, Messiah Complex, was also a major hit and again a bestselling DVD. Russell’s latest show, Re:Birth, was met with critical acclaim on its UK and international tour and was released as an hour-long stand-up special on Netflix in 2018. Russell has enjoyed a wide-ranging and incredibly successful career in UK television.
[Show full text]
Russell Brand
Russell Brand Arena-level stand-up that asks us to think as well as laugh The Guardian Awards: • Winner: British Comedy Awards: Outstanding Contribution To Comedy 2011 • Winner: British Comedy Awards: Best Live Stand-Up 2008 • Winner: Television and Radio Awards: Best Television Performer in a Non-Acting Role • Winner: British Comedy Awards: Best Newcomer 2006 • Winner: Loaded Laftas: Best Stand-Up 2006 • Winner: Time Out: Best Stand-Up 2006 Russell Brand is an award-winning comedian, writer, actor and presenter. Russell initially rose to fame in 2003 for his work as a presenter on MTV and on Big Brother spin-off, Big Brother’s Big Mouth. Since then he has become one of the most recognisable and best-loved comedy performers in the world, with a series of sold-out tours, bestselling DVDs and a number of major film roles to his name. His first nationwide stand-up tour, 2006’s Shame, was a huge success, eventually being filmed at London’s iconic Shepherd’s Bush Empire and released as a bestselling DVD, entitled Russell Brand: Live. He followed that tour with 2007’s Only Joking (released on DVD as Doin’ Life) and in 2009 embarked on his debut series of US dates with Scandalous. His most recent stand-up show, 2013’s critically–acclaimed Messiah Complex, was also a major hit and again a bestselling DVD. Russell has enjoyed a wide-ranging and incredibly successful career in UK television. After concluding his stint on Big Brother’s Big Mouth in 2007, he went on to host his own chat shows, MTV’s 1 Leicester Square and Channel 4’s The Russell Brand Show, as well as the Bafta-nominated Ponderland, also for Channel 4.
[Show full text]
Diverse on Screen Talent Directory
BBC Diverse Presenters The BBC is committed to finding and growing diverse onscreen talent across all channels and platforms. We realise that in order to continue making the BBC feel truly diverse, and improve on where we are at the moment, we need to let you know who’s out there. In this document you will find biographies for just some of the hugely talented people the BBC has already been working with and others who have made their mark elsewhere. It’s the responsibility of every person involved in BBC programme making to ask themselves whether what, and who, they are putting on screen reflects the world around them or just one section of society. If you are in production or development and would like other ideas for diverse presenters across all genres please feel free to get in touch with Mary Fitzpatrick Editorial Executive, Diversity via email: [email protected] Diverse On Screen Talent Directory Presenter Biographies Biographies Ace and Invisible Presenters, 1Xtra Category: 1Xtra Agent: Insanity Artists Agency Limited T: 020 7927 6222 W: www.insanityartists.co.uk 1Xtra's lunchtime DJs Ace and Invisible are on a high - the two 22-year-olds scooped the gold award for Daily Music Show of the Year at the 2004 Sony Radio Academy Awards. It's a just reward for Ace and Invisible, two young south Londoners with high hopes who met whilst studying media at the Brits Performing Arts School in 1996. The 'Lunchtime Trouble Makers' is what they are commonly known as, but for Ace and Invisible it's a story of friendship and determination.
[Show full text]
Group MD, National Radio Steve Parkinson [email protected]
MEDIA PACK ABSOLUTE RADIO The Absolute Radio family of stations is made up of Absolute Radio, Absolute Classic Rock, Absolute Radio Country, Absolute Radio 60s, Absolute Radio 70s, Absolute Radio 80s, Absolute Radio 90s, Absolute Radio 00s, Absolute Radio 10s and Absolute Radio 20s. From landmark documentaries and intimate live sessions to festival exclusives and specialist programming, Absolute Radio is commercial radio’s most ambitious and innovative brand. We’re famous for being the home of Dave Berry, Jason Manford, Frank Skinner and the No Repeat Guarantee. We champion the very best in rock music, from breaking new acts such as Sea Girls and Sam Fender to favourites such as Coldplay and Foo Fighters, along with the best of legends like The Beatles, Bon Jovi and Queen. We don’t do plastic pop pap – we do real guitars, real drums and real singers. Absolute Radio. Where real music matters. ABSOLUTE RADIO AUDIENCE 83% 59% AGREE AGREE “music is very “I do more exciting things than important in my life” my parents did at my age” Absolute Radio’s listeners are ‘Reluctant Adults’ and are not like past generations. They have mortgages, families, careers and other adult responsibilities but also want to keep doing most of the things they did in their younger, ‘carefree’ years. To them, age is just a number. This is not about being childish, more about a defence against the dull! ‘Adulting’ is being done on their terms, as they turn their back on the 77% 72% societal norms of the past. AGREE AGREE “I like to travel “I find happiness in For our ‘Reluctant Adults’, music is a constant and it is integral to everything they to new places” having new experiences as much as buying stuff” do.
[Show full text]
Annual Report 2020-2021 About This Document
Annual Report 2020-2021 About this document This report summarises the activities of the Audio Content Fund from April 2020 – March 2021. It breaks down the bids received, and details the successful projects and their intended outcomes. This edition is labelled an Interim Report since, at the time of writing, several of the later projects have not yet entered production or been broadcast. It will be superseded by a Final Report once the final project has been broadcast. Author: Sam Bailey, Managing Director, Audio Content Fund Date: 15 June 2021 Contents 4 Executive Summary 5 Sam Bailey, Managing Director of the ACF 5 Helen Boaden, Chair of the Independent Funding Panel 6 Background to the Audio Content Fund 6 Summary of Payments 7 Summary of Successful Bids 8 Companies with Successful Bids 11 Bidding Guidelines 11 Independent Funding Panel 12 Assessment Process 12 Evaluation Criteria 14 Details of Funded Projects 16 Funded Projects 76 Projects still to be completed 88 References 89 Closing Statement Executive Summary 1. The Audio Content Fund (ACF) exists 8. 74% of the funded projects were from to finance the creation of original, high suppliers based outside of London. quality, crafted, public-service material for Projects were funded for broadcast on broadcast on commercial and community local stations in all four nations of the UK, radio. It is part of a pilot Contestable Fund, with content produced in English, Gaelic, funded by the UK Government. Irish and Ulster Scots. 2. The industry trade bodies AudioUK and 9. All bids are assessed for the diversity of Radiocentre set up the ACF in 2018, and their representation, and 1 in 5 of the it distributed grant funding totalling funded projects were primarily focused £655,898 in financial year 2019-2020.
[Show full text]
Issue 386 of Ofcom's Broadcast and on Demand Bulletin
Issue 386 of Ofcom’s Broadcast and On Demand Bulletin 9 September 2019 Issue number 386 9 September 2019 Issue 386 of Ofcom’s Broadcast and On Demand Bulletin 9 September 2019 Contents Introduction 3 Broadcast Licence Conditions cases In Breach/Resolved Provision of information: Diversity in Broadcasting Various licensees 5 Tables of cases Investigations Not in Breach 8 Complaints assessed, not investigated 9 Complaints outside of remit 14 BBC First 15 Investigations List 17 Issue 386 of Ofcom’s Broadcast and On Demand Bulletin 9 September 2019 Introduction Under the Communications Act 2003 (“the Act”), Ofcom has a duty to set standards for broadcast content to secure the standards objectives1. Ofcom also has a duty to ensure that On Demand Programme Services (“ODPS”) comply with certain standards requirements set out in the Act2. Ofcom reflects these requirements in its codes and rules. The Broadcast and On Demand Bulletin reports on the outcome of Ofcom’s investigations into alleged breaches of its codes and rules, as well as conditions with which broadcasters licensed by Ofcom are required to comply. The codes and rules include: a) Ofcom’s Broadcasting Code (“the Code”) for content broadcast on television and radio services licensed by Ofcom, and for content on the BBC’s licence fee funded television, radio and on demand services. b) the Code on the Scheduling of Television Advertising (“COSTA”), containing rules on how much advertising and teleshopping may be scheduled on commercial television, how many breaks are allowed and when they may be taken. c) certain sections of the BCAP Code: the UK Code of Broadcast Advertising, for which Ofcom retains regulatory responsibility for television and radio services.
[Show full text]