DOCSLIB.ORG

Featuring Maarten Van Rossem Ad Van Meurs Low Jeremiah Day Ernest C

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Featuring Maarten Van Rossem Ad Van Meurs Low Jeremiah Day Ernest C eindhoven 4/10/08 - 25/1/09 art & music from the heart of the United States featuring MAARTEN VAN ROSSEM AD VAN MEURS LOW JEREMIAH DAY ERNEST C. WITHERS marJetica Potrč ALEC SOTH TABLE OF CONTENTS ²%PFNBBSHFXPPO 10 14 16 26 EBOEPFKFBMHFLHFOPFH³ Dr. Bernard van Driel, psycholoog 30 32 34 40 Foreword 5 Introduction Travels through the Heart of the United States of America 7 Opening concert Woven Hand Dave Eugene Edwards’s carte blanche 10 Scott Hocking Walking Detroit, The Motor City 12 John Weeden The Memphis Attitude 13 Maarten van Rossem on City Folk and Countrymen in the Heartland 14 Ad van Meurs The Travelling Watchman 16 Hardland/Heartland Selection of print works from Us Doves 18 Jeremiah Day Road trip through the Heartland 20 David Olney sings in two voices 21 Matt Bakkom Minneapolis: Silent Streets, Big Names 22 Heartland Programme in Eindhoven 24 Alec Soth Artist in the Middle 26 Ron Linker on Obama’s Heartland 29 5SPVXMBBU[JDIWBO[µO Miss Rockaway Armada crosses the ocean 30 NU Ernest C. Withers Photo exhibition 32 6 WEKE Marjetica Potrč Possibilities in post-Katrina New Orleans 34 HPFELPQFLBOU[JFO The Decay of Urban America N Carol Jackson 36 Trouw is een kwalitatieve compacte krant die betrokken is bij de samenleving. Die oog heeft voor TROUW Heartbreak Hotel On the Origins of a Legendary Song 37 wat er werkelijk in de wereld gebeurt. Die waarde hecht aan diepgang en persoonlijke ontwikkeling, Matthew Day Jackson Location is Everything 38 waarbij levensbeschouwing, zorg, onderwijs & opvoeding en natuur & milieu een belangrijke plek LOW Final concert Heartland 40 innemen. Een krant met idealen. Een krant van deze tijd. Nu tot 10 oktober 2008 héél goedkoop. VOOR 5 Greely Myatt Home is where the Heartland is 42 Ga naar www.trouw.nl/6voor6, vul de bon in op pagina 2 of bel 088 0557557. 6 Smart Museum of Art University of Chicago – Heartland, 2009 44 Colophon 47 Deze aanbieding is geldig tot 10 oktober 2008, en geldt alleen indien u de afgelopen 3 maanden geen proefabonnement op Trouw heeft gehad. The city of Eindhoven plays host for three months to art and music from the heart of the USA. Heartland is an interdis- ciplinary project focusing on the art and music of the geographical heart of the United States of America: the so-called Heartland. As a visitor, you will be given a fascinating intro- duction to an unknown part of a very well known This magazine presents the programme for Heartland, the first inter- country. During the Ameri- disciplinary project by the Van Abbemuseum and Muziekcentrum can presidential elections – when there is a great Frits Philips, addressing a (inter)national audience. The project marks deal of US political cover- the start of a close cooperation between these two institutions that age in the Netherlands – will result in a series of major exhibitions and events in the coming the Heartland experience months and years. offers a different perspec- tive, concentrating on The international, southern region of the Netherlands is one of new, cultural insights into the United States. Europe’s top economies. With the establishing of Brainport and the High Tech Campus, and the international and attractive diversity Heartland consists of a of cultural institutions, the region offers an appealing climate for group exhibition feat- people and businesses to settle. The Van Abbemuseum and Muziek- uring existing and newly centrum Frits Philips take the lead by presenting topical exhibitions, commissioned works in the Van Abbemuseum concerts and debates that aim to exchange ideas with you, and together with a musical explore the cultural riches and the social challenges inevitably as- programme in Muziek- sociated with them. centrum Frits Philips in Eindhoven. It will also Heartland is a logical and noteworthy start to this collaborative en- include debates, lectures, terprise. The Heartland of the United States has long been a cradle a photo exhibition, pub- lications, and an artists in of important developments and movements in both music and art. residence programme. With the American presidential election process about to reach its climax this November, every vote will count in the swing states of The Heartland project is this region. The outcome of the American election will have conse- an ambitious collabora- quences worldwide. Heartland probes beneath the surface of voter tion between the Van behaviour, disclosing its reasoning and creative roots. Abbemuseum and the Muziekcentrum Frits Philips, and the Smart We warmly welcome you to attend the festive opening of Heartland Museum of Art at the on Saturday 4 October 2008, and to visit the many other Heartland University of Chicago as activities in the following months. We look forward to meeting you an American partner. in Eindhoven! Wim Vringer Director Muziekcentrum Frits Philips Charles Esche Director Van Abbemuseum 5 TRAVELS THROUGH THE HEART OF THE UNITED STATES OF AMERICA Research travel Mississippi. Photo Charles Esche, 2008 Church in Alabama. Photo Charles Esche, 2007 Taco Bell in Arkansas. Photo Otto Berchem, 2007 Welcome to the Heartland, deep in the How it all began… Netherlands. For three months, the city of The Heartland project grew out of two simple observations: one based on the relationship between the Netherlands Eindhoven will play host to art and music and the USA, the other related to the Van Abbemuseum from the heart of the USA. Within the pages and the Muziekcentrum. Firstly, we wanted to do a creative of this magazine, artists, thinkers, musicians, project in Eindhoven, which coincided with the timing of and Dutch experts on American culture will the US presidential elections. For many Dutch people, the USA is an attractive and still mysterious country that has a introduce you to our programme and guide considerable influence over our cultural and political lives. you through a rich and fascinating part of Although we hear a lot about what is happening in New the world. To complete this mental journey York, Hollywood, and Washington D.C., there is a degree we invite you to come to Eindhoven, in our of ignorance about the cultures and places between the coasts, which in fact make up the majority of the United own Dutch Heartland, where the exhibitions, States. We wanted to offer people another look at the cen- concerts and performances at the tre of the USA – the Heartland – at just this historic moment. Van Abbemuseum and the Muziekcentrum We hope to offer you an idea of its current culture, people Frits Philips will lead you northwards from and landscape in ways only possible through the creative the tropical climate of old New Orleans to work of artists and musicians. the industrial decay of central Detroit. Secondly, the Van Abbemuseum and the Muziekcentrum are based in what could be described as the “Dutch Heart- land” of Eindhoven and North Brabant. The museum also has a long history of collecting art from the United States, beginning in the 1960s. The museum was the first to show ar- tists such as Andy Warhol and Bruce Nauman in the Nether- lands, playing a significant role in establishing local interest 7 Research travel Illinois. Photo Otto Berchem, 2007 Clanton, Alabama. photo Otto Berchem, 2007 Louis Armstrong Parc in Louisiana. Photo Otto Bertchem, 2007 Overton Park Shell in Memphis. Photo Kerstin Niemann, 2007 research travel Tennessee. Photo Otto Berchem, 2008 Research travel Illinois. Photo Charles Esche, 2008 in such work. In the 1990s, the museum switched its attention We often travelled together as a curatorial search party, What you’ll see now… Our research as a curatorial team will continue over the to the west coast and collected Mike Kelley, Jason Rhoades which allowed us to share our different perspectives – At the Van Abbemuseum, a body of work will first introduce coming year, further extending the impact of the project. and Paul McCarthy. *If you continue your exploration in shaped by our backgrounds as two Europeans and an the region via the Mississippi River, and from there guide We have begun to talk to many of the colleagues we have the museum after seeing Heartland, you will discover more American based in Chicago – learning collectively about you into the exhibition galleries on a journey northwards met during our travels and together are exploring the about this history in our Living Archive exhibition. In terms the region’s complexity. We met artists, fellow curators and through this heart-shaped territory. Along the way you will possibility of linking a series of conversations, events, and of Heartland however, this background made us curious people interested in the cultural life of their own cities. This encounter work by artists who represent several generati- exhibitions around this Heartland region, in different com- about the zone between the east and west coasts. We won- led us to make extraordinary discoveries: breaking into ons and different approaches to art-making. This includes munities and cities during Autumn 2009. dered what was happening within this huge geographic an abandoned automobile factory in Detroit with Scott newly commissioned works from artists who we asked to area that was so little represented on Europe’s cultural map Hocking, to see his work using material he finds on site, investigate the Heartland region, as well as others produ- Through its many-layered collaborations, Heartland offers of the world. This curiosity led to our first visit to the region, and meeting with Dan Peterman and Theaster Gates at the ced in the Netherlands during the last 15 years. All of the you the opportunity to experience different forms of cultu- travelling by car from New Orleans to St. Louis along the amazing Experimental Station in Chicago, which brings project’s art and music respond in some way to the texture re from and about this region, not only through contempo- Mississippi River.
Load more

Recommended publications
  • Boise, Idaho, a Moderately Priced Home, As Chick House, Etc
    SUNDAY - 1 . 1 .Afl-'USi-JJ— ■ FOR BALI N bws r o R J M S :‘T « > — ;— *--------»--------------------------------- ■IsosHansouB Published every Sunday morning at U v M t o o k Automobil— R—I Estata Real T iflT JONES FURNITURE CO. T fa * CAPWA l 'n ^W S PUBLISHING WANTKD—Ironing to do. Call 72 6J FOR SALE—155 hampshlre ewes, age 1 Majestic range, good *75. BIG REDUCTION ON U SE D CARS— FARMERS NOTie* THIS as new. 1 to 4 years. $13 a head. Also 40 lam bs. Want to buy an automobile, truck ' 'CO, LIMITED, HIGHEST PRICES paid for furs. New 1 double barrel shot gu n $25. Phone 38-J-3. 44 acres all In hay, $8500. 2 second hand dressers. trailer or a Ford, don’t fail to see FOR SALE BY OWNER. 40 acres close In $8258. RICHARD STORY SHERIDAN York Store, 915 Main St. Trailers built to order. Ohmeral Manager 3 new Home Sewing machines brand FOR SALE—Six pigs, weight from 75 80 ucres close In, $11600. ALL KINDS of furnuiture, upholster­ new at $45 each. to 85 pounds, in good shape. Phone „„ ^A.Lo ALTO AUTO MARKET A convenient, 5-room bunga­ 157 acres bench land $47190. ADVANCE^SUBSCRIPTION ing and repair work. Prices rea­ 9J4. Z3rd * Falrvlew Ave. P hone 2089 low home, modern except heat, 20 acres good s tu ff $4000. sonable. J. A. Jo hnson. Phone 1026 That good Red Crown gasoline for has light, airy sleeping rooms, BA K ER & C H A P P E L L E OR HALE—1918 F ord cheap.
    [Show full text]
  • First-Plymouth Congregational Church, Lincoln, Nebraska (Article Reprinted from the American Organist Dated January 1999)
    Schoenstein & Co., Benicia, California First-Plymouth Congregational Church, Lincoln, Nebraska (Article reprinted from The American Organist dated January 1999) Page 1 of 8 Gallery organ. The façade mirrors the chancel façade and is also made of quarter-sawn white oak with Art Deco details. (photo: Lou Hurst) This is the fourth in a series of large instruments in our “American Romantic” style with tonal variety and dynamic range of symphonic proportions. It is also the “Magnum Opus” to date in our 121 years of organ-building. In an interesting way, this instrument both reviews that history and looks forward to the next century. Its design draws upon the great traditions of Romantic organ-building, which had taken hold at the time of our company’s founding, and incorporates them into a modern framework with the resources necessary for a multifaceted, contemporary church music program. The design is based on the conviction that the organ can and should have the same kind of expressiveness as the symphony orchestra. Given the organ’s many advantages, including pitch and dynamic range, tonal variety, and unlimited sustain, all under the control of one artist, the organ should be able to eclipse the orchestra in accompanimental versatility and musical expression. In fact, it must do so if it is to be the foundation of mainstream church music in the future. Over a period of 25 years, Jack Levick, minister of music and fine arts, has built one of the most respected music programs in the country. In addition to everything expected in a church that serves one of America’s largest Protestant congregations, First-Plymouth has a resident professional brass ensemble of ten players, and sponsors Abend-musik, Lincoln’s premier subscription concert series, which presents both well-known and seldom-heard choral works with organ and orchestra in the tradition of the great oratorio societies, and organ/orchestra solo works, as well as internationally known guest artists.
    [Show full text]
  • Claimed Studios Self Reliance Music 779
    I / * A~V &-2'5:~J~)0 BART CLAHI I.t PT. BT I5'HER "'XEAXBKRS A%9 . AFi&Lkz.TKB 'GMIG'GCIKXIKS 'I . K IUOF IH I tt J It, I I" I, I ,I I I 681 P U B L I S H E R P1NK FLOWER MUS1C PINK FOLDER MUSIC PUBLISH1NG PINK GARDENIA MUSIC PINK HAT MUSIC PUBLISHING CO PINK 1NK MUSIC PINK 1S MELON PUBL1SHING PINK LAVA PINK LION MUSIC PINK NOTES MUS1C PUBLISHING PINK PANNA MUSIC PUBLISHING P1NK PANTHER MUSIC PINK PASSION MUZICK PINK PEN PUBLISHZNG PINK PET MUSIC PINK PLANET PINK POCKETS PUBLISHING PINK RAMBLER MUSIC PINK REVOLVER PINK ROCK PINK SAFFIRE MUSIC PINK SHOES PRODUCTIONS PINK SLIP PUBLISHING PINK SOUNDS MUSIC PINK SUEDE MUSIC PINK SUGAR PINK TENNiS SHOES PRODUCTIONS PiNK TOWEL MUSIC PINK TOWER MUSIC PINK TRAX PINKARD AND PZNKARD MUSIC PINKER TONES PINKKITTI PUBLISH1NG PINKKNEE PUBLISH1NG COMPANY PINKY AND THE BRI MUSIC PINKY FOR THE MINGE PINKY TOES MUSIC P1NKY UNDERGROUND PINKYS PLAYHOUSE PZNN PEAT PRODUCTIONS PINNA PUBLISHING PINNACLE HDUSE PUBLISHING PINOT AURORA PINPOINT HITS PINS AND NEEDLES 1N COGNITO PINSPOTTER MUSIC ZNC PZNSTR1PE CRAWDADDY MUSIC PINT PUBLISHING PINTCH HARD PUBLISHING PINTERNET PUBLZSH1NG P1NTOLOGY PUBLISHING PZO MUSIC PUBLISHING CO PION PIONEER ARTISTS MUSIC P10TR BAL MUSIC PIOUS PUBLISHING PIP'S PUBLISHING PIPCOE MUSIC PIPE DREAMER PUBLISHING PIPE MANIC P1PE MUSIC INTERNATIONAL PIPE OF LIFE PUBLISHING P1PE PICTURES PUBLISHING 882 P U B L I S H E R PIPERMAN PUBLISHING P1PEY MIPEY PUBLISHING CO PIPFIRD MUSIC PIPIN HOT PIRANA NIGAHS MUSIC PIRANAHS ON WAX PIRANHA NOSE PUBL1SHING P1RATA MUSIC PIRHANA GIRL PRODUCTIONS PIRiN
    [Show full text]
  • Changing the Game Museum Research and the Politics of Inclusivity Margriet Schavemaker
    Changing the Game Museum Research and the Politics of Inclusivity Margriet Schavemaker First published in The Curatorial in Parallax, edited by Kim Seong-Eun, Choi Jina, and Song Sujong (Seoul: National Museum of Modern and Contemporary Art (MMCA), 2018), 89–105. Introduction Over the past two decades, the notion of a “discursive turn” has been shaping museum research all over the world. Instead of focusing on exhibitions as key “output,” museums now seem bent upon transforming themselves into networked organizations, which entails (co-)conducting research of all possible shapes and forms. In the theoretical discourse surrounding the aforementioned discursive turn, one finds a strong focus on institutional critique and antagonism, bringing counter-voices inside the museum. The museum criticizing itself from within has been a familiar description of the changes that were taking place. However, one might also argue that despite their potential for criticality and depth, these practices ultimately remained somewhat unchallenging and homogenous when it comes to both audience and outreach. Currently, a more radical turn towards diversity and inclusivity seems to be shaping our field. Not only in museums but across all of our institutions and social interactions, new and suppressed voices are demanding access, fundamental research, a rewriting of conventional narratives, and the deconstruction of the hegemonic powers that be. Is now the time when museums will actually begin to open up and museum research will finally liberate itself from the constraints of “preaching to the choir”? 1/14 In this essay, I will discuss some core programs and programmatic trajectories that have been developed by the Stedelijk Museum Amsterdam, firstly in order to bridge the gap between the museum and the academic world (including peers and professionals), and secondly to implement a more radical and self-critical opening up of the Fig.
    [Show full text]
  • BEN MINK Composer for Film & Television
    BEN MINK composer for film & television Contact: ARI WISE, agent • 1.866.784.3222 • [email protected] FEATURE FILMS BEN MINK FIFTY DEAD MEN WALKING 2008 compoNicoleser Carmen for film,-Davis, & television Guy Collins, Kyle Ryan Brightlight Pictures, Future Films, Cindy Cowan, Kyle Lundberg, Stephen Contact: ARI WISE, agent • 1.866.784.3222 • [email protected] Handmade International Hegyes, prod., Kari Skogland, dir. CONFESSIONS OF AN INNOCENT MAN 2007 David Paperny, Cal Shumiatcher, Catherine Paperny Films, National Film Board of Canada, CTV Tait, Trevor Hodgson, Rina Fraticelli, prod. David Paperny, dir. BORDERTOWN CAFE 1997 Stephen J. Roth, Norma Bailey, prod. Cinexus, Flat City Films, National Film Board of Canada Norma Bailey, dir. EVEN COWGIRLS GET THE BLUES (credited with K.D. Lang) 1993 Gus Van Sant Jr., Laurie Parker, prod. New Line Cinema Gus Van Sant Jr., dir. THE BIG DEAL 1985 Andras Hamori, prod. RSL Entertainment Corp., Alliance, MCA Barry Healey, dir. SEARCH AND DESTROY 1979 R. Ben Efraim, Edward L. Montoro, prod. Film Ventures International, Montoro Productions William Fruet, dir. Dark Sky Films TELEVISION CRACKING CANCER 2017 Sue Ridout, prod CBC The Passionate Eye, Dreamfilm Judith Pyke, dir. ON THE FARM (theme music) 2016 S. Cameron, R. Harvey, J. Howell, J. Prince, Full Flood Prods., CBC, Park Entertainment L. Moffat, prod., Rachel Talalay, dir. ALICE (Mini-Series) 2009 Robert Halmi Jr., Robert Halmi Sr., Matthew Reunion Pictures, Studio Eight Productions O’Connor, Lisa Richardson, Jamie Brown, RHI Entertainment, SY-FY prod., Nick Willing, dir. TERMINAL CITY 2005 Angus Fraser, Christine Haebler, Jayme Crescent Entertainment, Chum TV, The Movie Network Pfahl, Gordon Mark, prod., Various dir.
    [Show full text]
  • Interview Annick and Anton Herbert with Philippe Ungar, 2012 / 2013
    Interview Annick and Anton Herbert with Philippe Ungar, 2012 / 2013 L’Architecte est absent – répertoire Van Abbemuseum, Eindhoven November 24, 1984 – January 6, 1985 Many Colored Objects Placed Side by Side – programme Casino Luxembourg October 29, 2000 – February 11, 2001 Public Space / Two Audiences – inventaire Macba, Barcelona February 8 – May 1, 2006 Inventur, Werke aus der Sammlung Herbert Kunsthaus Graz June 10 – September 3, 2006 L’Architecte est absent – répertoire Philippe Ungar: How was the first 1984 exhibition of the collection at the Van Abbemuseum in Eindhoven conceived? Annick Herbert: It resulted from a conversation with director Rudi Fuchs. We were on good terms with him and we visited all of his exhibitions at the Van Abbemuseum. Moreover, several of our works were kept in his museum at that time, so he knew our collection very well. When Rudi proposed the exhibition, he put forward the idea of combining our works with pieces from his collection, which would be chosen by us. It was an extraordinary experience for us. Rudi also came up Jannis Kounellis, Fuochi, 1971 / Bruce Nauman, One Hundred Live and with the title for the exhibition, L’Architecte est absent, Die, 1983 / Gerhard Richter, 1024 Farben in 4 Permutationen, 1973. a sentence borrowed from the Marcel Broodthaers text Van Abbemuseum, Eindhoven, 1984 Le Corbeau et le Renard. The title very clearly underscored the importance of a neutral, anonymous exhibition space. As a subtitle he added répertoire, which were constraints on our freedom, and Rudi made us referred to the fact that when the exhibition took place include his Baselitz, a work we didn’t like at all.
    [Show full text]
  • Akram Zaatari Saida, Lebanon, 1966 Lives and Works in Beirut, Lebanon
    kurimanzutto akram zaatari Saida, Lebanon, 1966 lives and works in Beirut, Lebanon education & residencies 2010 Artist Residency at Deutscher Akademischer Austausch Dienst DAAD, Berlin. 2008 Artist Residency at Résidence International aux Recollets, Recollets, France. Artist Residency in Bellagio Residency Program at The Bellagio Center, The Rockeffeler Foundation, Las Vegas, United States. 1997 Banff Center for the Arts Residency, Banff, Canada. 1995 Master of Arts in Media Studies at The New School University, New York. 1989 Bachelor of Architecture at The American University of Beirut, Lebanon. grants & awards 2011 4th Yanghyun Prize awarded by Yanghyun Foundation, Seoul, South Korea. Grand Prize awarded by Associação Cultural Videobrasil, Sao Paulo. 2005 1st Prize awarded by FAIR PLAY Video Art Festival, Berlin. 2004 Prix Son awarded by Festival International de Cinéma de Marseille, France. 2002 Grand Award awarded by Ismailia International Film Festival for Documentaries and Shorts, Ismailia, Egypt. 2001 Jury Award awarded by Video Lisboa, Lisbon. curating 2006 Radical Closure: Send me to the Seas of Love, I’m drowning in my Blood. Internationale Kurzfilmtage Oberhausen, Germany. kurimanzutto 2004 Possible Narratives - Artistic Practices in Lebanon. Associação Cultural Videobrasil, Brazil. solo exhibitions 2019 Against Photography. An Annotated History of the Arab Image Foundation. Sharjah Art Foundation, United Arab Emirates. The Script. Modern Art Oxford, United Kingdom; travelled to: Turner Contemporary, Margate, England; Modern Art Oxford, England. 2018 Against Photography. An Annotated History of the Arab Image Foundation. National Museum of Modern and Contemporary Art, Seul, South Korea. Letter to a Refusing Pilot. Moderna Museet, Malmö, Sweden. The fold: space, time and the image. Contemporary Art Center, Cincinnati, United States.
    [Show full text]
  • ONE WALL, ONE WORK Robert Barry September 16
    ONE WALL, ONE WORK Robert Barry September 16 - November 4, 2016 In the latest edition of our ongoing series, One Wall, One Work, Robert Barry has created a new etched mirror diptych – black glass mirror - a 30 inch square juxtaposed with a 30 inch circle, each with text that varies in orientation. Each panel consists of complete words, incomplete words (as they would extend over the edges of the mirror), specific words (e.g. “desire”) and open-ended words (e.g. “almost”). Partly a formal study in comparison (square versus circle, reflective (background) versus opaque (etched text), specific versus general, this work also provides the space among these relationships so as to create a grey space where answers and meanings are not hard, fast or fully defined, but where one can question strict logic and allow for poetic feeling, meaning and opportunity. In terms of the artist's history, Robert Barry’s first solo museum exhibition was in 1971 at The Tate in London and over the years he has proceeded to have solo exhibitions at the Stedelijk in Amsterdam, the Folkwangmuseum Essen in Germany, the former Museum of Conceptual Art in San Francisco, the Musée St. Pierre, Art Contemporain in Lyon, France, the Haags Gemeentemuseum in Den Haag, Netherlands, the Dum Umeni Brno in the Czech Republic, and the Kunsthalle Nurnberg among others. Group exhibitions with Barry's work have taken place at the Guggenheim Museum in New York, Seattle Art Museum, Jewish Museum, Kyoto Museum of Fine Arts, Museum of Modern Art in New York, among hundreds of others.
    [Show full text]
  • The Osteopathic Physician July 1908 Vol. 14, No. 1
    The Osteopathic Physician July 1908 Vol. 14, No. 1 Reproduced with a gift from the Advocates for the American Osteopathic Association (AAOA Special Projects Fund) and Michigan Auxiliary to the Macomb County Osteopathic Association May not be reproduced in any format without the permission of the Museum of Osteopathic Medicine SM (formerly Still National Osteopathic Museum) Musuem of ~steopathic Medicine, Kirksville, MO P. c. • LIBRA .THE OSTEOPATHIC PHYSICIAN VoluD1e XIV. CHICAGO, JULY, 1908. NUD1ber' The celebration of the Old Doctor's Oth On to l(ir1(.sville i.s the O.steo­ birthday should be an incentive to all 0 teo­ paths to be present on that occasion. Come and join with us in the greatest meeting' of pathic Slogan For Aug. 3d to 8th our existence. You will never regret it. You owe It to yourselves; you owe it your profes­ '0N to Kirksville!" Accommodatiof'iJ sion; you owe it to the Old Doctor to meet' That is the slogan of every Osteo- with us in Kirksville the week of August 3d. pathic physician in America at this mo­ for the A. O. A. A. G. HILDRETH, ment. Scarcelv ten days will elapse before Cono()ention President M. V. O. A. there will begm a mighty pilgrimage' to the Mecca of our science. and the men and wo­ 1Jy D,.. A. G. Hitd,.,.th. 'P,.,.Jid,.nt. M. V. O'-A. MiJJouri ValleyAJJo­ men or' Osteopathy from the No~, South, T gives me great pleasure to announce to East and West, will pack their grips lnd start the profession, as President of.
    [Show full text]
  • Quaybrothers PREVIEW.Pdf
    contents 6 Foreword Glenn D. Lowry 8 Acknowledgments 10 THE MANIC DEPARTMENT STORE New Perspectives on the Quay Brothers Ron Magliozzi 16 THOSE WHO DESIRE WITHOUT END Animation as “Bachelor Machine” Edwin Carels 21 O N DECIPHERING THE PHARMACIST’S PRESCRIPTION FOR LIP-READING PUPPETS A project by the Quay Brothers 28 PlATES 62 Works by the Quay Brothers 63 Selected Bibliography 64 Trustees of The Museum of Modern Art The book also contains a project by the Quay Brothers on the front and back inside covers. Ron Magliozzi t is gratifying to report, right at the start, that the As illustrators, stage designers, and film- The twins’ “facility for drawing”6 was encouraged by reputed inaccessibility of the Quay Brothers’ work is a makers in a range of genres, the Quays have their family. At home, snowy pastoral landscapes of a Imyth. The challenge of deciphering meaning and narra- penetrated many fields of visual expression red barn at different distances were hung side by side, tive in the roughly thirty theatrical shorts and two features for a number of different audiences, from coincidentally suggesting a cinema tracking shot. Stark that the filmmakers have produced since 1979 is real avant-garde cinema and opera to publication countryside landscapes dotted with trees appeared indeed, a characteristic of their work that they adopted art and television advertising. Looking at commonly in their youthful drawings, often with ele- on principle when they were still students. Interpreters of their artistic endeavors as a whole, in the ments of telling human interest, as in Bicycle Course for their stop-motion puppet films, such as the defining Street context of fresh biographical information and Aspiring Amputees (1969) and Fantasy-Penalty for of Crocodiles (1986), have described them as alchemists, new evidence of their creativity, provides Missed Goal (c.1968).
    [Show full text]
  • Album Top 1000 2021
    2021 2020 ARTIEST ALBUM JAAR ? 9 Arc%c Monkeys Whatever People Say I Am, That's What I'm Not 2006 ? 12 Editors An end has a start 2007 ? 5 Metallica Metallica (The Black Album) 1991 ? 4 Muse Origin of Symmetry 2001 ? 2 Nirvana Nevermind 1992 ? 7 Oasis (What's the Story) Morning Glory? 1995 ? 1 Pearl Jam Ten 1992 ? 6 Queens Of The Stone Age Songs for the Deaf 2002 ? 3 Radiohead OK Computer 1997 ? 8 Rage Against The Machine Rage Against The Machine 1993 11 10 Green Day Dookie 1995 12 17 R.E.M. Automa%c for the People 1992 13 13 Linkin' Park Hybrid Theory 2001 14 19 Pink floyd Dark side of the moon 1973 15 11 System of a Down Toxicity 2001 16 15 Red Hot Chili Peppers Californica%on 2000 17 18 Smashing Pumpkins Mellon Collie and the Infinite Sadness 1995 18 28 U2 The Joshua Tree 1987 19 23 Rammstein Muaer 2001 20 22 Live Throwing Copper 1995 21 27 The Black Keys El Camino 2012 22 25 Soundgarden Superunknown 1994 23 26 Guns N' Roses Appe%te for Destruc%on 1989 24 20 Muse Black Holes and Revela%ons 2006 25 46 Alanis Morisseae Jagged Liale Pill 1996 26 21 Metallica Master of Puppets 1986 27 34 The Killers Hot Fuss 2004 28 16 Foo Fighters The Colour and the Shape 1997 29 14 Alice in Chains Dirt 1992 30 42 Arc%c Monkeys AM 2014 31 29 Tool Aenima 1996 32 32 Nirvana MTV Unplugged in New York 1994 33 31 Johan Pergola 2001 34 37 Joy Division Unknown Pleasures 1979 35 36 Green Day American idiot 2005 36 58 Arcade Fire Funeral 2005 37 43 Jeff Buckley Grace 1994 38 41 Eddie Vedder Into the Wild 2007 39 54 Audioslave Audioslave 2002 40 35 The Beatles Sgt.
    [Show full text]
  • Caryl Churchill …………………………………
    UNIVERSITÀ DEGLI STUDI DI VERONA DIPARTIMENTO DI CULTURE E CIVILTÀ SCUOLA DI DOTTORATO DI SCIENZE UMANISTICHE DOTTORATO DI RICERCA IN STUDI FILOLOGICI, LETTERARI E LINGUISTICI XXXI CICLO / 2015 TITOLO DELLA TESI DI DOTTORATO A Map of the World The 4-Way Street of British Political Theatre 1968-1985 S.S.D. L-ART/05 DISCIPLINE DELLO SPETTACOLO Coordinatore: Prof. Paolo Pellegrini Tutore: Prof. Nicola Pasqualicchio Dottorando: Dott. Carlo Vareschi Contents Abstract ……………………………………………………….. p. 3 Introduction .....……………………………………………….. p. 5 Chapter 1 CAST ……………………………………………… p. 17 1.1 In the Beginning there was CAST (p. 18); 1.2 Rebels with a Cause (p. 21); 1.3 Revolutionaries on a State Pay-Roll (p. 49); 1.4 The Rise and Fall (p. 82); 1.5 The End (p. 93) Chapter 2 David Edgar ……………………………………… p. 107 2.1 Public Theatre in a Private Age (p. 108); 2.2 A Belief in Collaborative Production (p. 109); 2.3. An Aspiration to a Wider Audience (p. 113); 2.4 An Open Attitude to Form (p. 115); 2.5 A Concern with the Public World (p. 120); 2.6 Unlike Arnold Wesker or Brendan Behan (p. 123); 2.7 Unlike Bond, Arden and Brecht (p. 124); 2.8 Unlike Shaw (p. 125); 2.9 Dick Deterred (p. 127); 2.10 Destiny (p. 144); 2.11 Our Own People (p. 155) Chapter 3 Caryl Churchill ………………………………….. p. 173 3.1 Far from the Madding Crowd (p. 178); 3.2 Churchill’s Newspeak (p. 188); 3.3 Sometimes it’s Hard to be a Woman (p. 192); Snakes and Ladders (p. 211) Chapter 4 Howard Barker ………………………………….
    [Show full text]