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Contagious Disease and Commercial Cinema: a Study of Selected Films for Their Impact on Health Literacy
Global Media Journal-Indian Edition; Volume 12 Issue1; June 2020. ISSN:2249-5835 Contagious Disease and Commercial Cinema: A Study of Selected Films for Their Impact on Health Literacy Subinita Paul Assistant Professor of B.Voc in Journalism And Mass Communication University of Kalyani (www.klyuniv.ac.in) Abstract Cinema being the highest form of entertainment has rarely presented the world of infectious diseases. Even if it has, the plot has been ruined by the presence of unrealistic creatures, politicising the use of bio-weapon. Only the biographies of some famous scientists or to develop the history of great epidemics and pandemics, the infectious diseases somewhat got attention marginally. The current pandemic situation has correctly pointed out to us, that how much health literacy is lacking in both rural as well as in urban society. Therefore commercial films, being made for and accepted by anyone without barrier, how much effectively ascertain towards the health literacy on infectious disease, is a fascinating topic to research further. This paper will try to find out how much commercial films, based on viral infections and contagious diseases, actually contribute towards the health literacy and awareness of the audience. Introduction The film, being the unique type of amusement, has consistently been a mirror for the general public. There is continuously a ceaseless discussion, that whether film shows the real happenings of the general public, or it just moves the general public to think the same. As Aristotle said, that, fiction is of great philosophical interest than history. Because, “History represents things as they are, while fiction represents how they might be and ought to be”. -
A Study on Portrayal of Gender in National Awarded Malayalam Films Amaljith N
IJARSCT ISSN (Online) 2581-9429 International Journal of Advanced Research in Science, Communication and Technology (IJARSCT) Volume 4, Issue 2, April 2021 Impact Factor: 4.819 A Study on Portrayal of Gender in National Awarded Malayalam Films Amaljith N. K1 and Rani T Jose2 M. Phil. Research Scholar, Department of Communication1 Manonmaniam Sundaranar University, Tirunelveli, Tamil Nadu, India Under Graduate Student, Bachelor of Arts in Psychology, English, Journalism2 St. Claret College, Bangalore University, Bangalore, Karnataka, India Abstract: There are many movies represented women’s issues and concerns in the films. But most movies women were portrayed for sheer beauty and attraction. Women in cinema start with an object of love and end in marriage. And it’s a fact is that roles for women and women characters are far below as proportionality. Women film makers and actresses criticise that the media represent the interests of the elite class or superior gender and women has nothing in it. The glory and success of women and their contribution toward society and their fighting toward the evils and stereotypes never get proper respect and appreciation. And gender representation in cinema is one of the main concern in the present scenario. It’s a fact that the majority of women characters tends to reinforce harmful gender stereotypes. The Malayalam film industry is one of the most influential film industries in India. Each year plentiful movies are beholding the silver screen. Movies with varied genres and out of the box thoughts are the main highlights of the Malayalam film industry. There are many pieces of research made on the portrayal of women or gender in popular films. -
Feminism and Representation of Women Identities in Indian Cinema: a Case Study
FEMINISM AND REPRESENTATION OF WOMEN IDENTITIES IN INDIAN CINEMA: A CASE STUDY Amaljith N.K1 Manonmaniam Sundaranar University, India. Abstract The film is one of the most popular sources of entertainment worldwide. Plentiful films are produced each year and the amount of spectators is also huge. Films are to be called as the mirror of society, because they portray the actual reality of the society through the cinematography. Thus, cinema plays an essential role in shaping views about, caste, creed and gender. There are many pieces of research made on the representation of women or gender in films. But, through this research, the researcher wants to analyse in- depth about the character representation of women in the Malayalam film industry how strong the so-called Mollywood constructs the strongest and stoutest women characters in Malayalam cinema in the 21st-century cinema. This study confers how women are portrayed in the Malayalam cinema in the 21st century and how bold and beautiful are the women characters in Malayalam film industry are and how they act and survive the social stigma and stereotypes in their daily life. All sample films discuss the plights and problems facing women in contemporary society and pointing fingers towards the representation of women in society. The case study method is used as the sole Methodology for research. And Feminist Film theory and theory of patriarchy applied in the theoretical framework. Keywords: Gender, Women, Film, Malayalam, Representation, Feminism. Feminismo e representação da identidade de mulheres no cinema indiano: um estudo de caso Resumo O filme é uma das fontes de entretenimento mais populares em todo o mundo. -
22 Female Kottayam Trailer
22 female kottayam trailer click here to download 22 Female Kottayam is a Malayalam feature film directed by Aashiq Abu, starring Fahad Fazil and Rima. Oru Indian Pranayakadha Movie Official Trailer | Fahadh Faasil, Amala Paul, Innocent | Latest Movie - Duration. 22 Female Kottayam, also known as 22FK, is a Malayalam-language Indian thriller film directed by Aashiq Abu and starring Rima Kallingal and Fahadh Faasil in the lead roles. It was set and filmed in Bangalore. The story concerns the travails of year-old nurse Tessa (Rima Kallingal) from Kottayam who was raped Music by: Bijibal; Rex Vijayan (BGM). Crime · A 22 year old nurse who was betrayed and raped exerts some extreme revenge on her tormentors. 22 Female Kottayam Movie Review: Critics Rating: 3 stars, click to give your rating/review,The film,is about a nurse settled in Bangalore, and how some events change the course of her life. T. All about 22 Female Kottayam - Malayalam movie, Directed by Aashiq Abu, Starring Fahadh Faasil, Rima Kallingal, Pratap K Pothen, T G Ravi, Sathar, Srinda Ashab, Music by Rex Vijayan, Bijibal, Videos, Stills, Wallpapers, Synopsis, Promotional Events. 22 Female Kottayam. Starring: Rima Kallingal, Fahad Fazil. Genres: Drama. 22 Female Kottayam, also known as 22FK, is a Indian rape and revenge film directed by Aashiq Abu and starring Rima Kallingal and Fahad Fazil in the lead roles. So naturally all eyes are on Aashiq's next film which is curiously titled 22 Female Kottayam. Starring Fahad Fazil and Rima 22 Female Kottayam tells the story of two friends Tessa Abraham and Cyril C Mathew, their love and relationship. -
No 848 a Weekly Bulletin for Residents of Auroville 12Th December 2020
News and Notes No 848 A weekly bulletin for residents of Auroville 12th December 2020 Bird Watches watercolor by Marlenka HOUSE OF MOTHER’S AGENDA “In fifty years the whole world, all the receptive section of humanity (I am not saying intellectual, I am saying receptive), all the receptive section of the world will be embraced – not “embraced”: ABSORBED in the power of Sri Aurobindo's thought. Those who already are have the good fortune of being the first ones, that's all.” — The Mother. The Agenda . 16 February 1972 (+ 50 years = Year 2022) As mind seeks for light, for the discovery of knowledge and for mastery by knowledge, so life seeks for the development of its own force and for mastery by force: its quest is for growth, power, conquest, possession, satisfaction, creation, joy, love, beauty; its joy of existence is in a constant self-expression, development, diverse manifoldness of action, creation, enjoyment, an abundant and strong intensity of itself and its power. The gnostic evolution will lift that to its highest and fullest expression, but it will not act for the power, satisfaction, enjoyment of the mental or vital ego, for its narrow possession of itself and its eager ambitious grasp on others and on things or for its greater self-affirmation and magnified embodiment; for in that way no spiritual fullness and perfection can come. The gnostic life will exist and act for the Divine in itself and in the world, for the Divine in all; the increasing possession of the individual being and the world by the Divine Presence, Light, Power, Love, Delight, Beauty will be the sense of life to the gnostic being. -
Imaging Women in Malayalam Cinema-A Counter Discourse
www.TLHjournal.com The Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) IMAGING WOMEN IN MALAYALAM CINEMA-A COUNTER DISCOURSE JUMANA P. RESEARCH SCHOLAR Guide : Dr. K P SUDHA SREE KERALA VARMA COLLEGE, THRISSUR UNIVERSITY OF CALICUT ABSTRACT This paper focuses on the imaging of women in Malayalam cinema and make an attempt to analyze the defending attitude of women in contemporary women centered Malayalam cinema Four Women directed by Adoor Gopala Krishnan and 22 Female Kottayam directed by Aashiq Abu from a feministic perspective. This paper focuses on the representation of resisting image of women which is purely a counter discourses for the earlier imaging of women in Malayalam cinema. Four Women narrates the universal tale of women and 22 Female Kottayam narrates the regainment of lost sense of self which is spoiled by male chauvinism. Both these movies help to empower women and to regain their real self which acts as the weapon for resisting male chauvinism by which women can create their own space. Key words: Imaging women, women centered Malayalam cinema, defending sense of self, male chauvinism, women empowerment and space of women. Vol. 2, Issue 1 (June 2016) Dr. Siddhartha Sharma Page 130 Editor-in-Chief www.TLHjournal.com The Literary Herald ISSN: 2454-3365 An International Refereed English e-Journal Impact Factor: 2.24 (IIJIF) IMAGING WOMEN IN MALAYALAM CINEMA-A COUNTER DISCOURSE JUMANA P. RESEARCH SCHOLAR GUIDE : Dr. K P SUDHA SREE KERALA VARMA COLLEGE, THRISSUR UNIVERSITY OF CALICUT Malayalam cinema and imaging women have become one of the hottest discussions in the present social scenario of Kerala. -
Film Socialisme, Debuted at Cannes
Kerala State Chalachitra Academy Department of Cultural Affairs Government of Kerala Recognised by Fédération Internationale des Associations de Producteurs de Films International Federation of Film Producers Associations International Film Festival of Kerala FEB. 10 > MARCH 05, 2021 THIRUVANANTHAPURAM KOCHI THALASSERY PALAKKAD The Festival Team Chairman & Festival Director, IFFK: Kamal Vice-Chairperson & Artistic Director, IFFK: Bina Paul Secretary & Executive Director, IFFK: C Ajoy Treasurer: Santhosh Jacob K Deputy Director (Festival): H Shaji Deputy Director (Programmes): N P Sajeesh Programme Manager (Festival): Rijoy K J Programme Manager (Finance): Sajith C C Programme Manager (Programmes): Vimal Kumar V P Festival Assistants: Tony Xavier, Sreevidya J Programme Assistants: Saiyed Farooq Z, Nekha Fathima Sulficar Programme Assistant (Programmes): Nitin R Viswan Print Unit Coordinator: P S Sivakumar Cashier: Manu S T Festival Cell: Mary Ninan, K Harikumar, John Kurian, Madhavi Madhupal, Nishanth S T, Jaya L, G Sasikala, Sarath M, Sandhya B, Abdulla A, Manu M, Shamlal S S, K Venukuttan Nair, Vijayamohan B, Arun R, A Maheshkumar, Lizy M, Omana J, Jayakumari D, Sudharsanan T, Sahadevan R, Rahul Vijayan Festival Programmers: Rosa Carillo, Alessandra Speciale, Eduardo Raccah Signature Film: Mahesh Narayanan Branding design & collaterals: Anoop Ramakrishnan Online Coordination: Shelly J Morris Photo Exhibition: Sajitha Madathil, Hylesh, Nitin R Viswan Filmmakers' Liaison & Guest Relations: Bandhu Prasad Aleyamma, Jayesh LR, Rameez Mohammed, Jithin Mohan AS (Trivi Art Concerns) FESTIVAL BOOK Chief Editor: C Ajoy Executive Editor: Rajesh Chirappadu Associate Editors: Rahul S, Nowfal N Editorial Team: Aneesa Iqbal, N N Baiju, Aswanth Chandrachoodan, Arnold Mathews, Anju S Anand, Swathy Lekshmi Vikram, Akash S S, Jayakumar, Binukumar M R Book Design: Anoop Ramakrishnan Word Processing & Page Setting: Sivaprasad B Academy is grateful to various film journals, festival publications, film festival websites from which we have borrowed content to put together this book. -
Cyberbullying and Punishments (Concentrating on Kerala Women)
Augustana College Augustana Digital Commons Augustana Center for the Study of Ethics Essay Contest Prizewinners Spring 3-30-2021 Cyberbullying and Punishments (Concentrating on Kerala Women) Aksa Roy Augustana College, Rock Island Illinois Follow this and additional works at: https://digitalcommons.augustana.edu/ethicscontest Part of the Other Languages, Societies, and Cultures Commons, and the Women's Studies Commons Augustana Digital Commons Citation Roy, Aksa. "Cyberbullying and Punishments (Concentrating on Kerala Women)" (2021). Augustana Center for the Study of Ethics Essay Contest. https://digitalcommons.augustana.edu/ethicscontest/23 This Student Paper is brought to you for free and open access by the Prizewinners at Augustana Digital Commons. It has been accepted for inclusion in Augustana Center for the Study of Ethics Essay Contest by an authorized administrator of Augustana Digital Commons. For more information, please contact [email protected]. 1 CYBERBULLYING AND PUNISHMENTS (Concentrating on Kerala Women) 2 Table of Contents ● Kerala a South Indian State _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _3 ● Cyber Harassment Cases in Kerala and Culture_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _3 ● How fish fries can make someone feminist?_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _4 ● Parvathy Thiruvothu- A Fearless Woman _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ 5 ● Bhagyalakshmi and Group _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _7 ● Ethically Right or Wrong? _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _9 ● A Positive Change _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ __11 ● References_ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _ _14 3 ● Kerala a South Indian State Kerala is a south Indian state, where the literacy rate is 100%. -
Being Salman the Dangerous Innocence of Bollywood’S Most Controversial Superstar Anna Mm Vetticad
Founder: Vishva Nath (1917-2002) VOLUME 09 • ISSUE 11 Editor-in-Chief, Publisher & Printer: Paresh Nath NOVEMBER 2017 cover story 20 Being Salman The dangerous innocence of Bollywood’s most controversial superstar anna mm vetticad Salman Khan has appeared in some of the biggest blockbusters in Hindi film history. But his career has been blighted by allegations of involvement in crimes of poaching, domestic violence and culpable homicide. In the last decade, the star has tried to reform his image. If he has succeeded to some extent, it has been not just through his own efforts, but also the willingness of his fans and many around him to accept or justify even his most disturbing behaviour. 20 perspectives 17 48 62 politics 14 Hammer and Fickle 48 The Second Coming Nepali politics sees a major reconfiguration How Malayalam cinema’s only female superstar got back to work in time for a watershed election leena gita reghunath shubhanga pandey 62 Director’s Cut 17 Counting Crores The cinematic myth-making of Louis Mountbatten Why Indian films’ box-office figures do not add up manik sharma suprateek chatterjee NOVEMBER 2017 3 the lede 72 12 arts 8 People’s Choice Attendance and absence at the Tibetan photo essay / health Music Awards 72 Deadly Risk aathira konikkara Unsafe abortions through the ages politics laia abril 12 Driving Miss Jinnah An antique car exhibit in Karachi spotlights an underappreciated historical figure alizeh kohari books 94 literature 86 The Streets of Desire Old Delhi’s subversive love-letter manuals kanupriya dhingra 86 the bookshelf 92 showcase 94 NOTE TO READERS: “A MARKETING INITIATIVE” ON PAGES 42–46 AND “SPONSORED FEATURE” ON editor’s pick 98 PAGES 60–61 AND 70–71 ARE PAID ADVERTISING CONTENT. -
Why Manju Warrier Is Not Equal to Mohanlal
International Journal of English Research International Journal of English Research ISSN: 2455-2186; Impact Factor: RJIF 5.32 Received: 02-02-2019; Accepted: 06-03-2019 www.englishjournals.com Volume 5; Issue 2; March 2019; Page No. 86-89 Gendering stardom: Why Manju Warrier is not equal to Mohanlal Arya MP Research Scholar, Postgraduate, Department of English, St. Aloysius College, Elthuruth, Thrissur, Kerala, India Abstract Gender became, and still remains the focus of heated debate in Malayalam film industry (Mollywood: the film industry of Kerala, India) post the actor assault case in February 2017. The contemporaneity of the issue leads to this research paper, which is an exploration of the role played by gender in shaping stardom in a regional film industry such as the Malayalam industry. Stardom is analyzed by choosing the personas of Manju Warrier (signifying the female superstar) and Mohanlal (representative of the male superstar). The paper traces the reasons, both cinematic and pragmatic, to explore how the actors’ persona, political stances, characters enacted, and critical reception at theatres that point towards the creation of a gendered stardom rather than an objective renown and fame that they enjoy in the present cultural scenario. The scope of the research lies in exploring how gender is not a passive, but an active participant in the mental creation of icons in spectators. The findings are also portentous in understanding how the spectator’s psyche is unconsciously constructed to imbibe gender as a means of ‘Othering’. Keywords: gender, stardom, stereotyping, persona, spectator 1. Introduction from acting careers (or any other career at large), Warrier The Oxford Dictionary defines the term ‘actor’ as “a person belongs to an era when getting married begins a new phase whose profession is acting on the stage, in films, or on of a woman’s life, and puts an end to her profession, television” (“actor”), and proceeds to explain how the word especially in the case of women in the film industry. -
Misogyny in Malayalam Films
International Journal of Humanities and Social Sciences. ISSN 2250-3226 Volume 11, Number 1 (2021), pp. 7-15 © Research India Publications https://dx.doi.org/10.37622/IJHSS/11.1.2021.7-15 Misogyny in Malayalam Films Greeshma D Guest Lecturer, University of Kerala, India. Abstract Malayalam movies are always praised for the complexity of characters and their mesmerising scripts. But many raised voices against the misogyny that is still prevalent in the industry. Actresses have little or no role unless it is a female-centric movie. This condition reflects the deeply rooted gender discrimination and patriarchy in the state which upholds modernity only in the superficial level. Audience imitates their heroes and worships them as demi- gods. So, it is essential in their part to deliver healthy content. Even today, there is a lack of strong female characters in Malayalam movies, they are only reduced to ornaments and plot devices. Superstars and fans associations rule over the industry. The abduction and rape of a female actress and the response from Association of Malayalam Movie Artists (AMMA) all point out to how male-dominated the industry is. Women in Cinema Collective (WCC), was formed as a response to the misogynous position adopted by a male-dominated organisation of Malayalam cinema. The industry could not accept these strong opinionated as they ridiculed the collective through a satirical skit with superstars and other women actors. The present study would explore the misogyny in Malayalam movies from different aspects. Keywords: Misogyny, WCC, AMMA 8 Greeshma D INTRODUCTION Subjectivity has been a major concern for Foucault (1981) throughout his philosophical enquiries, and he considers the process of subjectivization as the centre stage in his conception of power. -
Kerala State Backward Classes Development Corporation Ltd
KERALA STATE BACKWARD CLASSES DEVELOPMENT CORPORATION LTD. A Govt. of Kerala Undertaking KSBCDC Term Loan Name of Family Comm Gen R/ Project NBCFDC Inst . Sl No. LoanNo Address Activity Sector Date Beneficiary Annual unity der U Cost Share No Income 010117322 Ashokan S Mamkootattil Veedu,Thenkavila,Kottukal,Trivandrum 84000 H M R Dairy Unit Agriculture & Allied Sector 157895 134211 27/04/2018 2 010117749 Krishnan Kutty S Cheruvallikuzhy Puthen 36000 H M U Contract Work Service Sector 157895 134211 14/05/2018 2 Veedu,Nedumangad,Pazhakutty,Trivandrum 010117857 Sony P Ambika Bhavan,Venjaramoodu,Koliakode,Trivandrum 84000 H M R Ready Made Garments Business Sector 157895 134211 28/05/2018 2 010118011 Shaiju B G Shyju Bhavan,Cherapally,Parandode B.O,Trivandrum 50000 H M R Furniture Mart Business Sector 105263 89474 19/05/2018 2 010118085 Bindu Kr Gra 420,Mattakatt House,Pattom,Trivandrum 96000 H F U Spices Unit Business Sector 157895 134211 21/04/2018 2 010118087 Beena P Thottatil Veedu,Irumba,Aruvikara,Trivandrum 36000 H F R Dairy Unit Agriculture & Allied Sector 157895 134211 23/07/2018 2 010118136 Vinod R Eliyamkonathu Veedu,Kulappada,Kullapada,Trivandrum 48000 H M R Bee Culture (Api Culture) Agriculture & Allied Sector 63158 53684 22/05/2018 2 010118137 Girija S Pulimootil Veedu,Venkamala,Mukkudil,Trivandrum 30000 H F R Vegetable Shop Business Sector 52632 44737 14/05/2018 2 010118147 Praseetha P V M Bhavan,Kusavoor,Pacha,Trivandrum 72000 H F R Engineering Workshop Business Sector 157895 134211 14/05/2018 2 010118154 Chithra Aiswariya,Kuppakonam