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Butch Cassidy Roamed Incognito in Southwest New Mexico
Nancy Coggeshall I For The New Mexican Hideout in the Gila Butch Cassidy roamed incognito in southwest New Mexico. Hideout in the Gila utch Cassidy’s presence in southwestern New Mexico is barely noted today. Notorious for his successful bank Butch Cassidy roamed and train robberies at the turn of the 20th century, incognito in southwest Cassidy was idealized and idolized as a “gentleman out- New Mexico wilderness Blaw” and leader of the Wild Bunch. He and various members of the • gang worked incognito at the WS Ranch — set between Arizona’s Blue Range and San Carlos Apache Reservation to the west and the Nancy Coggeshall rugged Mogollon Mountains to the east — from February 1899 For The New Mexican until May 1900. Descendants of pioneers and ranchers acquainted with Cassidy tell stories about the man their ancestors knew as “Jim Lowe.” Nancy Thomas grew up hearing from her grandfather Clarence Tipton and others that Cassidy was a “man of his word.” Tipton was the foreman at the WS immediately before Cassidy’s arrival. The ranch sits at the southern end of the Outlaw Trail, a string of accommodating ranches and Wild Bunch hideouts stretching from Montana and the Canadian border into Mexico. The country surrounding the WS Ranch is forbidding; volcanic terrain cleft with precipitously angled, crenelated canyon walls defies access. A “pretty hard layout,” local old-timer Robert Bell told Lou Blachly, whose collection of interviews with pioneers — conducted PROMIENT PLACES - between 1942 and 1953 — are housed at the University of New OUTLAW TRAIL Mexico. What better place to dodge the law? 1. -
Billy the Kid: More Than a Legend
National Park Service White Sands U.S. Department of the Interior White Sands National Monument Billy the Kid: More than a Legend he history of the American Southwest is chock full of legends and stories that truly live up to the epithet of the TWild West. The embellishment of these stories has allowed for the development of numerous movies and books but the true facts of these accounts are more interesting than any tall tale. Yes, the West really was wild! after Tunstall. According to most doubt he and other renowned William Henry McCarthy, accounts, he was shot unarmed characters of the time came across otherwise known as Billy the which was against “the code of the largerst gypsum dunefield in Kid, is a perfect example of how the West.” After Tunstall’s murder, the world as they traveled. Who untamed the now tranquil towns Billy and the Regulators swore knows what evidence of their of New Mexico used to be. It vengeance on Jesse Evans and his passage these ever-shifting dunes was no secret that Billy had a crew. might be hiding. rough past. His mother died of tuberculosis while he was just a As a result of one of the many —Sandra Flickinger, Student-Intern young boy and he had a history of skirmishes, Sheriff William Brady working odd jobs in combination was killed, putting Billy in the hot with a few illegal activities. seat as a murderer and sending him on the run. After many daring The real beginning of Billy’s career escapes, the new sheriff, Pat as an infamous gunman, however, Garrett, was finally successful in began in 1878 after he met a young arresting Billy. -
Hill's Butch Cassidy and the Sundance
1 Butch Cassidy and the Sundance Kid Poster by Tom Beauvais Courtesy Wikipedia Reviewed by Garry Victor Hill Directed by George Roy Hill. Produced by John Foreman. Screenplay by William Goldman. Cinematography by Conrad Hall. Art Direction by Jack Martin Smith & Philip M. Jefferies. Music by Burt Bacharach. Edited by John C. Howard & Richard C. Meyer. Sound George R. Edmondson. Costume designs: Edith Head. Cinematic length: 110 minutes. Distributed by 20TH Century Fox. Companies: Campanile Productions and the Newman–Foreman Company. Cinematic release: October 1969. DVD release 2006 2 disc edition. Check for ratings. Rating 90%. 2 All images are taken from the Public Domain, The Red List, Wikimedia Commons and Wiki derivatives with permission. Written Without Prejudice Cast Paul Newman as Butch Cassidy Robert Redford as the Sundance Kid Katharine Ross as Etta Place Strother Martin as Percy Garris Henry Jones as Bike Salesman Jeff Corey as Sheriff Ray Bledsoe George Furth as Woodcock Cloris Leachman as Agnes Ted Cassidy as Harvey Logan Kenneth Mars as the town marshal Donnelly Rhodes as Macon Timothy Scott as News Carver Jody Gilbert as the Large Woman on the train Don Keefer as a Fireman Charles Dierkop as Flat Nose Curry Pancho Córdova as a Bank Manager Paul Bryar as Card Player No. 1 Sam Elliott as Card Player No. 2 Charles Akins as a Bank Teller Percy Helton as Sweetface Review In the second half of the 1960s westerns about the twilight of the Wild West suddenly became popular, as if both filmmakers and audiences wanted to keep the West within living memory. -
The Mormon Pioneer National Heritage Area
Museums M 191 MPNHA Absorb the Old West through anti, U hundreds of interactive N displays of pioneer history, orth Mormon heritage, outlaw T 84642 stories, and nature and UNDER THE RIM M Artists, Artisans, Crafters wildlife. Experience a new Big Water ain understanding of the settlers Big Water Visitor Center Museum/Grand Inspired by this rugged who shaped the social, Staircase Escalante National Monument Pal landscape, the artists and cultural and historic life crafters of the area are and lore of the American Kanab Grand Staircase Escalante National winners of the Best of West. Museum hours vary His Monument Geo Arc State Award. Handmade Kanab Heritage House by season. Call ahead His treasures include porcelain for schedule (See Visitor Kanab Heritage Museum Mt. Carmel dolls and carved wooden Information box at right). Kanab Visitor Center Museum The Old Rock Church Gallery Art caricatures, antique HEADWatERS BOULDER LOOP / furniture reproductions, Circleville HEADWatERS contemporary woodcraft, LittlE DEnmarK Butch Cassidy’s Childhood Home His HEritagE AREA MARKERS pottery, appliqued western Fairview Mormon Pioneer National Heritage Old Rock Schoolhouse, Marysvale clothing, hand tooled boots Art Hatch Fairview Museum and Art His Area Markers showing local travel Escalante Tithing Office, 1884 William Derby Johnson, Jr., House and saddles, unique jewelry, Daughters of Utah Pioneers Museum His maps and historic sites. Historic Red Brick Homes (Cole’s Hotel), 1884, Kanab Native American crafts, Fountain Green Open by appointment M. Parker (Butch Cassidy), Perry Lodge, Home to the Move Stars fine art and more. Beautiful Mt. Pleasant, corner of Main Street and Hwy 89 objects and memorable Fountain Green Daughters of Utah Pioneers Marysvale Cabin, c. -
History of Billy the Kid KID the BILLY of HISTORY Siringo A
History of Billy the Kid Charles A. Siringo HISTORY OF BILLY THE KID by Charles A. Siringo (1855-1928) “A cowboy outlaw whose youthful daring has never been equalled in the annals of criminal history. When a bullet pierced his heart he was less than twenty-two years of age, and had killed twenty-one men, Indians not included. The author feels that he is capable of writing a true and unvarnished history of "Billy the Kid," as he was personally acquainted with him, and assisted in his capture, by furnishing Sheriff Pat Garrett with three of his fighting cowboys--Jas. H. East, Lee Hall and Lon Chambers. “The facts set down in this narrative were gotten from the lips of "Billy the Kid," himself, and from such men as Pat Garrett, John W. Poe, Kip McKinnie, Charlie Wall, the Coe brothers, Tom O'Phalliard, Henry Brown, John Middleton, Martin Chavez, and Ash Upson. All these men took an active part, for or against, the "Kid." Ash Upson had known him from childhood, and was considered one of the family, for several years, in his mother's home. “Other facts were gained from the lips of Mrs. Charlie Bowdre, who kept "Billy the Kid," hid out at her home in Fort Sumner, New Mexico, after he had killed his two guards and escaped.” (Introduction by the author) Total running time: 2:19:31 Read by Roger Melin Charles A. Siringo HISTORY OF BILLY THE KID Cover design by Kathryn Delaney, using the only authenticated photograph of Billy the Kid . -
In the Shadow of Billy the Kid: Susan Mcsween and the Lincoln County War Author(S): Kathleen P
In the Shadow of Billy the Kid: Susan McSween and the Lincoln County War Author(s): Kathleen P. Chamberlain Source: Montana: The Magazine of Western History, Vol. 55, No. 4 (Winter, 2005), pp. 36-53 Published by: Montana Historical Society Stable URL: http://www.jstor.org/stable/4520742 . Accessed: 31/01/2014 13:20 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Montana Historical Society is collaborating with JSTOR to digitize, preserve and extend access to Montana: The Magazine of Western History. http://www.jstor.org This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions In the Shadowof Billy the Kid SUSAN MCSWEEN AND THE LINCOLN COUNTY WAR by Kathleen P. Chamberlain S C.4 C-5 I t Ia;i - /.0 I _Lf Susan McSween survivedthe shootouts of the Lincoln CountyWar and createda fortunein its aftermath.Through her story,we can examinethe strugglefor economic control that gripped Gilded Age New Mexico and discoverhow women were forced to alter their behavior,make decisions, and measuresuccess againstthe cold realitiesof the period. This content downloaded from 142.25.33.193 on Fri, 31 Jan 2014 13:20:15 PM All use subject to JSTOR Terms and Conditions ,a- -P N1878 southeastern New Mexico declared war on itself. -
Lumber Derby Bats Tone, Wild with Fear
the making of a true American, for ha pecking at Ic on ev- MAKING MAPLE SUGAR. keep pecking and would not acknowledge defeat What np the stalts. and threnih Jhe BLACK BART. If do nut Ami BOLD . ery occasion and occasions Method Gathering the Sop and was 'This is know good.' corridors, that other groaning, them. In of' be CROVELL arise naturally, they make Botlinic the 8irnp. vras not until some time after- GEO. P. scarcely living burden; up always until Irony, bear "It tys nagging, sarcasm, or sugr and sirup are favorite ward I heard of this, when the a disused chamber in a remote corner ol said Maple that Successor to 8. L. Smith, PICTURESQUE HIGHWAYMAN A thing may be - j' ia it I be- a leading part sweets the country over, and this fact woman with the skin trouble was show- Oldest Established Hoss in the valley. the old tower reached, where raillery, In any one in the OF CALIFORNIA. once or twice as a pleasaut general interest to some Infor- Ing me copied charm. When I saw yond probability that repealed gives a tbi DEALER IN house tare these three who know, will a genial humor, but when mation about the maple sugar Industry the trick the boy had played on both; fuu. It ever seek to penptrate. over and over It ceases to be which has practicnl value also for the of them I thought my vindication had n J nrnrAr'iAO Hyde Career of a two-edge- d n (To be continued.) The Jekyll and then cuts. -
Billy the Kid and the Lincoln County War 1878
Other Forms of Conflict in the West – Billy the Kid and the Lincoln County War 1878 Lesson Objectives: Starter Questions: • To understand how the expansion of 1) We have many examples of how the the West caused other forms of expansion into the West caused conflict with tension between settlers, not just Plains Indians – can you list three examples conflict between white Americans and of conflict and what the cause was in each Plains Indians. case? • To explain the significance of the 2) Can you think of any other groups that may Lincoln County War in understanding have got into conflict with each other as other types of conflict. people expanded west and any reasons why? • To assess the significance of Billy the 3) Why was law and order such a problem in Kid and what his story tells us about new communities being established in the law and order. West? Why was it so hard to stop violence and crime? As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. This was a time of robberies, range wars and Indian wars in the wide open spaces of the West. Gradually, the forces of law and order caught up with the lawbreakers, while the US army defeated the Plains Indians. As homesteaders, hunters, miners and cattle ranchers flooded onto the Plains, they not only came into conflict with the Plains Indians who already lived there, but also with each other. -
Review of Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 by Stephen Tatum
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Summer 1984 Review of Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 By Stephen Tatum Kent L. Steckmesser California State University-Los Angeles Follow this and additional works at: https://digitalcommons.unl.edu/greatplainsquarterly Part of the Other International and Area Studies Commons Steckmesser, Kent L., "Review of Inventing Billy the Kid: Visions of the Outlaw in America, 1881-1981 By Stephen Tatum" (1984). Great Plains Quarterly. 1798. https://digitalcommons.unl.edu/greatplainsquarterly/1798 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 182 GREAT PLAINS QUARTERLY, SUMMER 1984 biography was formulated as a "romance." As a "bad" badman, a threat to the moral order, the Kid had to die so that civilization-repre sented by Sheriff Pat Garrett-could advance. This formula of conflict and resolution by death can be detected in dime novels and early magazine accounts, which dwell on the Kid's unheroic appearance and bloodthirsty char acter. After a period of meager interest, by the mid-1920s a quite different figure was being molded by biographers and film makers. This was the prototypical "good" badman, one who personifies a kind of idealism. In Walter Noble Burns's key biography in 1926 and in a 1930 film, the Kid becomes a redeemer who helps small farmers. -
Twisted Trails of the Wold West by Matthew Baugh © 2006
Twisted Trails of the Wold West By Matthew Baugh © 2006 The Old West was an interesting place, and even more so in the Wold- Newton Universe. Until fairly recently only a few of the heroes and villains who inhabited the early western United States had been confirmed through crossover stories as existing in the WNU. Several comic book miniseries have done a lot to change this, and though there are some problems fitting each into the tapestry of the WNU, it has been worth the effort. Marvel Comics’ miniseries, Rawhide Kid: Slap Leather was a humorous storyline, parodying the Kid’s established image and lampooning westerns in general. It is best known for ‘outing’ the Kid as a homosexual. While that assertion remains an open issue with fans, it isn’t what causes the problems with incorporating the story into the WNU. What is of more concern are the blatant anachronisms and impossibilities the story offers. We can accept it, but only with the caveat that some of the details have been distorted for comic effect. When the Rawhide Kid is established as a character in the Wold-Newton Universe he provides links to a number of other western characters, both from the Marvel Universe and from classic western novels and movies. It draws in the Marvel Comics series’ Blaze of Glory, Apache Skies, and Sunset Riders as wall as DC Comics’ The Kents. As with most Marvel and DC characters there is the problem with bringing in the mammoth superhero continuities of the Marvel and DC universes, though this is not insurmountable. -
Hell on Wheels
MercantileEXCITINGSee section our NovemberNovemberNovember 2001 2001 2001 CowboyCowboyCowboy ChronicleChronicleChronicle(starting on PagepagePagePage 90) 111 The Cowboy Chronicle~ The Monthly Journal of the Single Action Shooting Society ® Vol. 21 No. 11 © Single Action Shooting Society, Inc. November 2008 . HELL ON WHEELS . THE SASS HIGH PLAINS REGIONAL By Captain George Baylor, SASS Life #24287 heyenne, Wyoming – The HIGHLIGHTS on pages 70-73 very name conjures up images of the Old West. chief surveyor for the Union Pacific C Wyoming is a very big state Railroad, surveyed a town site at with very few people in it. It has what would become Cheyenne, only 500,000 people in the entire Wyoming. He called it Cow Creek state, but about twice as many ante- Crossing. His friends, however, lope. A lady at Fort Laramie told me thought it would sound better as Cheyenne was nice “if you like big Cheyenne. Within days, speculators cities.” Cheyenne has 55,000 people. had bought lots for a $150 and sold A considerable amount of history them for $1500, and Hell on Wheels happened in Wyoming. For example, came over from Julesburg, Colorado— Fort Laramie was the resupply point the previous Hell on Wheels town. for travelers going west, settlers, and Soon, Cheyenne had a government, the army fighting the Indian wars. but not much law. A vigilance com- On the far west side of the state, mittee was formed and banishments, Buffalo Bill built his dream town in even lynchings, tamed the lawless- Cody, Wyoming. ness of the town to some extent. Cheyenne, in a way, really got its The railroad was always the cen- start when the South seceded from tral point of Cheyenne. -
January 2015, There Was Also a Steampunk Vehicle May 2016, September 2016)
CONTENTS 3-4 COVER FEATURE Southern Missouri Rangers Fifth Annual Women’s Wild West Shootout 6-7 EDITORIALS How do we Stop the Loss of Members and Expand our Membership? Another Perspective Another Way of Looking at This SASS Divisional Championships Single Action Shooting Society® 8-9 COSTUMING CORNER 215 Cowboy Way, Edgewood, NM 87015 Wild Wild West and a Steampunk Convention 505-843-1320 • Fax 877-770-8687 © 2019 10-11 WILD BUNCH All rights reserved Oklahoma State Wild Bunch Championship 2018 The Cowboy Chronicle Magazine is Designed and Printed by 12-16 GUNS & GEAR The Single Action Shooting Society® Visit the SASS web site at: Dispatches From Camp Baylor—The Legend of “Heaven” and “Hell” www.sassnet.com BAMM Rifles 17-29 ANNUAL MATCHES EDITORIAL STAFF Rattlesnake Gulch Roundup 2018 Cowford Regulators 2018 Annual Match EDITOR-IN-CHIEF A Dark Day on The Santa Fe 2018 Skinny First Annual Shootout at The OK Corral SASS Pennsylvania State Championship 2018 MANAGING EDITOR Michigan State Championship Range War 2018 Misty Moonshine Appalachian Showdown XXVII EDITORS EMERITUS 30-35 PRODUCT REVIEW Cimarron’s Uberti 1858 Conversion Tex & Cat Ballou Swab-Its® Bore-Sticks™ ADVERTISING MANAGER 36-44 FICTION Square Deal Jim Small Creek: Kid Galena Rides—Chapter 9 410-531-5456 | [email protected] 45 HEALTH & FITNESS GRAPHIC DESIGN Stretching for Cowboy Action Shooters™ Mac Daddy 46-48 PROFILES 2018 Scholarship Recipient Diamond Kate, SASS #95104 STAFF WRITERS The Beginning of the End - Essay by Diamond Kate, SASS #95104 Big Dave, The Capgun Kid, Capt. George SASS Alias — Possibly the Best Part of the Game! Baylor, Col.