Violinist, Simone Porter, Who Was Starting to Turn Heads in Los Angeles
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Doctor Atomic
What to Expect from doctor atomic Opera has alwayS dealt with larger-than-life Emotions and scenarios. But in recent decades, composers have used the power of THE WORK DOCTOR ATOMIC opera to investigate society and ethical responsibility on a grander scale. Music by John Adams With one of the first American operas of the 21st century, composer John Adams took up just such an investigation. His Doctor Atomic explores a Libretto by Peter Sellars, adapted from original sources momentous episode in modern history: the invention and detonation of First performed on October 1, 2005, the first atomic bomb. The opera centers on Dr. J. Robert Oppenheimer, in San Francisco the brilliant physicist who oversaw the Manhattan Project, the govern- ment project to develop atomic weaponry. Scientists and soldiers were New PRODUCTION secretly stationed in Los Alamos, New Mexico, for the duration of World Alan Gilbert, Conductor War II; Doctor Atomic focuses on the days and hours leading up to the first Penny Woolcock, Production test of the bomb on July 16, 1945. In his memoir Hallelujah Junction, the American composer writes, “The Julian Crouch, Set Designer manipulation of the atom, the unleashing of that formerly inaccessible Catherine Zuber, Costume Designer source of densely concentrated energy, was the great mythological tale Brian MacDevitt, Lighting Designer of our time.” As with all mythological tales, this one has a complex and Andrew Dawson, Choreographer fascinating hero at its center. Not just a scientist, Oppenheimer was a Leo Warner and Mark Grimmer for Fifty supremely cultured man of literature, music, and art. He was conflicted Nine Productions, Video Designers about his creation and exquisitely aware of the potential for devastation Mark Grey, Sound Designer he had a hand in designing. -
Waltz from the Sleeping Beauty
Teacher Workbook TABLE OF CONTENTS Letter from Jessica Nalbone .................................................................................2 Director of Education, North Carolina Symphony Information about the 2012/13 Education Concert Program ............................3 North Carolina Symphony Education Programs .................................................4 Author Biographies ..............................................................................................6 Carl Nielsen (1865-1931) .......................................................................................7 Oriental Festival March from Aladdin Suite, Op. 34 Wolfgang Amadeus Mozart (1756-1791) ..........................................................15 Symphony No. 39 in E-flat Major, K.543, Mvt. I or III (Movements will alternate throughout season) Claude Debussy (1862-1918) ..............................................................................28 “Golliwogg’s Cakewalk” from Children’s Corner, Suite for Orchestra Piotr Ilyich Tchaikovsky (1840-1893) ..................................................................33 Waltz from The Sleeping Beauty Igor Stravinsky (1882-1971) ...............................................................................44 “Dance of the Young Girls” from The Rite of Spring Loonis McGlohon (1921-2002) & Charles Kuralt (1924-1997) ..........................52 “North Carolina Is My Home” Richard Wagner (1813-1883) ..............................................................................61 Overture to Rienzi -
Press Release: (Pdf Format)
FOR IMMEDIATE RELEASE CONTACT: Robert Cable, Stanford Live 650-736-0091; [email protected] PHOTOS: http://live.stanford.edu/press LOS ANGELES CHILDREN’S CHORUS CELEBRATES AMERICAN SONG AT BING, FEATURING WORLD PREMIERE OF THE PLENTIFUL PEACH BY MARK GREY The April 19 performance will include a guest appearance by the Stanford Chamber Chorale Stanford, CA, March 25, 2015— The famed Los Angeles Children’s Chorus (LACC), led by Artistic Director Anne Tomlinson, makes its debut at Bing Concert Hall with a program entitled “Celebrating American Song,” featuring the world premiere of The Plentiful Peach by the Palo Alto-raised composer Mark Gray and Bay Area librettist Niloufar Talebi, on Sunday, April 19 at 2:30 p.m. Commissioned by the LACC, the work is adapted from a story by the great Iranian writer, Samad Behrangi (1939-1968). The Plentiful Peach is the coming of age story of a peach and the brave children who secretly grow her—against the master’s odds. The LACC also presents the Cherokee hymn Sgwa ti’ni se sdi Yi Howa; Henry Mollicone’s Spanish Ave Maria; Let Us Sing! arranged by Linda Tutas Haugen; and Meir Finkelstein’s L’dor vador arranged by Rebecca Thompson and featuring soloist Madeleine Lew. In addition, the Stanford Chamber Chorale, under the direction of Stephen M. Sano, makes a guest appearance performing separately as well as combining forces with the LACC to perform Randall Thompson’s Pueri Hebraeorum and the American folk song Shenandoah arranged by James Erb. “Los Angeles Children’s Chorus is honored to bring its artistry to Bing Concert Hall and further expand our valued relationship with Stanford University,” says Tomlinson. -
Read Program
KAIJA SAARIAHO l’amour de loin conductor Opera in five acts Susanna Mälkki Libretto by Amin Maalouf production Robert Lepage Saturday, December 10, 2016 PM associate director 1:00–3:35 Sybille Wilson New Production set and costume designer Michael Curry lighting designer Kevin Adams lightscape image designer Lionel Arnould The production of L’Amour de Loin was made sound designer Mark Grey possible by a generous gift from the Francis Goelet Trusts Additional funding for this production was received from The H.M. Agnes Hsu-Tang, PhD. and Oscar Tang Endowment Fund general manager Peter Gelb music director emeritus James Levine Co-production of the Metropolitan Opera and L’Opéra de Québec principal conductor Fabio Luisi In collaboration with Ex Machina 2016–17 SEASON The 3rd Metropolitan Opera performance of KAIJA SAARIAHO’S This performance l’amour is being broadcast live over The Toll Brothers– de loin Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Susanna Mälkki America’s luxury ® in order of vocal appearance homebuilder , with generous long-term jaufré rudel support from Eric Owens The Annenberg Foundation, The the pilgrim Neubauer Family Tamara Mumford* Foundation, the Vincent A. Stabile clémence Endowment for Susanna Phillips Broadcast Media, and contributions from listeners worldwide. There is no Toll Brothers– Metropolitan Opera Quiz in List Hall today. This performance is also being broadcast live on Metropolitan Opera Radio on SiriusXM channel 74. Saturday, December 10, 2016, 1:00–3:35PM This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, The Neubauer Family Foundation. -
Orchestral Maneuvers in Surround Issue 32
Orchestral Maneuvers in Surround John Adams' composition commemorating the first anniversary of the September 11 attacks was recently performed at the Sydney Opera House in surround. Robert Austral discusses the details with sound designer, Mark Grey. hen American composer John Adams was Is it a collaboration? commissioned by the New York Philharmonic Mark Grey: It’s collaborative, though John has the Wto create a work commemorating the first anni- musical concept and then invites me to work on the versary of the September 11, 2001, attacks on the World project. He is very knowledgeable about electronic Trade Center and Pentagon, he knew from the outset music – he started writing with technology when he was that he wanted a setting with music, choir, recorded younger, before he began working with the San Francisco voice and streetscape sounds that felt ‘otherworldly’. Symphony and moving into the large orchestral format. His goal was to convey the presence of many souls and He knows what filters are and what envelope generators their collected energy in order to create what he termed are. He understands synthesis technology, synthesisers a ‘memory space’, where the listener could reflect on and samplers and those architectural tools very well, so grieving and loss. it’s great – we can talk both with a musical language, The resulting composition for orchestra and choir, On because I have a compositional background, and a the Transmigration of Souls, received its debut performanc- technical language. When it gets to a certain level with es at the Lincoln Center in New York under the baton of the technology, though, he doesn’t want to go there, and famed conductor Lorin Maazel. -
Iolanta Bluebeard's Castle
iolantaPETER TCHAIKOVSKY AND bluebeard’sBÉLA BARTÓK castle conductor Iolanta Valery Gergiev Lyric opera in one act production Libretto by Modest Tchaikovsky, Mariusz Treliński based on the play King René’s Daughter set designer by Henrik Hertz Boris Kudlička costume designer Bluebeard’s Castle Marek Adamski Opera in one act lighting designer Marc Heinz Libretto by Béla Balázs, after a fairy tale by Charles Perrault choreographer Tomasz Wygoda Saturday, February 14, 2015 video projection designer 12:30–3:45 PM Bartek Macias sound designer New Production Mark Grey dramaturg The productions of Iolanta and Bluebeard’s Castle Piotr Gruszczyński were made possible by a generous gift from Ambassador and Mrs. Nicholas F. Taubman general manager Peter Gelb Additional funding was received from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; music director and the National Endowment for the Arts James Levine principal conductor Co-production of the Metropolitan Opera and Fabio Luisi Teatr Wielki–Polish National Opera The 5th Metropolitan Opera performance of PETER TCHAIKOVSKY’S This performance iolanta is being broadcast live over The Toll Brothers– Metropolitan Opera International Radio Network, sponsored conductor by Toll Brothers, Valery Gergiev America’s luxury in order of vocal appearance homebuilder®, with generous long-term marta duke robert support from Mzia Nioradze Aleksei Markov The Annenberg iol anta vaudémont Foundation, The Anna Netrebko Piotr Beczala Neubauer Family Foundation, the brigit te Vincent A. Stabile Katherine Whyte Endowment for Broadcast Media, l aur a and contributions Cassandra Zoé Velasco from listeners bertr and worldwide. Matt Boehler There is no alméric Toll Brothers– Keith Jameson Metropolitan Opera Quiz in List Hall today. -
Mozart in the Jungle
UC San Diego UC San Diego Electronic Theses and Dissertations Title Avatars of the Work Ethic: The Figure of the Classical Musician in Discourses of Work Permalink https://escholarship.org/uc/item/71g9n4gd Author Sim, Yi Hong Publication Date 2019 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA SAN DIEGO Avatars of the Work Ethic: The Figure of the Classical Musician in Discourses of Work A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Communication by Yi Hong Sim Committee in charge: Professor Robert Horwitz, Chair Professor Akosua Boatema Boateng Professor Amy Cimini Professor Nancy Guy Professor Daniel Hallin Professor Stefan Tanaka 2019 The Dissertation of Yi Hong Sim is approved, and it is acceptable in quality and form for publication on microfilm and electronically: Chair University of California San Diego 2019 iii EPIGRAPH On one side, the artist is kept to the level of the workingman, of the animal, of the creature whose sole affair is to get something to eat and somewhere to sleep. This is through necessity. On the other side, he is exalted to the height of beings who have no concern but with the excellence of their work, which they were born and divinely authorized to do. William Dean Howells, A Traveler from Altruria (1894) iv TABLE OF CONTENTS Signature Page ...................................................................................................................... -
13/14 Season
13/14 SEASON BerkeleySymphony_program_covers_FINAL.indd 3 8/5/13 3:48 PM Berkeley Symphony 2013-14 Season 5 Message from the Music Director 7 Message from the Executive Director 9 Board of Directors & Advisory Council 10 Orchestra 13 Producers’ Circle Sponsorship Gifts 15 Program 17 Program Notes 31 Music Director: Joana Carneiro 37 Guest Artists 41 Berkeley Symphony 45 Music in the Schools 47 Under Construction 49 Broadcast Dates 57 Membership Support 65 Contact 66 Advertiser Index Season Sponsors: Kathleen G. Henschel, , Ed Osborn, and Brian James & Shariq Yosufzai Media Sponsor: Official Wine Sponsor: Presentation bouquets are graciously provided by Jutta’s Flowers, the official florist of Berkeley Symphony. Berkeley Symphony is a member of the League of American Orchestras and the Association of California Symphony Orchestras. No photographs or recordings of any part of tonight’s performance may be made without the written consent of the management of Berkeley Symphony. Program subject to change. Berkeley Symphony, 1942 University Ave., Ste. 207, Berkeley, CA 94704 510.841.2800 • Fax: 510.841.5422 E-mail: [email protected] Web site: www.berkeleysymphony.org To advertise: 510.652.3879 February 6, 2014 3 4 February 6, 2014 Message from the Music Director Dear Friends, I hope the New Year is bringing you much joy, health and wonderful music. Speaking of wonderful music, I am most excited about our program tonight and am incredibly proud to present our second commission of the season, a violin concerto by Samuel Adams. It has been a joy to work with Sam and to photo by Rodrigo de Souza get to know his music more and more. -
Full Orchestra 2021.Pdf
Full Orchestra Title Composer Catalog # Grade Price Title Composer Catalog # Grade Price Φ A La Manana ..................................../Leidig; Niehaus ............49063 .....E .........45.00 Artist's Life, Op. 316 ...........................Strauss, Jr./Muller .........38001 .....MD ......80.00 Φ Aboriginal Rituals ...............................DelBorgo ......................30172 .....M.........59.00 As Summer Was Just Beginning Abduction from the Seraglio: Overture ..Mozart/Meyer ...............33192 .....ME ......59.00 (Song for James Dean) ....................Daehn ...........................49044 .....M.........68.00 Φ Academic Festival Overture, Op. 80 ..Brahms/Bergonzi ..........30328 .....M.........73.00 As Time Goes By ...............................Hupfeld/Lewis ...............13708 .....MD ......50.00 Academic Festival Overture, Op. 80 ..Brahms/Leidig ..............33029 .....MD ......73.00 Ashford Celebration ...........................Ford ..............................30240 .....MD ......60.00 Academic Festival Overture, Op. 80 ..Brahms/Muller ..............38000 .....MD ......45.00 Φ Ashokan Farewell ...............................Ungar/Cerulli ................47093 .....ME ......65.00 Academic Festival Overture, Op. 80 ..Brahms/Simpson ..........57085 .....D .........90.00 Ashton Place ......................................Niehaus ........................49051 .....MD ......60.00 Academic Procession .........................Daniels .........................60005 .....ME ......55.00 Aspen Fantasy ...................................Feese -
Furman Alumni News Furman University
Furman Magazine Volume 49 Article 25 Issue 4 Winter 2007 1-1-2007 Furman Alumni News Furman University Follow this and additional works at: https://scholarexchange.furman.edu/furman-magazine Recommended Citation University, Furman (2007) "Furman Alumni News," Furman Magazine: Vol. 49 : Iss. 4 , Article 25. Available at: https://scholarexchange.furman.edu/furman-magazine/vol49/iss4/25 This Regular Feature is made available online by Journals, part of the Furman University Scholar Exchange (FUSE). It has been accepted for inclusion in Furman Magazine by an authorized FUSE administrator. For terms of use, please refer to the FUSE Institutional Repository Guidelines. For more information, please contact [email protected]. ALUMNI IN POLITICAL SPOTLIGHT BRING ATTENTION TO ALMA MATER . .................. ........... .. It's always a point of pride when I see had served in Congress from 1998 to alumni making their marks. From music 2004, when he lost in a bid for a fourth to medicine to teaching to literature term to Republican Mike Sodrel. The whatever the profession, members of the 2006 election marked their third close Furman fa mily consistently help to better race - Hill had edged Sodrel in 2002 - the world. In doing so, they bring great and this time the Furman alumnus rode honor to alma mater. the wave of disenchantment with In recent months, three alumni who Republican leadership back into office. are no strangers to readers of university Hill is part of the "Blue Dog publications have earned extensive Mike McConnell Mark Sanford Baron Hill Coalition," a group of conservative-to attention in the political arena. moderate Democrats who, according The new year had barely begun before the Sanford, who was kind enough to invite the to their Web site, strive "to bridge the gap between announcement came that President Bush had named Furman Singers to perform at both of his inaugurations, ideological extremes." Perhaps he and his colleagues retired Vice Adm. -
Perm Ballet Notes.Indd
CAL PERFORMANCES PRESENTS PROGRAM Th ursday, April , , pm Th ursday, April , , pm Friday, April , , pm Friday, April , , pm Saturday, April , , pm Saturday, April , , pm Sunday, April , , pm Sunday, April , , pm Zellerbach Hall Zellerbach Hall Tchaikovsky Perm Tchaikovsky Perm Ballet & Orchestra Ballet & Orchestra Swan Lake Swan Lake A Ballet in Th ree Acts A Ballet in Th ree Acts Music by Pyotr Ilyich Tchaikovsky Production conceived and directed by Natalia Makarova Music Pyotr Ilyich Tchaikovsky Choreography Natalia Makarova (after Marius Petipa and Lev Ivanov) Artistic Director of the Th eatre George Isaakyan Artistic Director of the Ballet Natalia Akhmarova Principal Conductor Valery Platonov Principal Guest Conductor Robert Cole Additional Choreography Sir Frederick Ashton Set Design Peter Farmer Production conceived and directed by Natalia Makarova Costume Design Galina Solovyeva George Isaakyan, Artistic Director of the Th eatre Production Coordinator Dina Makaroff Natalia Akhmarova, Artistic Director of the Ballet Production Assistant Olga Evreinoff Valery Platonov, Principal Conductor Robert Cole, Principal Guest Conductor Lighting Sergei Martynov Ballet Coaches Th is performance is made possible, in part, by the National Endowment for the Arts and by the Vodafone-US Foundation. Rimma Shlyamova, Valentina Baikova, Olga Lukina, Olga Salimbaeva Cal Performances thanks our Centennial Season Sponsor, Wells Fargo. Ballet Manager Vitaly Dubrovin 4 CAL PERFORMANCES CAL PERFORMANCES 5 CAST SYNOPSIS Odette/Odile Elena Kulagina (April ) frightened, Odette tells the Prince the story of her Natalia Moiseeva (April , , ) plight. Th e spell that keeps them swans by day and maidens at night can only be broken if a man who Prince Siegfried Sergei Mershin (April , , ) has never loved before swears eternal fi delity to Alexey Tyukov (April ) her. -
Carnegie Hall Rental 1/8/13 4:35 PM Page 1
1-25 ASO_Carnegie Hall Rental 1/8/13 4:35 PM Page 1 Friday Evening, January 25, 2013, at 8:00 Isaac Stern Auditorium/Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents What Makes a Masterpiece LEON BOTSTEIN, Conductor ANTONÍN DVORÁKˇ Symphony No. 4 in D minor, Op. 13 Allegro Andante sostenuto e molto cantabile Allegro feroce Allegro con brio HEINRICH VON Symphony No. 1 in C minor, Op. 50 HERZOGENBERG (U.S. Premiere) Adagio—Allegro Adagio, ma non troppo Allegro agitato Allegro Intermission JOHANNES BRAHMS Symphony No. 4 in E minor, Op. 98 Allegro non troppo Andante moderato Allegro giocoso Allegro energico e passionato This evening’s concert will run approximately two and a half hours, inlcuding one 20-minute intermission. American Symphony Orchestra welcomes students and teachers from ASO’s arts education program, Music Notes. For information on how you can support Music Notes, visit AmericanSymphony.org. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. 1-25 ASO_Carnegie Hall Rental 1/8/13 4:35 PM Page 2 THE Program ANTONÍN DVORÁKˇ Symphony No. 4 Born September 8, 1841, in Nelahozeves, Czechoslovakia Died May 1, 1904, in Prague Composed January 1–March 26, 1874, in Prague, revised in 1887–8, Premiered April 6, 1982, in Prague Performance Time: Approximately 38 minutes Instruments: 2 flutes, 2 piccolos, 2 oboes, 2 clarinets, 2 bassoons, 4 French horns, 2 trumpets, 3 trombones, timpani, percussion (triangle, cymbals, bass drum), harp, and strings HEINRICH VON HERZOGENBERG Symphony No. 1 Born June 2, 1843, in Graz, Austria Died October 9, 1900, in Wiesbaden, Germany Composed in 1885 Performance Time: Approximately 42 minutes Instruments: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 French horns, 2 trumpets, 3 trombones, timpani, and strings JOHANNES BRAHMS Symphony No.