Heinrich Heine - Poems
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
University of Cincinnati
UNIVERSITY OF CINCINNATI Date: August 6th, 2007 I, __________________Julia K. Baker,__________ _____ hereby submit this work as part of the requirements for the degree of: Doctorate of Philosophy in: German Studies It is entitled: The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life-Writing and Documentary Film This work and its defense approved by: Chair: Dr. Katharina Gerstenberger Dr. Sara Friedrichsmeyer Dr. Todd Herzog The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life-Writing and Documentary Film A Dissertation submitted to the Division of Research and Advanced Studies University of Cincinnati In partial fulfillment of the Requirements for the degree of DOCTORATE OF PHILOSOPHY (Ph.D.) In the Department of German Studies Of the College of Arts and Sciences 2007 by Julia K. Baker M.A., Bowling Green State University, 2000 M.A., Karl Franzens University, Graz, Austria, 1998 Committee Chair: Katharina Gerstenberger ABSTRACT “The Return of the Child Exile: Re-enactment of Childhood Trauma in Jewish Life- Writing and Documentary Film” is a study of the literary responses of writers who were Jewish children in hiding and exile during World War II and of documentary films on the topic of refugee children and children in exile. The goal of this dissertation is to investigate the relationships between trauma, memory, fantasy and narrative in a close reading/viewing of different forms of Jewish life-writing and documentary film by means of a scientifically informed approach to childhood trauma. Chapter 1 discusses the reception of Binjamin Wilkomirski’s Fragments (1994), which was hailed as a paradigmatic traumatic narrative written by a child survivor before it was discovered to be a fictional text based on the author’s invented Jewish life-story. -
Railway Employee Records for Colorado Volume Iii
RAILWAY EMPLOYEE RECORDS FOR COLORADO VOLUME III By Gerald E. Sherard (2005) When Denver’s Union Station opened in 1881, it saw 88 trains a day during its gold-rush peak. When passenger trains were a popular way to travel, Union Station regularly saw sixty to eighty daily arrivals and departures and as many as a million passengers a year. Many freight trains also passed through the area. In the early 1900s, there were 2.25 million railroad workers in America. After World War II the popularity and frequency of train travel began to wane. The first railroad line to be completed in Colorado was in 1871 and was the Denver and Rio Grande Railroad line between Denver and Colorado Springs. A question we often hear is: “My father used to work for the railroad. How can I get information on Him?” Most railroad historical societies have no records on employees. Most employment records are owned today by the surviving railroad companies and the Railroad Retirement Board. For example, most such records for the Union Pacific Railroad are in storage in Hutchinson, Kansas salt mines, off limits to all but the lawyers. The Union Pacific currently declines to help with former employee genealogy requests. However, if you are looking for railroad employee records for early Colorado railroads, you may have some success. The Colorado Railroad Museum Library currently has 11,368 employee personnel records. These Colorado employee records are primarily for the following railroads which are not longer operating. Atchison, Topeka & Santa Fe Railroad (AT&SF) Atchison, Topeka and Santa Fe Railroad employee records of employment are recorded in a bound ledger book (record number 736) and box numbers 766 and 1287 for the years 1883 through 1939 for the joint line from Denver to Pueblo. -
Guide to the Betty J. Meggers and Clifford Evans Papers
Guide to the Betty J. Meggers and Clifford Evans papers Tyler Stump and Adam Fielding Funding for the processing of this collection was provided by the Smithsonian Institution's Collections Care and Preservation Fund. December 2015 National Anthropological Archives Museum Support Center 4210 Silver Hill Road Suitland, Maryland 20746 [email protected] http://www.anthropology.si.edu/naa/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 5 Arrangement..................................................................................................................... 5 Bibliography...................................................................................................................... 6 Names and Subjects ...................................................................................................... 6 Container Listing ............................................................................................................. 8 Series 1: Personal, 1893-2012................................................................................. 8 Series 2: Writings, 1944-2011............................................................................... -
Famous German People
Famous German People Photo Name Description Bday Born-Died Staatsmann und Politiker / statesman, politician, and the first chancellor of post-war Konrad Adenauer Germany from the town of Bonn, who was the man given the responsibility for 1/5 (1876-1967) Germany’s economic recovery after World War Two Musiker und Komponist / musician and composer during the Barock period (early Johann Sebastian Bach 3/21 (1685-1750) 1700’s) and wrote musical works for the church Erfinder / inventor of first luxury cruise and the founder of the Hapag-Lloyd Albert Ballin 8/15 (1857-1918) enterprises, which helped assist millions of emigrants with their passage to America Bildhauer / sculptor, who was an important representative of the expressionistic Ernst Barlach 1/2 (1870-1938) period of the 1930’s Tennisspieler / former world No. 1 professional tennis player. His Grand Slam singles Boris Becker 11/22 (1967- ) titles included three Wimbledons, two Australian Opens and one US Open Musiker und Komponist / musician and composer, who was born in Bonn, was Ludwig van Beethoven famous for writing symphonies, and continued to write after becoming tone deaf at 12/16 (1770-1827) the age of 29 Chemiker und Mediziner / chemist and doctor who discovered vaccine against Emil von Behring 3/15 (1854-1917) diptheria and tetanus Erfinder und Techniker / inventor and technician, who along with Gottlieb Daimler, Karl Benz 11/26 (1844-1929) invented the first car Schriftsteller in Ostberlin / former East German writer in East Berlin and is a singer- Wolf Biermann 11/15 (1936- -
Heavy Metal and Classical Literature
Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 ROCKING THE CANON: HEAVY METAL AND CLASSICAL LITERATURE By Heather L. Lusty University of Nevada, Las Vegas While metalheads around the world embrace the engaging storylines of their favorite songs, the influence of canonical literature on heavy metal musicians does not appear to have garnered much interest from the academic world. This essay considers a wide swath of canonical literature from the Bible through the Science Fiction/Fantasy trend of the 1960s and 70s and presents examples of ways in which musicians adapt historical events, myths, religious themes, and epics into their own contemporary art. I have constructed artificial categories under which to place various songs and albums, but many fit into (and may appear in) multiple categories. A few bands who heavily indulge in literary sources, like Rush and Styx, don’t quite make my own “heavy metal” category. Some bands that sit 101 Lusty, “Rocking the Canon” LATCH, Vol. 6, 2013, pp. 101-138 on the edge of rock/metal, like Scorpions and Buckcherry, do. Other examples, like Megadeth’s “Of Mice and Men,” Metallica’s “For Whom the Bell Tolls,” and Cradle of Filth’s “Nymphetamine” won’t feature at all, as the thematic inspiration is clear, but the textual connections tenuous.1 The categories constructed here are necessarily wide, but they allow for flexibility with the variety of approaches to literature and form. A segment devoted to the Bible as a source text has many pockets of variation not considered here (country music, Christian rock, Christian metal). -
Religion in the Works of Heinrich Heine
University of the Pacific Scholarly Commons University of the Pacific Theses and Dissertations Graduate School 1946 Religion in the works of Heinrich Heine Ellen Frances DeRuchie University of the Pacific Follow this and additional works at: https://scholarlycommons.pacific.edu/uop_etds Part of the Religion Commons Recommended Citation DeRuchie, Ellen Frances. (1946). Religion in the works of Heinrich Heine. University of the Pacific, Thesis. https://scholarlycommons.pacific.edu/uop_etds/1040 This Thesis is brought to you for free and open access by the Graduate School at Scholarly Commons. It has been accepted for inclusion in University of the Pacific Theses and Dissertations by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. RELIGION IN THE WORKS OF R- ---- II .,; - --- stoclcton ~·- 1946 =------- :-;---- A Thesis submitted to the Department of Modern Lanugages Col~ege of ·the Pacific :~ - In partial fulfillment of the Requirements for the Degree ot Master of Arts DEPOSITED IN THE C01.LEGE LIBRARY: DA'l'ED: Librarian CONTENTS co---- Chapter Page Introduction ••••••••••••• ·• ........... ., .......... • !v I Heine 1 a Jewish Background •••••••••• , ••• , •• l II Some Aspects of Judaism in Heine •••••••••• 12 III Heine t s Baptism ~ ........ * •- .................. , "' 21 IV Some Reflections on Christianity ••••·••••• 26 V Some Re:Clec t:l.ons on Protestantism ••••••••• 31 VI State Religion • •• •- •• • .... • •••••.• ._ •• •-• .•• -•• 38 VII Some Reflections on Catholicism ••••••.••••• 42 VIII Catholicism and Art •••••••••••••••••••••••• 54 IX A Pantheistic Interlude •••••••••••••••••••·61 X Sa~nt Simonism -• • .... •• .••• • • •- .·-· ............. 67 XI The .Religion of Freedom .................... '72 XII Heine's Last Days ••••••••••••••••••••••••• 7S Bib 11 ogr aphy ••• _•.••• ·• ••••••• -• .- • -·· • .., ••• -• • -• • • • 85 lv INTRODUCTION A Word about Heinrich Heine The life of Heinrich Heine presents many eontradictl.ons. -
Guides to German Records Microfilmed at Alexandria, Va
GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA. No. 32. Records of the Reich Leader of the SS and Chief of the German Police (Part I) The National Archives National Archives and Records Service General Services Administration Washington: 1961 This finding aid has been prepared by the National Archives as part of its program of facilitating the use of records in its custody. The microfilm described in this guide may be consulted at the National Archives, where it is identified as RG 242, Microfilm Publication T175. To order microfilm, write to the Publications Sales Branch (NEPS), National Archives and Records Service (GSA), Washington, DC 20408. Some of the papers reproduced on the microfilm referred to in this and other guides of the same series may have been of private origin. The fact of their seizure is not believed to divest their original owners of any literary property rights in them. Anyone, therefore, who publishes them in whole or in part without permission of their authors may be held liable for infringement of such literary property rights. Library of Congress Catalog Card No. 58-9982 AMERICA! HISTORICAL ASSOCIATION COMMITTEE fOR THE STUDY OP WAR DOCUMENTS GUIDES TO GERMAN RECOBDS MICROFILMED AT ALEXAM)RIA, VA. No* 32» Records of the Reich Leader of the SS aad Chief of the German Police (HeiehsMhrer SS und Chef der Deutschen Polizei) 1) THE AMERICAN HISTORICAL ASSOCIATION (AHA) COMMITTEE FOR THE STUDY OF WAE DOCUMENTS GUIDES TO GERMAN RECORDS MICROFILMED AT ALEXANDRIA, VA* This is part of a series of Guides prepared -
California State University, Northridge Collaborative Piano Recital Works by Mozart, Schumann, Schubert, Barber and Stravinsky
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE COLLABORATIVE PIANO RECITAL WORKS BY MOZART, SCHUMANN, SCHUBERT, BARBER AND STRAVINSKY An Graduate project submitted in partial fulfillment of the requirements For the degree of Master of Music in music, in Performance By Ningqi Li May 2016 The Graduate Program of Ningqi Li is approved: _____________________________________ _______________________ Dr. Soo-Yeon Chang Date _____________________________________ _______________________ Dr. Murray, Deanna Date _____________________________________ _______________________ Dr. Dmitry Rachmanov. Chair Date California State University, Northridge ii Table of Contents Signature Page ii Abstract iv Program (Collaborative Piano Recital) 1 iii ABSTRACT COLLABORATIVE PIANO RECITAL WORKS BY MOZART, SCHUMANN, SCHUBERT, BARBER AND STRAVINSKY BY Ningqi Li Master of Music in Music, in performance Violin Sonata in E Minor, K.304 by Wolfgang Amadeus Mozart Mozart lived from 1756 to 1791 in Salzburg. He composed more than 600 brilliant pieces of music such as sonatas, symphonies, concerti, operas, choral pieces, etc. He traveled with his family to Europe many times and The European style influenced him. He also influenced many later composers including Beethoven. In 1777 and 1778, he traveled to Europe again and he fell in love with Aloysia Weber. However, his mother then got sick and died in the same year. Violin Sonata in E Minor, K.304 is special to Mozart, he wrote it in 1778. That year he had traveled to Mannheim, therefore he must have taken some style from there. Also, it was written around his mother’s death. The sonata K.304 may reflect his sad mood and iv it is the only minor key in his violin sonatas. -
Robert Schumann on the Poems of Heinrich Heine
DICHTERLIEBE opus 48 A Cycle of Sixteen. Songs by Robert Schumann on the poems of Heinrich Heine An Honors Thesis (Honrs 499) by Shawn L. Harrington Thesis Advisor (u,r$/ Mr. John Meadows", . " (! jl'lrli{Lul ~t;(,cY\' Ball State University Muncie, Indiana November, 1995 Expected date of graduation 12/95 !J,:'( ! __ <l !.", .,.' , j:L. ' .. " Purpose of Thesis This project has two components: a written discussion of the music of the Dichterliebe, and the lives of the composer Robert Schumann and the poet Heinrich Heine; and an audio tape of my performance of the Dichterliebe. The performance was the culmination of my study of the Dichterliebe, in particular, and of my voice studies, in general. Through the performance, I set out to share the wonderful music and poetry of the Dichterliebe as well as share my musical and vocal growth over the past four years. The written portion of the project was undertaken to satisfy my personal curiosity of the men who wrote the music and the poetry of the Dichterliebe. A study of the music without knowing the man who composed it or the man who wrote the words would be only half complete at best. Likewise, a study of the men and not the music would also be incomplete. That is why I included both venues of learning and experiencing in this project; and that is why I have included an audio tape of the performance with this written report. Acknowledgements I would like to thank my voice instructor (and thesis advisor), John Meadows. Without his expertise, advise, and instruction, I would not have been able to present the Dichterliebe in a performance. -
History of Music
HISTORY OF MUSIC THE ROMANTIC ERA Created by J. Rogers (2015) 2 GOWER COLLEGE SWANSEA MUSIC Table of Contents Romantic Era Introduction (1830 – 1910) ............................................. 4 Programme Music ........................................................................................ 5 Concert Overture .............................................................................................. 5 Programme Symphony ....................................................................................... 6 Symphonic Poem ................................................................................................. 9 Romantic Piano Music ............................................................................... 11 Lieder and Song-cycles .............................................................................. 12 Opera and Music Dramas ......................................................................... 15 Italian Opera ..................................................................................................... 15 Music Dramas ................................................................................................... 16 Leitmotifs in The Ring ..................................................................................... 17 GOWER COLLEGE SWANSEA 3 MUSIC History of Music The History of Music can be broadly divided into separate periods of time, each with its own characteristics or musical styles. Musical style does not, of course, change overnight. It can often be a gradual process -
Guglielmo Ratcliff (Act III, Sc. 2, Intermezzo: Radcliffe's Dream): Full
Guglielmo Ratcliff (Act III, Sc. 2, Intermezzo: Radcliffe's Dream): Full Score (Qty 2) [A5509] Epub Downloads • All Kalmus Orchestra Library items (except "Study Scores" and "Vocal Scores") are large-format (either 10x13 or 9x12 inches) printed on high-quality offset stock. Individual parts and sets do not come with covers and are normally saddle-stitched or sewn.• Work: Guglielmo Ratcliff• Subsection/Subtitle: Act III, Sc. 2, Intermezzo: Radcliffe's Dream• Item Description: Full Score• Composer: Pietro Mascagni• Quantity: 2 copies• PML SKU: 03266-001• Publisher: E.F.Kalmus (Kalmus Orchestra Library)• Work Instrumentation: 2+1, 2+1, 0+2bssthn, 2+1 - 4, 3, 3, 1, timp, perc, 2hp, str Series: Kalmus Orchestra Library (Book 5509) Sheet music Publisher: E.F.Kalmus (1933) ASIN: B00UJ1NHAK Shipping Weight: 2 pounds Average Customer Review: Be the first to review this item Best Sellers Rank: #12,629,225 in Books (See Top 100 in Books) #21 in Books > Humor & Entertainment > Sheet Music & Scores > Composers > Mascagni #3223 in Books > Humor & Entertainment > Sheet Music & Scores > Historical Period > Late Romantic #148150 in Books > Arts & Photography > Music > Songbooks • All Kalmus Orchestra Library items (except "Study Scores" and "Vocal Scores") are large-format (either 10x13 or 9x12 inches) printed on high-quality offset stock. Individual parts and sets do not come with covers and are normally saddle-stitched or sewn.• Work: Guglielmo Ratcliff• Subsection/Subtitle: Act III, Sc. -
Trix Neuheiten 2008
NE UH EI T EN 2 0 0 8 DI © 2008 – Trix ModelleisenbahnenTRIX. DIE FASZINA GmbHTION & DCo.ES O KGRIGINALS. LIEBE TRIX-FREUNDE, Sie haben sicher bereits der Modellbahnpresse entnommen: Den Auftakt dieser neuen Serie bildeten 2007 die ÖBB Hoch- Gasturbinenlokomotive BR 210 mit realistischem Sound. Trix wird neu positioniert. Was bedeutet dies für Sie? Ganz leistungselektrolokomotive Rh 1012 und der niederländisch/ Mitglieder des Trix Profi-Clubs dürfen sich auf den Tages- einfach: Wir haben ganz genau hingehört und haben die schweizerische TEE Triebzug RAm. 2008 geht es dann mit Gliederzug „Senator“ VT 10.5 freuen. Wünsche unserer Gleichstrom-Kunden aufgenommen und großen Schritten und vielen hochinteressanten Modellen unser Sortiment und ganz besonders unsere Neuentwicklun- weiter: Der maßstäblich lange ICE 1. Ein Elektrotriebwagen Natürlich gibt es neben den vielen Neuheiten in H0 auch ganz gen darauf ausgerichtet: der Baureihe ET 56 und die E-Lok der BR E 19.0, die Dreh- besondere neue Modelle für alle Minitrix Freunde: stromlokomotive BR 120.1. Die modernsten Loks der Traxx Allen voran die imposante V300, ein Diesellok-Klassiker, der Der Trix H0-Kunde, also das Mitglied der Gleichstrom- Familie auf Europas Gleisen, maßstäblich lange Doppel- im Vorbild zwar ein Einzelstück blieb, der aber seit langem auf fraktion, strebt nach höchst möglicher Vorbildtreue, nach stockwagen der neuesten Generation und die Baureihe 420 der Wunschliste der Minitrix Bahner stand. Modernen Zeiten kompromissloser Modellumsetzung – speziell im Längenmaß- (der S-Bahn-Zug schlechthin). Maßstäblich lange Doppel- fahren die Triebwagen der BR 648 „LINT“ entgegen, eben- stab – in 1:87 und einer freien Wahlmöglichkeit bei der digi- stockwagen der Epoche III füllen eine wichtige Lücke im H0- so wie die österreichische Reihe 1012, eine der schönsten talen Ausstattung der Lokomotive, neben herausragenden Angebot.