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— FDL 73 — VOLUME 16 ISSUE 8 August, 2015 Join Us on Sunday Evenings for Our Weekly Net — 1930 Hrs FOND DU LAC AMATEUR RADIO CLUB — FDL 73 — VOLUME 16 ISSUE 8 www.fdlhams.org August, 2015 Join Us On Sunday Evenings For Our Weekly Net — 1930 hrs. 145.430 MHz — Tone 97.4 Hz 2015 Club Officers Bob Heil Presentation President: Donald Larson KC9UVJ Vice-President” Tom Powell, KC9VXR, The highlight of our July, 2015 meeting was a Skype presentation by Bob Heil. This turned Secretary: Lloyd Vandervort N9RPU outto be one of the best ones so far. Firstly, Treasurer: Doug Schultz N9EZF Bob is a great speaker and kept our attention Sergeant-at-Arms: Ron Keller, KC9YVL with a very interesting topic. Secondly, the Skype broadcast was very high quality, probably due to top end Board Member: Dave McCumber N9WQ equipment that Bob was using Board Member: Stan Cram A10M on his end. He Board Member: Larry Mielke KC9RUE demonstrated the difference Committee Chairs between broad- casting using a Contesting: Randy Gruenwald KB9KEG standard HAM Education/Scholarship: Jack Heil KG9IN Radio micro- Field Day: Grunewald KB9KEG, Heil KG9IN phone and one Fund Raising: Open of his. Even for a guy like me Net Manager: Doug Schultz N9EZF who has lost a Newsletter: Dick Finn KC9ZVW good portion of Public Service: Ed Beltz N9PJQ my hearing, the Publicity/Program: Joe Scheibinger K9VY difference is amazing. Repeater: Lloyd Vandervort N9RPU Testing: Doug Schultz N9EZF Bob donated one Truck: Brad Freund KC9QYP of his micro- phones to be TVI: Lloyd Vandervort N9RPU used as a door Web Site: prize. It was won Each committee has several members. If you by Tim are interested in serving on a committee, Wolf K9TPW from Oshkosh. please contact the chairperson and volunteer your services. Continued on Page 3 Mailing Address Fond du Lac Amateur Radio Club, Inc. PO Box 53 Fond du Lac, WI 54936-0053 E-mail: [email protected] Next Meeting When: August 10, 2015 at 7:00 pm Newsletter Submissions: Where: Moraine Park Technical College, Please email to Room O-104 [email protected] Program: Page 1 Fond du Lac Amateur Radio Club Newsletter August, 2015 FOND DU LAC AMATEUR RADIO CLUB — FDL 73 — VOLUME 16 ISSUE 8 www.fdlhams.org August, 2015 Join Us On Sunday Evenings For Our Weekly Net — 1930 hrs. 145.430 MHz — Tone 97.4 Hz Paul Taddey KC9KIO: A number of years ago, Paul was a member of our club so some of you may remember him. His obituary is shown below but if you would like to leave a note in his Guest Book, the link is http://www.legacy.com/obituaries/fdlreporter/ obituary.aspx?n=paul-taddey&pid=175408466&fhid=14390 Page 2 Fond du Lac Amateur Radio Club Newsletter August, 2015 FOND DU LAC AMATEUR RADIO CLUB — FDL 73 — VOLUME 16 ISSUE 8 www.fdlhams.org August, 2015 Join Us On Sunday Evenings For Our Weekly Net — 1930 hrs. 145.430 MHz — Tone 97.4 Hz Bob mentioned that there was a copy of his story on the net titled “The night Rock and Roll Sound was Born:. With only a little searching, I was able to find it. Apparently it was written up in Performing Musician Magazine in December of 2008. Even though I was unable to find a cop- yright notice I am hoping the author, Dan Daley, will not mind my reprinting it here. He did a great job on the write up and it covers much of what Bob talked about at our meeting. The Night That Modern Live Sound Was Born Bob Heil & The Grateful Dead By: Dan Daley One night in 1970, the Grateful Dead found themselves without a sound system or soundman, and Bob Heil found himself the man of the moment. It's the kind of thing that physicists and palaeontologists dream about: being able to look back and determine the exact moment that a star or a dinosaur came into being. For the contemporary live sound business, that moment was the night of 2nd February 1970 at the Fox Theatre in St. Louis, Missouri. It's about as good a story as it gets in an industry filled with great tales. In 1970, the original jam band, the Grateful Dead, were about to take their career to the next level, transitioning from the fuzzily focused psychedelia of the 1960s to the more earthy ur- Americana of Workingman's Dead and American Beauty, both of which were released that year. But even with those landmark rec- ords, the Dead routinely experienced mediocre record sales. Their popularity as a live band, however, was indisputable. Tens of thousands of rabid fans would converge at venues worldwide to gyrate through the Dead's legendarily marathon concerts, some of which would go on for as long as six hours. What they were listening to up to that point was a sound system developed in part and operated by someone well known to the counter-culture and law enforcement alike as either simply Owsley or Bear (real name Augustus Owsley Stanley III). In addition to his work as the Dead's touring sound FOH mixer, Owsley had several interesting side careers. The most notable was as a chemist, though not of the sort that his father, a former governor of the state of Kentucky and former member of the US Senate, might have condoned. Owsley is estimated to have produced roughly five million 'hits' of LSD in the mid-1960s in San Francisco, the ground zero of hippiedom and the petri dish for the Grateful Dead. Owsley, not unexpectedly, was plagued by criminal prosecutions (though in his defence it should be noted that when he began cooking the stuff in 1965 LSD was not yet illegal in the US). One condition of his being released pending drug charges was that he not leave the state of California. Unfortunately, New Orleans is very much not in that state. Owsley was arrested on a warrant one February night after a gig in the Big Easy, with police detaining him and most of the sound system there. The PA system that the Grateful Dead pulled up to the Fox Theatre with the next day consisted of a few wedge monitors that happened to have been luckily stored in the lorry carrying the guitar amps. Page 3 Fond du Lac Amateur Radio Club Newsletter August, 2015 FOND DU LAC AMATEUR RADIO CLUB — FDL 73 — VOLUME 16 ISSUE 8 www.fdlhams.org August, 2015 Join Us On Sunday Evenings For Our Weekly Net — 1930 hrs. 145.430 MHz — Tone 97.4 Hz The Night That Modern Live Sound Was Born In one of the most serendipitous moments in rock history, someone at the Fox gave Dead guitarist Jerry Gar- cia the phone number for Bob Heil, who ran a music store in the remote St. Louis suburb of Marissa, Illinois. Heil, who at the age of 14 started his musical career as the house player of the Fox's huge pipe organ, had taken a passion for ham radio and turned it into a career repairing guitar amplifiers and other things electron- ic, even as he continued playing the Fox's grand organ and other gigs. However, the electronics bug got the better of him and in 1966 he be- gan experimenting with live sound systems, becoming the technician and occasional letter of gear to several venues around St. Louis, from auditoriums to bowling alleys, keeping the primitive and under- powered sound systems of the time (the Beatles had played Shea Stadi- um in New York in 1965 using only a Shure Vocalmaster PA system plugged into the baseball park's announcement system) up and run- ning. But it was when the Fox Theatre let Heil take possession of their aging, but still massive Altec A-4 speaker cabinets that the beginnings of the modern live sound touring system began to come together. "The Fox Theatre had these huge Altecs that I got my hands on," Heil recalls. "I was experimenting with amps and at first it was like a passionate hob- by, like the radio, but I soon saw these guys coming in with these little columns under the impression that they were going to fill up a 20,000- seat hall. In 1968 there was nobody else doing what I was doing, so I felt that I had to build some kind of monster sound system for them." "Hey man, I heard you have a really big PA," Heil remembers Garcia saying to him on the phone. It was. The Altec A-4 was the foundation slab for what would be an approximately 5ft-tall stack. Altec Lansing's A-4 launched the famous Voice of the Theatre series, which put Altec Lansing at the forefront of film sound for 40 years after it debuted in 1945. It consisted of a large, ported low-frequency section with dual woofers, additionally front-loaded with a straight horn. Heil used JBL four-inch diameter 2482 mid-range compression drivers on the JBL 90-degree and 60-degree radial horns. He replaced the original 15-inch speakers with JBL D140s that used a four-inch alu- The Grateful Dead at the Fox Theatre on February minium voice coil, and the first 15-inch low-frequency transducer 2nd, 1970 to make use of flat wire. Page 4 Fond du Lac Amateur Radio Club Newsletter August, 2015 FOND DU LAC AMATEUR RADIO CLUB — FDL 73 — VOLUME 16 ISSUE 8 www.fdlhams.org August, 2015 Join Us On Sunday Evenings For Our Weekly Net — 1930 hrs. 145.430 MHz — Tone 97.4 Hz The Night That Modern Live Sound Was Born Atop that was an array of radial horns, four per stack.
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