DOCSLIB.ORG

W.B. Yeats |Topic Notes

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
W.B. Yeats |Topic Notes W.B. Yeats | Topic Notes Background information 1 Main Themes 4 Imagery and Key Quotes 7 A personal response to Yeats’ poetry 9 Sailing to Byzantium 13 Easter 1913 16 The Lake Isle of Inishfree 18 The Second Coming 24 The Wild swans at Coole 27 W.B Yeats, Background information 13 June 1865 - 28th January 1939. (74 years old.) John Butler Yeats and Susan Yeats Age 9 moved to London, 1880 at 15 returned to Howth and attended high school. 1 W.B. Yeats | Topic Notes The Yeats family had aspirations to maintain its wealth and traditions and this shaped WB Yeats and his poetry. Born into a family context that respected culture and art. As he reached manhood, most of his education consisted of private tuition and reading- this accounts for the extreme individualism found in his poetry. Developed an interest in theosophy (esoteric philosophy - direct knowledge of mysteries of the universe.), ancient civilisations, psychic power, eastern religions, the supernatural, spiritualism etc. He sought symbolisms for his poetry in these topics. These symbolisms account for the difficulty of some of his poetry especially in his later work. Studied at college of Arts in Dublin, however his interest in art gave way to his enthusiasm for literature. Mysticism and the occult,( supernatural,symbolic,religious, obscure thought) particularly Indian mysticism. Drama and literature served Yeats as a cultural vehicle to express his views Launched the Irish Literary Renaissance - revived interest in Ireland’s literary heritage and was inspired by political and cultural nationalism. 1888 - Maud Gonne, married to John MacBride, both of whom were committed Irish nationalists. Great influence. Marriage proposals. 1917 married Georgie Hyde-Lee, 2 children: Anne (1919) and Michael (1921). Automatic writing (writing under influence or guidance of spirits, Yeats used her spiritual writing as material for his theories and poetry). 2 W.B. Yeats | Topic Notes 1896 Lady Augusta Gregory, Assistant and mentor. Mistress of Coole Park estate in Co. Galway - where he composed many poems. 1917 bought old Norman tower at Ballylee near Lady Gregory. After establishment of Irish Free State in 1922, took a lively interest in politics and became member of Irish senate. Took a sympathetic interest in facism during the 1930’s, particularly in its Irish variety; The Blueshirt movement. 1923 Nobel Prize for literature There is no record in English literary history of another poet who produced greatest work between age 50 - 74. Phase 1: Romantic era, early phase, early 20’s, late teens. 1889-1909. Celtic Myths and motifs, escapist. Nature, the struggle for Irish independence and his unrequited love for Maud Gonne (yellow hair...) Phase 2: Transitional phase, political poetry. 1909 - 1914. He gradually ceased to be a romantic poet and his work became less decorative and musical, more harsh and realistic, above all, more in tune with contemporary realities and public issues. 1916 rising and the revolutionary turmoil had a profound effect on his mind and writings. Political events in Ireland from 1916 onwards confronted Yeats with a series of acute personal dilemmas. On one had, his instinctive Irish nationalism responded with pride to the patriotic surge and heroic endeavor (exertion) that inspired the 1916 rising. On the other hand, he knew that triumphant nationalism was bound to destroy the Anglo-Irish civilisation that he regarded as the ideal embodiment of the aristocratic (high class, exceptional rank) way of life. 3 W.B. Yeats | Topic Notes Phase 3: Best work, Self critical, ironical, last 20 years. 1919 - 1939 4 outstanding books published; “The Wild Swans at Coole”, “Michael Robartes and the Dancer”, The Tower and The “Winding Stair”. Poems feature a comprehensive mythology in which contemporaries who impressed Yeats appear larger than life. He also draws from the great deposit of history and philosophy (Plato, art of Byzantine empire) and universal symbolism. ‘A Vision’ - mysticism and his bizzare concept of cycles of history, presented the dualities often expressed in later poetry; subjectivity and objectivity, art and life, soul and body. Helped to explain obscure symbolism of later works. The civil war led to Yeats’s increasing disillusionment with Irish public life and caused him to question patriotic, often fanatical, strivings of friends who had involved themselves in the nationalist cause. Disillusioned with the ignorance and the conservative cultural attitudes of Dubliners - eg. narrow minded reaction of catholic nationalists to Playboy of the Western world in the Abbey theatre. The poetry written in the final phase of his life is notable for its vigorous rhythms within a generally plain, unornamented style, with few adjectives and few, if any, of the luxuriant trappings of his earlier work. In the case of Yeats, there is constant renewal, experimentation and utter dedication to the craft of poetry, leading to the ultimate command of words and images characteristic of his mature work. 4 W.B. Yeats | Topic Notes 5 W.B. Yeats | Topic Notes Main Themes Theme of death or old age and what it leaves behind death of patriotism, leaving selfishness as the norm “Romantic Ireland’s dead and gone, it’s with O’Leary in the grave.” Death as useless sacrifice, home rule might be granted; “Was it needless death after all? For England may keep faith, for all that is done and said.” A man in old age alienated vibrant youthfulness “The young in one another’s arms, birds in the trees - those dying generations - at their song.” Death of innocence; “The ceremony of innocence is drowned.” Demise of the aristocracy and despair at the vanity of human grandeur Death and destruction at war Theme of disintegration, chaos, sudden change “Scatter wheeling in great broken rings upon their clamorous wings.” “All changed, changed utterly: A terrible beauty is born.” Things fall apart, the centre cannot hold; mere anarchy is loosed upon the world”. Theme of Nature 6 W.B. Yeats | Topic Notes Transience (lasting only for a short time) in nature’s beauty: “A shadow of cloud on the stream changes minute by minute.” Radiance of nature’s beauty: “I hear lake water lapping with low sounds by the shore.” “The trees are in their autumn beauty, the woodland paths are dry, Under the October twilight, the water mirrors a still sky.” The unattractive side of nature: “While all about it reel shadows of indignant birds.” Paradoxically, Yeats saw nature as immortal in comparison to humans: “Their hearts have not grown old; Passion or conquest, wander where they will, attend upon them still.” Theme of Immortality Politics: the rising has changed politics and this force for change has become an immortal and steadfast national symbol. Natural beauty: the swans as a species are ageless in comparison to Yeats. Cycles of history: Perpetually repeating millennial patterns- Sailing to Byzantium Soul and art transcend time (surpass) 7 W.B. Yeats | Topic Notes Theme of the quest for Truth The quest for truth is fundamental, whether experienced through the emotional self, reason, imagination or at the expense of sanity. Intuitive truth The pursuit of national ideals at the cost of public ridicule Pursuit of beauty and the truth by a questioning spirit. Truth believed in by political fanatics Truth that is fanatical and yet unemotional Truth that is emotional, imaginative and philosophical Truth that is prophetic yet based on historic cycles Truth attained through educating the imagination with art Polemical poetry - argument intended to establish truth of a specific understanding and the falsity of the contrary opposition/ Various visions of the model Irish society Primitive (early), Celtic, peasant, rural romantic, patriotic, heroic Pastoral and aesthetic (wild swans) 8 W.B. Yeats | Topic Notes Explored conflicting dualities, often counterbalancing the ideal and the real The beauty of nature versus the sombre monotony of city existence The meanness of municipal policy versus the generosity of patriots The immortality of political heroes versus the fickleness of politics Mortality of self versus immortality of swans Protests against reality despondency at short sighted and self serving civic attitudes re 1913 lockout and hypocritical religious devotion Hurt at disrespect for the memory of political martyrs. Criticism of political fanaticism Disgust at insincere nationalism, patriotic bluster (aggression) Disillusion at war, lack of civic responsibility and an apocalyptic spiral disenchantment at materialism, hedonism (maximize net pleasure, devotion to pleasure- sex etc...) and neglect of art 9 W.B. Yeats | Topic Notes Imagery Contradiction, balance and contrast are central to Yeats’ imagery. Recurring imagery of the heart as a metaphor for emotions or the inner self. Recurring imagery of water - purity and the medium of time stone seems to mean something impassive and steadfast that can catalyse change Conceit - elaborate comparison and metaphor where some concrete object is used to illustrate an abstract reality Metaphors Symbols Analogy - a simile or metaphor that functions as a parallel image Simile Paradox - contradicts itself and might be true Logic - communicates by direct statement and imagery Hyperbole Aphorism - an original thought, spoken or written in concise and memorable form - definition, principles, truth Antithesis (balance) 10 W.B. Yeats | Topic Notes Compound words & pun Yeatsian affirmation Key quotes “People who lean on logic and philosophy and rational exposition end by starving the best part of the mind” “Think like a wise man but communicate in the language of the people.” “All empty souls tend toward extreme opinion.” “Why should we honour those that die upon the field of battle? A man may show as reckless a courage in entering into the abyss of himself.” “Talent perceives differences; genius, unity.” “Out of the quarrel with others we make rhetoric, out of the quarrel with ourselves we make poetry.” “ An intellectual hatred is the worst.” “I am a healthy long lived race and our minds improve with age.” 11 W.B.
Load more

Recommended publications
  • 9594 the LONDON GAZETTE, 28 SEPTEMBER, 1915. Ibe Liable for the Assets of .The Said Deceased, Or Any, Colonel EDWARD THOMAS BROWELL, Deceased
    9594 THE LONDON GAZETTE, 28 SEPTEMBER, 1915. ibe liable for the assets of .the said deceased, or any, Colonel EDWARD THOMAS BROWELL, Deceased. part thereof, so distributed, to any person or persons Pursuant to 22 and 23 Vic., cap. 35. of whose claims they 'shall not then have notice,— "IVfOTIGE is hereby given, that all persons having Dated this 24th day of September, 1915. _i_M claims against the estate of Colonel Edward GILL, ARCHER, MAPLES and DUN, 14, Cook- Thomas Browell, late of Merrow House, Merrow, street, Liverpool, Solicitors to the said Adminis-. •Surrey (who died on the llth 'day of August, 1915, and. 057 trator. •whose will, with a codicil thereto, was proved in the Principal Probate Registry, on the 23rd day of September, 1915, by the Reverend Frederick James BOBEET ELLIS, Deceased. Browe'fl, of Feltham Vicarage, Middlesex, and William Jebb Wigston, of 21, College-hill, London, E.G., two Pursuant-to the Act of Parliament 22 and 23 Viet., of the executors therein named], are hereby required c. 35. to send the particulars thereof, m writing. So the IVTOTIGE is hereby .given, that all persons having undersigned, Solicitors for the executors, on or before _Ll any debts, claims or demands upon or against the llth day of November, 1915, after which date the the estate of Robert Ellis, late of No. 52, Lough- said executors will proceed to distribute the assets, 'borough-road, West Bridigford, in the county of Not- of the deceased, having regard only to the claims of tingham, deceased (who died on the 28th day of July, which the executors shall then have had notice.— 1913, and whose will was proved by the executors, Dated the 24th September, 1915.
    [Show full text]
  • Felipe Angeles| Military Intellectual of the Mexican Revolution, 1913--1915
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1988 Felipe Angeles| Military intellectual of the Mexican Revolution, 1913--1915 Ronald E. Craig The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Craig, Ronald E., "Felipe Angeles| Military intellectual of the Mexican Revolution, 1913--1915" (1988). Graduate Student Theses, Dissertations, & Professional Papers. 2333. https://scholarworks.umt.edu/etd/2333 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. COPYRIGHT ACT OF 1976 THIS IS AN UNPUBLISHED MANUSCRIPT IN WHICH COPYRIGHT SUBSISTS, ANY FURTHER REPRINTING OF ITS CONTENTS MUST BE APPROVED BY THE AUTHOR, MANSFIELD LIBRARY UNIVERSITY OF MONTANA DATE198ft FELIPE ANGELES: MILITARY INTELLECTUAL OF THE MEXICAN REVOLUTION 1913-1915 by Ronald E. Craig B.A., University of Montana, 1985 Presented in partial fulfillment of requirements for the degree of Master of Arts University of Montana 1988 Chairman^ Bagprd—of—Examiners Dean, Graduate School / & t / Date UMI Number: EP36373 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted.
    [Show full text]
  • Online Version Available at Special Issue on WB Yeats Volume 1, Number 3, 2015
    The Golden Line A Magazine of English Literature Online version available at www.goldenline.bcdedu.net Special Issue on W. B. Yeats Volume 1, Number 3, 2015 Guest-edited by Dr. Zinia Mitra Nakshalbari College, Darjeeling Published by The Department of English Bhatter College, Dantan P.O. Dantan, Dist. Paschim Medinipur West Bengal, India. PIN 721426 Phone: 03229-253238, Fax: 03229-253905 Website: www.bhattercollege.ac.in Email: [email protected] The Golden Line: A Magazine on English Literature Online version available at www.goldenline.bcdedu.net ISSN 2395-1583 (Print) ISSN 2395-1591 (Online) Inaugural Issue Volume 1, Number 1, 2015 Published by The Department of English Bhatter College, Dantan P.O. Dantan, Dist. Paschim Medinipur West Bengal, India. PIN 721426 Phone: 03229-253238, Fax: 03229-253905 Website: www.bhattercollege.ac.in Email: [email protected] © Bhatter College, Dantan Patron Sri Bikram Chandra Pradhan Hon’ble President of the Governing Body, Bhatter College Chief Advisor Pabitra Kumar Mishra Principal, Bhatter College Advisory Board Amitabh Vikram Dwivedi Assistant Professor, Shri Mata Vaishno Devi University, Jammu & Kashmir, India. Indranil Acharya Associate Professor, Vidyasagar University, West Bengal, India. Krishna KBS Assistant Professor in English, Central University of Himachal Pradesh, Dharamshala. Subhajit Sen Gupta Associate Professor, Department of English, Burdwan University. Editor Tarun Tapas Mukherjee Assistant Professor, Department of English, Bhatter College. Editorial Board Santideb Das Guest Lecturer, Department of English, Bhatter College Payel Chakraborty Guest Lecturer, Department of English, Bhatter College Mir Mahammad Ali Guest Lecturer, Department of English, Bhatter College Thakurdas Jana Guest Lecturer, Bhatter College ITI, Bhatter College External Board of Editors Asis De Assistant Professor, Mahishadal Raj College, Vidyasagar University.
    [Show full text]
  • Echoes of the Orient: the Writings of William Quan Judge
    ECHOES ORIENTof the VOLUME I The Writings of William Quan Judge Echoes are heard in every age of and their fellow creatures — man and a timeless path that leads to divine beast — out of the thoughtless jog trot wisdom and to knowledge of our pur- of selfish everyday life.” To this end pose in the universal design. Today’s and until he died, Judge wrote about resurgent awareness of our physical the Way spoken of by the sages of old, and spiritual inter dependence on this its signposts and pitfalls, and its rel- grand evolutionary journey affirms evance to the practical affairs of daily those pioneering keynotes set forth in life. HPB called his journal “pure Bud- the writings of H. P. Blavatsky. Her dhi” (awakened insight). task was to re-present the broad This first volume of Echoes of the panorama of the “anciently universal Orient comprises about 170 articles Wisdom-Religion,” to show its under- from The Path magazine, chronologi- lying expression in the world’s myths, cally arranged and supplemented by legends, and spiritual traditions, and his popular “Occult Tales.” A glance to show its scientific basis — with at the contents pages will show the the overarching goal of furthering the wide range of subjects covered. Also cause of universal brotherhood. included are a well-documented 50- Some people, however, have page biography, numerous illustra- found her books diffi cult and ask for tions, photographs, and facsimiles, as something simpler. In the writings of well as a bibliography and index. William Q. Judge, one of the Theosophical Society’s co-founders with HPB and a close personal colleague, many have found a certain William Quan Judge (1851-1896) was human element which, though not born in Dublin, Ireland, and emigrated lacking in HPB’s works, is here more with his family to America in 1864.
    [Show full text]
  • Geneva Convention Government Notice No. 937 of 1915
    STATums OF THE REPuBLrc OF SOUTH AFiucA — INTERNATIONAL LAW GENEVA CONVENTION GOVERNMENT NOTICE NO. 937 OF 1915 Geneva Convention 3rd September, 1915 Prohibition under the Geneva Convention Act, 1911, of the Unauthorized use of the Red Cross Emblem HIs ExCELLENCY THE GovERNOR-GENERAL-IN-CouNcIL has been pleased, under article three of the Geneva Convention Act, 1911 (Union of South Africa), Order-in-Council, 1913 (the said Order being set forth in the First Schedule thereto), to declare the 1st day of October, 1913, to be the date on and after which the said Order-in-Council was of force and effect. It is further notified that the Geneva Convention Act, 1911 (as set forth in the Second Schedule hereto), has been of force and effect within the Union since the date of the passing of that Act, namely, the 18th day of August, 1911. Consequently the period of four years mentioned in sub-section (3) of section one of that Act, wherein the “Red Cross” or “Geneva Cross” emblem could, under the circum stances set forth in that sub-section, continue to be used as a trade mark, has lapsed from and after the 18th day of August, 1915. From the date last mentioned, therefore, it is an offence, in terms of sub-section (1) of section one of the Act as adapted by the said Order to use the said emblem of the “Red Cross” or “Geneva Cross” for the purpose of trade or business or for any other purpose whatsoever without the authority of His Excellency the Governor-General-in-Council.
    [Show full text]
  • Strafford, Missouri Bank Books (C0056A)
    Strafford, Missouri Bank Books (C0056A) Collection Number: C0056A Collection Title: Strafford, Missouri Bank Books Dates: 1910-1938 Creator: Strafford, Missouri Bank Abstract: Records of the bank include balance books, collection register, daily statement registers, day books, deposit certificate register, discount registers, distribution of expense accounts register, draft registers, inventory book, ledgers, notes due books, record book containing minutes of the stockholders meetings, statement books, and stock certificate register. Collection Size: 26 rolls of microfilm (114 volumes only on microfilm) Language: Collection materials are in English. Repository: The State Historical Society of Missouri Restrictions on Access: Collection is open for research. This collection is available at The State Historical Society of Missouri Research Center-Columbia. you would like more information, please contact us at [email protected]. Collections may be viewed at any research center. Restrictions on Use: The donor has given and assigned to the University all rights of copyright, which the donor has in the Materials and in such of the Donor’s works as may be found among any collections of Materials received by the University from others. Preferred Citation: [Specific item; box number; folder number] Strafford, Missouri Bank Books (C0056A); The State Historical Society of Missouri Research Center-Columbia [after first mention may be abbreviated to SHSMO-Columbia]. Donor Information: The records were donated to the University of Missouri by Charles E. Ginn in May 1944 (Accession No. CA0129). Processed by: Processed by The State Historical Society of Missouri-Columbia staff, date unknown. Finding aid revised by John C. Konzal, April 22, 2020. (C0056A) Strafford, Missouri Bank Books Page 2 Historical Note: The southern Missouri bank was established in 1910 and closed in 1938.
    [Show full text]
  • W. B. Yeats Selected Poems
    W. B. Yeats Selected Poems Compiled by Emma Laybourn 2018 This is a free ebook from www.englishliteratureebooks.com It may be shared or copied for any non-commercial purpose. It may not be sold. Cover picture shows Ben Bulben, County Sligo, Ireland. Contents To return to the Contents list at any time, click on the arrow ↑ before each poem. Introduction From The Wanderings of Oisin and other poems (1889) The Song of the Happy Shepherd The Indian upon God The Indian to his Love The Stolen Child Down by the Salley Gardens The Ballad of Moll Magee The Wanderings of Oisin (extracts) From The Rose (1893) To the Rose upon the Rood of Time Fergus and the Druid The Rose of the World The Rose of Battle A Faery Song The Lake Isle of Innisfree The Sorrow of Love When You are Old Who goes with Fergus? The Man who dreamed of Faeryland The Ballad of Father Gilligan The Two Trees From The Wind Among the Reeds (1899) The Lover tells of the Rose in his Heart The Host of the Air The Unappeasable Host The Song of Wandering Aengus The Lover mourns for the Loss of Love He mourns for the Change that has come upon Him and his Beloved, and longs for the End of the World He remembers Forgotten Beauty The Cap and Bells The Valley of the Black Pig The Secret Rose The Travail of Passion The Poet pleads with the Elemental Powers He wishes his Beloved were Dead He wishes for the Cloths of Heaven From In the Seven Woods (1904) In the Seven Woods The Folly of being Comforted Never Give All the Heart The Withering of the Boughs Adam’s Curse Red Hanrahan’s Song about Ireland
    [Show full text]
  • Shadows Deep: Change and Continuity in Yeats
    Colby Quarterly Volume 22 Issue 4 December Article 3 December 1986 Shadows Deep: Change and Continuity in Yeats Donald Pearce Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 22, no.4, December 1986, p.198-204 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Pearce: Shadows Deep: Change and Continuity in Yeats Shadows Deep: Change and Continuity in Yeats by DONALD PEARCE He made songs because he had a will to make songs and not because love moved him thereto. Ue de Saint-eire VERY POET is, at bottom, a kind of alchemist, every poem an ap­ E paratus for transn1uting the "base metal" of life into the gold of art. Especially is this true of Yeats, not only as regards the ambient world of other people and events, but also the private one of his own art and thought: "Myself must I remake / Till I am Timon and Lear / Or that William Blake...." So persistent was he in this work of transmutation, and so adept at it, that the ordinary affairs of daily life often must have seemed to him little more than a clumsy version of a truer, more intense life lived in the clarified world of his imagination. However that may have been for Yeats, it is certainly true for his readers: incidents, persons, squabbles with which or whom he was intermittently entangled increas­ ingly owe what importance they still have for us to the fact of occurring somewhere, caught and finalized, in the passionate world of his poems.
    [Show full text]
  • YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W
    To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/194 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3-8, 10-11, 13 Edited by Warwick Gould YEATS AND WOMEN: YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE: YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares beside the Edmund Dulac memorial stone to W. B. Yeats. Roquebrune Cemetery, France, 1986. Private Collection. THE LIVING STREAM ESSAYS IN MEMORY OF A. NORMAN JEFFARES YEATS ANNUAL No. 18 A Special Issue Edited by Warwick Gould http://www.openbookpublishers.com © 2013 Gould, et al. (contributors retain copyright of their work). The text of this book is licensed under a Creative Commons Attribution 3.0 Unported Licence. This licence allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text.
    [Show full text]
  • Untitled.Pdf
    STRUCTURE IN THE COLLECTED POEMS OF W. B. YEATS A Thesis Presented to the School of Graduate Studies Drake University In Partial Fulfil£ment of the Requirements for the Degree Master of Arts in English by Barbara L. Croft August 1970 l- ----'- _ u /970 (~ ~ 7cS"'­ STRUCTURE IN THE COLLECTED POEMS OF w. B. YEATS by Barbara L. Croft Approved by CGJmmittee: J4 .2fn., k ~~1""-'--- 7~~~ tI It t ,'" '-! -~ " -i L <_ j t , }\\ ) '~'l.p---------"'----------"?­ - TABLE OF CONTENTS Chapter Page 1. INTRODUCTION ••••• . 1 2. COMPLETE OBJECTIVITY . • • . 23 3. THE DISCOVERY OF STRENGTH •••••••• 41 4. C~1PLETE SUBJECTIVITY •• • • • ••• 55 5. THE BREAKING OF STRENGTH ••••••••• 79 BIBLIOGRAPHY • • • • • • • • • • • • • • • • • • • 90 i1 CHAPTER I INTRODUCTION There is, needless to say, an abundance of criticism on W. B. Yeats. Obsessed with the peet's occultism, critics have pursued it to a depth which Yeats, a notedly poor scholar, could never have equalled; nor could he have matched their zeal for his politics. While it is not the purpose here to evaluate or even extensively to examine this criticism, two critics in particular, Richard Ellmann and John Unterecker, will preve especially valuable in this discussion. Ellmann's Yeats: ----The Man and The Masks is essentially a critical biography, Unterecker's ! Reader's Guide l! William Butler Yeats, while it uses biographical material, attempts to fecus upon critical interpretations of particular poems and groups of poems from the Collected Poems. In combination, the work of Ellmann and Unterecker synthesize the poet and his poetry and support the thesis here that the pattern which Yeats saw emerging in his life and which he incorporated in his work is, structurally, the same pattern of a death and rebirth cycle which he explicated in his philosophical book, A Vision.
    [Show full text]
  • Hermetic Philosophy and Dual Selfhood in Yeats's
    “An Image of Mysterious Wisdom”: Hermetic Philosophy and Dual Selfhood in Yeats’s Poetic Dialogues Treball de Fi de Grau/ BA dissertation Author: Paula Moschini Izquierdo Supervisor: Jordi Coral Escolà Departament de Filologia Anglesa i de Germanística Grau d’Estudis Anglesos June 2018 CONTENTS 0. Introduction ...................................................................................................................... 1 0.1. Methodology and Analysed Concepts ................................................................................... 1 0.2. Yeats and Philosophy: The Self and the Antinomies ......................................................... 2 0.3. The Hermetic Dialogue ............................................................................................................. 7 0.4. The Aesthetics of Artistic Reinterpretation: The Symbol ................................................ 9 1. Ego Dominus Tuus ....................................................................................................... 10 1.1. The Tower as a Symbol for the Self and “the Image” ..................................................... 11 1.2. Unity of Being in Artists ......................................................................................................... 14 1.3. A Poem about the Necessity of the Intuitive Wisdom in Poetry ................................... 16 2. A Dialogue of Self and Soul ........................................................................................ 18 2.1. Love and War: The Eternal
    [Show full text]
  • The Buffalo Soldiers in Vermont, 1909–1913
    The Buffalo Soldiers in Vermont, 1909–1913 The arrival of the Tenth Cavalry sent Burlington into demographic shock. Almost overnight the small city acquired a substantial black community, a situation that clearly dismayed many residents. By David Work n July 1909, the Tenth United States Cavalry Regiment, one of four regular army black regiments collectively known as the Buffalo ISoldiers, arrived in Burlington, Vermont, to begin a four-year tour of duty at Fort Ethan Allen in neighboring Colchester. Their arrival alarmed the almost exclusively white population. Many people feared the presence of sizable numbers of African American soldiers in their community and a bitter debate ensued over whether the city should adopt Jim Crow facilities. For the next four years, the Tenth Cavalry would encounter similar reactions as it traveled throughout the north- east and as far south as Winchester, Virginia. Wherever they went, the black soldiers faced fear and suspicion and had to demonstrate good behavior to win the acceptance of the white population. Created in 1866, the Tenth Cavalry achieved its greatest fame in the late nineteenth century on the western frontier and then served with distinction during the Spanish-American War. In that conflict, the regi- ment charged up San Juan Hill with Theodore Roosevelt’s Rough Riders and won public renown as the “fighting Tenth Cavalry.” In the early twentieth century, the Tenth fought in the Philippine War, served in ..................... DAVID WORK earned his Ph.D. in American history in May 2004 at Texas A&M University in College Station, Texas. He is currently teaching at Texas A&M Uni- versity in Doha, Qatar.
    [Show full text]