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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
In Less Than a Decade, DUFF Mckagan Shot
36-43 Duff feature 3/16/04 2:10 PM Page 36 36-43 Duff feature 3/16/04 2:14 PM Page 37 Bulletproof In less than a decade, DUFF McKAGAN shot from strung-out GUNS N’ ROSES megastar to sober bass-groovin’ dude for VELVET REVOLVER. Bass Guitar’s E.E. Bradman gets the rock-solid bass man in his sight. BG 37 36-43 Duff feature 3/16/04 4:25 PM Page 38 36-43 Duff feature 3/16/04 5:22 PM Page 39 “Every good rock band has to . You need that something that moves people.” uff McKagan knows covers-only Spaghetti Incident and the so-so Live Era didn’t measure up to the band’s HAIR FORCE ONE: about missed opportuni- Duff, with Rose and Slash, debut, and by 1992 Izzy and Adler had been in his GN’R daze ties. He was, after all, the replaced by Gilby Clarke and Matt Sorum. In founding bassist of the 1993, McKagan released his first solo album, legendary Guns N’ Roses, Believe in Me. Guns eventually crumbled, leaving an uncompleted (and still unreleased) whose rock-star excesses, album, tentatively titled Chinese Democracy, volatile live shows and incendiary in the balance. albums made them the biggest band in McKagan’s second effort, Beautiful D Disease, was lost to record company politics, the world before they spluttered to a but he stayed busy producing Betty Blow- messy close a decade later. But McKa- torch, playing several instruments with gan—who after a drug-and-alcohol- Screaming Trees vocalist Mark Lanegan, and related pancreas explosion 10 years ago handling guitar and bass duties for Iggy Pop, was told by doctors that his next drink Ten Minute Warning, Loaded, the Neurotic Outsiders (with John Taylor of Duran Duran would kill him—also knows a thing or and Steve Jones of the Sex Pistols) and the two about second chances. -
The Guardian, Week of June 22, 2020
Wright State University CORE Scholar The Guardian Student Newspaper Student Activities 6-22-2020 The Guardian, Week of June 22, 2020 Wright State Student Body Follow this and additional works at: https://corescholar.libraries.wright.edu/guardian Part of the Mass Communication Commons Repository Citation Wright State Student Body (2020). The Guardian, Week of June 22, 2020. : Wright State University. This Newspaper is brought to you for free and open access by the Student Activities at CORE Scholar. It has been accepted for inclusion in The Guardian Student Newspaper by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. Acknowledge, Engage, Educate: WSU’s response to Juneteenth Makenzie Hoeferlin June 22, 2020 Juneteenth, a day set aside to celebrate the freedom after the abolishment of slavery, has turned into a day to recognize and educate communities about the systemic racism and injustice that still exists in our country today. Wright State University (WSU) used Juneteenth this year to acknowledge the actions that still need to be taken and to share the dedication of staff, faculty and students to fight injustice and move toward a more inclusive campus. Diversity and resilience Juneteenth takes place on June 19 and is the anniversary of the day Texan slaves were told that they were free, two and a half years after the signing of the emancipation proclamation. President Edwards sent a letter to the community in which she acknowledged Juneteenth and recognized that actions towards eradicating injustice are long overdue. “As important as Juneteenth is in the annals of U.S. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Psychiatry 1998; 59 (Suppl 20): 22–33; Quiz 4–57
Response to treatment with antidepressants and B vitamins 32 Bohn MJ, Babor TF, Kranzler HR. The Alcohol Use Disorders Identification effects for those with B12 deficiency and hyperhomocysteinemia. Stroke Test (AUDIT): validation of a screening instrument for use in medical settings. 2006; 37: 547–9. J Stud Alcohol 1995; 56: 423–32. 37 Jonsson K. Using panel data to increase the power of modified unit root tests 33 Folstein MF, Folstein SE, McHugh PR. ‘‘Mini-mental state’’. A practical in the presence of structural breaks. Appl Math Comput 2005; 171: 832–42. method for grading the cognitive state of patients for the clinician. 38 Group VTS. B vitamins in patients with recent transient ischaemic attack or J Psychiatr Res 1975; 12: 189–98. stroke in the VITAmins TO Prevent Stroke (VITATOPS) trial: a randomised, double-blind, parallel, placebo-controlled trial. Lancet Neurol 2010; 9: 34 Kroenke K, Spitzer RL, Williams JB. The PHQ-9: validity of a brief depression 855–65. severity measure. J Gen Intern Med 2001; 16: 606–13. 39 Brown RD, Langshaw MR, Uhr EJ, Gibson JN, Joshua DE. The impact of 35 Sheehan DV, Lecrubier Y, Sheehan KH, Amorim P, Janavs J, Weiller E, et al. mandatory fortification of flour with folic acid on the blood folate levels of The Mini-International Neuropsychiatric Interview (M.I.N.I.): the development an Australian population. Med J Aust 2011; 194: 65–7. and validation of a structured diagnostic psychiatric interview for DSM-IV and 40 Papakostas GI, Petersen T, Mischoulon D, Ryan JL, Nierenberg AA, ICD-10. J Clin Psychiatry 1998; 59 (suppl 20): 22–33; quiz 4–57. -
Guns N' Roses
Guns N’ Roses ‘Live And Let Die’ Guns N’ Roses SONG TITLE: LIVE AND LET DIE ALBUM: USE YOUR ILLUSION I RELEASED: 1991 LABEL: GEFFEN GENRE: HARD ROCK PERSONNEL: W. AXL ROSE (VOX) SLASH (GTR) IZZY STRADLIN (GTR) DUFF MCKAGAN (BASS) MATT SORUM (DRUMS) DIZZY REED (KEYS) UK CHART PEAK: N/A US CHART PEAK: 33 BACKGROUND INFO seven years before Axl Rose decided to fire all the members who remained in the mid 1990s. Sorum McCartney and James Bond get the Guns N’ Roses remained faithful to guitarist Slash and played in the treatment. This popular cover was released in 1991 latter’s Velvet Revolver band. Prior to that, Sorum at a time when G N’ R was probably the most famous was a regular guest drummer for The Cult and played band on the planet. This is naturally a heavier version drums for a very young Tori Amos on her first tour. than the 1972 original but they still captured a lot of More recently Sorum has contributed to a Buddy Rich the song’s underlying humour and playfulness. The tribute album which showcased his technical abilities song features a mix of regular and half-time grooves in jazz drumming. along with a reggae-inspired middle section requiring the drummer to be alert and keep it tight. The player featured here is Matt Sorum. RECOMMENDED LISTENING The G N’ R legacy is based on six studio albums THE BIGGER PICTURE of which the most important by far is their debut, Appetite for Destruction (1987). This record single Matt Sorum’s big rock sound in Guns N’ Roses handedly propelled the band to superstardom and tends to obscure other aspects of his playing. -
59Th Annual Critics Poll
Paul Maria Abbey Lincoln Rudresh Ambrose Schneider Chambers Akinmusire Hall of Fame Poll Winners Paul Motian Craig Taborn Mahanthappa 66 Album Picks £3.50 £3.50 .K. U 59th Annual Critics Poll Critics Annual 59th The Critics’ Pick Critics’ The Artist, Jazz for Album Jazz and Piano UGUST 2011 MORAN Jason DOWNBEAT.COM A DOWNBEAT 59TH ANNUAL CRITICS POLL // ABBEY LINCOLN // PAUL CHAMBERS // JASON MORAN // AMBROSE AKINMUSIRE AU G U S T 2011 AUGUST 2011 VOLUme 78 – NUMBER 8 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed Associate Editor Aaron Cohen Contributing Editor Ed Enright Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. -
Guns N' Roses in Spain
Backstage Pass Volume 2 Issue 1 Article 2 2019 Guns N' Roses in Spain Ailey L. Butler University of the Pacific, [email protected] Ailey is a music industry major at UOP. She is hoping to break into the live music/touring scene of the music industry after being passionate about music her whole life. ...Read More This article was written as part of the curriculum for the Bachelor of Music in Music Management and the Bachelor of Science in Music Industry Studies at University of the Pacific. Each student conducted research based on his or her own areas of interest and study. To learn more about the program, visit: go.pacific.edu/musicindustry All images used from album covers are included under the Fair Use provision of U.S. Copyright law and remain the property of their respective copyright owners. Follow this and additional works at: https://scholarlycommons.pacific.edu/backstage-pass Part of the Arts Management Commons, Music Performance Commons, and the Radio Commons Recommended Citation Butler, Ailey L. (2019) "Guns N' Roses in Spain," Backstage Pass: Vol. 2 : Iss. 1 , Article 2. Available at: https://scholarlycommons.pacific.edu/backstage-pass/vol2/iss1/2 This Concert and Album Review is brought to you for free and open access by the Conservatory of Music at Scholarly Commons. It has been accepted for inclusion in Backstage Pass by an authorized editor of Scholarly Commons. For more information, please contact [email protected]. Butler: Guns N' Roses in Spain Guns N’ Roses in Spain By Ailey Butler This concert was held on July 1st, 2018 in Barcelona at the Estadi Olímpic Lluís Companys. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
Engineering (Mail Stop No
COUNCIL FILE NO. /~·0q14 COUNCIL DISTRICT NO. 13 ./ APPROVAL FOR ACCELERATED PROCESSING DIRECT TO CITY COUNCIL The attached Council File may be processed directly to Council pursuant to the procedure approved June 26, 1990, (CF 83-1075-S1) without being referred to the Public Works Committee because the action on the file checked below is deemed to be routine and/or administrative in nature: _} A. Future Street Acceptance. _} B. Quitclaim of Easement(s). _} C. Dedication of Easement(s). _} D. Release of Restriction(s) . ..10 E. Request for Star in Hollywood Walk of Fame. _} F. Brass Plaque(s) in San Pedro Sport Walk. _} G. Resolution to Vacate or Ordinance submitted in response to Council action. _} H. Approval of plans/specifications submitted by Los Angeles County Flood Control District. APPROVAL/DISAPPROVAL FOR ACCELERATED PROCESSING: APPROVED DISAPPROVED* Council Office of the District Public Works Committee Chairperson *DISAPPROVED FILES WILL BE REFERRED TO THE PUBLIC WORKS COMMITTEE. Please return to Council Index Section, Room 615 City Hall City Clerk Processing: Date ____ notice and report copy mailed to interested parties advising of Council date for this item. Date ____ scheduled in Council. AFTER COUNCIL ACTION: ____,} Send copy of adopted report to the Real Estate Section, Development Services Division, Bureau of Engineering (Mail Stop No. 515) for further processing. ____ Other: 1 PLEASE DO NOT DETACH THIS APPROVAL SHEET FROM THE COUNCIL FILE ACCELERATED REVIEW PROCESS- E Office of the City Engineer Los Angeles, California To the Honorable Council Of the City of Los Angeles Honorable Members: C. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
Guitar Magazine Master Spreadsheet
Master 10 Years Through the Iris G1 09/06 10 years Wasteland GW 4/06 311 Love Song GW 7/04 AC/DC Back in Black + lesson GW 12/05 AC/DC Dirty Deeds Done Dirt Cheap G1 1/04 AC/DC For Those About to Rock GW 5/07 AC/DC Girls Got Rhythm G1 3/07 AC/DC Have a Drink On Me GW 12/05 ac/dc hell's bells G1 9/2004 AC/DC hell's Bells G 3/91 AC/DC Hells Bells GW 1/09 AC/DC Let There Be Rock GW 11/06 AC/DC money talks GW 5/91 ac/DC shoot to thrill GW 4/10 AC/DC T.N.T GW 12/07 AC/DC Thunderstruck 1/91 GS AC/DC Thunderstruck GW 7/09 AC/DC Who Made Who GW 1/09 AC/DC Whole Lotta Rosie G1 10/06 AC/DC You Shook Me All Night Long GW 9/07 Accept Balls to the Wall GW 11/07 Aerosmith Back in the Saddle GW 12/98 Aerosmith Dream On GW 3/92 Aerosmith Dream On G1 1/07 Aerosmith Love in an Elevator G 2/91 Aerosmith Train Kept a Rollin’ GW 11/08 AFI Miss Murder GW 9/06 AFI Silver and Cold GW 6/04 Al DiMeola Egyptian Danza G 6/96 Alice Cooper No More Mr. Nice Guy G 9/96 Alice Cooper School's Out G 2/90 alice cooper school’s out for summer GW hol 08 alice in chains Dam That River GW 11/06 Alice in Chains dam that river G1 4/03 Alice In Chains Man in the Box GW 12/09 alice in chains them bones GW 10/04 All That Remains Two Weeks GW 1/09 All-American Rejects Dirty Little Secret GW 6/06 Allman Bros Midnight Rider GW 12/06 Allman Bros Statesboro Blues GW 6/04 Allman Bros Trouble no More (live) GW 4/07 Allman Bros.