Fullercraft Museum TM Let the Art Touch You

Total Page:16

File Type:pdf, Size:1020Kb

Fullercraft Museum TM Let the Art Touch You fullerCRAFT museum TM Let the art touch you Annual Report 2014 july 1, 2013 – june 30, 2014 exhibitions Galleries in Fuller Craft Museum over the past year were filled with sixteen lively exhibitions that attest to the creative energies and talents of curatorial and support staff. Nowhere else on the Atlantic seaboard is there a craft museum that produces as many exhibitions with such diversity of media and clarity of concepts as this museum. Made in Massachusetts: Studio Furniture of the Bay State, Reversible Reactions: Art Meets Science @ The MIT Glass Lab, Machines and Mechanizations: Explorations in Contemporary Kinetic Sculpture, and The Stories We Tell: Works by Tommy Simpson, Michelle Holzapfel, and Binh Pho were some of the more popular exhibitions. Fuller Craft Museum continues to build on its reputation for excellence in exhibitions nationwide. Exhibitions that closed in FY2014: All Things Considered VII: National Basketry Organization Juried Exhibition Sharing Inspiration: Work by Fuller Craft Museum Docents November 23, 2013 – February 23, 2014 March 12, 2013 – July 7, 2013 Machines and Mechanizations: Explorations in Bojagi and Beyond Contemporary Kinetic Sculpture October 6, 2013 – January 26, 2014 February 2, 2014 – June 1, 2014 Made in Massachusetts: SMARTS, Southeastern Massachusetts Arts Collaborative Studio Furniture of the Bay State February 9, 2014 – February 23, 2014 October 12, 2013 – February 9, 2014 The Stories We Tell: Works by Tommy Simpson, Michelle Across the Grain: Turned and Carved Wood Holzapfel, and Binh Pho April 7, 2013 – September 22, 2013 March 9, 2014 – June 15, 2014 About Face: Portraiture Selections from Fuller Craft Shine a Light: Artistic Expressions from Gateway Arts Museum’s Permanent Collection March 22, 2014 – June 29, 2014 April 30, 2013 – September 29, 2013 Brockton Youth Creates: Artwork by Brockton Public Exhibitions that opened in FY2014: School Students Small Expressions July 18, 2013 – September 29, 2013 June 12, 2014 – October 5, 2014 Reversible Reactions: Art Meets Science Dorothy Simpson Krause: Book + Art @ The MIT Glass Lab June 14, 2014 – November 9, 2014 June 8, 2013 – November 3, 2013 Annette Bellamy: Floating Art of Mosaics: Piecing It Together June 29, 2014 – November 2, 2014 July 3, 2013 – October 27, 2013 Mark Davis: Icarus – Ongoing Traditions & Innovations: Fuller Craft Collects – Ongoing our mission Fuller Craft Museum is a dynamic environment where craft is experienced through exhibitions, education, outreach, and collaboration. We explore the materials, techniques, and artistic expression that challenge the perception of craft, while honoring the achievements of the past. from the executivedirector director This was a thrilling year for the Fuller Craft Museum community, filled with outstanding exhibitions, well-attended receptions, exciting events, and terrific outreach. The staff, museum educators, volunteers, and board members all worked very hard with minimal resources to keep the important functions of the Museum going strong. We were rewarded with a boost in attendance from 15,083 to 18,000 visitors and blessed with steady Museum membership. Great moments this year include the reception for All Things Considered VII, sponsored by the National Basketry Organization with guest speaker Lois Russell. We also celebrated a wood art exhibition with a powerful narrative vein called The Stories We Tell: Works by Tommy Simpson, Michelle Holzapfel, and Binh Pho. Last fall, we had a beautiful wearable art fashion show called Fashion in Motion, featuring the work of Chunghie Lee, her exhibition Bojagi and Beyond, and the unveiling of her work Nameless Women, Blue Durumagi, 2001 – 2005, a CraftBoston 2012 Director’s Choice Award and our new acquisition. In January 2014, our exhibition Machines and Mechanizations: Explorations in Contemporary Kinetic Sculpture and Curator Beth McLaughlin were featured on Jared Bowen’s WGBH TV show “Open Studio” introducing scores of the WGBH viewership to our Museum. Across the Grain: Turned and Carved Wood brought major works by American woodworkers together in Stone and Barstow galleries. Made in Massachusetts: Studio Furniture of the Bay State featured contemporary studio furniture. That exhibition was our contribution to Four Centuries of Massachusetts Furniture, a consortium of a dozen cultural institutions throughout Massachusetts. Generous contributors made it possible for Fuller Craft to publish a 103-page, full color, illustrated catalogue authored by Jeffrey Brown and Pat Warner with support from Michael McMillan and essays by myself and Gerald Ward, designed by Cindy Randall. This landmark exhibition opened with a wonderful reception and lecture by Professor Brock Jobe, Curator of Winterthur Museum and ended with a closing reception with speaker Rosanne Somerson, interim President of RISD and studio furniture maker. Auction house, Skinner, Inc. included a Museum benefit in their 20th Century Design Auction for June 2014. The objects were solicited from both artists and collectors of contemporary crafts. Funds realized ($53,228.73) were dedicated to Museum operations. This was our first auction held in this manner—quite a success! There were some surprising developments as well. I was appointed Trusteeship for the estate of the late Joan Pearson Watkins who had a huge collection of artwork. Distributing these works of art to various 501(c)(3) or public historical societies, museums, and libraries brings considerable curatorial relevance and visibility to Fuller Craft Museum as well as new acquisitions to this Museum. I end this report by mentioning one of my favorite finds from the Joan Pearson Watkins collection. It is a sculpture and drawings by the artist Ruth Asawa of San Francisco (1926 – 2013). Finding this glorious treasure of artwork reminded me of how good fortune for Fuller Craft Museum waits just around the corner. Through diligence, hard work and perseverance, we may be rewarded by discovering the next treasure or the next welcome success. During this one, short, full-throttle year, the staff and docents here at Fuller Craft have certainly proven that. We will continue to strive for excellence as an institution and hope for continued public support and growth. Jonathan Leo Fairbanks Director, Fuller Craft Museum September 2014 3 collections During fiscal year 2014, fifty-nine items entered the collection. Thanks to the generosity of numerous donors and the focused purchase of selected artwork, the collection has grown. The Museum is grateful to all of the artists and collectors who have given work to the permanent collection. Acquisitions to the Permanent Collection 1. Hollie Ambrose and Wil Stubenberg Porcelain; 16” H x 12” W x 8” D 11. Karen Koblitz b. 1951 The First Milk on the Moon, 1995 Gift of Gail M. and Robert A. Brown Hollywood, CA Mixed media; 5 ½” H x 3 ¼” W 2013.7.7 Teapot Pouring Still Life, 1991 Whiteware, glaze Gift of Gail M. and Robert A. Brown 8. Andrea Gill b. 1948 14” H x 14” W x 3” D 2013.7.1 Newark, NJ Gift of Gail M. and Robert A. Brown 2. Hollie Ambrose and Wil Stubenberg Madonna, 1989 2013.7.11 Magellan Goes to the Moon, 1995 Clay; 24” H x 10” W x 8” D Mixed media; 6 ½” H x 2 ¼” W x 1 ¼” D Gift of Gail M. and Robert A. Brown 12. Dirk Staschke Gift of Gail M. and Robert A. Brown 2013.7.8 Vancouver, BC 2013.7.2 9. Rain Harris Anonym #3, 1999 Stone; 20” H x 15” W x 6” D 3. Hollie Ambrose and Wil Stubenberg Supine Form, 2000 Gift of Gail M. and Robert A. Brown Mothership, 1995 Stoneware, luster, flocking, sequins 2013.7.12 Mixed media; 7” H x 4” W x 3” D 21” H x 8 ½” W x 3” D Gift of Gail M. and Robert A. Brown Gift of Gail M. and Robert A. Brown 13. Paula Winokur b. 1935 2013.7.3 2013.7.9 Canyon Table, 1987 Porcelain, stains, glaze and 4. Christina Bertoni b. 1960 10. Doug Herren Green Industrial Teapot, 2007 ceramic pencil; 25” H x 12” W x 11” D Ascriber, 1992 Stoneware, sign painter's paint Gift of Gail M. and Robert A. Brown Terra cotta, acrylic paint 17” H x 15” W x 5” D 2013.7.13 6” H x 18” W x 7” D Gift of Gail M. and Robert A. Brown Gift of Gail M. and Robert A. Brown 14. Robert Winokur b. 1933 2013.7.10 2013.7.4 She Conducts, 2010 Whiteware, glaze; 14” H x 14” W x 3” D 5. Christina Bothwell b. 1945 Gift of Gail M. and Robert A. Brown Feet in Soil, 1996 2013.7.14 Raku, wood, wire 15. Janis Mars Wunderlich b. 1970 63” H x 19” W x 22” D Akron, Ohio Gift of Gail M. and Robert A. Brown Sewn Together, 1995 2013.7.5 Hand built Ceramic; 23” H x 10.5” W 6. Lisa Clague b. 1962 Gift of Gail M. and Robert A. Brown My Little Darlings, 1998 2013.7.15 Raku, wood, wire 16. Jon Alley 6” H x 36” W x 3” D Bathing Pool, 1989 Gift of Gail M. and Robert A. Brown Mahogany, maple plywood, 2013.7.6a – c goncalo alves 7. Wladyslaw Garnik b. 1937 23.25” H x 37” W x 6.75” D Poland 10 Gift of Gail M. and Robert A. Brown Clown I, 1991 2013.7.16 4 collections 17. Kim Kelzer Home on the Range, 1991 Poplar, plywood, aluminum, neon plexi-glass, rubber, plastic 21” H x 45” W x 16” D Gift of Gail M. and Robert A. Brown 2013.7.17 18. Thomas Loeser b. 1956 Boston, MA Rocking Bench, 2003 Mahogany, milk paint 17” H x 59” W x 14.5” D Gift of Gail M. and Robert A. Brown 2013.7.18 19. Marjorie Schick b. 1941 Taylorville, IL Platter with Armlet and Sticks, 1992 Bisque fired clay, Paper Mache, dowel sticks; 22” H x 8” W Gift of Gail M.
Recommended publications
  • Graphic Recording by Terry Laban of the Global Health Matters Forum on March 25, 2020 Co-Hosted by Craftnow and the Foundation F
    Graphic Recording by Terry LaBan of the Global Health Matters Forum on March 25, 2020 Co-Hosted by CraftNOW and the Foundation for Advancement of International Medical Education and Research With Gratitude to Our 2020 Contributors* $10,000 + Up to $500 Jane Davis Barbara Adams Drexel University Lenfest Center for Cultural Anonymous Partnerships Jeffrey Berger Patricia and Gordon Fowler Sally Bleznack Philadelphia Cultural Fund Barbara Boroff Poor Richard’s Charitable Trust William Burdick Lisa Roberts and David Seltzer Erik Calvo Fielding Rose Cheney and Howie Wiener $5,000 - $9,999 Rachel Davey Richard Goldberg Clara and Ben Hollander Barbara Harberger Nancy Hays $2,500 - $4,999 Thora Jacobson Brucie and Ed Baumstein Sarah Kaizar Joseph Robert Foundation Beth and Bill Landman Techné of the Philadelphia Museum of Art Tina and Albert Lecoff Ami Lonner $1,000 - $2,499 Brenton McCloskey Josephine Burri Frances Metzman The Center for Art in Wood Jennifer-Navva Milliken and Ron Gardi City of Philadelphia Office of Arts, Culture, and Angela Nadeau the Creative Economy, Greater Philadelphia Karen Peckham Cultural Alliance and Philadelphia Cultural Fund Pentimenti Gallery The Clay Studio Jane Pepper Christina and Craig Copeland Caroline Wishmann and David Rasner James Renwick Alliance Natalia Reyes Jacqueline Lewis Carol Saline and Paul Rathblatt Suzanne Perrault and David Rago Judith Schaechter Rago Auction Ruth and Rick Snyderman Nicholas Selch Carol Klein and Larry Spitz James Terrani Paul Stark Elissa Topol and Lee Osterman Jeffrey Sugerman
    [Show full text]
  • MAD Visionaries!
    Press Release MUSEUM OF ARTS AND DESIGN TO PRESENT ANNUAL VISIONARIES! AWARDS NOVEMBER 20, 2013 The Evening Will Honor Materialise CEO and Founder Wilfried Vancraen, Artist Frank Stella, Vilcek Foundation Executive Director Rick Kinsel, and Designers David and Sybil Yurman NEW YORK, NY (November 5, 2013) – On Wednesday, November 20, PRESS CONTACT 2013, the Museum of Arts and Design (MAD) will host its 2013 Visionaries! Claire Laporte/Carnelia Garcia Gala, celebrating five influential creators and leaders in the art, craft, and Museum of Arts and Design design industries, whose work personifies the Museum’s mission to explore 212.299.7737 and celebrate contemporary creativity across all media: [email protected] • Wilfried Vancraen, Chief Executive Officer and Founder of Materialise, an international additive manufacturing company started in Belgium. MAD PRESS RESOURCES For more than twenty years, Materialise has been working with image library designers and scientists to help expand design, manufacturing, and release as .pdf biomedical research into new frontiers, while remaining committed to artistic creativity, sustainability and the improvement of people’s lives. MAD LINKS • Frank Stella, legendary painter and printmaker, most noted for his Minimalist, Post-Painterly Abstract works has challenged ideas collections database of abstraction and of painting itself by negating the evidence of facebook brushwork and asserting the flatness of the canvas. Today, Stella youtube continues to explore new forms and aesthetic avenues in creating flickr multidimensional, hybrid sculptures that combine painting with twitter geometrical and architectural elements. • Rick Kinsel, Executive Director, The Vilcek Foundation. For more than 10 years, the Vilcek Foundation, under Kinsel's leadership, has been an important philanthropic supporter of the arts and sciences.
    [Show full text]
  • Findings Issue 52 Spring 2011 ISSN 2041-7047
    Findings issue 52 Spring 2011 ISSN 2041-7047 The Magazine of the Association for Contemporary Jewellery Teaching at Turquoise Mountain Contemporary Jewellery at Middlesbrough Fairtrade gold Found items and the Ethical Jeweller graham Hughes 1924 – 2010 Exhibition and Book Reviews Findings Spring 2011 1 findings_52.indd 1 16/05/2011 11:16 ConTEnTs CHAiRMAn’s LETTER Findings Spring 2011 In the first days of April a friend hoped ‘that I was enjoying the warm and sunny weather’. Well, though a clement Spring is 2 Chairman’s letter always welcome I am sure many of you find, as I do, that it can 2 Editorial be a frustrating distraction from the work in hand, whether that is in the workshop, studio, gallery or office. The attractions of the ‘great outdoors’ certainly have more pull now than during Features the cold winter months. 3 Teaching at Turquoise My current environment is the office where I am ensconced Mountain with writing a catalogue for an exhibition, ‘All-Golds’ at the 5 Contemporary Jewellery at School of Jewellery, Birmingham, 24 October to 25 November 2011. Details of Middlesbrough a special preview of the exhibition for ACJ members will be given in e-bulletins 7 Fairtrade Gold nearer the time. So, whilst the weather can only be welcomed with caution, I have no hesitation 9 Found Items and the in cheering some other recent appearances: Dauvit Alexander joins the ACJ Board of Ethical Jeweller Directors and we look forward to his creative contributions; also, the formation of the 9 Graham Hughes, 1924-2010 latest regional group – ACJ Wales – is a positive indication of growth and collaboration.
    [Show full text]
  • The Factory of Visual
    ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving.
    [Show full text]
  • Textile Society of America Newsletter 23:2 •Fl Spring/Summer 2011
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2011 Textile Society of America Newsletter 23:2 — Spring/Summer 2011 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 23:2 — Spring/Summer 2011" (2011). Textile Society of America Newsletters. 61. https://digitalcommons.unl.edu/tsanews/61 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Textile VOLUME 23 n NUMBER 2 n SPRING/SUMMER, 2011 Society of America Tinkuy de Tejedores by Marilyn Murphy CONTENTS accompanied with translations in English, Quechua, and Spanish. 1 Tinkuy de Tejedores Topics covering fiber and natu- 2 TSA News ral dyes, ancient and traditional 3 From the President weaving, and the recovery and commercialization of textiles 4 TSA Study Tours were crammed into two days. 5 TSA Member News Representatives from the commu- 8 Tinkuy de Tejedores, cont’d. nities spoke alongside the scholars and other invited guests. Q&A 9 Conference Reviews time followed each presentation. 10 Symposium 2010: Reports by For most of the first day, the TSA Award Recipients questions came from the English- 11 Textile Community News speaking participants. But slowly, 13 Book Reviews the indigenous women’s voices emerged. 14 Publication News GATHERING OF WEAVERS The Welcome Ceremony The richness of Tinkuy went 15 Featured Collection: American took place in the Sacred was led by an Andean priest, far beyond the speakers and their Swedish Institute A Valley of Peru Nov.
    [Show full text]
  • 2020 Impact Report
    20 20 IMPACT REPORT Demond Melancon, Big Chief of the Young Seminole Hunters – 2020 COVID-19 Relief Grant Recipient, New Orleans, Louisiana, Photo courtesy of Christopher Porché West OUR MISSION A Letter from CERF+ Plan + Pivot + Partner CERF+’s mission is to serve artists who work in craft disciplines by providing a safety In the first two decades of the 21st century,CERF+ ’s safety net of services gradually net to support strong and sustainable careers. CERF+’s core services are education expanded to better meet artists’ needs in response to a series of unprecedented natural programs, resources on readiness, response and recovery, advocacy, network building, disasters. The tragic events of this past year — the pandemic, another spate of catastrophic and emergency relief assistance. natural disasters, as well as the societal emergency of racial injustice — have thrust us into a new era in which we have had to rethink our work. Paramount in this moment has been BOARD OF DIRECTORS expanding our definition of “emergency” and how we respond to artists in crises. Tanya Aguiñiga Don Friedlich Reed McMillan, Past Chair While we were able to sustain our longstanding relief services, we also faced new realities, which required different actions. Drawing from the lessons we learned from administering Jono Anzalone, Vice Chair John Haworth* Perry Price, Treasurer aid programs during and after major emergencies in the previous two decades, we knew Malene Barnett Cinda Holt, Chair Paul Sacaridiz that our efforts would entail both a sprint and a marathon, requiring us to plan, pivot, Barry Bergey Ande Maricich* Jaime Suárez and partner.
    [Show full text]
  • 2020 Impact Report
    20 20 IMPACT REPORT Demond Melancon, Big Chief of the Young Seminole Hunters – 2020 COVID-19 Relief Grant Recipient, New Orleans, Louisiana, Photo courtesy of Christopher Porché West OUR MISSION A Letter from CERF+ Plan + Pivot + Partner CERF+’s mission is to serve artists who work in craft disciplines by providing a safety In the first two decades of the 21st century,CERF+ ’s safety net of services gradually net to support strong and sustainable careers. CERF+’s core services are education expanded to better meet artists’ needs in response to a series of unprecedented natural programs, resources on readiness, response and recovery, advocacy, network building, disasters. The tragic events of this past year — the pandemic, another spate of catastrophic and emergency relief assistance. natural disasters, as well as the societal emergency of racial injustice — have thrust us into a new era in which we have had to rethink our work. Paramount in this moment has been BOARD OF DIRECTORS expanding our definition of “emergency” and how we respond to artists in crises. Tanya Aguiñiga Don Friedlich Reed McMillan, Past Chair While we were able to sustain our longstanding relief services, we also faced new realities, which required different actions. Drawing from the lessons we learned from administering Jono Anzalone, Vice Chair John Haworth* Perry Price, Treasurer aid programs during and after major emergencies in the previous two decades, we knew Malene Barnett Cinda Holt, Chair Paul Sacaridiz that our efforts would entail both a sprint and a marathon, requiring us to plan, pivot, Barry Bergey Ande Maricich* Jaime Suárez and partner.
    [Show full text]
  • Symposium ‘06 Makers : : Careers : : Concepts
    Northwest Jewelry and Metals Symposium ‘06 Makers : : Careers : : Concepts NEWSLETTER :: September/October, 2006 Makers : : Careers : : Concepts On behalf of the Seattle Metals Guild we look forward to seeing you at our event this year entitled Makers :: Careers :: Concepts. The Symposium committee has sought diverse presentations about these three categories hoping to appeal to widely different tastes. Yet perhaps each one of us is a maker and also a conceptualist AND a career minded person, merging many tastes. Might not a collector of art jewelry, who happens to be a business executive, be engaged with our three categories just like a beginning metals student? Of course they are, for we are all brought together by that great cultural bonding agent, art and its creative process. Let us share our different tastes and celebrate our common passions as we gather for a day all about art! We are excited to be part of this grand adventure and pleased to have attracted not only our esteemed speakers but the following organizations, among others, who are contributing toward our programs: The Bellevue Arts Museum The Allied Arts Foundation The Pratt Fine Arts Center Northwest Designer Craftsmen Artist Trust The Northwest Bead Society Facere Jewelry Art Gallery Jewelry Resource and Supply Allcraft Denise Wallace (Chugach Aleut) and Samuel Wallace: Female Mask with Goggles pin/pendant. 1996 Newsletter cover image: Sterling silver and turquoise Belt buckle by Lee Yazzie, Navajo. 2004 2 www.seattlemetalsguild.org The Eleventh Annual Northwest Jewelry and Metals Symposium 2006 Makers : : Careers : : Concepts Mark your calendars for Saturday October 21, 2006, from 8:30am to 6:00pm, and join us at the Seattle Asian Art Museum in lovely Volunteer Park.
    [Show full text]
  • Annual Report 2018
    2018 Annual Report 4 A Message from the Chair 5 A Message from the Director & President 6 Remembering Keith L. Sachs 10 Collecting 16 Exhibiting & Conserving 22 Learning & Interpreting 26 Connecting & Collaborating 30 Building 34 Supporting 38 Volunteering & Staffing 42 Report of the Chief Financial Officer Front cover: The Philadelphia Assembled exhibition joined art and civic engagement. Initiated by artist Jeanne van Heeswijk and shaped by hundreds of collaborators, it told a story of radical community building and active resistance; this spread, clockwise from top left: 6 Keith L. Sachs (photograph by Elizabeth Leitzell); Blocks, Strips, Strings, and Half Squares, 2005, by Mary Lee Bendolph (Purchased with the Phoebe W. Haas fund for Costume and Textiles, and gift of the Souls Grown Deep Foundation from the William S. Arnett Collection, 2017-229-23); Delphi Art Club students at Traction Company; Rubens Peale’s From Nature in the Garden (1856) was among the works displayed at the 2018 Philadelphia Antiques and Art Show; the North Vaulted Walkway will open in spring 2019 (architectural rendering by Gehry Partners, LLP and KXL); back cover: Schleissheim (detail), 1881, by J. Frank Currier (Purchased with funds contributed by Dr. Salvatore 10 22 M. Valenti, 2017-151-1) 30 34 A Message from the Chair A Message from the As I observe the progress of our Core Project, I am keenly aware of the enormity of the undertaking and its importance to the Museum’s future. Director & President It will be transformative. It will not only expand our exhibition space, but also enhance our opportunities for community outreach.
    [Show full text]
  • Press Release for Editing
    Moderne Gallery Is Making A Move! - as always...looking forward, taking the lead ---- From Old City to Port Richmond, Philadelphia, in January 2019 Moderne Gallery, recognized internationally as the prime gallery for studio craft furniture, and as the leading Nakashima dealer in the world, is moving to a new center for high end design, art and antiques in the Port Richmond section of Philadelphia, as of January 2019. The new showroom is not open to the public as of yet, but can be visited by appointment only. It is set to open in the Spring of 2019. Moderne Gallery will be the first tenant in the Showrooms at 2220, a newly restored former mill at 2220 East Allegheny Avenue, (Port Richmond) Philadelphia, PA 19134. The 100,000 square-foot building is owned and managed by Jeffrey Kamal and Joe Holahan, co-owners of Kamelot Auction Company, which holds its auctions and has its offices in the building. "We are not downsizing, or giving up our showroom concept with special exhibitions," says Moderne Gallery founder/director Robert Aibel. "And certainly we will continue to build our business through internet sales." Joshua Aibel, Robert's son, is now co-director of Moderne Gallery and helping to develop this combination of sales concepts. "We see this as an opportunity to move to a setting that presents a comprehensive, easily accessible major art, antiques and design center for our region, just off I-95," says Josh Aibel. "The Showrooms at 2220 offer an attractive new venue with great showroom spaces and many advantages for our storage and shipping requirements." Moderne Gallery's new showrooms are being designed by the gallery's longtime interior designer Michael Gruber of Philadelphia.
    [Show full text]
  • New Executive Director Named at Tacoma Art Museum
    MEDIA RELEASE January 19, 2018 Media Contact: Adrienne Edmonson, 253-272-4258 x3051 or [email protected] New Executive Director Named at Tacoma Art Museum Tacoma, WA–Tacoma Art Museum (TAM) welcomes David Setford as its new Executive Director. Setford brings over 30 years of experience in museums and other arts organizations in the United States and the United Kingdom as a curator, director/administrator, and fundraiser. With an entrepreneurial and community-driven approach, Setford has also been instrumental in organizing exhibitions on a diverse array of iconic artists such as Pablo Picasso, Claude Monet, Georgia O'Keeffe, Gordon Parks, Frida Kahlo, Andrew Wyeth, as well as Northwest artists Jacob Lawrence and Dale Chihuly. Setford’s original expertise was in 19th and 20th century European Art, and later he added a passion for 20th century American Art. “I’m so excited to be moving to Tacoma and the Pacific Northwest, and joining the Tacoma Art Museum,” says Setford. “TAM is a real gem, renowned across the country for its progress over the last 20 years, as well as for its amazing collections. I am delighted and inspired by the fact that I will be working with such a committed board, staff, and collectors and stakeholders such as the Haub and Benaroya families.” Setford comes to TAM from his tenure as the Executive Director of the Spanish Colonial Arts Society and Museum of Spanish Colonial Art in Santa Fe, New Mexico. His role there encompassed fundraising, community engagement, and collaborating on and raising the profile of exhibitions and programs at the museum to attract a wider cross-section of the local community as well as tourists.
    [Show full text]
  • Postmodernism
    Black POSTMODERNISM STYLE AND SUBVERSION, 1970–1990 TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 1 Black Black POSTMODERNISM STYLE AND SUBVERSION, 1970–1990 TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 Edited by Glenn Adamson and Jane Pavitt V&A Publishing TJ254-3-2011 IMUK VLX0270 Postmodernism W:247mmXH:287mm 175L 130 Stora Enso M/A Magenta(V) 130 Stora Enso M/A 175L IMUK VLX0270 Postmodernism W:247mmXH:287mm TJ254-3-2011 2 3 Black Black Exhibition supporters Published to accompany the exhibition Postmodernism: Style and Subversion, 1970 –1990 Founded in 1976, the Friends of the V&A encourage, foster, at the Victoria and Albert Museum, London assist and promote the charitable work and activities of 24 September 2011 – 15 January 2012 the Victoria and Albert Museum. Our constantly growing membership now numbers 27,000, and we are delighted that the success of the Friends has enabled us to support First published by V&A Publishing, 2011 Postmodernism: Style and Subversion, 1970–1990. Victoria and Albert Museum South Kensington Lady Vaizey of Greenwich CBE London SW7 2RL Chairman of the Friends of the V&A www.vandabooks.com Distributed in North America by Harry N. Abrams Inc., New York The exhibition is also supported by © The Board of Trustees of the Victoria and Albert Museum, 2011 The moral right of the authors has been asserted.
    [Show full text]