Volume Ii. Washington City, D. C., April 28, 1872. Number 8
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Bebopnet: Deep Neural Models for Personalized Jazz Improvisations - Supplementary Material
BEBOPNET: DEEP NEURAL MODELS FOR PERSONALIZED JAZZ IMPROVISATIONS - SUPPLEMENTARY MATERIAL 1. SUPPLEMENTARY MUSIC SAMPLES We provide a variety of MP3 files of generated solos in: https://shunithaviv.github.io/bebopnet Each sample starts with the melody of the jazz stan- dard, followed by an improvisation whose duration is one chorus. Sections BebopNet in sample and BebopNet out of sample contain solos of Bebop- Net without beam search over chord progressions in and out of the imitation training set, respectively. Section Diversity contains multiple solos over the same stan- Figure 1. Digital CRDI controlled by a user to provide dard to demonstrate the diversity of the model for user- continuous preference feedback. 4. Section Personalized Improvisations con- tain solos following the entire personalization pipeline for the four different users. Section Harmony Guided Improvisations contain solos generated with a har- monic coherence score instead of the user preference score, as described in Section 3.2. Section Pop songs contains solos over the popular non-jazz song. Some of our favorite improvisations by BebopNet are presented in the first sec- Algorithm 1: Score-based beam search tion, Our Favorite Jazz Improvisations. Input: jazz model fθ; score model gφ; batch size b; beam size k; update interval δ; input in τ sequence Xτ = x1··· xτ 2 X 2. METHODS τ+T Output: sequence Xτ+T = x1··· xτ+T 2 X in in in τ×b 2.1 Dataset Details Vb = [Xτ ;Xτ ; :::; Xτ ] 2 X ; | {z } A list of the solos included in our dataset is included in b times scores = [−1; −1; :::; −1] 2 Rb section 4. -
Quiet Talks on Service
Quiet Talks on Service Author(s): Gordon, Samuel Dickey (1859-1936) Publisher: Grand Rapids, MI: Christian Classics Ethereal Library Description: S.D. Gordon's Quiet Talks on Service is filled with riveting stories and examples explaining and supporting the idea of Christian service. Each chapter focuses on a unique side of service that applies to Christians in all walks of life. Not only does this text provide wonderful examples of application, it also supports a great framework by which all Christians can live lives of meaningful service to Christ and the Church. As always, S. D. Gordon's wise and friendly voice provides in- sight for those looking to improve their life and relationship with Christ. Luke Getz CCEL Staff Writer i Contents Title Page 1 Personal Contact with Jesus: The Beginning of Service 2 The Beginning of an Endless Friendship 2 An Ideal Biography 3 The Eyes of the Heart 4 We are Changed 5 The Outlook Changed 7 Talking with Jesus 9 Getting Somebody Else 10 The True Source of Strong Service 12 The Triple Life: The Perspective of Service 13 On An Errand for Jesus 13 The Parting Message 14 A Secret Life of Prayer 16 An Open Life of Purity 19 An Active Life of Service 22 The Perspective of True Service 24 A Long Time Coming 26 Yokefellows: The Rhythm of Service 28 The Master's Invitation 28 Surrender a Law of Life 29 Free Surrender 31 "Him" 32 Yoked Service 33 In Step with Jesus 34 The Scar-marks of Surrender 36 ii Full Power through Rhythm 38 He is Our Peace 40 The Master's Touch 41 A Passion for Winning Men: The Motive-power -
Jazz Vintage Vinyl Want List Vol.10
Jazz Vintage Vinyl Want List vol.10 2017 spring STAN GETZ 特集 今号の特集はStan Getz生誕90周年記念という事で、ジャケの種類や ラベルの種類が複数ある物など、数点取り上げてみました。(新宿ジャズ館:中野) STAN GETZ New Sounds SAVOY / MG-9004・10” メトロノーム のイラストが 描 かれたタイプ のジャケットが 1st Cover、黒基調で本人がテナー・サックスを吹 いている姿が写 っているタイプ の 方が2ndとされていますが 、入荷頻度とし て は 2ndの方がかなり低く、更に状態の良い物は非常に珍しいと思 われます。デザインの良さもあり 、2nd Coverを探されている方 も多いようです。 [1st][2nd] 買取 価格 1st Cover : ¥6,000 2nd Cover : ¥7,000 STAN GETZ QUARTET PRESTIGE / PRLP7002 PRES TIG E7000 番台初期は色々な仕様が入り乱れてお り、1stプレスの判 断が 容 易ではありませんが、このタイトルに関 してのラベルはレモン・イエローNYCでグルーヴ・ガードあり、ジャ ケットは住所表記446Wのニス引きで額 縁なしの仕 様が1stプレ スと思 われます。447Wコーティング・ジャケ 、ラベルは通常のイ エローNYCの2ndプレスも確 認されています。1ST Coverは非 常に傷みやすく、美品レベルのコピーの入手は困難を極めます。 買取 価格 1st プレス : ¥40,000 ※こちらはジャケ 美品の価格です。 些細なダメージで買取価格が大きく 下がる事もございます。 2nd プレス Yellow NYC / DG /447W Cover. : ¥7,000 STAN GETZ The sound ROYAL ROOST / RLP2207 物自体は比較的良く見る一 枚 ですが 、1stプレスとされるミゾあり・ Flat EdgeのNMコンディションとなると、入手難易度は一気に跳ね 上がります。ミゾなし・Groove Guard付はラベルの 番 号 表記が2種 類あるようで、RLP2207が先、LP2207が後と思われます。尚、この タイトルのDGなしFlat Edgeスカ盤は、disk union内では存在が確 認されておりません 。ジャケ 裏住所表記も最低3種類が確認されて いますが 、625 10th AVENUE表記の物が1stと考えています。 青RLP表記 / DG / Non-Flat : ¥6,000 買取 1st プレス(DG / Flat Edge / 625 Cvr.) : ¥20,000 価格 DGなし青(RLP表記) : ¥4,000 02 表内の10%アップキャンペーン価格は、弊社のレコード買取アップキャンペーン期間中の価格例となります。 ※許可なく複製・転載することを禁じます。 ※オリジナル盤の買取価格は、ジャケット・盤 共 にトップ・コンディションの 価 格で、2017年3月17日(金)現在のものです。 買取価格は市場の相場や各店舗の在庫状況により大きく変動する場合がございます。予めご了承ください。 ※買取価格はオリジナル盤(盤・ジャケットともにファーストプレス )が対象となります。 STAN GETZ Interpretations #1 NORGRAN / MGN-1000 1stプレスはJ.A.T.P.ラベルのFlat Edgeで盤自体も厚く重い仕 様で、ジャケも上 下 に 折り返しがある厚 めのタイプが先かと思われ -
Jazz Jazz Is a Uniquely American Music Genre That Began in New Orleans Around 1900, and Is Characterized by Improvisation, Stron
Jazz Jazz is a uniquely American music genre that began in New Orleans around 1900, and is characterized by improvisation, strong rhythms including syncopation and other rhythmic invention, and enriched chords and tonal colors. Early jazz was followed by Dixieland, swing, bebop, fusion, and free jazz. Piano, brass instruments especially trumpets and trombones, and woodwinds, especially saxophones and clarinets, are often featured soloists. Jazz in Missouri Both St. Louis and Kansas City have played important roles in the history of jazz in America. Musicians came north to St. Louis from New Orleans where jazz began, and soon the city was a hotbed of jazz. Musicians who played on the Mississippi riverboats were not really playing jazz, as the music on the boats was written out and not improvised, but when the boats docked the musicians went to the city’s many clubs and played well into the night. Some of the artists to come out of St. Louis include trumpeters Clark Terry, Miles Davis and Lester Bowie, saxophonist Oliver Nelson, and, more recently, pianist Peter Martin. Because of the many jazz trumpeters to develop in St. Louis, it has been called by some “City of Gabriels,” which is also the title of a book on jazz in St. Louis by jazz historian and former radio DJ, Dennis Owsley. Jazz in Kansas City, like jazz in St. Louis, grew out of ragtime, blues and band music, and its jazz clubs thrived even during the Depression because of the Pendergast political machine that made it a 24-hour town. Because of its location, Kansas City was connected to the “territory bands” that played the upper Midwest and the Southwest, and Kansas City bands adopted a feel of four even beats and tended to have long solos. -
Deep Neural Models for Jazz Improvisations
Deep Neural Models for Jazz Improvisations Shunit Haviv Hakimi Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Deep Neural Models for Jazz Improvisations Research Thesis Submitted in partial fulfillment of the requirements for the degree of Master of Science in Computer Science Shunit Haviv Hakimi Submitted to the Senate of the Technion — Israel Institute of Technology Kislev 5781 Haifa November 2020 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 This research was carried out under the supervision of Prof. Ran El-Yaniv, in the Faculty of Computer Science. Some results in this thesis have been published as an article by the author and research collaborators in a conference during the course of the author’s research period, the most up-to-date version of which being: Shunit Haviv Hakimi, Nadav Bhonker, and Ran El-Yaniv. Bebopnet: Deep neural models for personalized jazz improvisations. In Proceedings of 21st International Society of Music Information Retrieval Conference, ISMIR 2020, Best Research Award, 2020. The generous financial help of the Technion is gratefully acknowledged. Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Technion - Computer Science Department - M.Sc. Thesis MSC-2021-03 - 2021 Contents List of Figures Abstract 1 1 Introduction 3 2 BebopNet: Deep Neural Models for Personalized Jazz Improvisations 7 2.1 Introduction .................................. 7 2.2 Related Work ................................. 8 2.3 Problem Statement .............................. 9 2.4 Methods .................................... 10 2.4.1 BebopNet: Jazz Model Learning ................. -
Jazz Solo Transcriptions As Technical and Pedagogical Solutions for Undergraduate Jazz Saxophonists
JAZZ SOLO TRANSCRIPTIONS AS TECHNICAL AND PEDAGOGICAL SOLUTIONS FOR UNDERGRADUATE JAZZ SAXOPHONISTS BY ANDRE MIGUEL ACEVEDO DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in Music with a concentration in Jazz Performance in the Graduate College of the University of Illinois at Urbana-Champaign, 2014 Urbana, Illinois Doctoral Committee: Professor Charles McNeill, Chair Assistant Professor Bridget Sweet, Director of Research Associate Professor Tito Carrillo Associate Professor Gregory DeNardo Abstract The purpose of this exploratory study was to examine the development of saxophone technique in the jazz idiom in comparison to that in the classical idiom. Five leading jazz pedagogues were interviewed for their perspective on the current state of jazz technique development and their views on representative examples of modern jazz soloists. Interview data was coded and analyzed. From this research, insight was gained on the use of jazz solo transcriptions as technique development solutions within a undergraduate’s jazz saxophone performance degree. In addition, a list of solos was developed, each of which can be used as a technical development solution for advancing undergraduate jazz saxophone technique; Michael Brecker and Chris Potter are the most eminent artists on the list. Findings imply the importance of providing masterwork material to a jazz undergraduate saxophone major; findings also suggest that classic jazz solos and the solos of modern jazz saxophone masters be considered as masterworks. ii To my Family iii Acknowledgements I would like to thank the dissertation interview participants for donating their time and wisdom to this research: Greg Fishman, Gary Keller, Paul Haar, Tom Walsh, and Chris Vadala. -
Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again for the First Time CD 1997 ???? ????? CD 1990 4
Title Format Released (Jerry Bergonzi/Bobby Watson/Victor Lewis) Together Again For The First Time CD 1997 ???? ????? CD 1990 4 Giants Of Swing 4 Giants Of Swing CD 1977 Abate, Greg It'S Christmastime CD 1995 Monsters In The Night CD 2005 Evolution CD 2002 Straight Ahead CD 2006 Bop City: Live At Birdland CD 2006 Abate, Greg Quintet Horace Is Here CD 2004 Bop Lives CD 1996 Adams, George & Don Pullen Don't Lose Control CD 1979 Adams, Greg Midnight Morning CD 2002 Adams, Pepper 10 to 4 at the 5-Spot CD 1958 Adderley, Cannonball The Poll Winners: Volume 4 CD 1960 The Cannonball Adderley Quintet In San Francisco [Live] [Bonus Track] CD 1959 Adderley, Cannonball With Bill Evans Know What I Mean? CD 1961 Adderley, Nat Work Song CD 1990 Ade & His African Beats, King Sunny Juju Music CD 1982 Aggregation, The Groove’s Mood CD 2008 Akiyoshi, Toshiko Desert Lady/Fantasy CD 1993 Live at Maybeck Recital Hall: Volume 36 CD 1994 Finesse CD 1978 Alaadeen and the deans of swing Aladeen And The Deans Of Swing Plays Blues For RC And Josephine, Too CD 1995 Alaadeen, Ahmad New Africa Suite CD 2005 Time Through The Ages CD 1987 Page 1 of 79 Title Format Released Albany, Joe The Right Combination CD 1957 Alden, Howard & Jack Lesberg No Amps Allowed CD 1988 Alexander, Eric Solid CD 1998 Alexander, Monty Goin' Yard CD 2001 Jamboree CD 1998 Ray Brown Trio - Ray Brown Monty Alexander Russell Malone (Disc 2-2) CD 2002 Reunion in Europe CD 1984 Ray Brown Monty Alexander Russell Malone (Disc 1) CD 2002 My America CD 2002 Monty Meets Sly And Robbie CD 2000 Stir It -
Dexter Gordon
1 The TENORSAX of DEXTER GORDON Solographer: Jan Evensmo Last update: April 7, 2021 2 Born: Los Angeles, California, Feb. 27, 1923 Died: Philadelphia, Delaware, April 25, 1990 Introduction: Dexter Gordon was always a hero in Oslo Jazz Circle, and even more so after he came to Norway for the first time in 1962. His enormously charismatic personality combined with superb artistic capabilities, a world star on his tenor saxophone, made him have friends everywhere, also here. Those who heard him live, whether in Oslo or at the Molde International Jazz Festival, will never forget it. Early history: He began to play clarinet at the age of 13 and studied music with Lloyd Reese, during which time he played in a rehearsal band with other pupils of Reese, including Charles Mingus and Buddy Collette. In 1940 he began a long engagement with Lionel Hampton’s touring band, with which he took part in a recording session in 1942. After leaving Hampton in 1943 he made his first lengthy solo recordings, as the leader of a quintet session with Nat “King” Cole as a sideman. He worked in the Los Angeles area with Lee Young, Jesse Price and, for a few weeks in April and May 1944, with the Fletcher Henderson orchestra. After playing briefly with Louis Armstrong he moved to New York by December 1944 to appear in Billy Eckstine’s orchestra. His recordings with Eckstine, Dizzy Gillespie, Fats Navarro, and others soon made him a leading figure in the bop movement. Gordon returned to California in summer 1946 and played with the drummer Cee Pee Johnson in Honolulu for two months, then for the remainder of the decade continued to work alternately on the East and West coasts. -
Jazz on Compact Disc
JAZZ ON CD/2020 LIST 2 SADMAN RECORDS P.O. BOX 1413 LEICESTER LE2 8ZE PUBLISHED: SEPTEMBER 2020 TEL. 0116 270 6325 MOB. 07968 327155 e-mail: [email protected] www.sadmanrecords.com Welcome to our SECOND CD set-price list of 2020. We are still offering free p&p on all orders posted within the UK. The present situation has somewhat delayed our original timetable. I sincerely hope this finds you all well now and in whatever the future brings. KEEP SAFE. This list is being published at the same time as Sadman Records News 62 (our 78rpm/LP listing). Let us know if you would like this list too. HERE ARE THE P&P CHARGES FOR CONSIGNMENTS SENT TO OTHER PARTS OF THE WORLD EUROPE: 1CD = £2.00, plus £1.50 for each CD after that, up to a maximim weight of 2kg/REST OF THE WORLD: 1CD = £3.00 plus £2.00 for each extra CD up to the same weight. Condition of all CDs 'AS NEW' apart from minor marks on the casing/disc itself. b = booklet; cc = cut to booklet and/or jewel case; d = disc; dam = damage; N* = sealed; s = slight; sod = sticker on disc; wo = writing on. SECTION ONE - SINGLE/2CD SETS BY ARTISTS IN ALPHABETICAL ORDER 1/001 ABERCROMBIE, JOHN/LaVERNE, ANDY Nosmo King (duets) SteepleChase SCCD31301 £5.00 1/002 AMMONS, GENE ALL STARS Groove Blues (Coltrane/Quinchette/Pepper Adams….) Prestige OJCCD723-2 £5.00 1/003 AMMONS, GENE SEPTET Bad! Bossa Nova (Burrell/Pizzarelli/Hank Jones/Norman Edge + perc) Prestige OJC20 351-2 £5.00 1/004 ARMSTRONG, LOUIS ORCHESTRA Vol.2 1936-38 Heart Full Of Rhythm MCA GRP16202 £5.00 1/005 BAKER, CHET You Can't Go Home Again A&M Jazz CD0805 £5.00 1/006 BAKER, CHET The Italian Sessions 1962 (w.Bobby Jaspar/Rene Thomas…) Bluebird ND82001 £5.00 1/007 BAKER, CHET QUARTET At Onkel Po's Carnegie Hall, Hamburg 1979 (2CD) Jazzline N77038 (w.sleeve) £6.00 1/008 BAKER, CHET QUARTET ParisConcert 1981 (Rene Urtreger/Aldo Romano/Pierre Michelot) D.I.W. -
Stan Getz Award Winner Mp3, Flac, Wma
Stan Getz Award Winner mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Award Winner Country: Europe Released: 2012 Style: Bop MP3 version RAR size: 1390 mb FLAC version RAR size: 1841 mb WMA version RAR size: 1253 mb Rating: 4.7 Votes: 997 Other Formats: MP1 RA DTS TTA MMF MP2 VQF Tracklist A1 Where Or When A2 Woody 'N You A3 Smiles A4 But Beautiful B1 Three Little Words B2 Time After Time B3 This Can't Be Love Credits Bass – Leroy Vinnegar Drums – Stan Levey Piano – Lou Levy Tenor Saxophone – Stan Getz Notes Bonus Track : "But Beautiful" from the same sessions not in the original LP. Barcode and Other Identifiers Barcode: 8436542010719 Other versions Category Artist Title (Format) Label Category Country Year Stan Award Winner (LP, MG V-8296 Verve Records MG V-8296 US 1959 Getz Album, Mono) Award Winner (CD, Verve POCJ-2722, Stan POCJ-2722, Album, Mono, Ltd, Records, Japan 1999 MGV-8296 Getz MGV-8296 RE, RM, Pap) Verve Records Verve 543 320-2, Stan Award Winner (CD, 543 320-2, Records, Europe 2000 MGV 8296 Getz Album, RM) MGV 8296 Verve Records Stan Award Winner (LP, 511 032 Verve Records 511 032 Germany Unknown Getz Album, Mono, RE) Stan Award Winner (LP, V6-8296 Verve Records V6-8296 US 1959 Getz Album) Related Music albums to Award Winner by Stan Getz Stan Getz - The Artistry Of Stan Getz: The Best Of The Verve Years, Volume 1 Stan Getz Quartet, The - The Steamer Lionel Hampton And Stan Getz - Hamp And Getz Stan Getz - Didn't We Gerry Mulligan Meets Stan Getz - Gerry Mulligan Meets Stan Getz Stan Getz - Cool Velvet - Stan Getz And Strings Stan Getz And The Oscar Peterson Trio - Stan Getz And The Oscar Peterson Trio Stan Getz - Getz for Lovers Stan Getz - In Paris Live Stan Getz - Stan Getz Plays Stan Getz - Stan Getz Stan Getz - Verve Jazz Masters 8. -
FROM PITTSBURGH to the PERSHING: ORCHESTRATION, INTERACTION, and INFLUENCE in the EARLY WORK of AHMAD JAMAL by Michael Paul Mack
FROM PITTSBURGH TO THE PERSHING: ORCHESTRATION, INTERACTION, AND INFLUENCE IN THE EARLY WORK OF AHMAD JAMAL by Michael Paul Mackey Bachelor of Science, Duquesne University, 2003 Master of Music, Duquesne University, 2009 Submitted to the Graduate Faculty of the Kenneth P. Dietrich of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2017 UNIVERSITY OF PITTSBURGH Kenneth P. Dietrich School of Arts and Sciences This dissertation was presented by Michael Paul Mackey It was defended on March 31, 2017 and approved by Amy Williams, Associate Professor, Music Deane L. Root, Professor, Music Geri Allen, Associate Professor, Music Laurence Glasco, Associate Professor, History Dissertation Advisor: Michael Heller, Assistant Professor, Music ii Copyright © by Michael Paul Mackey 2017 iii FROM PITTSBURGH TO THE PERSHING: ORCHESTRATION, INTERACTION, AND INFLUENCE IN THE EARLY WORK OF AHMAD JAMAL Michael Paul Mackey, PhD University of Pittsburgh, 2017 Despite over sixty years of international recognition and the enduring respect of his fellow musicians, pianist Ahmad Jamal’s omission from jazz discourse is most curious. Stanley Crouch hailed Jamal as second only to Charlie Parker as the most influential individual on the development of jazz after 1945. While Jamal was still a teenager in Pittsburgh, the eminent Art Tatum deemed him a “coming great.” After establishing himself as one of Chicago’s leading pianists during the 1950s, his album But Not for Me: Live at the Pershing (1958) remained on Billboard’s album chart for 107 weeks and has become one of the best-selling jazz albums of all-time. -
Bob Brookmeyer: Composer, Performer, Pedagogue
Edith Cowan University Research Online Theses : Honours Theses 2006 Bob Brookmeyer: composer, performer, pedagogue Mace Francis Edith Cowan University Follow this and additional works at: https://ro.ecu.edu.au/theses_hons Part of the Composition Commons Recommended Citation Francis, M. (2006). Bob Brookmeyer: composer, performer, pedagogue. https://ro.ecu.edu.au/ theses_hons/1488 This Thesis is posted at Research Online. https://ro.ecu.edu.au/theses_hons/1488 Edith Cowan University Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorize you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. Where the reproduction of such material is done without attribution of authorship, with false attribution of authorship or the authorship is treated in a derogatory manner, this may be a breach of the author’s moral rights contained in Part IX of the Copyright Act 1968 (Cth). Courts have the power to impose a wide range of civil and criminal sanctions for infringement of copyright, infringement of moral rights and other offences under the Copyright Act 1968 (Cth). Higher penalties may apply, and higher damages may be awarded, for offences and infringements