Psychedelic Art & Kitsch: a Case Study
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DOCUMENT RESUME CG 005 786 TITLE the Literature in Drug Abuse
DOCUMENT RESUME ED 043 041 CG 005 786 AUTHOR Prooks, Gary D. ;Brooks, ronnie S. TITLE The Literature in Drug Abuse. INSTITUTION Texas Univ., Fl Paso. PUB DATE 70 NOTE 25g. EDES PRICE EDRS Price MF-$0.25 HC-$1.3e, DESCRIPTORS *Bibliographies, *Drug Abuse, Lysergic Acid Diethylamide, Marihuana, Narcotics ABSTRACT This is a bibliographical compilation of much of the literature pertinent to the current drug emphasis which has appeared since c.1960. It is divided into two general sections:(1) books and Pamphlets; and(2) articles. In all, there are 11 books and pamphlets on LSD, three on marihuana, and 52 of a more 'general nature. Articles are more numerous, and included 1pproyimately 100 entries, rather evenly dtvided among the same cateaories. (Trt) bd.,0,1 r 44 THE LITERATURE ON DRUG ABUSE U I DIAIlthIlF000 Htottlrm, IDUCA Compiled by Il wiLmut nix Nis oocumperOff ICI 01 t DUCATIOFI trACFLY AS orctreromAs ono FICIA0OUCtt OlIGAIDL4110141 room tot teresom CAIGNAVRO oot VIM OA OPMPOIOI IT POINTS OF WAY AtOlIESPOSIAM DO Met CA ?VIM row-4:040ROFFICIALoucv OFF ICI0* IDIJCU Gary D. Brooks Director, Office of Institutional Studies The University of Texas at El Paso and Bonnie S. Brooks Assistant Professor of EducationalPsychology and Guidance The University of Texas at El Paso 00 1%. 0LIN 0 THE LITERATURE ON DRUG ABUSE A. Books and Phamplets 1. L.S.D. Abramson, Harold A. (ed.). The Use of L.S.D. in Psychotherapy and Alcoholism. New York: 11-55bi:ReiTiTI, T. INT. 697 p. Cohen, Sidney. The Be and Within; the L.S.D. -
Psychedelics: Unp Acked
W I N T E R 2 0 2 0 : V O L U M E 1 S O C I E T Y A N D G E N E T I C S PSYCHEDELICS: UNPACKED IS PSILOCYBIN A T H E WHAT IS VIABLE MEDICAL PSILOCYBIN'S PATH TREATMENT? I S S U E S TO LEGALIZATION? Find out on page 4! Find out on page 28! R E A D Y TRIP? F O R Y O U R 2 Editor's Note 4 Is Psilocybin a Viable Medical Treatment? THE SCIENCE 14 Neuroscience of Depression and Anxiety 18 Antidepressants: A Current Analysis THE HISTORY 20 Psychedelics; Neuroscience of the Brain Part 1: The Shamanic 24 Part 2: The Science/Political 26 What is Psilocybin's Path to 28 Legalization? THE SOCIAL/CULTURAL 35 Unpacking Recreational Psychedelic Culture 36 How Psychedelics Have Influenced the Mainstream 01 PSYCHADELICS: UNPACKED LETTER FROM THE EDITORS Dear Distinguished Reader, By association with the countercultural When you hear the word psychedelics, it is likely that strong preconceptions will come to mind. Terms like communities that threatened the status quo, “drug,” “addict,” and “illegal” may spring to the forefront. Or psychedelics came to represent a threat to the maybe “trip,” “hallucinations” and “adventure” do. But dominant narrative, and thus have been painted as what about words like “medicine” or “treatment?” The idea dangerous. LSD was linked to addiction through of using psychedelics as potential treatment for mental mass manipulation by the government demanding illness was actually tested as early as the 1950s (Read colleges to report any activities and findings more about this history on page 26), and promising results associated with the drug. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
High Hopes Psychedelic Drugs Fell from Grace in the 1960S
NEWS FEATURES on July 4, 2014 www.sciencemag.org Downloaded from Stephen Ross holding a chalice with a psilocybin capsule. High hopes Psychedelic drugs fell from grace in the 1960s. Now, scientists are rediscovering them as potential treatments for a range of illnesses By Kai Kupferschmidt PHOTO: DREW GURIAN DREW PHOTO: 18 4 JULY 2014 • VOL 345 ISSUE 6192 sciencemag.org SCIENCE Published by AAAS NEWS n the back corner of a small locked Should researchers try psychedelics them- PODCAST ducing extreme experi- room at the New York University Col- selves? And what can be learned from the ences that might lead lege of Dentistry in New York City drugs’ controversial history? To hear a podcast to permanent changes with author Kai sits a 400-kilogram safe. Inside is a Kupferschmidt, in behavior. Others gave small plastic bottle holding a gram of THE PSYCHEDELIC ERA BEGAN with a see http://scim.ag/ psychotherapy patients a white powder with a bluish tinge. bold self-experiment. On a Monday after- pod_6192. repeated low doses as a Every day, two people come into the noon in April 1943, Albert Hofmann, a chem- way of “loosening their room, open the safe, take out the ist at the pharmaceutical company Sandoz in minds.” Researchers reported positive re- bottle, and weigh it to make sure its Basel, Switzerland, took 250 micrograms of sults in depression, anxiety, obsessive-com- contents are still there. LSD. Hofmann had derived the compound pulsive behavior, and other disorders. IThe powder is psilocybin, the active from ergot, a fungus that grows on wheat, 5 Most of the experiments were not up to compound in hallucinogenic mushrooms. -
Multidisciplinary Association for Psychedelic Studies
MULTIDISCIPLINARY ASSOCIATION FOR PSYCHEDELIC STUDIES VOLUME X NUMBER 3 PSYCHEDELICS & CREATIVITY 2 m a p s • v o l u m e X n u m b e r 3 • c r e a t i v i t y 2 0 0 0 Creativity 2000 MAPS (Multidisciplinary Association for 1 Introductions Psychedelic Studies) is a membership-based Rick Doblin, Ph.D., Jon Hanna and Sylvia Thyssen organization working to assist psychedelic 4 Psychedelics and the Creation of Virtual Reality researchers around the world design, obtain Excerpted from an interview with Mark Pesce governmental approval, fund, conduct and report on psychedelic research in humans. 6 Visionary Community at Burning Man Founded in 1986, MAPS is an IRS approved By Abrupt 501 (c)(3) non-profit corporation funded 9 The Creative Process and Entheogens by tax-deductible donations. MAPS has Adapted from The Mission of Art previously funded basic scientific research By Alex Grey into the safety of MDMA (3,4-methylene- 12 Left Hand, Wide Eye dioxymethamphetamine, Ecstasy) and has By Connor Freff Cochran opened a Drug Master File for MDMA at the U.S. Food and Drug Administration. MAPS is 17 Huxley on Drugs and Creativity Excerpted from a 1960 interview for The Paris Review now focused primarily on assisting scientists to conduct human studies to generate 18 Ayahuasca and Creativity essential information about the risks and By Benny Shanon, Ph.D. psychotherapeutic benefits of MDMA, other 20 MAPS Members Share Their Experiences psychedelics, and marijuana, with the goal Anecdotes by Abram Hoffer, M.D., Ph.D., FRCP(C), of eventually gaining government Dean Chamberlain, Dan Merkur, Ph.D., Sam Patterson, approval for their medical uses. -
ELCOCK-DISSERTATION.Pdf
HIGH NEW YORK THE BIRTH OF A PSYCHEDELIC SUBCULTURE IN THE AMERICAN CITY A Thesis Submitted to the College of Graduate Studies and Research in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in the Department of History University of Saskatchewan Saskatoon By CHRIS ELCOCK Copyright Chris Elcock, October, 2015. All rights reserved Permission to Use In presenting this thesis in partial fulfilment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or to make other use of material in this thesis in whole or part should be addressed to: Head of the Department of History Room 522, Arts Building 9 Campus Drive University of Saskatchewan Saskatoon, Saskatchewan S7N 5A5 Canada i ABSTRACT The consumption of LSD and similar psychedelic drugs in New York City led to a great deal of cultural innovations that formed a unique psychedelic subculture from the early 1960s onwards. -
Jacaber-Kastor 2019.Pdf
Jacaeber Kastor: Psychedelic Sun By Carlo McCormick In turns perplexing, disorienting, wondrous and utterly beguiling, Jacaeber Kastor’s drawings make you look, look again and then still more, trying to find your way in their miasmic magic until at last, well, you discover the special pleasure of being truly lost. And when you think you’re done, when you’ve decoded the esoteric and abstract, conjured all the forms and meanings from these oceans of latency, answered the call of otherness as if it were the sphinx’s riddle- turn the work or flip your head, around and around, because there is no single perspective to read Kastor’s psychedelic topography: it is an entwined and constantly unfolding omniverse that has no right side up or upside down. If, in the course of your wanderings through Kastor’s meandering poetics of line and space, you come across the unexpected, the oddly familiar or the impossibly alien- for indeed you surely will, quite possible all at once with overwhelming simultaneity- and you ask yourself how did you even come to get here, you might also ask how indeed did this artist arrive at just such a place him- self. Make no mistake about it, Jacaeber Kastor is an intrepid voyager of body and mind, an adventurer without destination or designation, a man without return for even when he has somehow been there before he understands it as different, everything nuanced with the subtle shifts of impercep tible change, actuality always just beyond the tiny grasp of appearance, reason or replication. His art, like the convolutions of a restless mind guiding the inspired hand of uncertainty, is the tracings of a mind- traveler, a map to the nowhere that is everywhere, something so personally idiosyncratic that it marks a shared commons where likeness meets in a zone of compatible dissimilarity. -
It's Time to Beat That Cosmic Tabla and Slap On
UllN ofT your mind. the Rame exlstence to the nrnl ... of l\>lpplll1;lthe Hey man - it's time to beat that relax and float the beginning". light ' __ aile downstream.··· An explicit assault on contemp- ••• "'"kFloyd cosmic tabla and slap on a droning There are few com- orary perrept ion, a manifesto for a .tAII5-ftlnt •• tape Drug-infused psychedelia, mands more simple different kiml of consciousness. the Hallin IDe!! loop, and evocative. They came to .John track is timoless. Thirty years 1:\trr, (.bo .•.•••nd says Jon Savage, never went away Lennon nfter an LSD trip at the its influence is everywhere in rock: Kul.Shak.r turn of 196.')/66, during which h("d there ClTC echoes in Oasts's Mornlng (below left); tar used a hook as a RUide. Edited hy Glory ("Ii$tcning to the sound of my right, 1Ir." 'or Timothy Leary, Ralph Metzner and Iavour-lte tunc"). the accented drum Paych~.lIe Richard Alpert. The Psychedelic. loops of The Chemical Brothers' Circus, 1903 Experience; A Manual Based On Sett ing Sun. tho Eastern sonorities (D""I.y's, The Tibetan Book Of The Dend and psychic propaganda of Kula London); and, ,.he aimed to givl" a framework to the Shaker's album K, I"•• tri\lhl. explicitly experimental use or this in its equat ion of druas + aurnl Sp.etrum. new (Iru)!.I.sn. Inops = trnnsrondenco. Tomorrow 1089 CUe lIVen, At the end of The Bcatles' album. Never Knows also prefig\.u"f'$ ((\C1:tY's ~~_J _ Revolver; Tomorrow Never Knows dance culture. -
The Psychedelic Poster Art and Artists of the Late 1960S
Focus on Topic The Psychedelic Poster Art and Artists of the late 1960s by Ted Bahr Bahr Gallery New York, USA 46 Focus on Topic The stylistic trademarks of the 1960s To advertise these concerts, both promoters turned to Wes Wilson at Contact Printing, who had been laying psychedelic poster were obscured and disguised out the primitive handbills used to advertise the Mime lettering, vivid color, vibrant energy, flowing Troupe Benefits and the Trips Festival. Wilson took organic patterns, and a mix of cultural images LSD at the Festival and was impacted by the music, from different places and periods -- anything to the scene, and the sensuous free-love sensibilities of confuse, enchant, thrill, and entertain the viewer. the hippie ethos. His posters quickly evolved to match the flowing, tripping, improvisational nature of the The style was also tribal in the sense that if you developing psychedelic music -- or “acid rock” -- and could decipher and appreciate these posters his lettering began to protrude, extend, and squeeze then you were truly a member of the hippie into every available space, mimicking and reflecting the subculture – you were hip, man. totality of the psychedelic experience. His early style culminated in the July 1966 poster for The Association which featured stylized flame lettering as the image The psychedelic poster movement coincided with the itself, a piece that Wilson considered to be the first rise of hippie culture, the use of mind-altering drugs like truly psychedelic poster. LSD, and the explosion of rock and roll. San Francisco was the center of this universe, and while prominent psychedelic poster movements also developed in London, Detroit, Los Angeles, and Austin, Bay Area artists both initiated and dominated the genre. -
An Interdisciplinary Approach to Psychedelics Jody Roun [email protected]
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Spring 2018 Under the Influence: An Interdisciplinary Approach to Psychedelics Jody Roun [email protected] Follow this and additional works at: https://scholarship.rollins.edu/mls Part of the Alternative and Complementary Medicine Commons, Art Education Commons, Art Practice Commons, Cognitive Neuroscience Commons, Digital Humanities Commons, Fine Arts Commons, Interdisciplinary Arts and Media Commons, Neurosciences Commons, Other Arts and Humanities Commons, Painting Commons, Pharmacology Commons, and the Theory and Philosophy Commons Recommended Citation Roun, Jody, "Under the Influence: An Interdisciplinary Approach to Psychedelics" (2018). Master of Liberal Studies Theses. 82. https://scholarship.rollins.edu/mls/82 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. Under the Influence: An Interdisciplinary Approach to Psychedelics A Project Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Liberal Studies By Jody Alise Roun May 2018 Mentor: Dr. Suzanne Woodward Reader: Dr. Robert Smither Rollins College Hamilton Holt School Master of Liberal Studies Program Winter Park, Florida Under the Influence: An Interdisciplinary Approach to Psychedelics By Jody Alise Roun May 2018 Project Approved: ______________________________________ -
Music, Culture, and the Rise and Fall of the Haight Ashbury Counterculture
Zaroff 1 A Moment in the Sun: Music, Culture, and the Rise and Fall of the Haight Ashbury Counterculture Samuel Zaroff Honors Thesis Submitted to the Department of History, Georgetown University Advisor: Professor Maurice Jackson Honors Program Chairs: Professor Katherine Benton-Cohen and Professor Alison Games 6 May 2019 Zaroff 2 Table of Contents Introduction 4 Historiography 8 Chapter I: Defining the Counterculture 15 Protesting Without Protest 20 Cultural Exoticism in the Haight 24 Chapter II: The Music of the Haight Ashbury 43 Musical Exoticism: Jefferson Airplane’s “White Rabbit” 44 Assimilating African American Musical Culture: Big Brother and the Holding Company’s “Summertime” 48 Music, Drugs, and Hendrix: “Purple Haze” 52 Protesting Vietnam: Country Joe and the Fish’s “I-Feel-Like-I’m Fixin’-to-Die-Rag” 59 Folk, Nature, and the Grateful Dead: “Morning Dew” and the Irony of Technology 62 Chapter III: The End of the Counterculture 67 Overpopulation 67 Commercialization 72 Hard Drugs 74 Death of the Hippie Ceremony 76 “I Know You Rider”: Music of the End of the Counterculture 80 Violence: The Altamont Speedway Free Festival 85 Conclusion 90 Appendix 92 Bibliography 94 Zaroff 3 Acknowledgements Thank you, Professor Benton-Cohen and Professor Jackson, for your guidance on this thesis. Thank you, Mom, Dad, Leo, Eliza, Roxanne, Daniela, Ruby, and Boo for supporting me throughout. Lastly, thank you Antine and Uncle Rich for your wisdom and music. I give permission to Lauinger Library to make this thesis available to the public. Zaroff 4 Introduction From 1964 to 1967, the Haight Ashbury district of San Francisco experienced one of the most significant and short-lived cultural moments of twentieth century America. -
Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967
Trinity College Trinity College Digital Repository Senior Theses and Projects Student Scholarship Spring 2012 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 James M. Maynard Trinity College, [email protected] Follow this and additional works at: https://digitalrepository.trincoll.edu/theses Part of the American Film Studies Commons, American Literature Commons, and the American Popular Culture Commons Recommended Citation Maynard, James M., "Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967". Senior Theses, Trinity College, Hartford, CT 2012. Trinity College Digital Repository, https://digitalrepository.trincoll.edu/theses/170 Psychedelia, the Summer of Love, & Monterey-The Rock Culture of 1967 Jamie Maynard American Studies Program Senior Thesis Advisor: Louis P. Masur Spring 2012 1 Table of Contents Introduction..…………………………………………………………………………………4 Chapter One: Developing the niche for rock culture & Monterey as a “savior” of Avant- Garde ideals…………………………………………………………………………………...7 Chapter Two: Building the rock “umbrella” & the “Hippie Aesthetic”……………………24 Chapter Three: The Yin & Yang of early hippie rock & culture—developing the San Francisco rock scene…………………………………………………………………………53 Chapter Four: The British sound, acid rock “unpacked” & the countercultural Mecca of Haight-Ashbury………………………………………………………………………………71 Chapter Five: From whisperings of a revolution to a revolution of 100,000 strong— Monterey Pop………………………………………………………………………………...97 Conclusion: The legacy of rock-culture in 1967 and onward……………………………...123 Bibliography……………………………………………………………………………….128 Acknowledgements………………………………………………………………………..131 2 For Louis P. Masur and Scott Gac- The best music is essentially there to provide you something to face the world with -The Boss 3 Introduction: “Music is prophetic. It has always been in its essence a herald of times to come. Music is more than an object of study: it is a way of perceiving the world.