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Home , Anders Osborne, Bernard Allison, Billy Flynn (Chicago), Billy Flynn (musician), Blues Alive, Blues Music Award

3rd Annual BCBF Should Be Biggest and Best Yet July-August 2012 Keeping the tunes and the badass Led by harp player and vo- of Laura calist Joe Nosek and great Chavez! Our headlin- front man Blues Alive ers are known across Oscar Wilson, this band is hot the globe for their as a pistol and had their latest great blues shows– CD spend the entire month of you will not want ot November on top of the blues miss the music charts! This band is Band! gaining popularity and is

Preceding them on continued on next page stage is the incomparable Nick Moss and his great band, the Fliptops. He and he band push the envelope of the blues to greater and The Candye Kane Band 9:30 PM greater heights. He is It’s that time again! The 3rd a renowned guitar Annual Byron Crossroads player and just a great Blues Festival (BCBF) is com- guy and musician. ing your way again on Satur- day, August 25th. Candye Returning from our Kane headlines the event inaugural festival are with her powerful vocals, hot the Cash Box Kings. Nick Moss & the Fliptops 7:30 PM

Janiva Magness & Return to Rockford

Two big shows are coming: crowd of appreciative fans. shows on We’ve brought them back Thursday, August 9th and and hope our and The Nighthawks on Sunday, members will come out to August 19th. Both shows are see these great acts! Call at the Adriatic and have 7:00 779-537-4006 for more info PM starting times.

Magness appeared at the Adriatic last July to a huge crowd. She put on an exhilarating Inside this issue: show that electrified the crowd. The Nigh- News 1-2 hawks were at Big Cit- Music Reviews 3-14 ies two summers ago, Playlist 15 and were also sup- Membership Application 16 ported by a huge Upcoming Events 16 Page 2 Crossroads Blues Society Newsletter

2012 BCBF (continued)

The Cash Box Kings 5:30 PM rising to greater and greater levels of fame with their intense and authentic brand of blues.

Coming back from last year are the wildly popular band, the Jimmys, led by Jimmy Voegeli on B3 and vocals and featuring Dave Potter on guitar and their fabulous section. Opening up our festival are WAMI Award winners Aaron Williams and the HooDoo. This young trio from Madison are rising stars in the blues world and we are excited to feature them!

The Jimmys 3:30 PM Harp virtuoso Joe Filisko re- turns with his harp workshop at 3 PM in Tailgater’s outdoor pavilion. He will be on stage to showcase the workshop and then will give a free harp lesson. The first 25 kids 12 and under get free . Adults can bring their own or buy one for $5. This is an exceptional opportunity!

Hardtime Cigar Box will also be on hand for cigar box guitar demonstrations

and to showcase their guitars. You can Byron City Hall, Snyder Pharmacies in try them out and even order a custom Byron, Oregon and Winnebago, and in made guitar for a very reasonable price! Rockford at Guzzardo’s Music, The Adri- atic Café and Live Music Bar, the Rock- Our poster above has ticket, telephone ford Area Arts Council Office, Just Goods and our web site information for the event. Store and more! $5 advanced tickets are a steal but get them before they go off special because This will be our biggest and best fest ever after August 1tth you will have to pay full – one day only, so mark your calendars price! Tickets are available at all Down- for the coolest and homiest blues fest of town Byron Association bars, Byron Bank, the year! Aaron Williams & the HooDoo 1:30 PM July-August 2012 Page 3

Music Reviews

Double Dynamite Ryford delivers lead vocals on the McCoy/ those visits riding the subway in 1964 at Toombs number "That Dood It," the the age of 15 for guitar lessons with her Delta Groove Music Brown/Terry tune "You Got The Power" friend . "I dabbled in http://www.themannish along with Cynthia Manley, the Jones/ several songs but not really. I went in the boys.com Gregory R&B song "Drowning On Dry Mississippi slide and strumming styles, 26 Tracks Land," 's "Why Does Every- but not in that super high intensity picking thing Happen To Me," and the James Cot- style of ." The Mannish Boys are back this time with ton blues tune "West Helena Blues." The tribute CD has captured a guitar style a two new blues CDs with their star- Guest artist Mike Finnigan takes the lead very close to that of Davis's throughout studded core band comprised of Finis vocals and keyboards on the the entire song list. Rory is quoted as say- Tasby and Sugaray Ryford on vocals, Kirk /blues song "Mr. Charles Blues," and ing "My area of focus was the Delta styles Fletcher on lead and rhythm guitar, Frank the Brown/Ellis tune "Cold Sweat." Jackie from day one. I never considered myself Goldwasser on vocals, lead, rhythm, and Payne takes center stage with lead vocals an expert in Davis's style." After listening slide guitar as well as , Randy on the Jeffrey Monjack song "Bed For My to Block's tribute CD, you will find that Chortkoff on vocals and harmonica, Willie Soul." finishes the CD with glorious gospel sound echoes out much J. Campbell on bass and Jimi Bott on vocals on his song "Hittin' The Groove." like it would from the vocals of the Baptist drums on the first disc. With the foregoing minister, Reverend Gary Davis himself. All band on disc one titled Atomic Blues, This is an extraordinary collection of talent of the tunes can be heard on Davis's Har- there are an additional 14 guest musi- featuring different contemporary West lem Street Singer recorded during a three cians. This 2 disc set is a festival of blues Coast musicians on vocals, strings, key- hour session on August 24, 1960. Block stars you won't hear anywhere else! It boards, horns, harps, drums, and hand- opens as did Davis with a version of Blind opens with the number "Death claps on each and every of the 26 tracks, Willie Johnson's "If I Had My Way I'd Tear Letter" with belting out delivering some of the best blues, soul, That Building Down" renamed "Samson the vocals, also handling lead vocals on and R&B tunes you will ever hear on one and Delilah." Rory's joyous shouting of Robert Nighthawk's "Bricks In My Pillow," double . It is really a top gun blues "Goin' to Sit Down on the Banks of the the Randy Chortkoff tune "Please Fore- release! River" absolutely explodes with emotion give Me" and Otis Spann's "The Hard along with her superb back-up vocals. Her Way." takes over the lead Reviewed by Rick Davis powerful vocals and slide will have you vocals on the Little Walter songs clapping and stomping on "Let Us Get "Everybody Needs Somebody" and "Mean Together Right Down Here." Those pow- Old World," as well as Frank Frost's I Belong To The Road erful back-up vocals ring out along with "Never Leave Me At Home." Randy Chort- Block rejoicing with Hallelujah on "I Be- koff adds his lead vocals on the Cortkoff/ long To The Band." The gospel revival Kashmar tune "You Dogged Me." Frank www.roryblock.com continues with "Lord, I Feel Just Like Goldwasser handles the lead vocals on 11 Tracks Goin' On," "Great Change Since I've Been 's "Bloody Tears." Guest art- Born," "I Am The Light Of This World," ists delivering vocals include James Har- Rory Block continues and "Twelve Gates To The City," once man on his self penned song "Bad Detec- with her extraordinary "Mentor Series" again with the strong coral back-up vocals tive," Jackie Payne on the with previous tributes to Son House, Mis- and Block's rich vocals and remarkable tune "She's Nineteen Years Old/ sissippi Fred McDowell, and now Rever- acoustic and slide guitar. It is understand- Streamline Woman," and special guest end Gary Davis. This is a tribute series of able why she has been called one of the Mud Morganfield, oldest son of Muddy blues legends she has met at some point most acclaimed female acoustic blues Waters, the Sonny Boy Williamson in her life. Others for possible tribute CDs artists today when you listen to the re- tune "Elevate Me Mama" and finishing are legends Skip James, Mississippi John maining Reverend Gary Davis tunes, "Lo, with the world famous London/McDaniel/ Hurt, and Bukka White. Earlier she did a I Be With You Always," "Pure Religion," Morganfield tune "Mannish Boy." What a tribute to who was some- and "Death Don't Have No Mercy." finish to an all-star production! one she never has the pleasure to meet. Rory has done an extraordinary job of That CD, according to Block, inspired her delivering the gospel music and country Round two titled Rhythm & Blues Explo- to begin the tribute series project that she blues of Reverend Gary Davis with her sion is equally as star-studded, this time hopes to market as a box set later. powerfully emotional vocals and equally with the addition of a superb horn section. spectacular guitar work on this collection, The Mannish Boys stay with the same The tribute to Reverend Gary Davis, the her tribute to one of the greatest blues/ core band members with an additional 23 legendary blues/folk/gospel pioneer, titled gospel legends. sensational guest artists on disc two. Finis I Belong To The Road, was deeply in- Reviewed by Rick Davis Tasby opens on lead vocals with the Bell/ spired by the memories she had as a very Jones song "Born Under A Bad Sign" and young aspiring artist and her visits with continues with vocals on "Later On" by Reverend Gary Davis who at the time had Jimmy McCracken, the Walker/Young migrated to New York. Davis was known tune "You Don't Love Me," and "Woke Up for his unique finger-picking style on both Screaming" by Willie Headen. Sugaray the acoustic guitar and . She recalls July-August 2012 Page 4 Black Eye Galaxy up to American Patchwork, yet shows the his mastery of the upper register Jimmy Anders Osborne same passion and commitment songcraft Reed harp style. “Midnight Ramblin' Man” that has brought Osbourne into the Alliga- sports a familiar riff, Dyke's gruff www.alligator tor records fold. Nice job. voice and some more splendid harp from records.com Primich. Highlights from the second disc 10 tracks/55:01 By the way, Osbourne plays a bunch of include a rousing :Dangerous Man” with the instruments aided on percussion by Primich getting a fat tone on his harp. Anders Osbourne’s 2010 American Patch- Eric Bolivar and . Carl Du- They deliver a scorching version of “One work seems to be the storm before the Frene (formerly of Tab Benoit’s band) Room Country Shack” that allows the quiet. Where Patchwork was raw, disturb- plays bass. leader to demonstrate his mastery on the ing, angry, and loud, Galaxy has many chromatic harp. For “Down in Mississippi”, moments of Paul Simonesque love and Reviewed by David Stine it is Dykes on acoustic guitar and Primich introspection. I’m not saying one album is blowing some sweet . better than another, just that Osbourne seems less angry and more mature AND Just a Little Bit More Several instrumentals show another facet more in love on BEG. “Send Me A Friend,” Gary Primich with Omar of Primich's musical universe. He plays hits like early Led Zeppelin, however, with Dykes inventive lines on the swinging take of the its primitive beat and over-the-top guitars. Old Pal Records jazz standard “” while Duke Elling- This is one of many “cry for help” tunes on www.garyprimich.com ton's “Caravan” has Rob Stupka providing the album. The semi-reggae styled “Mind Disc 1 – 12 tracks/45:51 the that Primich's harp dances Of A Junkie” which follows is disturbing in Disc 2 – 11 tracks/42:43 around. But he is really in his element on its exposure of, well, the subject matter. the title track of one his releases, “Mr Song tow is one of several where Os- This release is designed to rekindle the Freeze”, steadily building his solo as he bourne stretches out on guitar. His solos musical legacy of one of my favorite blues moves up and down on his harp until he can be sometimes arty, sometimes annoy- harp players. Gary Primich followed a eases his way back to the melody to finish ing, and sometimes brilliant. familiar career arc – born in Chicago, de- things off. “Lean On Me/Believe In Me,” cut three is veloped a love for blues music and hung one of the “” songs herein and out in the clubs, learning how to play the Tracks like “Jenny Brown” and “Put the is maybe the closet I’ve ever hear Anders harmonica by studying the masters like Hammer Down” on the second disc show come to a country/pop sounding song. and . After the maturity of Primich's vocal skills later “When Will I See You Again,” could be graduating college, Primich grew tired of in his career. Another standout perform- Paul Simon except it rock out a bit more. the Chicago scene and relocated to Aus- ance can be found on “Pray for a Cloudy “Black Tar” which follows is a return to tin, TX where he hung out with musicians Day” with the Primich promising to play it Zep and an angry shaked fist BP for the who shared his passion for authentic cool, live right and die old. oil spill. blues. He released nine recordings under his name, marking his development as a If you have never had the chance to listen The 11:15 title track “Black Eye Galaxy” is harp player, band leader and especially as to Gary Primich while he still walked this radio friendly and hummable until about a singer. But Primich also had demons to earth, this release is a golden opportunity mid-point where Osbourne takes off on a deal with. In September of 2007, he died to rectify that deficiency in your musical psychedelic journey that sounds like good of an accidental overdose as he struggled education. I guarantee that you will find Dead on bad acid or bad Dead on good to handle the effects depression. many enjoyable moments on these two acid. You decide. After what sounds like discs while quickly learning that Gary maybe you CD skipped the refrain returns His family has put together this tribute to Primich was one bad-ass harmonica and we’re back to familiar and safe honor his memory. The two discs feature player. ground. I DO NOT recommend listening to cuts from five different Primich titles. And this song under the influence! “Tracking things start jumping right away as Primich Reviewed by Mark Thompson My Roots,” is another folksy song of Os- gives you a taste of his abilities on the bourne’s real and symbolic return to sobri- instrumental “Satellite Rock”. Next up is a Reviews on Line Primich original, “Sweet Fine Angel”, that ety and the roots that matter. ”Louisiana Gold” is the most Paul Simon sounding clearly illuminates his understanding of Our Music Reviews have also been track on the CD. There’s nothing wrong the style. The heat gets posted on line since mid-2007. The over- turned up on “Boogie Woogie Baby”, com- with Osbourne’s becoming more of a flow from our ever-expanding inputs to the plete with a horn section and an incendi- folkie, but those used to the fiery and an- newsletter that do not fit into the mailed gry Anders may wish for more of an elec- ary guitar solo from Shorty Lenoir. “House version are on line at: tric guitar approach than is provided here. Rockin' Party” is a dynamic shuffle with http:crossroadsreviews.blogspot.com the leader's understated vocal fitting per- “Dancing In The Wind” is a love song and fectly. Primich's phrasing on “School of if I needed to choose a B side for radio, We have over 500 CD, DVD and book this would be it” its simple and infecting. Hard Knocks” bears a resemblance to reviews on line now. The search field on The Cd ends with the tolling of faraway Mose Allison's vocal style but his brief the upper right of the web page allows harp solo packs a wallop. church bells and “Higher Ground” stands, easy access to find an artist, album or with its string to the resil- other text quickly. If you would like to find ience of both Osbourne (his subject mat- Seven tracks were pulled from various out how to become a reviewer, email us at ter) and New Orleans itself. collaborations Primich did with guitarist [email protected]. We are volun- Omar Dykes. They do a fine cover of teers so there is no pay but your do get to “Caress Me Baby”, with Primich showing This CD is a lovely if a bit mellower follow- retain whatever you review! July-August 2012 Page 5 Grim Reaper What The Hell Is Going tar, Michael Graham on keys, Ralph Frie- Rockin’ Johnny Band On? drichsen on bass and Jeffrey Perkins on Paul Thorn drums and percussion. A great front man, www.rockinjohnny Perpetual Obscurity a great band and great songs add up to a band.com Records great CD. If you want some rocking south- 15 tracks www.PaulThorn.com ern rock with a blues and go-to-church 12 tracks influence, then run right out and get this This album should be one. It’s a great album and showcases I am making amends in reviewing this CD. entitled, “The blues are alive and kicking!” what Thorn can do to make covers sound In our November-December 2010 issue of Rockin’ Johnny Burgin returns and deliv- original. These are cuts he features in his our Newsletter I wrote a short, sweet, to ers some fresh and cool new songs. His live shows and they are an excellent com- the point review that “Pimps and Preach- youth and energy make him appeal to a pliment to his own songs. Don’t miss this ers,” Thorns last album, was not a blues brand new generation of blues fans along one. album and did not spend much time extol- with the more seasoned blues fan veter- ling that it was a damn fine CD. Well, here Reviewed by Steve Jones ans. Delmark has helped him produce an we are again, another CD that really isn’t a outstanding new CD, packed with 15 cuts, blues album in a strict or even loose Living the Dream mostly new. sense, but it is another damn fine CD.

Blues Leaf Records The CD commences with the title cut and Thorn has visited Rockford twice since AlbertCastiglia.com it’s a good one, with Johnny debating with “Pimps” was released. I missed the first 12 tracks the man with a sickle. Very old school show, which was scaled down and low sound with Johnny’s standout vocals. keyed in its’ approach. I caught him am- Albert Castiglia is the ’s “Don’t Mess With Me Baby” ped up and with the whole band at the real deal. If you have not heard what this gets a groove on and Burgin runs and New American Theater and was witness to guy can make a guitar do, then this is the runs with it vocally and on guitar. “My a revival, rock concert, circus tent, and opportunity to find out. His vocals and Baby’s A Good ‘Un” also gives us the who knows what the hell else? It was songwriting are also up to snuff and he trademark vocals and he des the Otis great. “Pimps and Preachers” was a great presents a nice mix of originals and covers Rush cut justice with his interpretation. CD and so is this one. I think I already in this new CD that will get your blood “Window To Your Soul” is another great said something to that effect already, but I flowing! original and Johnny and company give it am making a point here. their all; vocals and guitar by Burgin are The CD opens with the title cut and from spot on and Big D Erickson’s harp her and The difference between then and now is the start we can see this is going to be a throughout are just so hot. minimal. Thorn wrote all the songs on the really fun ride. Catchy lyrics tell a good previous album and this is all covers. story and the stratospheric guitar solos get Others in the band are Rick Kreher on Does it matter? Hell no. This is cool stuff. you primed for a super CD. He follows rhythm guitar, John Sefner on bass and Lindsey Buckingham, , that up with another original, “The Man,” Steve Bass on drums. These guys are , Rick Danko, Eli “Paperboy” where he gives us a tale about how the solid in their support. “It’s Expensive” adds Reed and others have their songs taken to country was taken hostage by a handful of Dudley Owens on tenor and Jerry DiMuzio new levels or depth, depending on the suits. Well done musically and from mak- on baritone saxes. This new tune is slow topic presented. Thorn is able to be seri- ing a statement. ous or tongue in cheek, presenting topics and moving and at the 2 minute mark Bur- ranging from the swamp (Ray Wyle “Freddie’s Boogie” lightens the tone and gin is testifying oh-so-well on guitar; the Hubbard’s “Snake Farm”) to Sothern rock moves at lightning speed. Organ work by saxes are there for effect but are not used anthems like “Don’t Let Me Down John Ginty along with Castiglia’s guitar out front, which might have made this Again” (Buckingham) and “Small Talk really sell this one well. Castiglia finally even better. Di Muzio also fills in on “My Town” (Danko). It is always a fun ride with gives us a rest with the slower “Directly Sweet Baby” and has a more forthright Thorn. Elvin Bishop joins Thorn on guitar from My Heart to You”; again we get some presence and blows out some mean on the title track (that Bishop also wrote). nice work by Ginty (on this time) and sounds. This one is a rocking good time! soulful vocals by Albert. “Public Enemy

#9” features a shift to acoustic guitar and it Johnny ends with a Christmas tune, “Party Toussaint’s “Wrong Number” gets Thorn’s is a nice original cut. Paul Butterfield’s This Christmas”. He picks out the melody treatment in a slow and thoughtful cover. “Loving Cup” gets a loving treatment and and sings while the jingle bells fill in tam- The final track is perhaps the coolest, with we are only half way through. Space pre- bourine-style. A fitting end and it makes a big intro and then a rousing and bounc- cludes comment on al tracks, but suffice it this release an “all season” album. ing cover of Paperboy Reed’s “Take My to say that he plies though slow and fast Love With You.” Delbert McClinton joins cuts with equal aplomb. I enjoyed this CD a lot. I saw Johnny live Thorn on “Bull Mountain Bridge,” a Wild recently for the first time and was im- Bill Emerson song. The two of them ham I really think this is a well crafted album– pressed. This CD impressed me even it up and trade off vocals and do the cho- Castiglia impresses me with his tone and more– solid stuff done in a traditional Chi- ruses together. All in all, this is a great CD prowess. His trio includes Bob Amsel on cago manner while sounding fresh and top to bottom! drums and A.J. Kelly on bass. Sandy clean and exciting. I think most lovers of Mack on harp, Juke Joint Johnny Rizzo the Chicago blues will find something here Thorn has picked a dozen masterfully and Emedin Rivera are featured on “I to entertain them! crafted songs and put his down home and Want Her for Myself”, another nice original authentic sound to them, making them his cut. His fans will eat this up and newbies Reviewed by Steve Jones own even though he is just borrowing will get a great intro– recommended! them. Joining Thorn are Bill Hinds on gui- Reviewed by Steve Jones Page 6 Crossroads Blues Society Newsletter

Americana James songbook. The 44's get down and The closing number, “Old Time Rock and The 44's dirty on the slow blues tune "Mr. Operator," Roll” never quite catches fire. Rip Cat Records delivering lead guitar solos brought center the44sband.com stage with a little SRV flavor added! "Slip What moves this one ahead of other recent 13 Tracks Slidn' Thang" has a traditional releases are the seven distinctive original sound with slide guitar throughout. "99 To tunes penned by McCormick. The opener, The con- Life" is a hard drivin' shuffle with scorching “Gotta Go”, establishes a solid vamp temporary blues band, guitar solos and exceptional harp from Na- while “That's My Baby” is a breezy love The 44's, has become a very popular live kamura. "Hard Times" slows the pace con- song with Jerry DiMuzio's echoing blues group since their first release Boogie siderably featuring this time on McCormick's wistful vocal. “Searching for Disease in 2010 which reached number two the guitar. The CD concludes as su- Your Love” is done in a contemporary r&b on B.B. King's Bluesville Sirius/XM Satellite perbly as it started on the original tune "Hold vein and once again the leader's rich tone Radio and number 12 on the National Living On" with Johnny Main tearing it up on lead carries the day. The horn section of trum- Blues radio charts. American Blues News guitar, Kid Ramos on baritone and rhythm peter Kenny Anderson, Owens and Dimuzio awarded the band with The Best Blues guitar, and a explosive saxophone solo from on baritone sax spice up “I'm in Love With Band of 2011 and Blues Underground Net- Ron Dziubla's horn section. You Baby” as McCormick articulates his work awarded the band with Best Debut passionate feelings for the woman tugging Album. With their new release Americana, the 44's at his heartstrings. “What Am I Gonna Do?” have delivered a collection of new, original sounds like one of ' s hit It comes to me as no surprise that they have material created with vintage equipment that songs. received these accolades and the title of the offers a variety of guitar styles from days hardest working band of 2011, after review- past. This is what blues is all about! They It's hard to believe that McCormick can ing their 2010 debut CD on the Rip Cat la- bring a riveting sound that is absolutely cap- maintain such a high level of quality in his bel. Supporting their efforts all the way, has tivating. songwriting after three releases in three been Kid Ramos who in my estimation one years. But the proof is here for all to hear. of the finest West coast guitar slingers to- Reviewed by Rick Davis Expect this one to get serious consideration day. Ramos produced their latest release come awards time. But don't wait for acco- Americana on the same label as their debut Still Called the Blues lades from the experts. Grab a copy and album. With Ramos as a guest on guitar, Quintus McCormick enjoy the jubilant exploration of Quintus Johnny Main handles lead guitar and vocals Delmark Records McCormick's musical universe! along with the other original members Tex www.myspace.com/ Nakamura on harp, Mike Turturro on upright quintusmccormickband Reviewed by Mark Thompson bass, and J.R. Lozano on drums. www.delmark.com 13 tracks/60:19 Royal Southern Broth- The 44's along with contemporary blues erhood groups like Kid Ramos, John Nemeth, Kid Singer/guitarist Quintus McCormick has Royal Southern Brother- Anderson, Pieter "Big Pete" Van Der Pluijm, been on quite a roll over the last few years. hood and Kyle Jester, just to name a few, are While he has been playing in clubs in Chi- preserving that West coast sound in both cago for several decades including stints www.rufrecords.de harp and guitar styles, dating back to the backing James Cotton, and A.C. 12 tracks early days of blues bands like the Hollywood Reed, McCormick hadn't received much Fats Band, the Red Devils, and the James acclaim in the blues community until his I’m struggling with this Harman Band. initial recording for Delmark Records in album. We have , Devon 2009. That title, Hey Jodie, garnered plenty Allman, and , all stars in their own Their latest release is new material by the of praise from the critics as well as a nomi- right, along with a great back line of Charlie 44's and Kid Ramos along with Willie nation for the title song for the 2010 Blues Wooten and Yonrico Scott. The sound is Dixon's "You'll Be Mine," and Chester Bur- Blast Music award in the Song of the Year good. The musicality of this is all well done. nett's "Mr. Highway Man." They open Ameri- category. The problem I am having with it is that it cana with an up- boogie clillin' style sounds either familiar or not so inspired. tune "Hanging Tree" with Ramos on lead On his third Delmark release, McCormick There have been a few “all star” in guitar and Johnny Main blowing his continues to mine his potent blend of blues, the past where there were perhaps too "Mississippi Saxophone" delivering that raw, soul and r&b influences for a heady mix that many cooks spoiling the broth. rough, gritty blues sound that has made spotlights his versatility. The title track is a The songs all have a good groove. Scott them so successful as both a studio and live gripping slice of life with an emotionally and Wooten are solid. It’s the song writing– blues group. Johnny Main and Kid Ramos charged vocal and some nimble-fingered they are trying to be superstars and craft the compliment each other with great guitar guitar playing from the leader plus a notable next big southern-Cajun-blues-alternative licks and along with a superb horn section contribution from Roosevelt Purifoy on key- rock song. That is where this lets down. on the song "Lady Luck." Main's harp and boards. Johnny Taylor had a hit with The solos are all nice. The vocals are all vocals on the original shuffle "Cocaine" are “Everybody Knows About My Good Thing” without any fault. It’s songs that hearken to very reminiscent of the early James Harman but McCormick offers a lusty version with an the genres and fall flat. days. "Dixie" brings in a hint of sizzling, extended guitar solo. Drummer much like a tune from Sun Records and Pete Thomas provides a memorable kick on I’m keeping this short because there is not then moves seamlessly into that West coast B.B. King's “Woke Up this Morning”while much else to say. Fans of the band or it’s guitar style. "She's Poison" has almost a John Chorney's dazzles on piano with members will perhaps find some nuggets to hypnotic groove with haunting harp solos Lovely Fuller on bass. McCormick's voice is enjoy. It will not be on my summer travel list from Tex Nakamura. Kid Ramos offers filled with aching regret on a stunning cover of CD’s not to forget to take on trips. some slide guitar on "Pleading My Case," a of the Beatles “Oh! Darling”. Dudley Owens' tune that could be taken right out the Elmore tenor sax solo provides a punctuation mark. Reviewed by Steve Jones July-August 2012 Page 7

Bad Neighborhood Highway Sixteen Make It Good Dan Treanor and Code Dan Treanor RJ Mischo Blue Plan-It Productions Delta Groove Music Plan-It Productions www.dantreanor www.rjblues.com www.dantreanor band.com band.com www.deltagroove 11 tracks/ 53:54 16 tracks/66:43 music.com 13 tracks/44:28 In the short period since Dan Treanor’s “Highway 2004 Dan Treanor has Sixteen” features 16 songs from 6 previously Twenty years ago, critics were singing the released 6 CDs. In 2012 he won the "Keeping released CDs that he has recorded since praises of a recording by a tight ensemble out the Blues Alive" award for doing his blues edu- 2004. All but two of the tunes were penned by of , the RJ & Kid Morgan Blues cation programs including blues in the schools. Dan. This is a vision of the blues as he sees Band. By that point in time, RJ Mischo had Treanor is a powerful highly skilled harmonica them. He also adds two classic tunes to the player as well as a top notch be- already been playing blues harmonica for sides playing his other instruments. As he goes mix , “Motherless Child” and “Tumblin’ Blues”, fifteen years, getting schooled by George down the road of blues, he is inventive, creative which he has taken to a new direction that is “Mojo” Buford and . With nine and takes chances with the genre. These quali- fine with me. This whole recording is a show- other releases under his belt, many for the fine ties give his music a different and unique case for his unique form of blues that he has German label Crosscut Records. Mischo still sound. Joining him on “Bad Neighborhood” is labeled as the Afrosippi sound. He has cre- remained under the radar for many blues fans. his band, Code Blue, which performs real blues ated this mix of music with his strong harmon- But with the full weight of the Delta Groove that have a rich, funky, soulfull tone while being ica licks, outstanding guitar work and the addi- label behind his latest project, this outstanding true to the blues. Dan is featured on blues harp, tion of African instruments. Because this re- artist has a chance to make some noise. guitar, Khalam, and also key- cording is based on tunes from six CDs it is boards. Marc Bilker takes on the roll of lead not easy to mention all the fine musicians and And that's exactly what he does right from the singer while Kyle Roberts fills the background singers involved. Among the people involved start as he steamrolls his way through with drums, dejembe and drums. Steve are African Wind, Jack Hadley, Richard Ray “Trouble Belt” with and and Mignano covers the lead and slide guitar for the Farrell, Creighton Holley, Frankie Lee, Rex turning in impressive guitar recording. This group has a solid song and is Peoples, The Afrosippi Band and his new work. Mischo is limited to a vigorous lead vo- very capable of performing blues as they band, Code Blue. For more info on the players cal but he lays down some robust harp work should be. you can check this out at www.dantreanor- on the second cut, “Mr. Freeze”, one of six band.com. instrumentals on the disc. Whether he is “Bad Neighborhood” is a solid mix of 11 songs whoppin' over a chugging train-like rhythm on written by Dan Treanor. Every single track Throughout “Highway Sixteen” Treanor’s awe- “Papa's S.T. Special”or establishing his cre- seems to take a different path down that old some harmonica talent, guitar skill and his dentials as a master of the chromatic harp on blues highway. In some cases this may not be ability to write blues lyrics that tell tales of toil, the two part “Arumbula”, Mischo's creativity the way to go but Treanor seems to be able to troubles and life are ever present. There is just and formidable tone make his playing a joy to pull it off. “On Fire’ opens this project with some so much going on in this collection of songs to listen to. The latter tune is powered by Wes strange African instruments that make our ears give everyone the credit they have coming. I Starr's rolling drumbeat and Ronnie James perk up and pay attention to this tune. Steve will hit upon a couple of the tunes that I really Weber's deep bass line as Nick Connolly's Mignano’s guitar solo also reaches out to get enjoyed and the rest is up to you, deft organ swells nearly steal the show. you. With his really solid blues style he is joined “Elevator Juice” is a fast-paced romp with by Dan jumping in with harp playing which is “Hard Luck Child” opens with either a banjo or Connolly's pumpin' piano setting the stage as also rock solid. Marc Bilker is a unique vocalist some type of African that has Mischo digs into the upper register on his harp who seems to play many roles as a singer. His a strong drum beat going on in the back- voice may be gritty and hard, deep and harsh while Curran takes over the . ground. We are treated to some of Treanor’s and then be mellow to mild. These traits are all Other highlights include “Minnesota Woman”, good for this CD. This song has a story to tell of talent on the Mississippi saxophone as he puts his blues lick into the mix of the tune. with the familiar can't-wait-to-get-back-home being on fire, swimming to dry land but step- theme done in the classic Chicago style com- ping on your own feet. These lyrics need to be This track is one of those straight forward blues songs with the strong guitar solos and a plete with RJ's robust description of his special listened to as the tune goes on. Going on to woman and an incendiary solo from Curran. “Sea of Tears” Bilker treats us to his deep story of the hard luck child trying to make it on “The Biscuit is Back” is a swinging tribute to toned vocals and Steve Mignano plays out- his own. “Field Hollar No.1” is a call and re- the famous King Biscuit Blues fest while “Not standing guitar on this track that has somewhat sponse type tune with and Afri- Your Good Man” finds Mischo willing to be a of a Santana – Rob Thomas feel to it. Teaanor can percussion heading us down the road. back-door lover if that's only way his lover will also adds his harp to the mix here. This is good This is a different but interesting way of inter- stuff for the ears. preting the old blues. This track is a good one see him. Jeremy Johnson's grungy guitar to take the time to listen to. “Tangled Road” ignites the sweltering version of “Make It “Ole’ Mama” is more of an upbeat rocky type also takes on a theme with Good” and on “Up To the Brim”, he overdubs blues tune featuring really strong guitar solos a fiddle and rousing African rhythmic back- his contributions on guitar, bass drum and and more harmonica from Dan. “Deep Sea ground. high hat while Mischo blows long mournful Fishing” is a full blown blues tune like we all like tones with his usual flair. to hear. Here we go with solid 12 bar blues Dan Treanor’s “Highway Sixteen” takes us on This is one of those harder-to-find, dyed-in-the that are harmonica based and telling a tale of a road, trip that introduces us to his form of -wool blues recordings done by a veteran fishing with shine, tobacco weed and fried cat- blues that he calls Afrosippi blues. This is a roster of musicians who treat the music and its fish eating. It just can’t get any more bluesy unique collection of tunes that you may or may traditions with the respect it deserves. And RJ than this. Maybe it can, when the piano of Jim not like as a true lover of the blues. Dan’s Mischo is out front, leading the way with a Beckstein is put into the mix of things a new talent as a harp player, guitarist, lyric writer vibrant collection of tunes, lively vocals and level is reached. and producer of music is very apparent on this his exuberant harp work. With a push from recording. He also surrounds this all with a Dan Treanor and Code Blue have down a great Delta Groove, Mischo should hopefully receive powerful list of musicians and singer that have job of representing the blues with their release the level of attention that a recording of this made this an outstanding recording. “Bad Neighborhood.” This CD is filled with 11 quality deserves. This one comes highly rec- solid blues songs that should be check out and ommended! listened to. Reviewed by Harmonica Joe Poluyanskis Reviewed by Mark Thompson Reviewed by Harmonica Joe Poluyanskis Page 8 Crossroads Blues Society Newsletter

Out Of The Box all the musicians involve in this recording; Smartest Man in the Guitar Mikey And The this is all very enjoyable to me. Good luck to Room Real Thing Guitar Mikey And TheReal Thing. Paul Mark & the Van Earwig Music Company Dorens www.guitarmikey.com Reviewed by Harmonica Joe Poluyanskis Radiation Records 15 tracks/70:32 www.PaulMark.com 12 tracks Earwig Music’s release of Michael “Guitar Soul Shot Mikey” McMillan’s “Out Of The Box” is a Manhattan-based Paul Mark is quite the showcase of this artist’s many musical tal- Alligator Records controversial artist. He gives us a bluesy ents. Guitar Mikey, originally from Canada, www.alligator.com rock album, his ninth offering, which he co- has settled in Clarksdale, MS via Boston 11 tracks/46:05 min. produced with Jeff Powell (who also pro- and Chicago. This CD features 15 tracks duced Stevie Ray Vaughn, BB King and Mikey and co-writers Doug Carter and Peter Curtis Salgado should others) on Paul’s own indie label.

Nunn. These songs all have a very solid need no introduction to blues fans his hav- Taken casually at face value on this CD, we blues base with some heading into funki- ing been part of The Nighthawks, Robert get an apocalyptic man who is at odds with ness and rock. Joining Mikey for this project Cray, and bands over the religion and society The nuances here are is his fine band, The Real Thing, all awe- years. With Soul Shot, Salgado delivers a not religious intolerance (that’s not to say some players, Billy Gibson blowing harp, great soul album. In my mind the ingredients Mark is also not perhaps commenting on guest guitarist Super Chikan and Bob Mar- for such are great pipes, a crack band and religion and our culture) but an intolerance golin and Nellie “Tiger” Travis adding her good . It's all here on Soul for a record industry managed by god like awesome vocals to the project. When the Shot. Aided by most of the Phantom Blues moguls who feed the public crap and the Hammerhorns and the Stingrays, plus the Band and others too many to name, public is glad about it and trained to beg for sax of Alphonso Sanders join in, we have all Salgado has created a magnificent CD. more and more. He uses god and the devil the elements in place for an outstanding to represent an industry that creates Justin blues recording. From the get go, song one, titled “What You Biebers and Lady Gagas for us and jam Gonna Do? Soul Shot gives it up. It’s hard them down our throats and we just wait The lead in track on “Out Of The Box”, to believe that Salgado survived both cancer joyfully for the next wave of the same or “Back To You”, shows us Guitar Mikey’s and a liver transplant! His voice has never gobble up the next instant star created for many talents as he takes on the vocals, been stronger. “Love Comfort Zone” with its us on the myriad of TV shows who promote guitar, and the banjo. This tune is infectious groove will bring a smile. “Getting a lack of hard work and experience being upbeat; rootsy as well as rocking and at the To Know You” could easily be an Al Green required to “make it.” same time makes you listen to all the instru- tune. That’s all I’m going to say except that ments involved. Mark Yacovone and Peter Salgado lays down some nice harp in the “When God Finds the Time” is a nifty tune Nunn toss in solid organ playing while John middle break. “She Didn’t Cut Me Loose” is with some telling lyrics. He alludes that Allouise thumps out a solid bass line. There maybe my favorite cut on the CD. It’s musicians are reduced to a bunch of head- is a lot going on in this first tune that gets groove-a-licous and clever. “Nobody But shots begging for a chance while the gods you ready to listen to the next 14 tracks. You” lets Salgado “take it to church” with his of the industry appear at things like the Ken- “The Bigger Fool” is a great slow blues tune compliment of background singers. “Let Me tucky Derby for show and then return to featuring guest guitarist . Billy Make Love To You” is a blast right out of the their lofty day to day unapproachable status. Gibson walks us into this tune with his late 60s/early 70s soul catalog and Salgado The title track gives us the industry mogul strong blues harp playing. Mikey’s vocals nails it with aplomb. “Love Man” is right out point of view, because, after all, they are the are strong and edgy with somewhat of a of ’s past and into YOUR now. smartest men in the room because fear, quality to them Cut eight, “He Played His Harmonica” is, for money and power rule. “One More Coat of lays down some piano work that is a big me the weakest cut on the CD. It’s just too Paint” gives us the story of foreclosure and plus for this tune. This is almost for sure my talky and choppy just OK, lyrically. “Baby lost love– it will only take one coat of paint favorite song of the recording. Could it have Let Me Take You In My Arms” redeems the to hide the blemishes of a broken home and something to do with the solid harmonica CD and gets things back on track. Johnny a broken relationship. “Wrist Rocket” is a solo from Billy Gibson? “Guitar” Watson is always welcome and grooving’ and fiery instrumental with some Salgado’s reading of “Strung Out” is right on rapid fire and well-done guitar and organ “Blues Head” is another true blues tune the money. “A Woman Or The Blues” takes with some take off on the mid-60’s “Big about a blues player out all night playing Salgado back to church and you WILL be Spender” and other tunes. “Time Will Tell” music etc. and going home to his lady. This clapping! let’s us know the truth eventually gets out can be a bad deal. Nellie “Tiger” Travis, on and it is just a great little shuffle. This and vocals, banters back and forth with Super Besides the slight blip of the “harmonica” the rest are all great cuts. Chikan about the blues head story. With song, this is a first rate soul CD. If you love Super Chikan’s guitar, A. Sander’s saxo- Reverend Green, Otis, and any number of This CD is a great commentary and a phone added to Mikey’s vocals we have a soul/blues stars, you’ll want this CD. Al- really good set of tunes. Recorded in New powerful music filled tune. Another stand out though Salgado’s signature harp playing is Orleans and Memphis, it is quite raw and track is “It’s Going Down” which gives us slight here, his voice and command of the real. While it’s dark and down on the in- some acoustic guitar playing plus Mikey material make up for any shortcomings. This dustry, it’s also done with sarcasm and playing bass and mandolin. is a must buy if you like your blues soulful. If humor. If you like tunes that tell a consis- this doesn’t get him a best soul/blues award, tent story with some driving guitar and “Out Of The Box” lets us know what Guitar there’s something wrong in someone’s judg- rough sandpaper grit vocals, then this CD Mikey is all about, a multi talented blues ment! is for you, It’s a great way for Marks’ fans man with a great blues band. These 15 to enjoy his work and for neophytes to get songs, over 70 minutes of music, are really Reviewed by David Stine familiar with him, too! a mix of tunes that showcases the talent of Reviewed by Steve Jones July-August 2012 Page 9 Soul Survivor www.ChicagoBluesGuide.com Catfood Records www.johnnyrawls- blues.com 10 tracks

At 61 Jonny Rawls continues to tour heav- ily and push out quality albums every cou- ple of years. Spawned from the O.V.Right and line of soul mu- sic, Johnny Rawls has a captivatingly smooth and easy approach to his tunes. At times and in a good way it’s almost like a sedative that just woos you into a capti- vating trance, where you just listen and feel good from a subconscious level. He learned well as bandleader to some of soul’s great men, and his solo work is also pretty damn good. He got 3 BMA nomina- tions for his last CD and while the compe- tition to win is tough to win he is certainly in the mix! YOUR COMPLETE GUIDE We have nine original cuts here, written TO THE CHICAGO BLUES SCENE! by Rawls, Bob Trenchard (his bass player) and other band members along with one cover of his original mentor’s works, O.V. Wright; “Eight Men, Four Boston Blues Works Works” features two talented players, Women” isa very soulful ballad where Various artists Ryan Hartt and Mike “Shark Bite” Able- O.V. did and now Rawls bemoans the Boston Blues Works son. On “Good Lovin’” Shark Bite fills the guilty plea he has to submit to his jury of www.bostonblues background with his mournful sounding love. It’s a nice tribute and Rawls is con- works.com harp and throws in some fine solo work for vincing. Jessica and Jillian Ivey are great 11 tracks/43:19 Cheryl Aruda’s great vocals This tune is on back-up vocals. really a standout for me! Elmore James’ “Boston Blues Works “Sho Nuff I Do” takes a different trip with I would have to say my favorite original Volume 1” is right out of the wrapper a Ryan Montblieau’s vocal rendition of this cuts are the first one and last two. On the recording that one cannot put away after old blues classic. This is all good. Mike first, Rawls gives us the title cut and de- just one listening! This CD contains 11 Ableson adds some harp solos to the mix scribes soulfully how he is a “Soul Survi- great old blues tunes interpreted by 11 of Jason Cohen’s piano and the strong vor” in the biz. The instrumental cut “J.R.’s different singers. Add 14 instrumentalists bass line from Matt Giannaros. Milt Reder Groove” features Rawls on bass and to this mix and we have almost 45 min- treats our ears to some really neat slow Johnny McGhee on guitar. Andy Roman utes of blues to remember. This format blues guitar also on this outstanding track. on sax, Mike Middleton on and just gives a reviewer in a spot where he “Boston Blues Works Volume 1” is a neat Robert Claiborne on also stand can’t give all the players the credit that blues project crammed full of awesome out as does Dan Ferguson on keys. Richy they all deserve. This recording is really blues. All 11 singers and 14 musicians are Puga on and drums is also fea- well produced, well arranged and high- give their spot to showcase their abundant tured. It is a cool and driving groove. lights all the artist involved. There is a talents. They present the songs with the Lastly, “Yes” gives us Rawls on bass and feeling that you are listening to a live feeling that this is the way that I want to guitar here. It’s more of a rough and tum- blues show also. It seems amazing that present it the blues fans. This is all good. ble slow soulful bluesy tune with an this CD was recorded in just three days. Take the time to check out this CD. acoustic opening and a strident vocal by I Rawls- really nice stuff. f you really like female blues singers, “Boston Blues Works Volume 1” will stick check out Rebecca Muir’s rendition of with you for a long time after you listen to The rest of the CD is also well done, a Willie Dixon’s classic tune, “I Just Wanna it. Great job on this recording! The only Soul Survivor working his craft. I enjoyed Make Love To You”. Her vocals grab at complaint is that it is way too short, I want this CD a lot as will any fan you with that raspy, heartfelt sultry quality more. looking for traditional stuff done profes- that we all want to hear with a blues tune. sionally and tastefully. Rawls is a steady A big plus on this track is Marty Rowen on Reviewed by Harmonica Joe Poluyanskis fixture on today’s scene and it’s nice that organ packing the background with a he continues to produce really good new whole bunch of awesome blues organ. stuff for us to enjoy. You can kick back and enjoy this track over and over. Reviewed by Steve Jones For the harp enthusiasts, “Boston Blues Page 10 Crossroads Blues Society Newsletter

Walking And Talking dowski has his way of going there while wrote. These songs come from two previ- The Blues maintaining a true but different blues qual- ous CD’s, “Payin’ For My Sins”(1999) and Big Shoes ity. “2 Days Short Of A Week (2001). The band Dolly Sez Woof & Mug- for these recordings included Duke Robil- Shot Productions I guess that I could go on and on about lard, Mike Turner and Ben Peeler on gui- www.scissorsmen.com this DVD from “Big Shoes” just because it tar, Richard Cousins and James Itveld on 15 track / 67:09 CD – 90 is so interesting and entertaining. These bass and Lee Spath on drums. Add Grady DVD two performers bring to us their love of the Champion’s harmonica and his unique country blues while giving them a modern vocals plus some sax from Alan Mirikitani Just the name of the band, Scissormen, twist that keep the blues on the road to the and there is a nice mix for the blues. opens our mind to the fact this CD/DVD, future. “Big Shoes : Walking and Talking the As I listened to the tunes of Grady Cham- Blues”, is about to take us to a new world The CD part of this set gives us 15 tracks pion on “Shanachie Days” I realized I was of the blues. The Scissormen Band is which contain some tunes not on the DVD. going into the world of some real blues made up of Ted Drozdowski on slide gui- With titles such as “Tupelo”, “Jessie Mae”, artistry. Grady takes a step forward by tar, vocals and awesome lyric writing. “RL Burnside” and “Whiskey and Mary- putting his true feelings into the lyrics of all Sharing the stage with Ted is R.L. Rob jane”, written by Drozdowski, we know that his songs. He is not afraid to touch on Hulsman on drums, percussion and some we are in for an earful of the blues. The tough subjects of the world without inciting background vocals. This combination cre- tune that tells us a big story is “Big Shoes”. anger in people as some writers seem to ates a solid base for some real stripped Ted has big shoes of the size 12 and shin- like to do nowadays. “Policeman Blues” down blues with feeling and meaning. ing purple type. “Somewhere down the hits upon racial profiling and police vio- Ted’s list of his main influences for his mu- road the blues went wrong with ten thou- lence. This tune gets to the point on the sic includes R. L. Burnside, Junior sand bands playing the same old songs” subject and makes us think about it. The Kimbrough, Jessie Mae Hemphill and Son Ted states also “When somebody ask me, rap vocals included grabs at you for atten- House. Check out www.scissormen for you got the right to sing the blues? – I say tion also. This is a very interesting track. complete biography and more info about it’s a free country man, I’ll sing anything I “Lady Luck” starts out with a strong piano the band. feel – I’m a grown ass musician and I feel intro and eerie guitar work on this minor my own big shoes.” Ted and his music do key tune. I always enjoy hearing minor key The DVD disc of “Big Shoes” takes us on exactly this. stuff. The lyrics go into the subject about blues road trip to several venues in Indi- counting on luck to make your world go ana and Ohio, including the Slippery Noo- The Scissormen and their DVD/CD set, around. Grady hits us with the line, “Oh dle and the Key Palace Theatre. Also in- “Big Shoes : Walking and Talking the Lady Luck isn’t nothing’ but a hoe, oh Lady cluded are stops at Ganett Records and Blues”, make a big statement about keep- Luck, why you tease me then go.’” This the Hall of Fame. This is all ing the blues alive, being true to the roots sounds like the real deal to me. very interesting and of historical value for while taking steps into the future at the true blues lovers. same time. To me this is really a good re- Roberta” takes us down the road of some cording. Since the DVD/CD has been country blues which starts out with some The first show on the DVD is a stop in Red finish Matt Snow has returned on drums to harp playing in the style of Key Indiana at the Key Palace Theatre. tour with Ted replacing R.L. Hulsman. and some dobro playing from Ben Peeler. Ted enters from the rear of the room as the Grady’s vocals have a twang to them as blues fans are treated to some slide guitar Reviewed by Harmonica Joe Poluyanskis well as a Little Arthur Duncan tone to them as he approaches the stage. Rob Hulsman on this track. This is some laid back coun- follows up playing some percussion as he Shanachie Days try blues down well. heads to his drum set. “Unwanted Man’” is Grady Champion a stripped down solid blues tune with great GSM Music Group LLC With 17 tunes to choose from on lyrics. “I’m an unwanted man with no place www.gradychampion “Shanachie Days”, we get to know where to call my home, it’s a desperate life I’m .com Grady Champion is coming from. Each living I’m so tired of living alone.” are some 17 tracks/68:53 tune is not just a bit of fluff to sell re- of the lyrics to deal with here. I would say cordings but they contain lyrics that have that is a real blues story. On this tune Ted Grady Champion is a meaning and make us listen. He hits upon gives us real insight into his ability to play former boxer who has ventured into the issues facing us all and puts his thoughts a mean slide guitar while venturing into his genre of the blues. As we all know both of out there for us while we are entertained own version of how the blues should be these endeavors are a tough road to suc- by his music. His vocal range treats us to played now and into the future. cess. Outside of the ring Champion seems so many different qualities that some to have made the trip down the road in tracks let you think there is someone else At the Slippery Noodle Ted gives a mini good fashion. Besides being a genuine singing the tune. His harmonica skills are slide guitar workshop that is very interest- performer on stage, Grady is a very versa- really top notch and blues based. ing as well as entertaining. The style of tile song writer, awesome harmonica playing from Ted and Rob with just a guitar player and has the type of voice that “Shanachie Days” is filled with some shuf- and a drum set fills the room with a sound makes you want to listen to his blues. fles, R&B, country blues and rocking that makes you listen to the words and all Grady is also the winner of the 2010 Inter- blues that create a powerful mix for this the music. Loud and heavy is not the way national Blues Challenge Band winner and CD. This whole recording is a great way to for the blues to go on this trip. Ted will on a 2012 nominee. introduce blues fans to Grady Champion several tunes take us into his world of al- and his music. This recording is well over most psychedelic blues slide guitar. Usu- “Shanachie Days”, Champion’s latest re- an hour of powerful blues stories of life. lease, is a collection of 17 tunes that he ally I do not like this direction but Droz- Reviewed by Harmonica Joe Poluyanskis July-August 2012 Page 11

Damn Good Time! build on their recent success. They continue The Nighthawks to tap deep into the roots of the American All in all this a very listenable CD; the kind Severn Records music traditions, using their unrelenting devo- you would buy after seeing McCoy live. He www.thenighthawks.com tion and impeccable craftsmanship to carry sings well, plays well and avoids, for the www.severnrecords.com the day. This one delivers exactly what it most part, simplistic and cloying writing. 12 tracks/42:18 promises, a “Damn Good Time!” - and comes McCoy also avoids the pitfalls of many blues- highly recommended! men out there and limits his guitar playing to After forty years, and a what is called for and no more. In a blues number of line-up changes, the Nighthawks Reviewed by Mark Thompson world packed with guitar heroes, McCoy’s continue to be one of the hardest working adherence to “the old way” is very commend- bands in the country. They zig-zag their way Late In The Lonely able. Give “Lonely Night” a listen. across the nation, regularly playing 250+ Night shows per year, serving up a heady mix of Tommy McCoy Reviewed by David Stine roadhouse blues and pulsating rock&roll. Earwig Music Company Last year they were honored when their Last www.earwigmusic.com Crazy Sun Train From Bluesville recording won the 11 tracks/41.06 JT Coldfire Blues Music award for Acoustic Blues Album Entertainment One Music of the Year. Tommy McCoy spent www.jtcoldfire.com time working with Levon Helm, Garth Hudson 13 Tracks Now the band has plugged back in and they and Commander Cody before moving to are rockin' with a vengeance! The lone re- Florida. Running into Michael Frank from Another Texas guitar maining original member, Mark Wenner, has Earwig proved fortuitous for both and thus slinger has hit the blues recovered from some health issues that this CD. scene. JT Coldfire, not really new to the haven't impacted his formidable chops on the blues world, has been playing professionally harmonica. Guitarist Paul Bell and bassist Although not earth shattering, “Late In The for over 15 years across the Johnny Castle have spent more than a dec- Lonely Night” is a solid outing for McCoy. Cut and . Born in Corpus Christi in 1980, ade in the band, forming a string section that one, the title track introduced us to McCoy’s Coldfire became a blues fan at an early age. can turn up the heat without sacrificing their singing, songwriting and axe handling. You He has gained the reputation in the blues impeccable phrasing. Making his recording may not run out and tell all your friends about world of being one of the most dedicated debut with the band, drummer Mark Stutso McCoy, but there is nothing here that is of- musicians in Austin. JT has been known to came aboard after a lengthy stint with Jimmy fensive or substandard. McCoy plays nice play three shows a night, never repeating the Thackery. Adding his honeyed voice to the subdued guitar and knows how to float a tone same song in a nine hour stretch. His experi- mix gives the group the versatility of switch- with his voice. He also avoids many of the ence as a singer/songwriter/guitarist/ ing between three distinctive lead singers well-trod and predictable themes and rhymes producer has gained him recognition as one and, with Bell's contributions, allows them to in his lyrics. Song two, “Angle On My Shoul- of the standouts of the new blues generation. create some impressive harmony vocalizing. der, Devil On My Back” is a good example of He has been compared to Stevie Ray what I’m talking about. Not a show boater, Vaughan, , Muddy Waters, and They shuffle Elvis Presley's “Too Much” McCoy allows for some tasty piano and or- B.B. King, but has really developed a style all through the allay with Wenner blowing some gan work in his songs. Karen Denham takes his own. high, reedy harp licks. “Who You're Workin' over vocals on cut three “I Never Should For” is a stark number memorable for Wen- Have Listened” with McCoy adding the re- His previous CD title was Coldblooded re- ner's wiry vocal. Bell's hypnotic solo sets up sponse –a nice touch. Cut four is a nice sur- leased in 2010. JT has since released his Wenner, who's frenzied solo has him at- prise: a reprise of the Cornelius and most recent CD titled Crazy Sun, a superb tempting to blow the reeds out of his harp. Sister Rose “It’s Too Late To Turn Back collection of his riveting vocals combined with Castle takes the lead on his original, “Bring Now.” McCoy stays pretty true to the original lightning and acoustic guitar styles. The CD Your Sister”, a good-time rocker with brief, arrangement only adding tasty guitar. “Space also reflects a wide range of different blues nimble solos from Wenner and Bell. There's Master” is more of a guitar romp than great tunes from acoustic style "Pistol Lead," a back-porch feel on “Damn Good Time” that song but that’s OK. “Language Of Love” al- "Lower The Ladder," "Mr. Jones," and "Sweet stems from Stutso's trademark soulful vocal lows McCoy to get “sexy” with its staggered Little Isa" to the jazz piano style tune "She's surrounded by sterling backing vocals. funky rhythms and female backup vocals. He Crazy." His versatile guitar style and song- may not be Barry White, but McCoy handles writing changes with "White Collar Street “Night Work” is a gritty tribute to bands that himself well on songs of this ilk. “Cars, Bars, Life" blending well with Banzai LARocca on earn their living on the road with Bell supply- And Guitars” kind of says it all. He spent it all harp. The title track "Crazy Sun," and the ing some on them. “Life’s Tides” is a love ballad that’s tune "I Won't Never Go" shows Coldfire's supple guitar. The band's aggressive ap- really outside the prevue of the blues genre ability to tear up the fretboard much like the proach on “Let's Work Together” combined and more suited to “entertainers” like John late . He includes the with Stutso's impassioned plea for unity Davidson. I suppose McCoy is flexing the hard drivin' Texas style shuffle "No Time For make this track a highlight. Wenner deftly breadth of his songwriting here and I won’t Sleepin" midway through the CD. "Johnny's navigates the swinging beat on “Smack Dab attack him because so much of this CD is Gone," "Hangin' Tree", and "Lee Malone" in the Middle” while Stutso's raw vocal and “blues.” “Dance Your Pants Off,” is a not-so- best express JT's incredible versatility as Bell's slinky slide guitar turn “Heartbreak subtle double entender that, well, maybe was both an accomplished singer and guitar Shake” into a barn-burner. They slow the better left to the live McCoy show. Some will player. He even includes the honky-tonk pace for a languid rendition of “Send For like it; others, like me will go URGH. “Treat blues number "Bad Day" to add a little more Me”, a tune popularized by Nat King Cole. Her Like A Lady” borrows again from The variety to a captivating collection of blues. “Down to My Last Million Tears” crackles with Cornelius Brothers and here is given more Crazy Sun is one of those blues albums you energy from Stutso's emotionally-charged fire thanks to McCoy’s hot arrangement and simply can't stop playing. No two songs singing and slow-burn solos from Bell and guitar treatment. The last cut “My Guitar sound the same. You owe it to yourself to put Wenner. Won’t Play Nothin’ But The Blues” is kinda JT Coldfire in your blues collection! undercut by McCoy’s soul and pop wander- With this release, the Nighthawks serve no- ings, yet the blues is the basis for most of Reviewed by Rick Davis tice that they are ready, willing and able to this CD. Page 12 Crossroads Blues Society Newsletter

One Wrong Turn Cruise” ( go to the Alligator website to On the title track, Bashor makes an at- Rick Estrin & the Night- watch the hilarious video for this song). It's tempt to imagine the thoughts of early cats a side-splitting tale of a late-night rendez- bluesmen has they struggled to plot a way Alligator Records vous on the high seas derailed by the out of the back-breaking manual associ- www.rickestrin.com woman's unusual collection of tattoos. The ated with King Cotton. The dark, harrow- www.alligator.com horn section of on sax and ing tone generates the appropriate back- 12 tracks:50:01 Chris Barnes on trumpet add to the merri- drop for Bashor's melancholic singing. ment while Estrin and Andersen trade The leader gives listeners a glimpse of his Holy harmonicas – the merry hipster of licks on a track that will delight anyone storytelling skill on “Poodle Ribs Story”, the blues is back with another intoxicating who has been a part of the blues Cruise guaranteed to give you pause the next brew that contains equal parts humor, experience. time you contemplate ordering some infectious rhythms and top-drawer musi- BBQ. The associated song has a jaunty cianship. Rick Estrin has the coolest per- You end up with a perfect balance be- rhythm and more fine work from Holloway. sona in the blues world. Famed for his tween the band's flamboyant style and witty songwriting and mind-blowing har- their off-the-hook instrumental prowess. Some of the tracks have a strong musical monica playing, Estrin gets rock-solid sup- The unique talents of the leader gives the foundation but suffer from generic lyrics. port from his long-time band a decided edge. Devoid of a weak The opener, “Jukin' Down on Johnson comprised of Lorenzo Farrell on bass and moment or false sentiment, this release Street”, has Bashor looking back seventy- keyboards plus J. Hansen on drums. Gui- makes it abundantly clear that Rick Estrin five years to the day David “Honeyboy” tarist Chris “Kid” Andersen has chops to and the Nightcats are one of the premier Edwards first met Robert Johnson. But the spare and shows his versatility by making bands on the blues tour circuit. Don't miss promising storyline line never really goes contributions on keyboards, bass and this one! anywhere with the second verse simply a backing vocals. roll-call of famous blues singers. The band Reviewed by Mark Thompson digs into “Fetch Me”, with rocker Pat Highlights abound as the band delivers Travers delivering a meaty solo. But the one masterful performance after another. repetitive lyrics diminish the impact de- The opening track, “D.O.G.”, sports a Cotton Field of spite Bashor's energetic attempt to make slinky rhythm as Estrin takes a back-door Dreams them relevant. “No Place Like Home” is a man to task for his low-down ways, then Albert Bashor travelogue that mentions the familiar spots emphasizes his feelings with a gut-busting Earwig Music Co. like New Orleans, Memphis and the Mis- harp solo. He is just as good on the chro- www.earwigmusic.com sissippi Delta. Bashor regains his footing matic harp on the forlorn tribute to the 14 tracks/57:59 on the humorous “Seeing Eye Dog Blues”, brokenhearted, “Callin' All Fools”. Farrell featuring some outstanding country blues adds an extra later of flavor on the organ. It took nineteen years harp from Michael Frank. Jack Sanford's sax spices up the New but Albert Bashor finally has a recording Orleans R&B groove on “Movin' Slow”, out on Earwig Records, Michael Frank's Three songs - “One Last Time”, “High On with more impeccable harp from the label. The two had discussed the possibil- Your Love” and “Lucky Man” - are love leader. ity of working together in 1993 when songs that fall into a gentler folk-rock vein. Bashore I found myself picturing Ricky Nelson – The organ-drenched “Broke and Lone- was a member of the acoustic duo 32-20. Garden Party era - singing the first tune. some” is a slow, worrying blues with But the plans never came to fruition and Nothing wrong with the performances but Estrin's woeful tale underscored by Ander- Bashore went on to a career that ranged they are a marked departure from the rest sen's jagged guitar lines that burn with from playing drums for Root Boy Slim & of the cuts. bone-chilling intensity. Hansen takes over the Sex Change Band to doing session the lead vocal on the rocked-out “You Ain't work for blues producer Bob Greenlee at Besides the previously mentioned musi- the Boss of Me” wit Andersen adopting a his King Snake studio. cians, additional help comes from Mike shimmering guitar tone that recalls the McConnell on guitars, Larry Jacoby on legendary Lonnie Mack. Estrin is alone in The setlist is comprised of original mate- bass and Willie Hayes on drums. The var- the spotlight on “Old News”, his stark lam- rial by Bashor, who handles the lead vo- ied, well-played program shows that Albert entation on life's contradictions set off by a cals and plays acoustic guitar. One song, Bashor refuses to be plugged into some foot-stomping' beat and his dazzling harp “Rockin' Red Rooster”, was recorded by narrow stylistic vein. Time will tell how playing. The focus shifts to Anderson on Lonnie Brooks for his Alligator release listeners will respond to this solid repre- “The Legend of Taco Cobbler”, a break- Roadhouse Rules. The songwriter's ver- sentation of his musical vision. neck surf guitar -up that shifts through sion features Forrest Rodgers on slide musical genres as fast as Andersen's fin- guitar and Ron Holloway on tenor sax with Reviewed by Mark Thompson gers fly up and down the fretboard. The Bill Payne of fame adding some title cut renders a cautionary warning spice on piano. Payne switches to organ about life's shifting currents while on “Tater Diggin' Woman”, creating a “Desperation Perspiration” establishes a funky mode for Bashor's exuberant vocal. funky mode while Estrin's wry humor de- “So Blue” features a sultry duet with tails some issues associated with man's Bashor sharing the spotlight with Shay desperate pursuit of women. Jones on a acoustic number that displays some jazz influences, a point driven home The track that has already attracted plenty by Holloway's blistering solo. of attention is “(I Met Her On The) Blues July-August 2012 Page 13 Talking Guitar Another selection from that album, -powered arrangement of the original Paul Rishell with special Tommy Johnson's “Big Road Blues”, finds acoustic version done by Johnson. The guest Annie Raines Annie Raines supplying impeccable fills CD opens with the funky tune "Life Is Mojo Rodeo Records on her harmonica with a rich, burnished Now" with Jackson's soulful, powerful www.paulandannie.com tone. The duo has a musical partnership vocals erupting right from the start. Misha 13 tracks/39:56 that has spanned two decades, so it's no Zigfried's superb B.B. King style lead gui- surprise that they sound so comfortable tar on "One" is featured along with the There were plenty of people who discov- together on another original, “I'm Gonna soulful vocals delivered from Jackson ered blues music in the 1960's, gaining a Jump and Shout”. They finish with once again. "Bump It" is a perfect blend of life-long passion for this true American art- “ Water Blues”, trading articulate rock "n" roll and with form. Some of these people were inspired solos and giving us one final reminder of Walker featured on saxaphone. "Funky to pick up instruments and learn how to the enormous depths of emotion their Sexy" delivers shades of a 60's play. Of the ones who settled on guitar, music can create. The end result is an tune with a little psychedelic guitar and there weren't many willing to devote the intimate celebration of the acoustic blues Walker's smooth jazz saxophone. "Wore long hours needed to master the instru- tradition and a noteworthy achievement in Out" switches from soul to swing, showing ment, playing at a level that allowed the Paul Rishell's career. just how versatile this band can perform. musician to share the stage with legen- "Exquisite Soul" is a perfect description of dary artists like Son House, Johnny Reviewed by Mark Thompson a smooth soulful tune with a Latin beat. Shines and Brownie McGhee. Even fewer "Stomped All Over" offers a very slow, had the skill and fortitude to make a ca- traditional blues tune with Jackson reach- reer out of blues, first on electric guitar Used and Defiant ing down to surrender her powerful blues before migrating back to the acoustic for- The Charles Walker straight from the heart. "Arrogance" re- mat that initially captured their imagina- Band turns to the ultra-funky of tion. Ehlona Records a 70's tune like Billy Preston's "Outa- http://walkerband.com/ space." "Boogie Woogie" is a hard drivin' This brief synopsis of Paul Rishell's career 11 Tracks number showcasing the vocals of Jack- is a lead-in for his latest project, featuring son, the Hammond B3 organ of Rob Wa- Rishell's intricate picking on a bevy of It is no surprise after ters, and high-powered guitar of Misha songs from some of the greatest of the listening to Used and Defiant that the Zigfried. The CD concludes with the funky early blues pioneers. In the brief liner Charles Walker band performs some of title track "Used and Defiant." notes, Rishell references the music's im- the best funk, R&B, and blues in the Mid- portance in his life and offers this re- west. Their live shows are just as explo- Walker's knowledge of music arrangement cording as a gateway for leading listeners sive and energetic as their original tunes can be paralleled to anyone in the busi- back to the music's roots. Starting with found on their CDs. The band has been ness today! The musicality and vocals of Huddie Leadbetter's “Fannin' Street (Mr. the opening act for artists like Aaron this CD are about the best that I have Tom Hughes Town)”, he plays a hypnotic, Nevelle, , BB King, Richard reviewed in recent months. It is a perfect percussive pattern that provides a con- Marx, Eddie Shaw (Howlin Wolf’s Sax blend of jazz, blues, funk, and soul. trasting backdrop to his warm vocal. Ris- Player), Booker T, Earth, Wind & Fire, Walker's showmanship is something to hell's National rings out on Cameo and . Walker behold if you have the opportunity to at- 's “Down the Dirt Road worked as an improvisational comedian tend one their shows. Blues” before pairing spell-binding picking for years giving him experience working with heavyhearted singing on Blind Lemon with audiences in preparation for his musi- Review by Rick Davis Jefferson's “One Dime Blues”. Another cal career. Charles who plays tenor saxo- highlight occurs on “Special Rider Blues” phone, keyboard, writes tunes, and is the Newsletter Editor Wanted as Rishell reaches into the falsetto range band leader received his formal jazz train- to capture the eerie quality of Skip James' ing at UW Eau Claire. He started with the Our newsletter editor has just finished original version. He delivers a nuanced band Muddy Blues releasing the CD titled his seventh year of newsletter produc- performance on a tune from the obscure Low Down . His jazz and blues tion and he is looking for a new editor Clifford Gibson, “Tired of Being Mis- influences include , Ray to replace him. Steve Jones has pro- treated”, his restrained vocal expertly mix- Charles, Jacquet, Louis Jordan, duced the last 42 regular issues plus a ing anguish and resignation. Stan Getz, Lester Young, Dexter Gordon, number of special editions for Blues In Charlie Parker, Sax Gordon, Keb’ Mo, and The Schools, holidays and other Rishell shows his affinity for the work of . events and he’d like a break. by covering two of his tunes – his fingers weaving delicate, The line-up on Used and Defiant consists The newsletter is formatted in Micro- seamless rhythmic lines on “Weeping Wil- of Charles Walker on tenor and alto saxo- soft Publisher. The new editor can low Blues” while “Screamin and Cryin the phone, Shanna Jackson handling the lead continue this format or develop a new Blues” benefits from Rishell's robust de- vocals, Misha Zigfried on lead and rhythm one; we are flexible! scriptive portrayal of a man dealt a losing guitar, Kent Hamele on bass, Joey B. hand. One of Rishell's originals, “Louise”, Banks on drums and percussion, and Rob If you would like to edit and layout the was included on the first recording under Waters featured on the Hammond B3 or- Crossroads Newsletter, the pay is non- his name, Blues On a Holiday. Here it gan, piano, and Wurlitzer. existent but the satisfaction is great. receives a spirited run-through powered Contact Steve Jones at 779-537-4006 or by a toe-tapping pace. The only cover song on the CD is Robert [email protected] for more Johnson’s "Stones In My Passway," a high information. Page 14 Crossroads Blues Society Newsletter

Pimento Project Always and Never with another classic intro on guitar. “I’m The Blue Olives JT Coldfire the Best Thing You Ever Had” is more hot Self Released Crazy Sun Publishing blues, served up slow and full of spice; the www.blueolives.com www.jtcoldfire.com guitar is sultry and sweet here! “Tell me 5Tracks,/22:38 10 tracks Mama” gives us more of the hot, slow blues, mixing guitar and hot harp licks. The Blue Olives latest Guitar pandemonium is release PIMENTO PROJECT, the bands breaking out and it is breaking out right On the country rocking side are “Tired 4th album, is a very well done set of self here in the 1’s and 0’s imbedded in this Man’s Blues;” it’s blues but it has some penned original tunes. A large group, CD– holy cow! The blues meets rock- accordion and swagger to the country side seven members, with a big sound, the abilly meets cowboy country meets rock of things. Olives are much more than just a blues and then some! Let’s Go for a Drive” has some great band. They are a group of seasoned mu- bluesy harp and sultry shared vocals with sicians who have done a nice job of com- This Austin boy is smoking hot. All origi- Anna-Carin Borgdtrom, a nice mix of bining blues, rock, funk with a touch of nal cuts penned by Coldfire, I am very country and blues. “Feelin’ the Music” is jazz, reminiscent of B S &T. Creative writ- impressed with this effort. Cool little acoustic cowboy country, with too much ing, varied themes and strong vocal per- songs; the accompanying literature calls liquor, hangovers, and a good twang to it. formances from four of the bands mem- the mix “eclectic” and there is no denying bers have combined to produce an inter- that! I really enjoyed this stuff. Also on the CD are Roland “Woe” Gua- esting and entertaining CD jardo on harp and BG vocals, Magnus It really is country along with the blues, Edland on bass and BG vocals, Bjorn The disc opens with a nice blues tune but it’s both, mixed up and done well, ex- Lexelius on organ, Clas-Goran Dahlberg SEE YOU SMILE well done with some cept when he’s at 100 mph doing rock- on accordion, Pelle Sundqvist ondrums great sax work to compliment the fine abilly (which is also quite good). “Party and BG vocals, Ingemar Rogefeldt on vocal work from keys man Todd Phipps. Lovin’ Papa” is pure rockabilly and the gutar and BG vocals, Per Eric Johansson The second track, Three Hour Tour, is a opener “Get it On (in the Back of the Bar) on piano, and Kaj Sundqvist on sax. They clever tune based on the cast of Gilligans mixes all three types of music. “it’s Alright all add a lot to this gumbo of goodness. Island. Although somewhat of a departure With Me” rocks out like a George from the norm, it shows the bands willing- Thorogood tune, again mixing up genres. This honky tonk bluesman gives us a ness to have some fun and do something mean mix of stuff here, very richly Ameri- different, a fun listen and one of the high- The blues comes on strong as he opens can with his Scandinavian backing musi- lights of the CD. with hot Chicago licks to open “Rather Die cians. I highly recommend this one for a In My Sleep”. “”Toast to a Bluesman” good summer car trip to rock out with as Tracks three and four demonstrate the gives us the blues with some clipped vo- you hit the roads to vacations, festivals vocal prowess of. Baseman Johnny cals and a slow and cool groove along and weekend fun! Payne who says WERE DOING THE BEST WE CAN and he hopes YOU'RE FEELIN THE BEST YOU EVER HAVE. An upbeat happy tune that says MU- SIC HAS THE POWER TO MAKE YOU MOVE.

The closer I WON'T LET YOU GET AWAY AGAIN is by far my favorite cut on this CD. Featuring two lead vocalists, it's bluesy, jazzy and easy going with some great muted horns that compli- ment the fine vocals from saxo- phonist Joan Herzing and key- board man Todd Phipps. I have listened to it a dozen times and I still want more, a great finale to a fine piece of work from the Blue Olives. If you have not seen and heard them live, be sure to catch one of their shows soon. Based in Madison, they perform regu- larly in the Wisconsin and North- ern Illinois area and can be seen frequently at the of Blues. PIMENTO PROJECT, a fine CD, get one soon and enjoy.

Reviewed by Denny Barker Crossroads Blues Society Newsletter Page 15

Top Blues Releases

June 2012

Sunday Morning Blues www.thebluesblast.com

WKGL-FM 96.7 The Eagle The free internet blues magazine! Rockford, IL

Johnny Rawls / Soul Survivor / Cat- food Liz Mandeville / Clarksdale / Blue Kitty Music Quintus McCormick / Still Called the Blues / Delmark Big James and the Chicago Play- boys / The Big Payback / Blind Pig Lil' Ed and the Blues Imperials / Jump Start / Alligator Paul Reddick / Wishbone / Paul Reddick Albert Castiglia / Living the Dream / Blues Leaf Lil' Ronnie and The Grand Dukes / 'Gotta Strange Feeling / Eller Soul Joe Bonamassa / Driving Towards the Daylight / J&R Adventures Various Artists / Chicago Blues A Living History - The (R)evolution Continues / Raisin' Music The Cash Box Kings / Holler and Stomp / Blind Pig

This list is submitted to Living Blues Magazine for inclusion in the June 2012 National Radio Chart. This list is compiled for actual radio airplay statistics. WKGL-FM broadcasts 2 hours of the blues per week.

Rich Gordon Blues WKGL-FM 96.7 The Eagle 3901 Brendenwood Road Rockford, IL 61107

Crossroads Blues Society Officers and Board Members Contact Info Do You Want More Music we are now also going to include them in the PDF version of the news- President: Reviews? Steve Jones [email protected] letter. Since we are not restricted Vice-President: Karl Dahlin [email protected] Our email newsletter has been ex- electronically, we want to give our Secretary: panded! The snail mail edition re- Bonnie Fox [email protected] email members a bonus. If you want Treasurer: mains as it has been, 12 pages Al McNary [email protected] jammed with great stuff. First class to switch to email delivery, send an Board of Directors: Denny Barker [email protected] postage constraints and color printing email note to us at Rick Davis [email protected] [email protected] today! Rich Gordon [email protected] costs limit the hard copy format. We Bob Haendler [email protected] had been putting reviews that do not Terry Keller [email protected] fit in the 12 page format on line, but Crossroads Blues Society P.O. Box 722 Freeport, IL 61032

On the web at: www.crossroadsbluessociety.com/ Our blogs: News: http://crossroadsbluessociety. blogspot.com/ Music Reviews: http:// crossroadsreviews.blogspot.com/ Email us at: [email protected] New email!!! Keeping the Blues Alive

Blues on the Radio

WNIJ - 89.5 FM Saturday afternoons from 1 to 4 PM Friday and Saturday evenings from 9 PM to midnight

The Eagle - 96.7 FM - Sunday Morning Blues 6 AM to 8 AM with Rich Gordon

Membership Application Blues News and Upcoming Events www.crossroadsbluesociety.com

Hot Crossroads shows are coming up in off party. It will be a fun Yes! I’d love to be a part of the Crossroads August! We bring the best in blues to the night! Blues Society! greater Rockford area! The 3rd Annual Byron Name______Thursday, August 9th is Janiva Magness. Crossroads Blues Festi- The Adriatic will be the stage for this val is Saturday, August Phone______great event, show time is 7 PM. Tickets 25th from 1 PM to mid- are $15 in advance, $20 at the door. night. Headlining this Street Address______Magness’ brand new CD “Stronger For year will be Candye It” on Alligator Records is one of the top Kane and her band. City______State______Zip Code______CDs on playlists across the country. Her Nick Moss and the Flip vocals are emotional and sincere; this is Tops, The Cash Box Email Address______a great show; those who missed out last Kings, The Jimmys, and July can make up for their mistakes and Aaron William and the New -or- Returning Member those who came out will certainly want Hoodoo round out the to see her again! lineup. Harpmaster Joe Filisko will offer up a The Nighthawks return on Sunday, Au- Send newsletter by: email -or- mail free harp workshop and gust 19th, also at 7 PM at the Adriatic. Hardtime Cigar Box This will be a membership for an: Their new CD “Damn Good Time” is one Guitars will demonstrate halluva damn good time!!! Founding their craft and guitars at member Mark Wenner on harp, Johnny individual ($15) -or- family ($25) the fest. Advanced tick- Castle on bass, Paul Bell on guitar and ets are only $5 through Mark Stutso on drums is damn good Please cut out or copy and mail this form and August 11th, and then lineup. This band has been around payment to: run $10 after that. since the mid-’70’s, and the reason is that they play and deliver a damn good See inside the newslet- Crossroads Blues Society Bring this to time every show! Only $10 cover, this ter for more details on P.O. Box 722 our next meeting show will also be our blues festival kick- these events! Freeport, IL 61032 and get a free CD!