2011 Spring Season DAYS O’NEILL’S WHERE the CROSS IS MADE and GOLD ARE MAY 5, 6, 7 FEATURED in PLAYWRIGHTS’ THEATRE OFFERINGS

Total Page:16

File Type:pdf, Size:1020Kb

2011 Spring Season DAYS O’NEILL’S WHERE the CROSS IS MADE and GOLD ARE MAY 5, 6, 7 FEATURED in PLAYWRIGHTS’ THEATRE OFFERINGS NEWSLETTER SPRING 2011 ARTIST 2011 Spring Season DAYS O’NEILL’S WHERE THE CROSS IS MADE AND GOLD ARE MAY 5, 6, 7 FEATURED IN PLAYWRIGHTS’ THEATRE OFFERINGS The spring session of Artists Days at The Eugene O’Neill National Haunted by the Sea: From performed. The plays, written by Ignacio Historic Site this year will be on Transcendence to Greed Zuelete, Garret Jon Groenveld, and Rod Thursday May 5, Friday May 6, is the theme of the McFadden, were selected from over 30 and Saturday May 7. All artists upcoming Playwrights’ entries submitted in November for presenta- are welcome-- including sculp- Theatre playbill for May, tion at the Berkeley Rep. They were tors, musicians, poets, authors 2011. Following a highly “prompted” by the word-sculpture at the and performers. successful performance O’Neill Commemorative in downtown The site is adjacent to the Las of three plays from Danville dealing with transcendence. Joel Trampas open space on the west Eugene O’Neill’s Roster and Ken Sonkin will direct. and affords one of the most beau- Glencairn Cycle in Sunday, May 22 — Daren A.C. Carollo, tiful views of Mount Diablo and January, the spring Artistic Director of Diablo Theatre Company, the San Ramon Valley giving plein- offerings will further illustrate the playwright’s will direct Gold , written in 1921. The full- air artists multiple vistas and sub- attraction to the sea. jects from which to choose. length play of conscience, vengeance, and Sunday, May 1 — Josy Miller, Artistic Director ghosts, is based on the one-act work to be For those who prefer still life of the Hapgood Theatre Company in Antioch, presented on May 1. The cast will include painting, this year there will be an will direct a staged reading of the one-act play, Ruta and the other actors from Where the opportunity to create art works Where the Cross is Made , written in 1918. Cross is Made. from an arrangement of O’Neill Acclaimed Bay Area actor Both performances are scheduled for 3:00 pm artifacts and memorabilia. Artists Ken Ruta will be featured may stay for the day to paint, or in the Old Barn at Tao House. The National in the role of Captain may attend a partial day, taking Park Service will provide bus transportation Isaiah Bartlett. pictures to be used for reference to the site. They will leave from the Museum in producing works in their own In addition to the O’Neill of the San Ramon Valley, 205 Railroad studios. work, three short plays Avenue, Danville. beginning at 2:00.pm Select works will be displayed from PlayGround , the Admission is $25 for individual performances, during the O’Neill Festival in San Francisco based $45 for both. For reservations, visit our September. company that develops website www.eugeneoneill.org or call new playwrights, will be 925.820.1818. There are facilities to support Ken Ruta, Photo by Peter Prato almost every media -- bathrooms, Tom Leatherman is New Superintendent at hot and cold running water, sinks, Eugene O’Neill National Historic Site 110-volt electrical outlets, tables and chairs, and covered space. In early January 2011 Tom Leatherman was named the new superintendent of The program is sponsored by the Eugene O’Neill National Historic Site, replacing Martha Lee. Tom had been Eugene O’Neill Foundation in serving as the deputy superintendent for the past two years at Eugene O’Neill partnership with the National as well as three other National Park sites in Contra Costa County. Prior to his Park Service. Tom Leatherman assignments in the Bay Area, he served as the superintendent of Manzanar There is a nominal charge of five National Historic Site. But, Tom is no stranger to the Bay Area. He was born dollars. Shuttle Service provided in Oakland and grew up in the Santa Cruz Mountains on a small farm. He attended college at the by NPS. University of California at Santa Cruz and began his NPS career in 1989 as an intern at Pinnacles National Monument. Upon graduation in 1990, he started working seasonally for the NPS at Pinnacles Make your reservation by calling and went on to work at several other parks in the west, including Great Basin National Park, Sequoia 925.820.1818 or by email to tao- and Kings Canyon National Parks, Golden Gate National Recreation Area, and Point Reyes National [email protected] . Seashore. Tom lives in San Ramon with his wife, Jeanie and two children, Marissa and Max. While not at work, he enjoys spending time with his family, hiking and cooking gourmet food. SPRING 20111 ‘O’NEILL IN BOHEMIA’ IS THEME OF INTERNATIONAL CONFERENCE IN NY The conference program will focus on Book signings and a Greenwich Village tour O’Neill’s early career and those of other of sites important to O’Neill’s life and Provincetown Playhouse contemporar- those of the Provincetown Playhouse, ies. Most of O’Neill earliest plays were along with just being able to attend produced by the Provincetown Players in professional theatre in New York will only Greenwich Village beginning in 1916. add to the Conference’s excitement. Among the activities planned are a Two previous O’Neill International keynote address by a well-known theater Conferences have been held at Tao House, professional; a tour of the recently Danville, CA with others held in Boston, rebuilt Provincetown Playhouse, and Bermuda, the Loire Valley of France, and several panel discussions, paper Provincetown MA – all locations where presentations covering facets of the playwright once lived. O’Neill’s life and forces that shaped his O’Neillians from far corners of the globe Most of the 2011 conference events will work; and a tour of O’Neill’s New York will gather in New York early this take place in Greenwich Village, and on “haunts” put together by biographers summer for the 8 th International Eugene campus at New York University. Barbara and Arthur Gelb. O’Neill Conference. Registration is $200 for O’Neill Society A highlight of the conference will be the members, and $235 for non-members; and Sponsored by the Eugene O’Neill Medallion Awards Banquet , with $90 for graduate students. Details and Society, over 100 scholars and others recognition give to three long-time conference registration is available on the interested in O’Neill and his works will O’Neill luminaries: director Robert Falls, Society’s website: come together June 22-26 in the actor Brian Dennehy, and our own www.eugeneoneillsociety.org . Greenwich Village area where O’Neill Dianne Schinnerer, past president of the and his colleagues began the Province- Eugene O’Neill Foundation, and long- town Playhouse at the center of the early time secretary of the O’Neill Society. 20 th century Bohemian culture. SHANGHAI GOVERNMENT HONORS the Vice Mayor of Shanghai Municipal Government, the Secretary General of the People’s Association for ‘FATHER OF AMERICAN DRAMA’ Friendship with Foreign Countries, and the director of the Shanghai Theater Academy. The ceremony there In late 1928, Eugene O’Neill and his future wife Carlotta Monterey received extensive press and television coverage. sailed to the Far East, and spent time in Shanghai. It was not a The O’Neill sculpture is one of 19 sculptures of different particularly happy time for O’Neill, who suffered from sunstroke during playwrights that have been commissioned for Shanghai’s his time there. Theater Way project. The Vice President of the A much more pleasant event occurred for the Nobel Prize winning Shanghai Theatre Academy told Hair “We feel that your playwright in 2010 when the Shanghai Government honored O’Neill as (sculpture) is the only one which captures the soul of the the “Father of American Drama” with the placement of a commissioned playwright.” sculpture on Theater Way, part of a large development project in Jon Hair has had thirty major sculpture commissions since central Shanghai. 1999 for public agencies, corporate and private This recognition is another example of how important O’Neill and his collections. He majored in Fine Arts at Ohio State plays are around the world. His impact on the evolution of drama in the Universality and the Columbus College of Art and Design. United States is well documented, and his plays continue to be The O’Neill sculpture was Hair’s second commission in produced frequently throughout Europe and Asia. O’Neill moved China. America drama from its nineteenth century melodramatic and “stagy” past, into a whole new genre of realism that has influenced American playwrights ever since. Chosen for the bronze commission by the City of Shanghai was Jon Hair, a noted American sculptor whose studio is in Cornelius, North Carolina, near Charlotte. Hair has received many commissions over the years including the monumental , including the monumental 35’ bronze and steel globe, “Olympic Strength” at the U.S. Olympic Training Center in Colorado Springs. Hair and his family were invited to the dedication ceremony as guests of the City of Shanghai. The dedication speech was provided by a representative of the U.S. Consulate. The ceremony was attended by 2 SPRING 20111 Twentieth Anniversary of Student Days Attracts Students From Sixteen Bay Area High Schools Magic happens in the Old Barn at the Eugene O’Neill National Historic Site, when aspiring students come with a passion for the arts, ready to learn from professionals in their chosen fields. This year marked the 20 th anniversary of the Student Days Program sponsored by the Eugene O’Neill Foundation in partnership with the National Park Service. The program welcomes students to Tao House for explorations in drama, art, photography, and writing.
Recommended publications
  • Donald Hall – America’S New Poet Laureate the Library of Congress Has Named Donald Hall As the Nation's Fourteenth Poet Laureate
    CALENDAR OF EVENTS THROUGH AUGUST 11 SEPTEMBER 30 MARCH 21 – 23, 2007 Catherine Borg, diazo prints on paper 27th Annual GAA Nomination 27th Annual Governor’s Arts Awards & OXS exhibit, NAC, Carson City Packets deadline OASIS Conference, Reno Locations & Time, TBA AUGUST 15 NOVEMBER 15 ARTS NEWS Jackpot Grants postmark deadline Letter of Intent for FY08 Challenge MAY 21 – 24, 2007 (for projects October 1 – December 31, Grants postmark deadline FY08 Grants and Folklife 2006) Apprenticeship Panel Meetings Jackpot Grants postmark deadline Locations & Time, TBA AIE BETA Grants (formerly Professional (for projects January 1 – March 30, Development Grants) postmark deadline 2007) JUNE 2 – 4, 2007 (for projects October 1 – December 31, Americans for the Arts 2006) AIE BETA Grants postmark deadline 2007 Annual Convention (for projects January 1 – March 30, Flamingo Las Vegas, Las Vegas SEPTEMBER 11 2007) GAA Visual Arts Commission deadline Please check the NAC website for calendar, agency and news updates at www.NevadaCulture.org. Donald Hall – America’s New Poet Laureate _________________________________________________________________________________________ The Library of Congress has named Donald Hall as the nation's fourteenth Poet Laureate. A resident of Danbury, NH, Hall has published numerous books of poetry, including Without: Poems, released in 1998 on the third anniversary of his wife and fellow poet Jane Kenyon’s death from leukemia. Hall has written children’s books, books on baseball, autobiographical works, short stories and plays. Poetry editor of The Paris Review during its early years, Hall’s list of anthologies and awards is extensive. The Library of Congress deliberately avoids attaching specific duties to the post of Poet Laureate.
    [Show full text]
  • Community in August Wilson and Tony Kushner
    FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER By Copyright 2007 Richard Noggle Ph.D., University of Kansas 2007 Submitted to the Department of English and the Faculty of the Graduate School of the University of Kansas In partial fulfillment of the requirements for the degree of Doctor of Philosophy ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date defended ________________ 2 The Dissertation Committee for Richard Noggle certifies that this is the approved version of the following dissertation: FROM THE INDIVIDUAL TO THE COLLECTIVE: COMMUNITY IN AUGUST WILSON AND TONY KUSHNER Committee: ________________________ Chairperson, Maryemma Graham ________________________ Chairperson, Iris Smith Fischer ________________________ Paul Stephen Lim ________________________ William J. Harris ________________________ Henry Bial Date approved _______________ 3 ABSTRACT My study examines the playwrights August Wilson and Tony Kushner as “political” artists whose work, while positing very different definitions of “community,” offers a similar critique of an American tendency toward a kind of misguided, dangerous individualism that precludes “interconnection.” I begin with a look at how “community” is defined by each author through interviews and personal statements. My approach to the plays which follow is thematic as opposed to chronological. The organization, in fact, mirrors a pattern often found in the plays themselves: I begin with individuals who are cut off from their respective communities, turn to individuals who “reconnect” through encounters with communal history and memory, and conclude by examining various “successful” visions of community and examples of communities in crisis and decay.
    [Show full text]
  • With Jane and Without: an Interview with Donald Hall, Non-Fiction By
    With Jane and Without: An Interview with Donald Hall By Jeffrey S. Cramer ANYONE KENYON ACQUAINTED cannot help but stand WITH in awe THE of the STORY irony which, OF if DONALD it HALL AND JANE appeared in fiction, would appall by its tear-jerking manipulation. The reality, as I stand before Jane Kenyon's grave, leaves me sad dened and numb. The lines on their shared stone are from Kenyon's poem, "After noon at MacDowell. " Although she wrote it with Hall in mind when he, as he has said, was ''supposed to die," they now stand in testimony to Kenyon, and look, mistakenly, like words he must have written for her: I BELIEVE IN THE MIRACLES OF ART BUT WHAT PRODIGY WILL KEEP YOU SAFE BESIDE ME Four miles North of the Proctor cemetery on Route 4, just past Eagle Pond Road, in the shadow of Ragged Mountain, is Eagle Pond Farm. There is no sign, no name on the mailbox, but the satellite dish over whelming the North side yard announces the home of a man who cannot live unconnected to his beloved baseball games. The living room seems truly a living room, a room lived in, infor mal. It is surrounded, as would be expected, by books; an open book of pictures of sculpture by Henry Moore lays on the coffee table in front of the couch on which I sit. By the window Hall's chair faces the T.V. and VCR which must have received, recorded and replayed thousands of ballgames. The Glenwood stands nearby.
    [Show full text]
  • Celebrating Twenty-Five Years of Fine Writers  H
    Celebrating Twenty-Five Years of Fine Writers h Sherman Alexie 3/27 Jon Meacham 9/12 A. S. Byatt 11/12 Belle Boggs 1/16 James Dodson 10/14 Isabel Wilkerson 2/20 Martin Marty 9/13 Lou Berney 11/21 Junot Diaz 10/16 Joseph Bathanti 3/6 Mary Pope Osborne 4/5 VisitingWriters.LR.edu A Note from the Director s a visual artist, photographer, 2013–2014 VisitiNG and filmmaker, I have learned that WRITERS SERIES n our experience with the Visiting Writers Series, luck we foster communication when we STEERING COMMITTEE is not just random chance. It is an act of generosity from bring our stories together. When people who care about making a positive impact on the we take the time to read, to dare Chair SALLY FANJOY culture and emotional well-being of our community. The to be present with our neigh - Series Director RAND BRANDES gifts that we have received have made us feel very lucky bors, and to listen to differing Series Consultant LISA HART Iover the past twenty-five years. We were lucky that when we points of view, we are en - Student Asst. ABIGAIL MCREA presented the initial idea to start the Series to Dr. Robert riched and enlightened. Student Asst. MADISON TURNER Luckey Spuller, then Dean of Lenoir-Rhyne “College,” that We are transformed by fresh thoughts and new TONY ABBOTT he saw its potential and supported it the first year and for Aperspectives. ¶ The Lenoir-Rhyne Visiting Writers MARY HELEN CLINE years to come. We were lucky that subsequent university Series engages a wide spectrum of the community, LAURA COSTELLO Administrations continued to see the value of the Series, promotes civic discourse, creates opportunity for SANDRA DEAL which enabled us to enhance the Series and the cultural and people to come together and to hear new ideas and MIKE DUGAN educational experiences of our students.
    [Show full text]
  • The Poetry of Rita Dove
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Winter 1999 Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove Carol Keyes University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Keyes, Carol, "Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove" (1999). Doctoral Dissertations. 2107. https://scholars.unh.edu/dissertation/2107 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMi films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Penguin Anthology = of = Twentieth- Century American Poetry
    SUB Hamburg 111 THE A 2011/11828 PENGUIN ANTHOLOGY = OF = TWENTIETH- CENTURY AMERICAN POETRY EDITED WITH AN INTRODUCTION BY RITA DOVE PENGUIN BOOKS Contents Introduction by Rita Dove xxix Edgar Lee Masters (1868-1950) FROM Spoon River Anthology: The Hill • 1 Fiddler Jones • 2 Petit, the Poet • 3 Edwin Arlington Robinson (1869-1935) Miniver Cheevy • 4 Mr. Flood s Party • 5 James WeldonJohnson (1871-1938) The Creation • 7 Paul Laurence Dunbar (1872-1906) 10 The Poet • 10 Life's Tragedy • 10 Robert Frost (1874-1963) 12 The Death of the Hired Man • 12 Mending Wall • 17 Birches • 18 Stopping by Woods on a Snowy Evening • 20 Tree at My Window • 20 Directive • 21 CONTENTS Amy Lowell (1874-1925) 23 Patterns • 23 Gertrude Stein (1874-1946) 26 Susie Asado • 26 FROM Tender Buttons: A Box • 26 A Plate • 27 Alice Moore Dunbar-Nelson (1875-1935) 28 I Sit and Sew • 28 Carl Sandburg (1878-1967) 29 Grass • 29 Cahoots • 29 Wallace Stevens (1879-1955) 31 Peter Quince at the Clavier • 31 Disillusionment of Ten O'Clock • 33 Thirteen Ways of Looking at a Blackbird • 34 Anecdote of the Jar • 36 The Emperor of Ice-Cream • 36 Of Mere Being • 36 Angelina Weld Grimke (1880-1958) 38 Fragment • 38 William Carlos Williams (1883-1963) 39 Tract • 39 DanseRusse • 41 The Red Wheelbarrow • 41 The Yachts • 42 FROM Asphodel, That Greeny Flower (Book I, lines 1-92) • 43 SaraTeasdale (1884-1933,) 51 Moonlight • 51 There Will Come Soft Rains • 51 CONTENTS Ezra Pound (1885-1972) 53 The Jewel Stairs' Grievance • 53 The River-Merchant's Wife: A Letter • 53 In a Station of the
    [Show full text]
  • Appendix B: a Literary Heritage I
    Appendix B: A Literary Heritage I. Suggested Authors, Illustrators, and Works from the Ancient World to the Late Twentieth Century All American students should acquire knowledge of a range of literary works reflecting a common literary heritage that goes back thousands of years to the ancient world. In addition, all students should become familiar with some of the outstanding works in the rich body of literature that is their particular heritage in the English- speaking world, which includes the first literature in the world created just for children, whose authors viewed childhood as a special period in life. The suggestions below constitute a core list of those authors, illustrators, or works that comprise the literary and intellectual capital drawn on by those in this country or elsewhere who write in English, whether for novels, poems, nonfiction, newspapers, or public speeches. The next section of this document contains a second list of suggested contemporary authors and illustrators—including the many excellent writers and illustrators of children’s books of recent years—and highlights authors and works from around the world. In planning a curriculum, it is important to balance depth with breadth. As teachers in schools and districts work with this curriculum Framework to develop literature units, they will often combine literary and informational works from the two lists into thematic units. Exemplary curriculum is always evolving—we urge districts to take initiative to create programs meeting the needs of their students. The lists of suggested authors, illustrators, and works are organized by grade clusters: pre-K–2, 3–4, 5–8, and 9– 12.
    [Show full text]
  • P R O S P E C T
    PROSPECTUS CHRIS ABANI EDWARD ABBEY ABIGAIL ADAMS HENRY ADAMS JOHN ADAMS LÉONIE ADAMS JANE ADDAMS RENATA ADLER JAMES AGEE CONRAD AIKEN DANIEL ALARCÓN EDWARD ALBEE LOUISA MAY ALCOTT SHERMAN ALEXIE HORATIO ALGER JR. NELSON ALGREN ISABEL ALLENDE DOROTHY ALLISON JULIA ALVAREZ A.R. AMMONS RUDOLFO ANAYA SHERWOOD ANDERSON MAYA ANGELOU JOHN ASHBERY ISAAC ASIMOV JOHN JAMES AUDUBON JOSEPH AUSLANDER PAUL AUSTER MARY AUSTIN JAMES BALDWIN TONI CADE BAMBARA AMIRI BARAKA ANDREA BARRETT JOHN BARTH DONALD BARTHELME WILLIAM BARTRAM KATHARINE LEE BATES L. FRANK BAUM ANN BEATTIE HARRIET BEECHER STOWE SAUL BELLOW AMBROSE BIERCE ELIZABETH BISHOP HAROLD BLOOM JUDY BLUME LOUISE BOGAN JANE BOWLES PAUL BOWLES T. C. BOYLE RAY BRADBURY WILLIAM BRADFORD ANNE BRADSTREET NORMAN BRIDWELL JOSEPH BRODSKY LOUIS BROMFIELD GERALDINE BROOKS GWENDOLYN BROOKS CHARLES BROCKDEN BROWN DEE BROWN MARGARET WISE BROWN STERLING A. BROWN WILLIAM CULLEN BRYANT PEARL S. BUCK EDGAR RICE BURROUGHS WILLIAM S. BURROUGHS OCTAVIA BUTLER ROBERT OLEN BUTLER TRUMAN CAPOTE ERIC CARLE RACHEL CARSON RAYMOND CARVER JOHN CASEY ANA CASTILLO WILLA CATHER MICHAEL CHABON RAYMOND CHANDLER JOHN CHEEVER MARY CHESNUT CHARLES W. CHESNUTT KATE CHOPIN SANDRA CISNEROS BEVERLY CLEARY BILLY COLLINS INA COOLBRITH JAMES FENIMORE COOPER HART CRANE STEPHEN CRANE ROBERT CREELEY VÍCTOR HERNÁNDEZ CRUZ COUNTEE CULLEN E.E. CUMMINGS MICHAEL CUNNINGHAM RICHARD HENRY DANA JR. EDWIDGE DANTICAT REBECCA HARDING DAVIS HAROLD L. DAVIS SAMUEL R. DELANY DON DELILLO TOMIE DEPAOLA PETE DEXTER JUNOT DÍAZ PHILIP K. DICK JAMES DICKEY EMILY DICKINSON JOAN DIDION ANNIE DILLARD W.S. DI PIERO E.L. DOCTOROW IVAN DOIG H.D. (HILDA DOOLITTLE) JOHN DOS PASSOS FREDERICK DOUGLASSOur THEODORE Mission DREISER ALLEN DRURY W.E.B.
    [Show full text]
  • American Repertory Theater Partners with Creative Action Project and 826 Boston on Podcast Play Series
    For Immediate Release August 6, 2012 Contact: Kati Mitchell 617-496-2000x8841 [email protected] American Repertory Theater partners with Creative Action Project and 826 Boston on Podcast Play Series Cambridge, MA — The American Repertory Theater (A.R.T.) collaborates this summer with 826 Boston, a not-for-profit writing center based in Roxbury, MA, and Creative Action Project, a program of Cambridge Community Services, on a series of site-specific “podcast plays” designed to creatively engage local teens with public spaces around Greater Boston. A.R.T. teaching artists are leading three-day workshops in Cambridge and in Roxbury, in which groups of teenagers learn about the fundamentals of playwriting, practice collaborative storytelling, and participate in a writing immersion exercise at the Fresh Pond Reservation and Franklin Park, respectively. The young playwrights are challenged to locate a place in the park that inspires them, and then imagine a short play that could happen at that site. The resultant plays are recorded as audio, by a mix of teen playwrights and graduate acting students from the A.R.T./MXAT Institute for Advanced Theater Training at Harvard University. These plays will be uploaded to the A.R.T. website, as well as the Cambridge Water Department and Franklin Park Coalition websites. The A.R.T., with staff from the Cambridge Water Department and the Franklin Park Coalition, is developing a “theatrical walking tour” map for each park, which park-goers can download along with the podcast series and enjoy on their next visit to the Fresh Pond Reservation or Franklin Park.
    [Show full text]
  • Masterpieces
    MORE MASTERPIECES Robert Brustein n 1967, I wrote a controversial essay called “No More Masterpieces,” in which, following the French radical theorist Antonin Artaud (The Theatre and Its Double) and the Polish critic Jan Kott (Shakespeare Our Contemporary), I argued against Islavish reproduction of classical works. I agreed that we had reached the end of some cycle in staging these plays, that actor-dominated classics, particularly Shakespeare, were beginning to resemble opera more than theatre, with their sumptuous settings, brocaded costume parades, and warbled arias. I believed that modern directors were now obliged to freshen our thinking about classical writers in the same way that modern playwrights (notably O’Neill, Cocteau, Sartre, and T.S. Eliot) were freely revisioning the Greeks. My hope was for approaches that would revitalize familiar works wrapped in a cocoon of academic reverence or paralyzed by arthritic convention. Theatre, being a material medium, was settling too cozily into ostentatious display, disregarding the poetic core of a text, its thematic purpose and inner meaning. One way to avoid this, I thought, was through metaphorical investigation by an imaginative director, in close collaboration with a visionary designer, locating the central image of a play through visual icons and a unified style. This was what Peter Brook was doing with the Royal Shakespeare Company in his revitalized productions of A Midsummer Night’s Dream (channeling its youthful energies into acrobatics and circus acts) and King Lear (translating its vision of old age and death into a bleak visual vocabulary influenced by Beckett). Such produc- tions were making Shakespeare our contemporary through suggestive associations, bringing audiences a fresh appreciation of classics in danger of dying from hardened stage arteries.
    [Show full text]
  • Houghon Mifflin Mariner Spring 2007 Catalog
    MARINER BOOKS • WWW.MARINERBOOKS.COM 85 Prices subject to change. Copyright © 2006 Houghton Mifflin Company. All rights reserved. A Mariner Original collecting beloved writings of our new poet laureate Donald Hall EAGLE POND • A collection of Poet Laureate Donald Hall’s beloved writings on Eagle Pond Farm, available for the first time in paperback ISBN-13/EAN: 978-0-618-83934-6 • $14.95 his original paperback brings together for the first time all of ISBN-10: 0-618-83934-8 TDonald Hall’s writing on Eagle Pond Farm, his ancestral home Eagle Pond in New Hampshire, where he visited his grandparents as a young boy APRIL • Essays/Poetry and then lived with his wife Jane Kenyon until her death. It includes 320 pages • 6 x 9 • A the entire, previously published Seasons at Eagle Pond and Here at b/w line drawings Eagle Pond; the poem “Daylilies on the Hill” from The Painted Bed; and several uncollected essays. • National Poetry Month sponsorship and promotion kits • National advertising 86 MARINER BOOKS / APRIL • WWW.MARINERBOOKS.COM Prices subject to change. Copyright © 2006 Houghton Mifflin Company. All rights reserved. writings of our new poet laureate “Donald Hall is one of America’s most distinctive and respected literary figures. For more than fifty years, he has written beautiful poetry on a wide variety of subjects that are often distinctly American and conveyed with passion.” —Librarian of Congress James H. Billington, announcing the appointment of Donald Hall to be the nation’s fourteenth poet laureate © STEPHEN RATINER DONALD HALL is the fourteenth poet laureate of the United States and the author of more than two dozen books of poems and prose, including White Apples and the ALSO AVAILABLE Taste of Stone: Selected Poems 1946–2006.
    [Show full text]
  • 11 Amber Trail, Madison, Ct 06443 203 668-3153 Mobile 203 245-3175 Ph
    11 amber amber trail, madison, trail, ct 06443 madison, ct 06443 203 668 -3153 203mobile 203668 245-3175- 3153 ph/fax [email protected] LIGHTING DESIGNER RESUME DIRECTORS, CHOREOGRAPHERS: JOANN AKALAITIS, ANDREI BELGRADER, ROBERT BRUSTEIN, JAMES BUNDY, ALISON CHASE, DESDEMONA CHIANG, MARTHA CLARKE, JON COPLEY, GRACIELA DANIEL, RON DANIELS, GORDON EDELSTEIN, BARRY EDELSTEIN, MICHAEL ENGLER, DAVID ESBJORNSON, RICHARD FOREMAN, ATHOL FUGARD, KEN FRANKEL, LORETTA GRECO, RICHARD HAMBURGER, JON JORY, MICHAEL KAHN, ANNE KAUFMAN, MARK LAMOS, WILFORD LEACH, IRENE LEWIS, EMILY MANN, KATHLEEN MARSHALL, MARIAN MCCLINTON, TARELL MCCRANEY, JONATHAN MOSCONE, TREVOR NUNN, SHARON OTT, ROMAN PASKA, DIANE PAULUS, CAREY PERLOFF, DAVID PETRARCA, LISA PETERSON, TRAVIS PRESTON, JAMES ROBINSON, JOHN GOULD RUBIN, ERICA SCHMIDT, SERET SCOTT, BARTLETT SHER, HARRY SILVERSTEIN, WOLE SOYINKA, REBECCA TAICHMAN, JENNIFER TARVER, JOHN TILLINGER, ERIC TING, SUSANNA TUBERT, MICHAEL TRACY, LES WATERS, MARK WING-DAVEY, ROBERT WILSON, ROBERT WOODRUFF, STAN WOJEWODSKI, EVAN YIONOULIS, FRANCESCA ZAMBELLO AWARDS AND NOMINATIONS: AMERICAN THEATRE WING, BAY AREA THEATRE CRITICS CIRCLE, CONNECTICUT CRITICS CIRCLE, DALLAS-FORT WORTH THEATER CRITICS FORUM, DRAMA DESK, HELEN HAYES, HENRY HEWES DESIGN, LUCILLE LORTEL AND OUTER CRITICS CIRCLE. CURRENT ACADEMIC APPOINTMENT: PROFESSOR AND CO-CHAIR, DESIGN DEPARTMENT, YALE SCHOOL OF DRAMA NEW YORK: AMERICAN PLACE THEATER; BROOKLYN ACADEMY OF MUSIC; CRITERION CENTER (BROADWAY); DELACORTE THEATER; CLASSIC STAGE COMPANY; GRAMERCY
    [Show full text]