DOCSLIB.ORG

Houghon Mifflin Mariner Spring 2007 Catalog

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Houghon Mifflin Mariner Spring 2007 Catalog MARINER BOOKS • WWW.MARINERBOOKS.COM 85 Prices subject to change. Copyright © 2006 Houghton Mifflin Company. All rights reserved. A Mariner Original collecting beloved writings of our new poet laureate Donald Hall EAGLE POND • A collection of Poet Laureate Donald Hall’s beloved writings on Eagle Pond Farm, available for the first time in paperback ISBN-13/EAN: 978-0-618-83934-6 • $14.95 his original paperback brings together for the first time all of ISBN-10: 0-618-83934-8 TDonald Hall’s writing on Eagle Pond Farm, his ancestral home Eagle Pond in New Hampshire, where he visited his grandparents as a young boy APRIL • Essays/Poetry and then lived with his wife Jane Kenyon until her death. It includes 320 pages • 6 x 9 • A the entire, previously published Seasons at Eagle Pond and Here at b/w line drawings Eagle Pond; the poem “Daylilies on the Hill” from The Painted Bed; and several uncollected essays. • National Poetry Month sponsorship and promotion kits • National advertising 86 MARINER BOOKS / APRIL • WWW.MARINERBOOKS.COM Prices subject to change. Copyright © 2006 Houghton Mifflin Company. All rights reserved. writings of our new poet laureate “Donald Hall is one of America’s most distinctive and respected literary figures. For more than fifty years, he has written beautiful poetry on a wide variety of subjects that are often distinctly American and conveyed with passion.” —Librarian of Congress James H. Billington, announcing the appointment of Donald Hall to be the nation’s fourteenth poet laureate © STEPHEN RATINER DONALD HALL is the fourteenth poet laureate of the United States and the author of more than two dozen books of poems and prose, including White Apples and the ALSO AVAILABLE Taste of Stone: Selected Poems 1946–2006. His work has garnered many honors, among them the National Book Critics Circle Award and the Los Angeles Times Book Prize in poetry for The One Day; the Lenore Marshall Award for The Happy Man; the Robert Frost Silver Medal from the Poetry Society of America for Old and New Poems; and the prestigious Ruth Lilly Poetry Prize in recognition of his lifetime accomplish- ments. His poetry collection Without, which was written for Jane Kenyon during White Apples and The Painted Bed and after her illness, received the L. L. (978-0-618-34075-0) $14.00 PA the Taste of Stone Winship/PEN New England Award and was (978-0-618-53721-1) $30.00 CL The Museum of Clear Ideas a finalist for the Los Angeles Times Book Without (978-0-395-68085-8 ) $14.00 PA Prize. A member of the American Academy (978-0-395-95765-3) $14.00 PA of Arts and Letters, Hall continues to inhabit Old and New Poems the New Hampshire farmhouse where he The Best Day the Worst Day (978-0-899-19954-2 ) $16.95 PA and Jane Kenyon lived together. (978-0-618-77362-6) $13.95 PA Willow Temple (978-0-618-44661-2) $13.00 PA MARINER BOOKS / APRIL • WWW.MARINERBOOKS.COM 87 Prices subject to change. Copyright © 2006 Houghton Mifflin Company. All rights reserved. A Mariner Original Matt Donovan VELLUM Poems • An award-winning collection, with an introduction by Mark Doty • “Matt Donovan’s startling debut is a fiercely intelligent meditation on the ambiguity of human making . It’s a rare find, in a first book, such a coherent, articulated vision, but this remarkably accomplished poet brings us face to face with the bond between creation and destruction, and the darkly alluring fusion of beauty and ruthlessness at the core of art—even, of course, Donovan’s own.”—Mark Doty ISBN-13/EAN: 978-0-618-82212-6 • $11.95 ellum, the exquisite debut collection from Matt Donovan, meditates ISBN-10: 0-618-82212-7 V on beauty, art, and the violence that is sometimes inherent in both. Vellum Here, he juxtaposes religious iconography with stories from history, biog- APRIL • Poetry raphy, and personal narrative. In the poignant “Saint Catherine in an O,” 80 pages • 6 x 9 • A a knife bears unlikely duality—an object stirring with danger and grace. “A man plays slide guitar / with his pocketknife, accompanying the words of his songs—/ one about light, the Lord moving on water . / how AUTHOR’S RESIDENCE blood, he knows, will make him whole.” In other poems, he reflects upon Santa Fe, New Mexico master artists, who captured similar themes in their art though in different mediums. Brimming with poems that are quietly powerful, Vellum marks the arrival of a commanding new voice. • National Poetry Month sponsorship and promotion kits • Advertising in poetry journals MATT DONOVAN is the winner of the 2006 Katharine Bakeless Nason Prize for • Advance reading copies poetry, selected by Mark Doty and awarded by Middlebury College and the Bread Loaf Writers’ Conference. Donovan is currently an assistant professor of creative writing at the College of Santa Fe. He was educated at Vassar College, Lancaster University in England, the University of New Mexico at Albuquerque, and New York University’s MFA program, where he was a New York Times fellow. He lives in Santa Fe with his wife and son. 88 MARINER BOOKS / APRIL • WWW.MARINERBOOKS.COM Prices subject to change. Copyright © 2006 Houghton Mifflin Company. All rights reserved. John Eisenberg THE GREAT MATCH RACE When North Met South in America’s First Sports Spectacle • “A heart-stopping account of a race that surely must rank as one of the most thrilling on record.”—New York Times • “A lead-pipe cinch, mortal lock, lay-your-money-down sure thing of a book.”—Baltimore Sun • “Riveting.”—Chicago Tribune ISBN-13/EAN: 978-0-618-87211-4 • $14.95 page-turning mix of history, horse racing, and pure entertainment, ISBN-10: 0-618-87211-6 AThe Great Match Race is a captivating account of America’s first The Great Match Race sports spectacle, a horse race that pitted North against South in three APRIL • Sports/History grueling heats. On a bright afternoon in May 1823, an unprecedented 272 pages • 6 x 9 • Q sixty thousand people showed up to watch two horses run the equivalent Houghton Mifflin hardcover, 2006 Previous ISBN 0-618-55612-5 of nine Kentucky Derbys in the space of a few hours. Eclipse was a majestic champion representing the North’s evolving industrial machine, and Henry was an equine arriviste embodying southern perceptions of superiority. Their thrilling match race would come to represent a • Racetrack promotion watershed moment in American history, crystallizing the differences • National advertising, including the that so fundamentally divided North and South. Saratoga Special, the Daily Racing Form, Renowned sports writer John Eisenberg captures all the pulse- and Civil War periodicals pounding drama and behind-the-scenes tension in an engrossing tale that, in the eyes of many reviewers, carries on the tradition of Laura Hillenbrand’s Seabiscuit. JOHN EISENBERG is a sports columnist for the Baltimore Sun and the author of many acclaimed books, including, most recently, Native Dancer: Hero of a Golden Age. In 2003 his commentary helped anchor a broadcast that earned an Eclipse Award, the highest honor given for coverage of horse racing. He lives in Baltimore, Maryland. MARINER BOOKS / APRIL • WWW.MARINERBOOKS.COM 89 Prices subject to change. Copyright © 2006 Houghton Mifflin Company. All rights reserved. A Mariner Original Peter Matthiessen, editor COURAGE FOR THE EARTH Writers, Scientists, and Activists Celebrate the Life and Writing of Rachel Carson • A centennial appreciation—for environmentally critical times—of Rachel Carson’s brave life and transformative writing, from renowned authors, activists, and scientists achel Carson’s lyrical, popular books about the sea, including her best-selling The Sea Around Us, “set a standard for nature writing for ISBN-13/EAN: 978-0-618-87276-3 • $14.95 R all time to come” (Roger Caras). By the late 1950s, Carson was the most ISBN-10: 0-618-87276-0 Courage for the Earth respected science writer in America. APRIL • Nature She completed Silent Spring (1962) against formidable personal 224 pages • 5 1/2 x 8 1/4 • Q odds, and with it shaped a powerful social movement that has altered the course of history. In Silent Spring, Carson asserted that “the right of the citizen to be secure in his own home against the intrusion of poisons applied by other persons” must surely be a basic human right. She was • Major media tying in to Rachel Carson the first to challenge the moral vacuity of a government that refused to take centennial and Earth Day responsibility for or to acknowledge evidence of environmental damage. • Advance reading copies • Posters and easelbacks In this volume, today’s foremost scientists and writers give compelling evi- dence that Carson’s transformative insights—her courage for the earth— are giving a new generation of activists the inspiration they need to move consumers, industry, and government. Contributors include: John Elder, Al Gore, John Hay, Freeman House, Linda Lear, Robert Michael Pyle, Janisse Ray, Sandra Steingraber, Terry Tempest Williams, E. O. Wilson PETER MATTHIESSEN’s many books include The Snow Leopard and At Play in the Fields of the Lord. He lives in Sagaponack, New York. 90 MARINER BOOKS / APRIL • WWW.MARINERBOOKS.COM Prices subject to change. Copyright © 2006 Houghton Mifflin Company. All rights reserved. Celebrate Rachel Carson's Centenary with New and Classic Mariner Books Rachel Carson SILENT SPRING • The classic that launched the environmental movement • Newly rejacketed for the Rachel Carson centenary, May 27, 2007 • Introduction by Linda Lear • Afterword by Edward O. Wilson irst published in 1962, Silent Spring alerted a large Faudience to the environmental and human dangers of indiscriminate use of pesticides, spurring revolutionary changes in the laws affecting our air, land, and water.
Load more

Recommended publications
  • Donald Hall – America’S New Poet Laureate the Library of Congress Has Named Donald Hall As the Nation's Fourteenth Poet Laureate
    CALENDAR OF EVENTS THROUGH AUGUST 11 SEPTEMBER 30 MARCH 21 – 23, 2007 Catherine Borg, diazo prints on paper 27th Annual GAA Nomination 27th Annual Governor’s Arts Awards & OXS exhibit, NAC, Carson City Packets deadline OASIS Conference, Reno Locations & Time, TBA AUGUST 15 NOVEMBER 15 ARTS NEWS Jackpot Grants postmark deadline Letter of Intent for FY08 Challenge MAY 21 – 24, 2007 (for projects October 1 – December 31, Grants postmark deadline FY08 Grants and Folklife 2006) Apprenticeship Panel Meetings Jackpot Grants postmark deadline Locations & Time, TBA AIE BETA Grants (formerly Professional (for projects January 1 – March 30, Development Grants) postmark deadline 2007) JUNE 2 – 4, 2007 (for projects October 1 – December 31, Americans for the Arts 2006) AIE BETA Grants postmark deadline 2007 Annual Convention (for projects January 1 – March 30, Flamingo Las Vegas, Las Vegas SEPTEMBER 11 2007) GAA Visual Arts Commission deadline Please check the NAC website for calendar, agency and news updates at www.NevadaCulture.org. Donald Hall – America’s New Poet Laureate _________________________________________________________________________________________ The Library of Congress has named Donald Hall as the nation's fourteenth Poet Laureate. A resident of Danbury, NH, Hall has published numerous books of poetry, including Without: Poems, released in 1998 on the third anniversary of his wife and fellow poet Jane Kenyon’s death from leukemia. Hall has written children’s books, books on baseball, autobiographical works, short stories and plays. Poetry editor of The Paris Review during its early years, Hall’s list of anthologies and awards is extensive. The Library of Congress deliberately avoids attaching specific duties to the post of Poet Laureate.
    [Show full text]
  • With Jane and Without: an Interview with Donald Hall, Non-Fiction By
    With Jane and Without: An Interview with Donald Hall By Jeffrey S. Cramer ANYONE KENYON ACQUAINTED cannot help but stand WITH in awe THE of the STORY irony which, OF if DONALD it HALL AND JANE appeared in fiction, would appall by its tear-jerking manipulation. The reality, as I stand before Jane Kenyon's grave, leaves me sad dened and numb. The lines on their shared stone are from Kenyon's poem, "After noon at MacDowell. " Although she wrote it with Hall in mind when he, as he has said, was ''supposed to die," they now stand in testimony to Kenyon, and look, mistakenly, like words he must have written for her: I BELIEVE IN THE MIRACLES OF ART BUT WHAT PRODIGY WILL KEEP YOU SAFE BESIDE ME Four miles North of the Proctor cemetery on Route 4, just past Eagle Pond Road, in the shadow of Ragged Mountain, is Eagle Pond Farm. There is no sign, no name on the mailbox, but the satellite dish over whelming the North side yard announces the home of a man who cannot live unconnected to his beloved baseball games. The living room seems truly a living room, a room lived in, infor mal. It is surrounded, as would be expected, by books; an open book of pictures of sculpture by Henry Moore lays on the coffee table in front of the couch on which I sit. By the window Hall's chair faces the T.V. and VCR which must have received, recorded and replayed thousands of ballgames. The Glenwood stands nearby.
    [Show full text]
  • Celebrating Twenty-Five Years of Fine Writers  H
    Celebrating Twenty-Five Years of Fine Writers h Sherman Alexie 3/27 Jon Meacham 9/12 A. S. Byatt 11/12 Belle Boggs 1/16 James Dodson 10/14 Isabel Wilkerson 2/20 Martin Marty 9/13 Lou Berney 11/21 Junot Diaz 10/16 Joseph Bathanti 3/6 Mary Pope Osborne 4/5 VisitingWriters.LR.edu A Note from the Director s a visual artist, photographer, 2013–2014 VisitiNG and filmmaker, I have learned that WRITERS SERIES n our experience with the Visiting Writers Series, luck we foster communication when we STEERING COMMITTEE is not just random chance. It is an act of generosity from bring our stories together. When people who care about making a positive impact on the we take the time to read, to dare Chair SALLY FANJOY culture and emotional well-being of our community. The to be present with our neigh - Series Director RAND BRANDES gifts that we have received have made us feel very lucky bors, and to listen to differing Series Consultant LISA HART Iover the past twenty-five years. We were lucky that when we points of view, we are en - Student Asst. ABIGAIL MCREA presented the initial idea to start the Series to Dr. Robert riched and enlightened. Student Asst. MADISON TURNER Luckey Spuller, then Dean of Lenoir-Rhyne “College,” that We are transformed by fresh thoughts and new TONY ABBOTT he saw its potential and supported it the first year and for Aperspectives. ¶ The Lenoir-Rhyne Visiting Writers MARY HELEN CLINE years to come. We were lucky that subsequent university Series engages a wide spectrum of the community, LAURA COSTELLO Administrations continued to see the value of the Series, promotes civic discourse, creates opportunity for SANDRA DEAL which enabled us to enhance the Series and the cultural and people to come together and to hear new ideas and MIKE DUGAN educational experiences of our students.
    [Show full text]
  • The Poetry of Rita Dove
    University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Winter 1999 Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove Carol Keyes University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Keyes, Carol, "Language's "bliss of unfolding" in and through history, autobiography and myth: The poetry of Rita Dove" (1999). Doctoral Dissertations. 2107. https://scholars.unh.edu/dissertation/2107 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMi films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Penguin Anthology = of = Twentieth- Century American Poetry
    SUB Hamburg 111 THE A 2011/11828 PENGUIN ANTHOLOGY = OF = TWENTIETH- CENTURY AMERICAN POETRY EDITED WITH AN INTRODUCTION BY RITA DOVE PENGUIN BOOKS Contents Introduction by Rita Dove xxix Edgar Lee Masters (1868-1950) FROM Spoon River Anthology: The Hill • 1 Fiddler Jones • 2 Petit, the Poet • 3 Edwin Arlington Robinson (1869-1935) Miniver Cheevy • 4 Mr. Flood s Party • 5 James WeldonJohnson (1871-1938) The Creation • 7 Paul Laurence Dunbar (1872-1906) 10 The Poet • 10 Life's Tragedy • 10 Robert Frost (1874-1963) 12 The Death of the Hired Man • 12 Mending Wall • 17 Birches • 18 Stopping by Woods on a Snowy Evening • 20 Tree at My Window • 20 Directive • 21 CONTENTS Amy Lowell (1874-1925) 23 Patterns • 23 Gertrude Stein (1874-1946) 26 Susie Asado • 26 FROM Tender Buttons: A Box • 26 A Plate • 27 Alice Moore Dunbar-Nelson (1875-1935) 28 I Sit and Sew • 28 Carl Sandburg (1878-1967) 29 Grass • 29 Cahoots • 29 Wallace Stevens (1879-1955) 31 Peter Quince at the Clavier • 31 Disillusionment of Ten O'Clock • 33 Thirteen Ways of Looking at a Blackbird • 34 Anecdote of the Jar • 36 The Emperor of Ice-Cream • 36 Of Mere Being • 36 Angelina Weld Grimke (1880-1958) 38 Fragment • 38 William Carlos Williams (1883-1963) 39 Tract • 39 DanseRusse • 41 The Red Wheelbarrow • 41 The Yachts • 42 FROM Asphodel, That Greeny Flower (Book I, lines 1-92) • 43 SaraTeasdale (1884-1933,) 51 Moonlight • 51 There Will Come Soft Rains • 51 CONTENTS Ezra Pound (1885-1972) 53 The Jewel Stairs' Grievance • 53 The River-Merchant's Wife: A Letter • 53 In a Station of the
    [Show full text]
  • Appendix B: a Literary Heritage I
    Appendix B: A Literary Heritage I. Suggested Authors, Illustrators, and Works from the Ancient World to the Late Twentieth Century All American students should acquire knowledge of a range of literary works reflecting a common literary heritage that goes back thousands of years to the ancient world. In addition, all students should become familiar with some of the outstanding works in the rich body of literature that is their particular heritage in the English- speaking world, which includes the first literature in the world created just for children, whose authors viewed childhood as a special period in life. The suggestions below constitute a core list of those authors, illustrators, or works that comprise the literary and intellectual capital drawn on by those in this country or elsewhere who write in English, whether for novels, poems, nonfiction, newspapers, or public speeches. The next section of this document contains a second list of suggested contemporary authors and illustrators—including the many excellent writers and illustrators of children’s books of recent years—and highlights authors and works from around the world. In planning a curriculum, it is important to balance depth with breadth. As teachers in schools and districts work with this curriculum Framework to develop literature units, they will often combine literary and informational works from the two lists into thematic units. Exemplary curriculum is always evolving—we urge districts to take initiative to create programs meeting the needs of their students. The lists of suggested authors, illustrators, and works are organized by grade clusters: pre-K–2, 3–4, 5–8, and 9– 12.
    [Show full text]
  • P R O S P E C T
    PROSPECTUS CHRIS ABANI EDWARD ABBEY ABIGAIL ADAMS HENRY ADAMS JOHN ADAMS LÉONIE ADAMS JANE ADDAMS RENATA ADLER JAMES AGEE CONRAD AIKEN DANIEL ALARCÓN EDWARD ALBEE LOUISA MAY ALCOTT SHERMAN ALEXIE HORATIO ALGER JR. NELSON ALGREN ISABEL ALLENDE DOROTHY ALLISON JULIA ALVAREZ A.R. AMMONS RUDOLFO ANAYA SHERWOOD ANDERSON MAYA ANGELOU JOHN ASHBERY ISAAC ASIMOV JOHN JAMES AUDUBON JOSEPH AUSLANDER PAUL AUSTER MARY AUSTIN JAMES BALDWIN TONI CADE BAMBARA AMIRI BARAKA ANDREA BARRETT JOHN BARTH DONALD BARTHELME WILLIAM BARTRAM KATHARINE LEE BATES L. FRANK BAUM ANN BEATTIE HARRIET BEECHER STOWE SAUL BELLOW AMBROSE BIERCE ELIZABETH BISHOP HAROLD BLOOM JUDY BLUME LOUISE BOGAN JANE BOWLES PAUL BOWLES T. C. BOYLE RAY BRADBURY WILLIAM BRADFORD ANNE BRADSTREET NORMAN BRIDWELL JOSEPH BRODSKY LOUIS BROMFIELD GERALDINE BROOKS GWENDOLYN BROOKS CHARLES BROCKDEN BROWN DEE BROWN MARGARET WISE BROWN STERLING A. BROWN WILLIAM CULLEN BRYANT PEARL S. BUCK EDGAR RICE BURROUGHS WILLIAM S. BURROUGHS OCTAVIA BUTLER ROBERT OLEN BUTLER TRUMAN CAPOTE ERIC CARLE RACHEL CARSON RAYMOND CARVER JOHN CASEY ANA CASTILLO WILLA CATHER MICHAEL CHABON RAYMOND CHANDLER JOHN CHEEVER MARY CHESNUT CHARLES W. CHESNUTT KATE CHOPIN SANDRA CISNEROS BEVERLY CLEARY BILLY COLLINS INA COOLBRITH JAMES FENIMORE COOPER HART CRANE STEPHEN CRANE ROBERT CREELEY VÍCTOR HERNÁNDEZ CRUZ COUNTEE CULLEN E.E. CUMMINGS MICHAEL CUNNINGHAM RICHARD HENRY DANA JR. EDWIDGE DANTICAT REBECCA HARDING DAVIS HAROLD L. DAVIS SAMUEL R. DELANY DON DELILLO TOMIE DEPAOLA PETE DEXTER JUNOT DÍAZ PHILIP K. DICK JAMES DICKEY EMILY DICKINSON JOAN DIDION ANNIE DILLARD W.S. DI PIERO E.L. DOCTOROW IVAN DOIG H.D. (HILDA DOOLITTLE) JOHN DOS PASSOS FREDERICK DOUGLASSOur THEODORE Mission DREISER ALLEN DRURY W.E.B.
    [Show full text]
  • On Bill Stafford's Birthday — a Visit to the Mountain
    A Newsletter For Poets & Poetry Volume 9, Issue 1 – Winter 2004 On Bill Stafford’s Birthday — A Visit to the Mountain By Sulima Malzin The opening lines of William Stafford’s The Magic Mountain poem, “The Magic Mountain,” seem to A book opens. People come out,bend best exemplify the 2004 Stafford this way and talk,ponder, love, wander around Symposium at Lewis and Clark College while pages turn.Where did the plot go? in Portland, which took place on January 17. Like visitors to the moun- Why did someone sing just as the train tain, people had come out to talk, to went by? Here come chapters with landscape all over listen, and to wander around with words whatever happens when people meet. Now and memories of the highly esteemed a quiet part: a hospital glows in the dark. poet, on what would have been his 90th I don’t think that woman with the sad gray eyes BOARD OF TRUSTEES: birthday. will ever come back. And what does it mean when Chair: Joseph Soldati, Port l a n d the Italian has so many ideas? Maybe Nan Atz en, Newb e r g Some 70 celebrants gathered in the a war is coming.The book is ending. Everyone Elizabeth Bar ton, Van c o u ve r small conference center at the has a little tremolo in them; all Patricia Carver , Lake Oswe g o Northwest Writing Institute to spend a are going to die and it’s cold and the snow, and the Don Colburn, Port l a n d Saturday morning exploring and pon- clear air.They took someone away.
    [Show full text]
  • Hopwoodthe Newsletter Vol
    HopwoodThe Newsletter Vol. LXX, 2 http://www.lsa.umich.edu/english/hopwood/ June, 2009 HOPWOODHOPWOOD The University of Michigan Press has recently published The Hopwood Lectures, Sixth Series, edited and with an introduction by Nicholas Delbanco. It includes the Hopwood Lectures from 1999-2008 from writers Andrea Barrett, Charles Baxter, Mary Gordon, Donald Hall, Richard Howard, Charles Johnson, Susan Orlean, Susan Stamberg, and our own Lawrence Kasdan (“POV”) and Edmund White (“Writing Gay”). The book ($18.95 for the paperback edition) may be ordered on the University of Michigan Press’s website: http://www.press.umich.edu/titleDetailDesc. do?id=354411. The awards for the Hopwood Underclassmen Contest were announced on January 20 by Professor Nicholas Delbanco, Director of the Hopwood Awards Program. The judges were Charlotte Boulay, Lizzie Hutton, Todd McKinney, and Adela Pinch. A fi ction reading by Tobias Wolff , author of This Boy’s Life, Old School, and Our Story Begins: New and Selected Stories, followed the announcement of the awards. And the winners were: Nonfi ction: Xu (Sue) Li, $800; Jillian Maguire, $800; Alex O’Dell, $1,000; Eli Hager, $1,500 Fiction: Eli Hager, $800; Da-Inn Erika Lee, $1,000; Andrew Lapin. $1,000; Perry Janes, $1,750 Poetry: Perry Janes, $1,200; Gahl Liberzon, $1,500; David Kinzer, $1,750 Other writing contest winners were: The Academy of American Poets Prize: Jane Cope (Undergraduate Division), $100; Nava Etshalom (Graduate Division), $100 The Bain-Swiggett Poetry Prize: Catherine E. Calabro, $600 The Michael R. Gutterman Award in Poetry: Zilka Joseph, $450; Emily Zinnemann, $450 The Jeff rey L.
    [Show full text]
  • American Poetry Review Records Ms
    American Poetry Review records Ms. Coll. 349 Finding aid prepared by Maggie Kruesi. Last updated on June 23, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 2001 American Poetry Review records Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 7 Controlled Access Headings..........................................................................................................................8 Other Finding Aids........................................................................................................................................9 Collection Inventory.................................................................................................................................... 10 Correspondence......................................................................................................................................10 APR Events and Projects.....................................................................................................................
    [Show full text]
  • Exam List: Modernist Roots of Contemporary American Narrative Poetry Brian Brodeur
    Exam List: Modernist Roots of Contemporary American Narrative Poetry Brian Brodeur Primary: 1. E.A. Robinson, Selected Poems (ed. Mezey) 2. Robert Frost, Robert Frost’s Poems (ed. Untermeyer) 3. Wallace Stevens, The Man with the Blue Guitar (1937) 4. T.S. Eliot, Collected Poems (1963), plus these essays: “Reflections on Vers Libre” (1917), “Tradition and the Individual Talent” (1917) “Hamlet” (1919), “The Perfect Critic” (1920), “The Metaphysical Poets” (1921), “The Function of Criticism” (1923), “Ulysses, Order and Myth” (1923), and “Baudelaire” (1940) 5. Ezra Pound, Selected Cantos (1965) 6. W.C. Williams, Paterson (1963) 7. H.D., Trilogy (1946) 8. Robinson Jeffers, “Tamar” (1923), “Roan Stallion” (1925), “Prelude” (1926), “An Artist” (1928), “A Redeemer” (1928), “Cawdor” (1928), “The Loving Shepherdess” (1928), “Dear Judas” (1928), “Give Your Heart to the Hawks” (1933), “Hungerfield” (1948) 9. Hart Crane, The Bridge (1930) 10. Robert Lowell, Life Studies (1959) and The Dolphin (1973) 11. Theodore Roethke, The Far Field (1964) 12. Elizabeth Bishop, “The Man-Moth” (1946), “The Weed” (1946), “The Fish” (1946), “The Burglar of Babylon” (1965), “First Death in Nova Scotia” (1965), “In the Waiting Room” (1976), “The Moose” (1976), and “Santarem” (1978-9). 13. John Berryman, Homage to Mistress Bradstreet (1956) and The Dream Songs (1969) 14. James Merrill, The Changing Light at Sandover (1982) 15. Dana Gioia, David Mason, and Meg Schoerke, Twentieth-Century American Poetry (2003) Secondary: 1. Edgar Allan Poe, “The Poetic Principle” (1850) 2. Erich Auerbach, Mimesis: The Representation of Reality in Western Literature (1946) 3. Frank Kermode, “The Modern” (1967) 4. Hugh Kenner, The Pound Era (1971) 5.
    [Show full text]
  • Prof. Katie Ford Office: Bobet 324 Email: [email protected] Phone: Office (865-2260) Office Hours: MF 1-2:30 and by Appointment
    WRITING POETRY ENGLISH A312-051 FALL 2005 WEDNESDAY 4:55-7:35PM Prof. Katie Ford Office: Bobet 324 Email: [email protected] Phone: office (865-2260) Office Hours: MF 1-2:30 and by appointment. Prerequisites: Introduction to Creative Writing Required Reading: Contemporary American Poetry, Seventh Edition. Edited by A. Poulin, Jr. & Michael Waters; The Country Between Us by Carolyn Forche; Dancing in Odessa by Ilya Kaminsky; The Beauty of the Husband by Anne Carson; Claims for Poetry. Edited by Donald Hall. Course Objectives/Learning Outcomes: This course is designed to teach the art of reading and writing poetry. Each week a new poem will be written alongside a reading assignment. Assignments will be gleaned from techniques used by the poets we are reading, so some formal imitation will be involved, especially at the beginning of the semester. This is a seminar course in which all students are expected to contribute to discussion and sharing of work. Each week we will begin class with “Rounds,” during which time each student will read passages from the prior week’s readings that they feel resonated in some way for them. We will travel around the table three times, each reading our three chosen passages of 5 lines or less. Please type these out and hand them in for credit. This will aid in the art of recitation and the discipline of listening to poetry. We will then do writing exercises and discuss specific poems from the readings. Reading is an integral part of this course. Your participation grade will be determined by how deeply you have engaged the poetry and how eagerly you articulate that engagement in discussion.
    [Show full text]