Fender 1000 Pedal Steel Manual.Pdf
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2014 Fmic Accessories Product Guide
2014 FMIC ACCESSORIES PRODUCT GUIDE 2014 PRODUCT GUIDE | EFFECTIVE JANUARY 1, 2014 LIST PRICE 2014 FMIC Accessories Product Guide Strings .........................................................................................4 Picks ...........................................................................................6 Cables .........................................................................................9 Straps ........................................................................................ 11 Pickups ...................................................................................... 13 Effect Pedals ............................................................................... 19 Stands ....................................................................................... 20 Tuners & Capos ............................................................................ 21 Slides, String Winders & Power Products ............................................. 22 Care Products .............................................................................. 23 Ear Plugs & Mini Amplifiers ............................................................. 25 Cases ........................................................................................ 26 Gig Bags ..................................................................................... 27 Books, Books with CDs & DVDs ......................................................... 28 Pickguards ................................................................................. -
Boss Gt-100 Amp Effects Processor Training Guide
BOSS GT-100 AMP EFFECTS PROCESSOR TRAINING GUIDE Contents 1. FEATURES 2. QUICK DEMO 3. GOING DEEP 4. FIVE FEATURES TO KNOW and SHOW 5. ACCESSORIES 6. GT-100 AMPS, EFFECTS BOSS GT-100 Training Guide 1. FEATURES The best sounding and easiest to use GT ever! All new incredible high-resolution COSM amp and effect models New dual LCD operating system for supreme ease of use 25 COSM amplifier models including eight all new Advanced amps 9 effects groups: Comp, OD/DS, Preamp, EQ, FX1, FX2, Delay, Chorus, Reverb 21 OD/DS effects, FX1/FX2 each contain 30 effects User customizable Amps, OD/DS Manual Mode instantly turns the GT-100 into a row of simple stompboxes Built in Phrase Looper w/ unlimited overdubs New ACCEL effects provides new real-time tone changes 400 programs: 200 user, 200 preset Built-in assignable Expression and CTL pedal Additional EXP or 2xCTL pedal inputs for more real time control USB-audio interface Built-in chromatic tuner and metronome Tough metal case BOSS GT-100 Training Guide 2. QUICK DEMO The Quick Demo is a way to get a customer interested in a product in less than 60 seconds. Before You Start 1. Connect the MONO (L) Gt. AMP output of the GT-100 to the clean channel of a good amp, such as a Roland JC-120 or other pro quality amp. NOTE: It is very important to use a pro quality guitar amp. Why run a high- end effect through a low-end amp? 2. Set the amp’s tone controls for a flat response. -
40% Liquidation Inventory
YOUR PRICE!!! REGULAR SALE Manufacturer Product Title PRICE PRICE 40% OFF PBone Purple P-Bone 179.00 179.00 107.40 PBone Pink P-Bone 179.00 179.00 107.40 PBone Red P-Bone 179.00 179.00 107.40 PBone Yellow P-Bone 179.00 179.00 107.40 Bari T/S Soft Synth Reed 18.00 9.99 5.99 Bari Synth AS Reed - M 22.95 14.99 8.99 Bari Synth AS Reed - MS 22.95 14.99 8.99 Bari Synth AS Reed - Soft 22.95 14.99 8.99 Bari Synth BSX Reed - MH 22.95 14.99 8.99 Bari Synth BSX Reed - MS 22.95 14.99 8.99 Bari Synth BSX Reed - soft 22.95 14.99 8.99 Bari Synth Cl Redd - M 22.95 14.99 8.99 Bari Synth Cl Reed - MH 22.95 14.99 8.99 Bari Synth Cl Reed - MS 22.95 14.99 8.99 Bari Synth Cl Reed - Soft 22.95 14.99 8.99 Bari Synth TS Reed - M 22.95 14.99 8.99 Bari Synth TS Reed - MH 22.95 14.99 8.99 Chartier Chartier MH Oboe Reed 13.50 12.50 7.50 D'addario D'Addario Reserve AS - 3.5 5.20 3.75 2.25 D'addario D'Addario Reserve Cl - 2.5 4.30 3.50 2.10 D'addario D'Addario Reserve Cl - 3 4.30 3.25 1.95 D'addario D'Addario Reserve Classic AS 2.5 5.30 3.65 2.19 Emerald Emerald MH Oboe Reed 13.95 12.50 7.50 Emerald Emerald Oboe M Reed 15.00 12.99 7.79 Hemke Hemke Alto Sax 2.5 Reed 4.85 3.50 2.10 Hemke Hemke Alto Sax 3 Reed 4.80 3.50 2.10 Hemke Hemke Alto Sax 3.5 Reed 4.85 3.50 2.10 Hemke Hemke Soprano Sax Reed - 2.5 4.35 2.99 1.79 Jones Bassoon Reed Med 21.99 17.99 10.79 Jones Bassoon Reed Med Soft 20.99 17.99 10.79 Jones Oboe Reed Medium 21.99 17.99 10.79 Jones Jones Oboe Reed - MH 21.99 17.99 10.79 Jones Oboe Reed Med Soft 21.99 17.99 10.79 KG KG Soft Oboe Reed 15.98 15.98 9.59 -
S Montgomery Jimmy Raney 1 Harris 0 5' Annual Goitar
JULYown 20, 1M1 35* 'UN 30 19ei BI-WEEKLY MUSIC MAGAZINE S MONTGOMERY JIMMY RANEY 1 HARRIS 0 5' ANNUAL GOITAR sterling silver bell == precision electronic devices, you find sterling silver conductor! 1^ ^1 transmitting electricity. In sensitive thermostats, you find sterling silva I I Illi couplings transmitting heat. In fine band instruments, you find King sterling silva bells transmitting sound. Sterling silver’s unique transmitting qualities help th ■ ■ ■ musician achieve a clearer, cleaner attack. His sound project! I I I 1^ j" further with less effort. It does not die at the foot- I I I I I I I I III lights or on the field. The silver bells respond instantly, giving precise control. The notes are there when the player wants them. You cannot crack a sterling write for catalog illustrating King sterling silver bell tone! But above all, sterling silver bells transmit a richer sound, because they silver bell trumpets, cornets, uitoplumt's deliver more overtones. Here is a wise investment for any band. King silver bells and trombones. The H. N. White Company, cost more, of course — but with King’s celebrated craftsmanship and construction, their long 5225 Superior Avenue, Cleveland 3, Ohio life more than makes up for the added cost WHO’S PLAYING KINGS HARRY JAMES • CANNONBALL ADDERLEY • URBIE THESE DAYS? MOST GREEN • J. J. JOHNSON • SAM DONAHUE • NAT EVERYBODY! HOW ABOUT YOU? ADDERLEY • KAI WINDING • JOHNNY GRIFFIN • DONALD BYRD HERB GELLER THE UN. WHITE COMPANY AULD GIGI GRYCE ETC. ETC. ETC Eft. n< ' OHM/amicmomm m h «a Unti« tai Om» J, M n ^ure in demand with a r Guitar .. -
How the Hawaiian Steel Guitar Changed the Sound of Modern Music / John W
Kīkā Kila . īkā il How the Changed the Sound of Modern Music Chapel Hill Published with © 2016 The University of North Carolina Press All rights reserved the assistance of the Designed by Richard Hendel Set in Garamond Premier Pro Anniversary Fund by Tseng Information Systems, Inc. of the University Manufactured in the United States of America Portions of this work appeared previously in somewhat different of North Carolina form in John W. Troutman, “Creating Community in the Confines Press of ‘Fine Barbaric Thrill’: Joseph Kekuku, a Hawaiian Manhattan, and the Indigenous Sounds of Modernity,” Journal of the Gilded Age and Progressive Era 15, no. 4 (October 2015): 551–61. Portions of Chapter 6 appeared previously in somewhat different form in John W. Troutman, “Steelin’ the Slide: Hawaiʻi and the Birth of the Blues Guitar,” Southern Cultures 19, no. 1 (Spring 2013): 26–52. Reprinted with permission. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. The University of North Carolina Press has been a member of the Green Press Initiative since 2003. Cover image courtesy of Lani Ellen McIntire and HLC Properties, Ltd. Library of Congress Cataloging- in- Publication Data Title: Kīkā kila : how the Hawaiian steel guitar changed the sound of modern music / John W. Troutman. Description: Chapel Hill : The University of North Carolina Press, [2016] | “Published with the assistance of the Anniversary Fund of the University of North Carolina Press.” | Includes bibliographical references and index. Identifiers: LCCN 2015041086| ISBN 9781469627922 (cloth : alk. -
Specifications & History of Models
Specifications & History of Models Table of Contents Specifications & History of Models .................................................................................................................................. 1 Table of Contents ................................................................................................................................................................. 2 Squier JV ............................................................................................................................................................................. 11 ’57 Vintage Stratocaster (Export) .................................................................................................................................... 11 ’62 Vintage Stratocaster (Export) .................................................................................................................................... 12 ’52 Vintage Telecaster (Export) ....................................................................................................................................... 13 SST-50 Stratocaster ......................................................................................................................................................... 14 SST-55 Stratocaster ......................................................................................................................................................... 16 SST-45 Stratocaster ........................................................................................................................................................ -
PDF, 12 Pages, 11.3 MB
^a^t. '. c'. The Choice of Musicians Everywhere ^ r7A A •2»4 K2^- ^"<l<-^x ^"^.^ f ,»<»\ '--,.-„ A^./^ /"'^ ^y ''"'/^.' '".. '\' '>. -1\. ^. ''^"'^//^'^-...;: ^ >/- ^ ^' '•-*^ "^ ^ M. t^» <a ^ / \ I I' I V INSTRUMENTS ARE THE TOTAL OF THEIR QUALITY PARTS ^ ^ss^ <"; >1 II -—<=- ^ ^ taniNwuu—1 COVER NOTES: The micro-photographs on our cover easily identify the quality details 19S5-BS of Fender Guitars. Select hardwoods, heavily f&H€&^ chrome-plated parts and precision machining and fabrication make these instruments durable, beautiful and easier to play. A Adjustable pickup, Fender Mute and adjust- able bridge .. .Jaguar Guitar. B Chrome.plated patent heads and posts A B mounted on the famous Fender neck. Straight string pull adds to ease of tuning. C Tone selector switches on the Jaguar Guitar. D Truss'rod adjustment nut found on all Fender Guitars. Assures true neck alignment. QUALITY . ...,--. ..... -.-, E The popular Fender Jaguar "Floating c Tremolo " The base of the Tremolo arm attaches D at the Tremolo unit between the first and see- ond strings and swivels out of the way when desired. F The patented "Barrel-bridge" design found E F G on the new 12 String Guitar. G Fender fret boards are of select rosewood. Simple position marks of white pearlette set off this precision, fast-action neck. FENDER JAGUAR The Jaguar presents an exciting concept in the field of solid-body guitars. The neck of the Jaguar is a short 24" scale containing 22 frets, and may be ordered with a size narrower or one of two sizes wider than standard neck width at the nut. A new "Fender First" in the Jaguar is the Fender Mute. -
Fender Pedal Steel Guitars
Fender pedal steel guitars (Een artikel uit de Steel Guitar Writings) Niets uit het hieronder gepubliceerde artikel mag worden gepubliceerd of gebruikt voor commerciële doeleinden, zonder de schriftelijke toestemming van de schrijver. Het bouwen van pedal steel guitars wordt tegenwoordig uitsluitend gedaan door gespecialiseerde, kleine firma’s. Dit varieert van zogenaamde éénmans- bedrijfjes tot firma’s met circa tien medewerkers. Toch is er een tijd geweest, waarin pedal steel guitars in betrekkelijk grote oplagen werden gefabriceerd. Sho-Bud en MSA waren ooit bedrijven die tamelijk grootschalig pedal steel guitars produceerden, om deze via grote verkooporganisaties (Baldwin, Gretsch, Norlin) aan importeurs en detailhandelaars te leveren. Eén van de eerste producenten van pedal steel guitars was Gibson, de beroemde gitaarfabrikant. Dat grote bedrijven zich ooit bezighielden met de productie van deze instrumenten, is dus geen nieuws. Dat het meest beroemde gitaarmerk, Fender, ooit de grootste firma is geweest die zich lange tijd bezighield met de productie van pedal steel guitars, zal menige “gewone” gitarist stellig verbazen. Ik vraag me wel eens af, hoeveel pedal steel guitaristen van de jonge generatie op de hoogte zijn met dit feit. Toch heeft menige beroemde Amerikaanse pedal steel guitarist óf zijn start op een Fender pedal steel guitar gemaakt óf er korte of langere tijd op gespeeld. Ook enkele Nederlandse pedal steel guitaristen, waaronder ikzelf, hebben ooit Fender gespeeld of zijn erop begonnen. Een en ander heeft ongetwijfeld te maken met het feit, dat de Fenders via de Fender verkooporganisatie in diverse muziekwinkels belandden. MIJN EIGEN EERSTE (FENDER) PEDAL STEEL GUITAR Ik kan me herinneren, dat ik in 1967 een bezoek bracht aan de showroom van de toenmalige Fender importeur, welke slechts 2 kilometer was verwijderd van het Alkmaarse bedrijf waar ik werkte.