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HEADRUSH MODELS LIST ALL MODELS and REAL REFERMENT TABLE Headrush Firmware 2.1.1
HEADRUSH MODELS LIST ALL MODELS AND REAL REFERMENT TABLE Headrush Firmware 2.1.1 AMPLIFIERS MODEL NAME TYPE BASED ON 1 59 TWEED BASS Combo Fender ’59 Bassman 2 59 TWEED DELUXE Combo Fender Tweed Deluxe 59 DELUXE GAIN Fender Tweed Deluxe 3 Combo MOD (Gain Mod) 4 59 TWEED PRINCE Combo Fender ’59 Princeton Fender Deluxe Reverb 5 64 BLACK LUX NORM Combo (Normal) Fender Deluxe Reverb 6 64 BLACK LUX VIB Combo (Vibrato) 7 64 BLACK VIB Combo Fender Vibroverb 8 65 BLACK MINI Combo Fender Champ 6w 9 65 BLACK PRINCE Combo Fender Princeton www.robyrocks.it 12.10.2019 - Roby Rocks 65 BLACK PRINCE 10 Combo Fender Princeton Reverb REV Fender Super Reverb 11 65 BLACK SR Combo “Blackface” Fender Twin Reverb 12 67 BLACK DUO Combo “Blackface” 13 67 BLACK SHIMMER Stack Fender Dual Showman 14 66 AC HI BOOST Combo Vox AC30 Top Boost 66 AC HI BOOST Vox AC30 Top Boost 15 Combo MOD (Mod) 16 66 FLIP BASS Stack Ampeg Portaflex B15-N 17 BLUE LINE BASS Stack Ampeg SVT 300w 69 BLUE LINE Ampeg SVT 300w 18 Stack SCOOP (Scooped) 19 65 J45 Stack Marshall JTM45 Marshall Super Lead Plexi 20 67 PLEXIGAS VARI Stack (Variac Mod) Marshall Super Lead Plexi 21 68 PLEXI EL84 MOD Stack (EL34 tubes mod) www.robyrocks.it 12.10.2019 - Roby Rocks Marshall Super Lead Plexi 22 68 PLEXIGLAS 100W Stack 100W Marshall Super Lead Plexi 23 68 PLEXIGLAS 50W Stack 50W Marshall JCM800 24 82 LEAD 800 100W Stack (Normal) 25 82 LEAD 800 50W Stack Marshall JCM800 50w 82 LEAD 800 BASS Marshall JCM800 (Bass 26 Stack MOD Mod) 82 LEAD 800 27 Stack Marshall JCM800 (Bright) BRIGHT 82 LEAD 800 TS Marshall -
Fender 1000 Pedal Steel Manual.Pdf
Fender 1000 Pedal Steel Manual Also incudes Bruce Bouton's Learn to Play Pedal Steel Guitar CD. includes hard shell case ,steel bar, manual copy, and original detachable volume pedal. I was also curious about whether guitars under $1000 were even worth it. Admittedly it is The Fender Squier of steels but you could play it on stage if you were so. Personal Terrain 1000 EZGO Golf Cart in Sunburst Orange, Personal Terrain 1000 EZGO Golf Cart in Steel Blue, Personal Terrain 1000 Frame, Welded steel with DuraShield powder coat Key or Pedal Start, Pedal Start Terrain 1000 EZGO Parts and Accessories - Golf Cart Fender Flares Download Manual - Gas. Configuring the Fender® EXP-1 Expression pedal from a Fender® Mustang™ III-V (V2) amplifier Where can I find the owner's manual for my Fender® guitar? Sep 13 6 String Fender Electric/Acoustic Guitar $350 (Abingdon wowinc65) pic map (xundo). $50 Sep 13 Sep 13 Carter Starter Pedal Steel Guitar!! $800 pic. For your approval today is a very cool and very clean 1969 Fender Blender Pedal. Comes with the bottom of original box, owners manual and schematic. have pedals in Tech 21's award-winning arsenal: a genuine. SansAmp, a reverb, a simple pedal. AMP: Tweed = Fender®-style British steel and Green- back-style 1969 and VT Bass 1000 is the analog warmth of the SansAmp emulation intimidation of trying to decipher an encyclopedia-sized manual just so you. Fender 1000 Pedal Steel Manual Read/Download entire manual before operating your EZ Pedaler Electric. Bicycle. CONTROLLER 36 Volt Pedal/Pedal Assist/Throttle w/. -
FAS Amps Models Axe III Ares12.05.Pdf
Nbr PHOTO AXE-FX AMP FW BASED ON AMP DESCRIPTION 1 1959SLP Jump Marshall 1959 SLP 90's Reissue of a late 60’s 100w Marshall Super Lead model 1959. See PLEXI 100W for the Vintage Reissue Series original. Emulates “jumpering the inputs” on a 4-hole amp 2 1959SLP Normal Marshall 1959 SLP Normal channel, dark Vintage Reissue Series and has loads of bass. 3 1959SLP Treble Marshall 1959 SLP Treble channel, boosted Vintage Reissue Series bright tone. 4 1987X Jump Marshall 1987x 90's Reissue of the 50w JMP Lead 1987. Features an “essential” mod to the tonestack of Vintage Reissue Series this Plexi. Emulates “jumpering the inputs” on a 4-hole amp 5 1987X Normal Marshall 1987x Normal channel, dark Vintage Reissue Series and has loads of bass. 6 1987X Treble Marshall 1987x Treble channel, boosted Vintage Reissue Series bright tone. 7 5153 100w Blue EVH 5150 III Blue (medium gain/rhythm) ch. 100w, 6L6. Made in collaboration with Fender. (Blue) 8 5153 100w Green EVH 5150 III Green (clean) ch. (Green) 9 5153 100w Red EVH 5150 III Red (high gain/lead) ch. (Red) 10 5153 50w Blue EVH 5150 III The 50w version has a different input network than the 100w, and as a result has about (Blue) twice the gain 11 59 Bassguy Fender Bassman (5F6-A-Tweed) 1959, Tweed era, 5F6-A circuit, 4x10. Low-to-medium gain amp designed for bass but widely adopted by guitarists. 12 5F1 Tweed Fender Champ (5F1-Tweed) 5F1 circuit (‘58-’64), one volume only, Class A, 5w. -
Der Verzerrte Gitarrensound Entsteht, Wenn Bei Einem Reinen Gitarrensignal Zusätzliche, Ursprünglich Nicht Enthaltene Teiltöne Hervorgerufen Werden
J. J. Altersberger 2 Distorted Sound. Die Verstärkung [...] Inhaltsverzeichnis 1. Einleitung ..................................................................................................................... 5 1.1 Fragestellung und Zielsetzung.................................................................................... 5 1.2 Vorgehensweise und Methodik .................................................................................. 6 1.3 Untersuchungszeitraum .............................................................................................. 6 1.4 Begriffserklärungen.................................................................................................... 7 1.4.1 Der Sound................................................................................................................ 7 1.4.2 Verzerrung............................................................................................................... 8 1.4.3 Spielweisen............................................................................................................ 10 1.4.4 Die instrumentale Rockmusik im Zusammenhang mit der elektrischen Gitarre... 11 2. Die elektrische Gitarre................................................................................................ 13 2.1 Akustische Gitarre mit Stahlsaiten, die Archtop Gitarre und die Resonator Gitarre 13 2.2 Die Entwicklung der ersten elektromagnetischen Tonabnehmer............................. 15 2.2.1 Das Prinzip des Tonabnehmers ............................................................................ -
Metronome Magazine-Boston
•Our 35th Year Proudly Promoting All Things Music• FREE! January 2020 Sparky John Larson & The Silver Fields One Dime Band Paul Gabriel Metro•Scene BERKLEE BULL RUN CITY WINERY 1/8- Stars in Our Midst PERFORMANCE CENTER RESTAURANT Boston, MA. 1/9- Culomba album release Boston, MA Shirley, MA. (617) 933-8047 1/10- Meg Toohey album release (617) 747-2261 (978) 425-4311 1/11- Americana 1/1- Chris Trapper; Sarah Borges 1/12- Masters of Hawaiian Music w/George 1/11- Juan de Marcos and the Afro-Cuban All 1/5- Past Life Regression Circle Brunch w/ 1/2- Lyfe Jennings Kahumoku Jr, Led Kaapana and Kawika Kahiapo Stars Brandie Wells 1/3- Kashmir - Live Led Zeppelin Show; Chad 1/13-Kora Feder and Bella White 1/18- Terence Blanchard and The E-Collective 1/9- the Subdudes Perrone 1/14- Lauren Balthrop & Sean Trischka 1/28- Marcus Prince: Hearts on Fire—I Won’t Be 1/10- Sarah Borges & the Broken Singles 1/4- Wanted: DOA – Bon Jovi Tribute 1/15- Rachel Sumner Band; Pretty Saro Silent 1/16- Kerrville North 1/5- Kindred the Family Soul 1/16, 17 & 18- Boston Celtic Music Festival 1/30- Soundscapes of Spain: From Flamenco 1/17- Ellis Paul 1/7- Jake Clemons (E Street Band) 1/19- Billy, Jimmy & Dave Roots to Fusion featuring Sonia Olla, Ismael 1/18- Steve Forbert; Offtet’s “Midlife 1/8- Avery Sunshine 1/20- Massmouth Story Slam Fernández & Olivia Pérez Monkeyshine” CD release (Ballroom) 1/10- Marc Cohn; Jesse Valenzuela (of the Gin 1/22- Hayley Jane; Giovanina Bucci 1/19- Albert Lee Band Blossoms) 1/23- Taarka 1/24- Deadbeat w/ Guest Mark Karan 1/11- Marc Cohn 1/24- Kemp Harris BLUE OCEAN 1/25- The Fools 1/12- Jon B (Early Show) - 1/12/20 1/25- Les Sampou; Jay Psaros; Julian Rundlett MUSIC HALL 1/13- Chris Mann: Gershwin to Gaga ; Cheikh Lô & Gail Finnie Rundlett Salisbury Beach, MA. -
2014 Fmic Accessories Product Guide
2014 FMIC ACCESSORIES PRODUCT GUIDE 2014 PRODUCT GUIDE | EFFECTIVE JANUARY 1, 2014 LIST PRICE 2014 FMIC Accessories Product Guide Strings .........................................................................................4 Picks ...........................................................................................6 Cables .........................................................................................9 Straps ........................................................................................ 11 Pickups ...................................................................................... 13 Effect Pedals ............................................................................... 19 Stands ....................................................................................... 20 Tuners & Capos ............................................................................ 21 Slides, String Winders & Power Products ............................................. 22 Care Products .............................................................................. 23 Ear Plugs & Mini Amplifiers ............................................................. 25 Cases ........................................................................................ 26 Gig Bags ..................................................................................... 27 Books, Books with CDs & DVDs ......................................................... 28 Pickguards ................................................................................. -
Technical Rider November 2012/ Gearlist
MPC CHANNEL 1 to 10 MONITOR WAY 4 20-23-24 CHANNEL 11-12 BASS AMP CHANNEL 13-15 GUITAR AMP 1 GUITAR AMP2 21-22 CHANNEL 14 SAM KEYB P MONITOR WAY 1 MONITOR WAY 3 MONITOR WAY 2 CHANNEL 17 CHANNEL 19 CHANNEL 18 - STAGE FRONT - CHANNEL INSTRUMENTS MIC/DI 1 BD D-112 2 BD 91 3 SN top -57´er 4 SN bottom -57´er 5 Hi hat Cond. 6 Tom 1 604/SM98 7 Tom 2 604/SM98 8 Tom 3 604/SM98 9 OH Right, cond. 10 OH Left, cond. 11 Bass DI 12 Bass 421 Sennheiser 13 GT 1 57´er 14 GT 2 57´er 15 Lead vocal Beta SM58 16 Vocal Beta SM58 17 Vocal Beta SM58 18 Vocal Beta SM58 19 20 21 22 23 24 TECHNICAL RIDER NOVEMBER 2012/ GEARLIST Mads Brinch Nielsen: (Bassplayer, B.Vox) - Hohner b2a headless bass (usually brought by the band) - Ampeg BA-115 Rasmus Valldorf: (Drummer/B.Vox) - Light, not heavy to carry, drums. Vintage Ludwig, Slingerland, Premier or Similar - BassDrum: 20” or 22” - Snare: 14” - 3*toms: 13”, 14” and 16” ( two ragtoms to be put on snarestands. Floortom with legs, not on stand) - Cymbals (usually brought by the band) - Stands: 3* snare-stands, 3* seperate cymbal-stands, Hi-hat stand, BD-pedal. - Drum-Chair, that goes very VERY high – very tall!!! - Carpet - Cowbell Bjarke Porsmose: (Main.Vox/Guitarist/Keyboard) - Guitaramp:1st choice - Music Man HD-130 (reverb)with a Music Man or VOX Cabinet. 2nd choice - VOX AC30 (greenbacks) - Guitars: One of these - Fender Musicmaster 2. -
Fender Mustang Bass
Version 1.63 Alle Angaben ohne Gewähr! Stand 17.11.2009 1 9 6 6 Geschichte des 1 9 6 9 1 9 7 2 MUSTANG BASS 1 9 719 666 bis 2009 1 9 8 1 ® ® 2 0 0 2 L 45 SERIA 23 ER 81 NUMB S Dies ist kein Produkt der Fender Musical Instruments Corporation, USA oder2 der Fender® Musical Instruments0 GmbH, Deutschland!0 9 Vorwort (Über die Entstehung dieses Nachschlagewerks) Über die meisten Fender Gitarrenserien gibt es ausführliche Bücher, lange Abhandlungen, speziel- le Fan-Websites und sogar spezifische Foren im Internet. Die Geschichte der Fender Short Scale Bässe hingegen, echte Stiefkinder der Fender Familie, wird höchstens am Rande behandelt. Daher wurde es Zeit, diese Geschichte aufzuschreiben; gerade, weil auch viele Falschinformationen kur- sieren und sich bisher niemand intensiv mit den Fender Short Scale Bässen auseinandergesetzt hat.1 Hier nun 7die ErgebnisseF meiner ERecherchenB zur Geschichte6 des Fender8 MustangB Bass. Viel Spaß beim schmökern Andreas Kühn Inhaltsverzeichnis 1 Deckblatt 18 5 Datierung 2 Vorwort + Inhaltsverzeichnis 18 5.1 Chaos, dein Name ist Fender 3 1 Geschichte 18 5.2 Seriennummern 3 1.1 Familienbande 19 5.3 Mustang Bässe 1966 - 1969 4 1.2 Entstehungsgeschichte 19 5.4 Mustang Bässe 1969 - 1972 4 1.3 Baukastenprinzip 20 5.5 Mustang Bässe 1972 - 1976 5 1.4 Produktion 20 5.6 Mustang Bässe 1976 - 1981 5 1.5 Kataloge & Werbung 21 6 Japan Reissues 6 1.6 Künstler 21 6.1 Grundlegende Unterschiede 7 2 Komponenten 22 6.2 MB98-70, -80 , -SD 7 2.1 Body 23 6.3 MB98-75, -85 , -SD/CO 7 2.1.1 Offset Body 23 6.4 Japan Seriennummern -
Basil Henriques the Earlier Method Is So Much More Friendly to Use
The Bear Facts Aloha..... The Tablature "The Girl in the Yellow Holoku" A song supposedly written The Tuners are the old `Lollypop` style and much easier to grip by Webley Edwards (Nov. 11, 1902 – Oct. 5, 1977) that the later `Butterbean` ones. What was obvious was that Lyrics probably by Randy Oness and the tune is taken although slightly weatherbeaten, the guitar hadn’t been used from the traditional melody “Moani Ke Ala" composed by much, as you can see from the picture the machine head gears Queen Lili`uokalani. still have the factory paint seal on the screw, and exhibit no sign Sung by Pua Almeida, but the most famous version is by of wear on the worm gear. Barney and Jules on the Capitol Album “Hawaiian Shores” T-904 1958. They are both playing the C13th tuning and swap back Pictures of the Stringmaster Mk1 and forth in the various sections. Download the track I suppose it actually shows as being played for just a few years from here:- http://www.waikiki-islanders.com/yellow.mp3 then laid up. The Chromework and fretboards are as new, it’s just There is also a backing track to play along with @ :- the paintwork that exhibits a very 1950’s patina, with the odd chip http://www.waikiki-islanders.com/yellowb/t.mp3 more so than wear marks on the body. An Expensive mistake A couple of years ago (Just before my birthday) I bid on a Tri- cone by accident and won the auction.. It WAS a bargain. Well, this year I did the same silly thing, I bid on a guitar just to be ‘in there’ when the auction was over and see who won it.. -
Sound Productions Backline Rentals Production Smaller Dec
BACKLINE RENTALS DRUM KITS PERCUSSION KEYBOARDS GUITARS GUITAR AMPS BASS GUITARS BASS AMPS GUITAR PEDALS & ACCS. DJ EQUIP. WIRELESS EQUIP. MIXING CONSOLES MISC EQUIP. For quotes & inquiries contact Greg Narkewicz at 972.550.0594 or [email protected] DRUM KITS DW Collectors Series Broken Glass Gretsch Renown Maple Pure Maple Kit Silver Sparkle Kicks : 20’’,22’’,24’’ Kick : 22’’ Rack Toms : 8’’.10’’,12’’,13’’,14’’ Rack Toms : 10’’,12’’ Floor Toms : 14’’,16’’,18’’ Floor Toms : 14’’,16’’ Snare : 14’’X6.5’’ Maple Snare : 14x5 Maple DW Collectors Series Curly Maple Ludwig Classic Maple Natural Finish Red Sparkle Kicks: 20’’,22’’,24’’ Kick : 22’’, 24’’ Rack Toms :8’’,10’’,12’’,13’’ Rack Toms : 10’’ , 12’’, 13’’ Floor Toms : 14’’,16’’,18’’ Floor Tom :2x 16’’ Snare: 14x5 Maple Snare : 6.5x14 Atlas-Pro Hardware Pearl Masterworks Red Sparkle Tama Starclassic Kick : 22’’ Cherry Sunburst Rack Toms : 10’’,12’’,13’’ Kick : 22’’ Floor Toms : 14’’,16’’ Rack Toms : 10’’ , 12’’ Snare : 14x6.5 Maple Signature Floor Tom : 16’’ Snare : 14x5’’ Gretsch Renown Maple Dark Brown Kick : 22’’ Yamaha Custom Recording Birch Rack Toms : 10’’,12’’ Black Hanging Floor Toms : 14’’,16’’ Kick : 22’’ Snare : 14x5 Maple Rack Toms : 10’’,12’’,13’’, 14’’ Floor Tom : 16’’ Snare : 14x7 Birch MoreDRUM KITS Yamaha Generic Kit Red Cymbal Brands Kick : 22’’ Zildjian Rack Toms : 12’’,13’’ Sabian Floor Tom : 16’’ Paiste Snare : 14x6.5 Chrome Yamaha Maple Custom Natural Finish Kick : 22’’ Rack Toms : 10’’,12’’,13’’ Hanging Floor Toms : 14’’,16’’ Snare : 14x4 Maple Yamaha Maple Custom Absolute Electric Blue Kicks : 20’’,22’’ Rack Toms : 8’’,10’’,12’’,13’’ Floor Toms : 14’’,16’’,18’’ Snare : 14x5 Maple Additional Snares Yamaha 13x6 Oak Yamaha 13x6 Brass Ludwig 14x6.5 Black Beauty Ludwig 14x5 Black Beauty Pearl 14x3 Brass Free Floater Mapex 13x5 Maple Pearl 10x5 Firecracker PERCUSSION Percussion L.P. -
Boss Gt-100 Amp Effects Processor Training Guide
BOSS GT-100 AMP EFFECTS PROCESSOR TRAINING GUIDE Contents 1. FEATURES 2. QUICK DEMO 3. GOING DEEP 4. FIVE FEATURES TO KNOW and SHOW 5. ACCESSORIES 6. GT-100 AMPS, EFFECTS BOSS GT-100 Training Guide 1. FEATURES The best sounding and easiest to use GT ever! All new incredible high-resolution COSM amp and effect models New dual LCD operating system for supreme ease of use 25 COSM amplifier models including eight all new Advanced amps 9 effects groups: Comp, OD/DS, Preamp, EQ, FX1, FX2, Delay, Chorus, Reverb 21 OD/DS effects, FX1/FX2 each contain 30 effects User customizable Amps, OD/DS Manual Mode instantly turns the GT-100 into a row of simple stompboxes Built in Phrase Looper w/ unlimited overdubs New ACCEL effects provides new real-time tone changes 400 programs: 200 user, 200 preset Built-in assignable Expression and CTL pedal Additional EXP or 2xCTL pedal inputs for more real time control USB-audio interface Built-in chromatic tuner and metronome Tough metal case BOSS GT-100 Training Guide 2. QUICK DEMO The Quick Demo is a way to get a customer interested in a product in less than 60 seconds. Before You Start 1. Connect the MONO (L) Gt. AMP output of the GT-100 to the clean channel of a good amp, such as a Roland JC-120 or other pro quality amp. NOTE: It is very important to use a pro quality guitar amp. Why run a high- end effect through a low-end amp? 2. Set the amp’s tone controls for a flat response. -
Studio Equipment Includes
! Studio equipment includes: 32 track Protools 10HD3 & Logic Pro X 24 channel SSL x-Desk console 2 API 512c mic pres Sontec MEP-250EX dual channel 5 band eq 2 API 550b four band eqs 2 ADM 4 band mic pres/eqs 2 API 560 graphic eqs Chandler TG1 EMI/Abbey Road comp/limiter 2 SSL 611 eqs SSL Al Smart stereo buss compressor 4 Helios 69 eq/mic pres Focusrite Red 3 compressor/limiter 2 Chandler TG2 EMI/Abbey Road mic pres Summit Audio TLA100a limiter 1 Chandler LTD-1 (Neve 1073 clone) mic pre/eq Joe Meek SC2.2 stereo compressor 1 Chandler TG Channel mic pre/eq 2 Empirical Labs EL8x Distressors 2 Quad Eight 312 three band mic pres/eqs Spectrasonic 610 compressor Fender Deluxe Reverb 1x12 combo (black face ’64) Nord Lead 4r Fender Tremolux head (black face ’64) Moog Sub 37 Matchless Chiefain 2x12 combo Korg MS-20 Hiwatt Custom 50 head (’79) Roland JP-08 Traynor MKII Bassmaster head (’69) Akai s5000 & s3200 samplers Mesa Boogie MK-IV preamp Sherman filterbank Marshall 30w greenback 4 x 12 cab Novation bass station Dr. Z 2 x 10 cab Korg Microkorg Line 6 pod pro Roli Blocks & Many sof synths Fender Telecaster (’69) Roland 555 chorus echo Fender Thinline (with humbuckers / ’72 reissue) Furman RV-1 Spring Reverb Epiphone Casino Tube Works Real Tube Stereo Spring Reverb Gretsch 6120 with deAmond (Keith Scott model) Line 6 echo pro Gibson j45 acoustic (’56) Lexicon PCM60 Fender American PJ Bass (2016 Limited Edition) Yamaha REV-7 Fender P-Bass (’56 reissue) Gibson EB3 bass (’69) New and vintage mics: ribbons, tube, dynamics PMC LB1 monitors and large and small diaphragm condensers.