Studio Equipment Includes

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! Studio equipment includes: 32 track Protools 10HD3 & Logic Pro X 24 channel SSL x-Desk console 2 API 512c mic pres Sontec MEP-250EX dual channel 5 band eq 2 API 550b four band eqs 2 ADM 4 band mic pres/eqs 2 API 560 graphic eqs Chandler TG1 EMI/Abbey Road comp/limiter 2 SSL 611 eqs SSL Al Smart stereo buss compressor 4 Helios 69 eq/mic pres Focusrite Red 3 compressor/limiter 2 Chandler TG2 EMI/Abbey Road mic pres Summit Audio TLA100a limiter 1 Chandler LTD-1 (Neve 1073 clone) mic pre/eq Joe Meek SC2.2 stereo compressor 1 Chandler TG Channel mic pre/eq 2 Empirical Labs EL8x Distressors 2 Quad Eight 312 three band mic pres/eqs Spectrasonic 610 compressor Fender Deluxe Reverb 1x12 combo (black face ’64) Nord Lead 4r Fender Tremolux head (black face ’64) Moog Sub 37 Matchless Chiefain 2x12 combo Korg MS-20 Hiwatt Custom 50 head (’79) Roland JP-08 Traynor MKII Bassmaster head (’69) Akai s5000 & s3200 samplers Mesa Boogie MK-IV preamp Sherman ﬁlterbank Marshall 30w greenback 4 x 12 cab Novation bass station Dr. Z 2 x 10 cab Korg Microkorg Line 6 pod pro Roli Blocks & Many sof synths Fender Telecaster (’69) Roland 555 chorus echo Fender Thinline (with humbuckers / ’72 reissue) Furman RV-1 Spring Reverb Epiphone Casino Tube Works Real Tube Stereo Spring Reverb Gretsch 6120 with deAmond (Keith Scott model) Line 6 echo pro Gibson j45 acoustic (’56) Lexicon PCM60 Fender American PJ Bass (2016 Limited Edition) Yamaha REV-7 Fender P-Bass (’56 reissue) Gibson EB3 bass (’69) New and vintage mics: ribbons, tube, dynamics PMC LB1 monitors and large and small diaphragm condensers. Yamaha HS5 monitors Many vintage and new guitar pedals, drums, Quad amps cymbals and percussion. Sony DAT recorder Philips CD burner Many plugins including : altiverb, aether, fab ﬁlter pro-Q, autotune, melodyne, ssl native, waves, slate FG-X , sound toys, pro53, vanguard, massey, PSP, NI komplete 10 ultimate, arturia collection, duy spider & global, valhalla, iZotope, etc. contact: [email protected].

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FAS Amps Models Axe III Ares12.05.Pdf
Nbr PHOTO AXE-FX AMP FW BASED ON AMP DESCRIPTION 1 1959SLP Jump Marshall 1959 SLP 90's Reissue of a late 60’s 100w Marshall Super Lead model 1959. See PLEXI 100W for the Vintage Reissue Series original. Emulates “jumpering the inputs” on a 4-hole amp 2 1959SLP Normal Marshall 1959 SLP Normal channel, dark Vintage Reissue Series and has loads of bass. 3 1959SLP Treble Marshall 1959 SLP Treble channel, boosted Vintage Reissue Series bright tone. 4 1987X Jump Marshall 1987x 90's Reissue of the 50w JMP Lead 1987. Features an “essential” mod to the tonestack of Vintage Reissue Series this Plexi. Emulates “jumpering the inputs” on a 4-hole amp 5 1987X Normal Marshall 1987x Normal channel, dark Vintage Reissue Series and has loads of bass. 6 1987X Treble Marshall 1987x Treble channel, boosted Vintage Reissue Series bright tone. 7 5153 100w Blue EVH 5150 III Blue (medium gain/rhythm) ch. 100w, 6L6. Made in collaboration with Fender. (Blue) 8 5153 100w Green EVH 5150 III Green (clean) ch. (Green) 9 5153 100w Red EVH 5150 III Red (high gain/lead) ch. (Red) 10 5153 50w Blue EVH 5150 III The 50w version has a different input network than the 100w, and as a result has about (Blue) twice the gain 11 59 Bassguy Fender Bassman (5F6-A-Tweed) 1959, Tweed era, 5F6-A circuit, 4x10. Low-to-medium gain amp designed for bass but widely adopted by guitarists. 12 5F1 Tweed Fender Champ (5F1-Tweed) 5F1 circuit (‘58-’64), one volume only, Class A, 5w.
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"Quantum" 5.00 ~ October 22, 2016 Mdprod at &
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PDF, 12 Pages, 11.3 MB
^a^t. '. c'. The Choice of Musicians Everywhere ^ r7A A •2»4 K2^- ^"<l<-^x ^"^.^ f ,»<»\ '--,.-„ A^./^ /"'^ ^y ''"'/^.' '".. '\' '>. -1\. ^. ''^"'^//^'^-...;: ^ >/- ^ ^' '•-*^ "^ ^ M. t^» <a ^ / \ I I' I V INSTRUMENTS ARE THE TOTAL OF THEIR QUALITY PARTS ^ ^ss^ <"; >1 II -—<=- ^ ^ taniNwuu—1 COVER NOTES: The micro-photographs on our cover easily identify the quality details 19S5-BS of Fender Guitars. Select hardwoods, heavily f&H€&^ chrome-plated parts and precision machining and fabrication make these instruments durable, beautiful and easier to play. A Adjustable pickup, Fender Mute and adjust- able bridge .. .Jaguar Guitar. B Chrome.plated patent heads and posts A B mounted on the famous Fender neck. Straight string pull adds to ease of tuning. C Tone selector switches on the Jaguar Guitar. D Truss'rod adjustment nut found on all Fender Guitars. Assures true neck alignment. QUALITY . ...,--. ..... -.-, E The popular Fender Jaguar "Floating c Tremolo " The base of the Tremolo arm attaches D at the Tremolo unit between the first and see- ond strings and swivels out of the way when desired. F The patented "Barrel-bridge" design found E F G on the new 12 String Guitar. G Fender fret boards are of select rosewood. Simple position marks of white pearlette set off this precision, fast-action neck. FENDER JAGUAR The Jaguar presents an exciting concept in the field of solid-body guitars. The neck of the Jaguar is a short 24" scale containing 22 frets, and may be ordered with a size narrower or one of two sizes wider than standard neck width at the nut. A new "Fender First" in the Jaguar is the Fender Mute.
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