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Mos Def The Ecstatic mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Ecstatic Country: Europe Released: 2009 Style: Conscious MP3 version RAR size: 1654 mb FLAC version RAR size: 1173 mb WMA version RAR size: 1280 mb Rating: 4.3 Votes: 549 Other Formats: MMF APE DMF VOX MP4 AAC FLAC Tracklist Hide Credits Supermagic 1 –Mos Def 2:33 Producer [Uncredited] – Oh No Twilite Speedball 2 –Mos Def Co-producer [Keyboards, Synthesizer] – Mos DefProducer 3:03 [Uncredited] – Chad Hugo Auditorium 3 –Mos Def 4:34 Arranged By – Mos DefRap [Featuring] – The Ruler 4 –Mos Def Wahid 1:40 5 –Mos Def Priority 1:23 6 –Mos Def Quiet Dog Bite Hard 2:57 7 –Mos Def Life In Marvelous Times 3:42 8 –Mos Def The Embassy 2:46 9 –Mos Def No Hay Nada Mas 1:42 Pistola 10 –Mos Def 3:03 Producer [Uncredited] – Oh No 11 –Mos Def Pretty Dancer 3:31 12 –Mos Def Worker's Comp. 2:03 13 –Mos Def Revelations 2:04 Roses 14 –Georgia Anne Muldrow Performer [All Instruments] – Georgia Anne MuldrowProducer 3:41 [Uncredited] – Georgia Anne MuldrowRap [Featuring] – Mos Def History 15 –Mos Def 2:21 Producer [Uncredited] – J DillaRap [Featuring] – Kweli* Casa Bey 16 –Mos Def 4:32 Producer [Uncredited] – Mos Def Credits Producer [Uncredited] – Madlib (tracks: 3, 4, 11, 13), Mr. Flash (tracks: 7, 8, 12), Preservation (tracks: 5, 6, 9) Other versions Category Artist Title (Format) Label Category Country Year The Ecstatic (CD, Downtown DWT70055 Mos Def DWT70055 US 2009 Album) Music Australia & The Ecstatic (CD, Downtown DWT009 Mos Def DWT009 New 2009 Album) Music Zealand The Ecstatic (CD, Downtown 460502670238 Mos Def 460502670238 Russia 2009 Album) Records The Ecstatic (CD, Downtown VVR706844 Mos Def VVR706844 Europe Unknown Album, RE) Music The Ecstatic (CD, Downtown VVR706844P Mos Def Album, Promo, VVR706844P Europe 2009 Music Car) Related Music albums to The Ecstatic by Mos Def Wise Guys - Klartext Young Thug - I'm Up The Creeping Nobodies - Dragging The Muck From The Outside Inside Clayton McMichen's Georgia Wildcats - Little Darling, I'll Be Yours / Rose Of Shenandoah Valley Georgia Yellow Hammers - Pass Around The Bottle / Johnson's Old Grey Mule The Georgia Crackers - The Coon From Tennessee / Diamond Joe Ju - I'm Up Georgia Yellow Hammers - Peaches Down In Georgia / White Lightning Nana - The Black Rhapsody Treehouse - Ana Quavo - ATL Fiddlin' Jim Burke - The Devil In Georgia / Rocky Mountain Goat.

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An Autoethnography of Scottish Hip-Hop: Identity, Locality, Outsiderdom and Social Commentary
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository@Napier An autoethnography of Scottish hip-hop: identity, locality, outsiderdom and social commentary Dave Hook A thesis submitted in partial fulfilment of the requirements of Edinburgh Napier University, for the award of Doctor of Philosophy June 2018 Declaration This critical appraisal is the result of my own work and includes nothing that is the outcome of work done in collaboration except where specifically indicated in the text. It has not been previously submitted, in part or whole, to any university or institution for any degree, diploma, or other qualification. Signed:_________________________________________________________ Date:______5th June 2018 ________________________________________ Dave Hook BA PGCert FHEA Edinburgh i Abstract The published works that form the basis of this PhD are a selection of hip-hop songs written over a period of six years between 2010 and 2015. The lyrics for these pieces are all written by the author and performed with hip-hop group Stanley Odd. The songs have been recorded and commercially released by a number of independent record labels (Circular Records, Handsome Tramp Records and A Modern Way Recordings) with worldwide digital distribution licensed to Fine Tunes, and physical sales through Proper Music Distribution. Considering the poetics of Scottish hip-hop, the accompanying critical reflection is an autoethnographic study, focused on rap lyricism, identity and performance. The significance of the writing lies in how the pieces collectively explore notions of identity, ‘outsiderdom’, politics and society in a Scottish context. Further to this, the pieces are noteworthy in their interpretation of US hip-hop frameworks and structures, adapted and reworked through Scottish culture, dialect and perspective.
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