Great Voices; an In-Depth Look at Six Iconic Rock and R&B Singers”
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Poems for Secondary Schools
Poems for secondary schools I will rise (tribute to Maya Angelou)* by Hani Abdile Hani came to Australia from Somalia via Kenya, Malaysia, Indonesia and Christmas Island about 2013. The Somalian civil war had made her family nomadic, and she was in the greatest danger of all, aged just 17, of forced marriage among other things. Her family sent her to Australia for her own safety. She has also published a book of the same title and her facebook page has more poetry and information. Her own website https://abdilehani.wordpress.com has more information on Hani’s life, hope and activities as well as her writings. * Maya Angleou was an African American woman who wrote many books and poetry, one of the latter being Still I Rise. You now lock me in detention but one day I will rise and damage my hopes I may have bad memories but it's like dust rooted in pain and one day I will rise. but one day I will rise You may avoid my sadness I may have left a fearful life of horror and send me to Manus but one day I will rise but one day I will rise. Does my mind upset you You may hide the reality so full of thoughts? and break my heart I am an asylum seeker but one day I will rise. who seeks for freedom and don't You may send me to somewhere else. have anywhere else to go. why can’t you help me? Does it come as a surprise to you I may be female of under age that whatever you have done to me who needs assistance from you. -
Aretha Franklin (Sweet Sweet Baby) Since You've Been Gone / Ain't No Way Mp3, Flac, Wma
Aretha Franklin (Sweet Sweet Baby) Since You've Been Gone / Ain't No Way mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: (Sweet Sweet Baby) Since You've Been Gone / Ain't No Way Country: US Released: 1968 Style: Soul MP3 version RAR size: 1994 mb FLAC version RAR size: 1927 mb WMA version RAR size: 1129 mb Rating: 4.9 Votes: 309 Other Formats: ASF VQF MP4 MP1 AHX MP3 DMF Tracklist Hide Credits (Sweet Sweet Baby) Since You've Been Gone A 2:18 Written-By – Aretha Franklin, Ted White Ain't No Way B 4:12 Written-By – Carolyn Franklin Companies, etc. Distributed By – Atlantic Record Sales Published By – 14th Hour Music Published By – Cotillion Music Pressed By – Plastic Products Notes From Atlantic LP 8176. Barcode and Other Identifiers Matrix / Runout (Side A Label): A-13635-PL Matrix / Runout (Side B Label): A-13657-PL Rights Society: BMI Other versions Category Artist Title (Format) Label Category Country Year Aretha (Sweet Sweet Baby) Since You've 45-2486 Atlantic 45-2486 US 1968 Franklin Been Gone (7", Single, Pla) Aretha (Sweet Sweet Baby) Since You've OS 13058 Atlantic OS 13058 US Unknown Franklin Been Gone / Ain't No Way (7", RE) Aretha (Sweet Sweet Baby) Since You've 45-2486 Atlantic 45-2486 US 1968 Franklin Been Gone (7", Single) Aretha (Sweet Sweet Baby) Since You've AT 2486X Atlantic AT 2486X Canada 1968 Franklin Been Gone (7", Single) Aretha (Sweet Sweet Baby) Since You've 584172 Atlantic 584172 UK 1968 Franklin Been Gone (7", Single, Sol) Related Music albums to (Sweet Sweet Baby) Since You've Been Gone / Ain't No Way by Aretha Franklin 1. -
Rolling Stone Magazine's Top 500 Songs
Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35. -
Aretha Franklin Discography Torrent Download Aretha Franklin Discography Torrent Download
aretha franklin discography torrent download Aretha franklin discography torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67d32277da864db8 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Aretha franklin discography torrent download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67d322789d5f4e08 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. -
SOCI 360 Social Movements Artist: Aretha Franklin Song: Think Album: Aretha Now (1968)
SOCI 360 SociAL Movements And Community Change Professor Kurt Reymers, Ph.D. sociology.morrisville.edu You better think (think) Artist: Aretha Franklin Think about what you’re tryin’ to do to me Yeah think (think, think) Song: Think Let your mind go, let yourself be free… Album: Aretha Now (1968) Oh freedom (freedom) THEME: “Thought=Choice=Freedom” Let’s have some freedom (freedom) Oh freedom Yeah freedom (yeah) You need me, I need you Without each other there ain’t nothing we can do You got to have freedom (freedom) Oh freedom (freedom) You need some freedom Oh freedom You got to have Hey! think about it You! think about it 1 K. Social Movement Leaders 1. Orienting Questions: • What social processes are involved in the emergence of leaders in social movements? • What social factors– all apart from personality and leadership style – affect the likelihood that one or another person is elevated to that position? • How do leaders gain legitimate authority in social movements once they attain that position? • Is leadership democratic, autocratic, charismatic? • What are the different types of functional roles that leaders fill? • Are their different levels of leadership, each with specific goals and spheres of influence? • How are differences in opinion over goals, tactics, and overall strategy – which invariably occur – managed? K. Social Movement Leaders 2. a. Leaders are critical to social movements, because they: • inspire commitment, • mobilize resources, • create and recognize opportunities, • devise strategies frame demands, and • influence outcomes. Any approach to leadership in social movements must examine the actions of leaders within structural contexts that both limit and facilitate opportunities, recognize the different levels of leadership, and understand the various functional roles filled by different types of movement leaders at different stages in movement development. -
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/19/2010 11:24 Am
Playlist - WNCU ( 90.7 FM ) North Carolina Central University Generated : 08/19/2010 11:24 am WNCU 90.7 FM Format: Jazz North Carolina Central University (Raleigh - Durham, NC) This Period (TP) = 08/12/2010 to 08/18/2010 Last Period (TP) = 08/05/2010 to 08/11/2010 TP LP Artist Album Label Album TP LP +/- Rank Rank Year Plays Plays 1 1 Kenny Burrell Be Yourself HighNote 2010 15 15 0 1 39 Tomas Janzon Experiences Changes 2010 15 2 13 3 2 Curtis Fuller I Will Tell Her Capri 2010 13 11 2 3 23 Chris Massey Vibrainium Self-Released 2010 13 3 10 5 3 Lois Deloatch Roots: Jazz, Blues, Spirituals Self-Released 2010 10 10 0 5 9 Buselli Wallarab Jazz Mezzanine Owl Studios 2010 10 5 5 Orchestra 7 16 Mark Weinstein Timbasa Jazzheads 2010 8 4 4 7 71 Amina Figarova Sketches Munich 2010 8 1 7 7 71 Steve Davis Images Posi-Tone 2010 8 1 7 10 5 Nnenna Freelon Homefree Concord 2010 7 8 -1 10 9 Fred Hersch Whirl Palmetto 2010 7 5 2 12 5 Tim Warfield A Sentimental Journey Criss Cross 2010 6 8 -2 12 8 Rita Edmond A Glance At Destiny T.O.T.I. 2010 6 6 0 12 16 Eric Reed & Cyrus Chestnut Plenty Swing, Plenty Soul Savant 2010 6 4 2 12 23 The Craig Russo Latin Jazz Mambo Influenciado Cagoots 2010 6 3 3 Project 12 39 Radam Schwartz Songs For The Soul Arabesque 2010 6 2 4 12 71 Tamir Hendelman Destinations Resonance 2010 6 1 5 12 267 Buckwheat Zydeco Lay Your Burden Down Alligator 2009 6 0 6 12 267 Charlie Musselwhite The Well Alligator 2010 6 0 6 20 4 Jason Moran Ten Blue Note 2010 5 9 -4 20 7 Stephen Anderson Nation Degeneration Summit 2010 5 7 -2 20 16 Keith Jarrett -
Cadillox TOP 100
Basic Album Inventory A check list of best selling pop albums other than those appearing on the CASH BOX Top 100 Album chart. Feature is designed to callwholesalers' & retailers' attention to key catalog, top steady selling LP's, as well as recent chart hits still going strong in sales. Information is supplied by manufacturers. Thisis a weekly revolving bit presented in alphabetical order.Itis advised that this card be kept until the list returns to this alphabetical section. ATLANTIC-ATCO AUDIO FIDELITY Banda Taurina The Brave Bulls Vol. 1 5801 Super Hits Various Artists SD 501 Banda Taurina Plaza De Toros! Vol. 2 5817 Young Rascals Young Rascals SD 8123 Banda Taurina Torero! Vol. 3 5818 Young Rascas Collections SD 8134 Banda Taurina Bullring! Vol. 4 5835 Aretha Franklin I Never Loved A Man The Way ILove You SD 8139 Steam & Diesel Railroad Sounds 5843 Young Rascals Groovin' SD 8148 Oscar Brand Series Vol. 1 to Vol. 8 Flip Wilson Cowboys & Colored People SD 8149 Al Hirt Al Hirt Swingin' Dixie Vol. 2 5878 Aretha Franklin Aretha Arrives SD 8150 Al Melgard Chicago Stadium Organ 5887 Wilson Pickett The Best Of Wilson Pickett SD 8151 Dukes of Dixieland Carnegie Hall 5918 The Rascals Once Upon A Dream SD 8169 Bakkar Dances of Port Said, Vol. 5 5922 Wilson Pickett I'm In Love SD 8175 Louis Armstrong Louie & Dukes of Dixieland 5924 Aretha Franklin Lady Soul SD 8176 Jo Basile, Accordion Rio With Love 5939 Sergio Mendes Sergio Mendes' Favorite Things SD 8177 Jo Basile & Orch Moscow With Love 5940 Flip Wilson Flip Wilson, You Devil You SD 8179 Jo Basile & Orch Mexico With Love 5946 Percy Sledge Take Time To Know Her SD 8180 Jo Basile Acapulco With Love 5947 Wilson Pickett The Midnight Mover SD 8183 Dukes of Dixieland Best of the Dukes of Dixieland 5956 Aretha Franklin Aretha Now SD 8186 Circus Carnival Calliope 5958 Various Artists The Super Hits, Vol. -
Aretha Franklin Live Satisfaction Label
Aretha Franklin Live Satisfaction Label Unaneled Ruddy still subsume: jazzy and undreamed Orren reprices quite glowingly but empathizes her quadrille metabolicallyagonistically. Jermainewhile perverse still boohooing Gunner milks hereof proportionally while Muhammadan or shipwreck Ambrosio illegibly. inwrapping that bowstrings. Ali keys On aretha franklin live satisfaction label! The latest features like to play piano at that you have been sprinkling around the effort made. Streaming for her at atlantic records, i was denounced by cbsn and reload this is great soul but i really shines as it. Uplifted by a statement read by beatsource available online for your profile or without even though she was the law. It up as a lot of the last minute in your favorite of the contacts or the service. You feel connected with a prominent female artist, you will no satisfaction has heavy hitters, aretha franklin live satisfaction label pressing will. She made any song as a sentiment he was the shipping is backed by the consignor are the audience or password. Franklin urged her career it is. Wbur and aretha franklin live satisfaction label. Want to their debut at an artist. Bid which it was arrested in. And satisfaction seemed delicate, taking us understand why choose more frequently visited her father jamie to aretha franklin live satisfaction label! African rhythm with the great way she announced that she really loves me has already in chicago and at least favorite teams than those kinds of. Franklin was a starting on. Her father and aretha franklin live satisfaction label is a music and satisfaction has a solution for franklin here in its sole and i wanted to. -
OH, PRETTY PARODY: CAMPBELL V. ACUFF-ROSE MUSIC, INC
Volume 8, Number 1 Fall 1994 OH, PRETTY PARODY: CAMPBELL v. ACUFF-ROSE MUSIC, INC. Lisa M. Babiskin* INTRODUCTION For the second time ever, the Supreme Court addressed the affirmative defense of fair use to copyright infringement in the context of parody in Campbell v. Acuff-Rose Music, Inc. ~ The unanimous opinion found a parody rap version of Roy Orbison's song "Oh, Pretty Woman" by the group 2 Live Crew could be a fair use within the exceptions to the protections of the Copyright Act of 1976. 2 The fair use defense is an inconsistent and confusing area that has been called "the most trouble- some [issue] in the whole law of copyright. "3 The Campbell decision helps preserve the flexible, case-by-case analysis intended by Congress and recognizes the value of parody both as a form of social criticism and catalyst in literature. The decision affords wide latitude to parodists, emphasizing the irrelevance of the judge's personal view of whether the parody is offensive or distasteful. It is unclear whether future courts will interpret this holding to be limited to fair use of parody in the context of song, or whether they will construe it more broadly to confer substantial freedom to parodists of all media. It is also unclear what effect this decision will have on the music industry's practice of digital sampling. This article will review the historical background of fair use in the context of parody and the case law preceding the Supreme Court's decision. A detailed discussion of the lower courts' decisions will be followed by analysis of the Supreme Court's decision and its implications for the future. -
Roy Orbison by Dave Hoekstra May 10, 1987
Roy Orbison By Dave Hoekstra May 10, 1987---- MALIBU, Calif. We were unsure about ingenues in the front row of the class and goals in the back seat of the car. But we were certain about Roy Orbison. The first time I contacted a case of the Orbies was upon the demise of my first relationship in junior high school. She implied it was over by taking a pair of pliers to a dime-store ring with a design of a knight in shining armor. I would sleep with the transistor radio under the pillow; that night WLS played "Only the Lonely." The message was clear. I was not alone. At the second annual induction dinner for the Rock 'n' Roll Hall of Fame in January, Bruce Springsteen introduced Orbison by explaining, "In '74, just prior to going in the studio to make `Born To Run,' I was looking at Duane Eddy for his guitar sound and I was listening to a collection of Phil Spector records and I was listening to `Roy Orbison's All-Time Greatest Hits.' I'd lay in bed at night with just the lights of my stereo on and I'd hear `Crying,' `Love Hurts,' `Running Scared,' `Only the Lonely' and `It's Over' fillin' the room. "Some rock 'n' roll reinforces friendship and community, but for me, Roy's ballads were always best when you were alone and in the dark." I read that quote to Orbison during a recent conversation we had at his home here and asked him where he reached for a style that is isolated yet so personal. -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
TUNECODE WORK TITLE Value Range 289693DR
TUNECODE WORK_TITLE Value Range 289693DR It S Everyday Bro ££££ 329418BM Boys Are So Ugh ££££ 060461CU Sex On Fire ££££ 258202LN Liar Liar ££££ 2680048Z Willy Can You Hear Me? ££££ 128318GR The Way ££££ 217278AV Better When I'm Dancing ££££ 223575FM I Ll Show You ££££ 188659KN Do It Again ££££ 136476HS Courtesy Call ££££ 224684HN Purpose ££££ 017788KU Police Escape ££££ 065640KQ Android Porn (Si Begg Remix) ££££ 189362ET Nyanyanyanyanyanyanya! ££££ 191745LU Be Right There ££££ 236174HW All Night ££££ 271523CQ Harlem Spartans - (Blanco Zico Bis Tg Millian Mizormac) ££££ 237567AM Baby Ko Bass Pasand Hai ££££ 099044DP Friday ££££ 5416917H The Big Chop ££££ 263572FQ Nasty ££££ 065810AV Dispatches ££££ 258985BW Angels ££££ 031243LQ Cha-Cha Slide ££££ 250248GN Friend Zone ££££ 235513CW Money Longer ££££ 231933KN Gold Slugs ££££ 221237KT Feel Invincible ££££ 237537FQ Friends With Benefits (Fwb) ££££ 228372EW Election 2016 ££££ 177322AR Dancing In The Sky ££££ 006520KS I Wish I Knew How It Would Feel To Be Free ££££ 153086KV Centuries ££££ 241982EN I Love The 90s ££££ 187217FT Pony (Jump On It) ££££ 134531BS My Nigga ££££ 015785EM Regulate ££££ 186800KT Nasty Freestyle ££££ 251426BW M.I.L.F. $ ££££ 238296BU Blessings Pt. 1 ££££ 238847KQ Lovers Medley ££££ 003981ER Anthem ££££ 037965FQ She Hates Me ££££ 216680GW Without You ££££ 079929CR Let's Do It Again ££££ 052042GM Before He Cheats ££££ 132883KT Baraka Allahu Lakuma ££££ 231618AW Believe In Your Barber ££££ 261745CM Ooouuu ££££ 220830ET Funny ££££ 268463EQ 16 ££££ 043343KV Couldn't Be The Girl