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{FREE} Journal Oversized Almond Blossom
JOURNAL OVERSIZED ALMOND BLOSSOM PDF, EPUB, EBOOK Peter Pauper Press,Vincent Van Gogh | 192 pages | 01 Jul 2010 | Peter Pauper Press Inc,US | 9781441303578 | English | White Plains, United States Almond Blossom Journal | Heart of the Home PA The works reflect the influence of Impressionism, Divisionism, and Japanese woodcuts. Almond Blossom was made to celebrate the birth of his nephew and namesake, son of his brother Theo and sister-in-law Jo. Now you can enjoy Almond Blossom on a daily basis. Well not all of it! To put this rectangular painting roughly 4x3 on products, we use as much of the painting as we can on each product. So for a square product like the shower curtain - we use a 3x3 rectangle - which cuts off a little of the sides - but is still very much Apple Blossoms For other products such as the wristlet a wide 4x1 rectangle - you get a small slice of the painting. Browse our system to see the full collection. If you are looking for something and do not find it, please contact us and we will do our best to meet your needs. As always with YouCustomizeIt, you can change anything about this design patterns, colors, graphics, etc. Our design library is loaded with options for you to choose from, or you can upload your own. Need Help? We could all benefit from a good, robust notebook at some point in our lives. These hardcover journals, are built to last and are the perfect means of storing your lists, thoughts, and notes. The hardcover of this personalized journal is covered with a smooth, matte, laminate coating. -
Vincent Van Gogh
Vincent Van Gogh (1853 – 1890) 19th century Netherlands and France Post-Impressionist Painter Vincent Van Gogh (Vin-CENT Van-GOKT??? [see page 2]) Post-Impressionist Painter Post-Impressionism Period/Style of Art B: 30 March 1853, Zundert, Netherlands D 29 July, 1890. Auvers-sur-Oise, France Van Gogh was the oldest surviving son born into a family of preacher and art dealers. When Vincent was young, he went to school, but, unhappy with the quality of education he received, his parents hired a governess for all six of their children. Scotswoman Anna Birnie was the daughter of an artist and was likely Van Gogh’s first formal art tutor. Some of our earliest sketches of Van Gogh’s come from this time. After school, Vincent wanted to be a preacher, like his father and grandfather. He studied for seminary with an uncle, Reverend Stricker, but failed the entrance exam. Later, he also proposed marriage to Uncle Stricker’s daughter…she refused (“No, nay, never!”) Next, as a missionary, Van Gogh was sent to a mining community, where he was appalled at the desperate condition these families lived in. He gave away most of the things he owned (including food and most of his clothes) to help them. His bosses said he was “over-zealous” for doing this, and ultimately fired him because he was not eloquent enough when he preached! Then, he tried being an art dealer under another uncle, Uncle Vincent (known as “Cent” in the family.) Vincent worked in Uncle Cent’s dealership for four years, until he seemed to lose interest, and left. -
Van Gogh (Worksheet) Task 1 Warm-Up
Van Gogh (worksheet) Task 1 Warm-up Discuss the questions: Do you like fine art? Do you know Van Gogh? What is he famous for? Do you know any of his pictures? Can you paint? Pictures taken from pexels.com Created by Diliara Kashapova for Skyteach, 2020 © Activity 2 Works of art Take a look at Van Gogh’s pieces of art, describe what you see, try to guess their names: Which one do you like the most? Pictures taken from pexels.com Created by Diliara Kashapova for Skyteach, 2020 © Activity 3 Van Gogh’s biography Look at these facts about Van Gogh. Which of them are new for you? Read his biography and mark the sentences True or False. Pictures taken from pexels.com Created by Diliara Kashapova for Skyteach, 2020 © Activity 3 Van Gogh’s biography Vincent van Gogh was one of the world’s greatest artists, with paintings such as ‘Starry Night’ and ‘Sunflowers,’ though he was unknown until after his death. Vincent van Gogh was a post-Impressionist painter whose work — notable for its beauty, emotion and color — highly influenced 20th-century art. He struggled with mental illness and remained poor and virtually unknown throughout his life. Van Gogh was born on March 30, 1853, in Groot-Zundert, Netherlands. Van Gogh’s father, Theodorus van Gogh, was an austere country minister, and his mother, Anna Cornelia Carbentus, was a moody artist whose love of nature, drawing and watercolors was transferred to her son. At age 15, van Gogh's family was struggling financially, and he was forced to leave school and go to work. -
Teen Study Guide and Extension Activities
“Well, then, what can I say: does what goes on inside, show on the outside?” -Vincent to Theo, June 1880 Vincent van Gogh is among the world’s most famous artists, known for his vibrating colors, thick, encrusted paint, exhilarating brushstrokes and very brief career. In a mere ten years he managed to create an astonishing 900 paintings and 1000 drawings! The art he suffered to create tried to answer the introspective question he put forth in a letter from 1880, “does what goes on inside, show on the outside?” Born in The Netherlands on March 30, 1853, he never knew fame for his art while he was alive. Neither did he know prosperity or much peace during his frenetic life. Vincent was known to be emotionally intense, highly intelligent and socially awkward from the time he was a young boy, and though he never married, he had a deep and driving desire to connect with others. Unfortunately, he was unable to maintain most of his relationships due to his argumentative, obsessive nature and bouts of depression. But it was a divided temperament Vincent possessed - disagreeable, melancholy and zealous on one hand; sensitive, observant and gifted on the other. His beloved brother Theo thought that he had “two different beings in him” and that Vincent often made his life “difficult not only for others, but also for himself.” This disconnect was obviously painful to Vincent, as he once compared himself to a hearth - as someone who “has a great fire in his soul and nobody ever comes to warm themselves at it, and passers-by see nothing but a little smoke at the top of the chimney and then go on their way.” It was this friction of selves that created a lonely lifetime of seeking - for home, family, truth, balance and acceptance, which he ultimately never found. -
The Evolution of Landscape in Venetian Painting, 1475-1525
THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 by James Reynolds Jewitt BA in Art History, Hartwick College, 2006 BA in English, Hartwick College, 2006 MA, University of Pittsburgh, 2009 Submitted to the Graduate Faculty of The Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2014 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by James Reynolds Jewitt It was defended on April 7, 2014 and approved by C. Drew Armstrong, Associate Professor, History of Art and Architecture Kirk Savage, Professor, History of Art and Architecture Jennifer Waldron, Associate Professor, Department of English Dissertation Advisor: Ann Sutherland Harris, Professor Emerita, History of Art and Architecture ii Copyright © by James Reynolds Jewitt 2014 iii THE EVOLUTION OF LANDSCAPE IN VENETIAN PAINTING, 1475-1525 James R. Jewitt, PhD University of Pittsburgh, 2014 Landscape painting assumed a new prominence in Venetian painting between the late fifteenth to early sixteenth century: this study aims to understand why and how this happened. It begins by redefining the conception of landscape in Renaissance Italy and then examines several ambitious easel paintings produced by major Venetian painters, beginning with Giovanni Bellini’s (c.1431- 36-1516) St. Francis in the Desert (c.1475), that give landscape a far more significant role than previously seen in comparable commissions by their peers, or even in their own work. After an introductory chapter reconsidering all previous hypotheses regarding Venetian painters’ reputations as accomplished landscape painters, it is divided into four chronologically arranged case study chapters. -
Show Lists to Post.Xlsx
Show 1, Friday, May 31 Show #1 / FRIDAY, MAY 31 @ 6:00PM Class / Teacher Class time &StuDio Scene 1: Abstract Ridge or Fleetwood 1 Sphynx Cat ~ Michael Creese Jazz 18 / Michelle Mon 6:30 / RDG 2 1024 Colours ~ Gerhard Richter Lyrical 3 / Sabrina Tues 4:15 / F 3 La Sainte Famille ~ Marc Chagall Jazz 19 / Michelle Wed 7:00 / RDG 4 Movement in Squares~ Bridget Riley Jazz 6 / Michelle Thurs 7:00 / F 5 Cathedral ~ Jackson Pollock Lyrical 6 / Sabrina Thurs 4:30 / RDG 6 Blue and Green Music ~ Georgia O'Keefe Jazz 9 / Kelsey Wed 7:45 / F 7 Colour Streaks ~ Gerhard Richter Grade 8 / Carly Wed & Thurs / F 8 Swing Dance - Diane Di Bernardino Sanborn Tap 3 / Michelle Tues 4:45 / F 9 Separation in the Evening ~ Paul Klee Grade 6 / Megan Wed & Thurs / F 10 Flowers of Fire - Georgia O'Keefe Advanced 2 / Sarah Mon & Thurs / RDG 11 Dogs Playing Poker ~ Cassius Coolidge Jazz 20 / Jaime Wed 7:15 / R 12 Eclipse Chromatic No 1 ~Martha Boto Jazz 10/ Sabrina Tues 5:45 / F Scene 2: Street / Graffiti Art 13 There's Always Hope ~ Banksy Lyrical 4 / Sabrina Tues 8:00 / F 14 Baby Steps ~ Joe Iurato Hip Hop 1 / AJ Tues 3:45 / RDG 15 Be Someone that Makes You Happy ~ Banksy Lyrical 7 / Sabrina Thurs 6:30 / RDG 16 Monkey ~ Banksy Hip Hop 3 / AJ Mon 5:30 / F 17 Ballerina ~ Blekle Rat Inter Found / Jessica & Heather Mon & Wed / F 18 Mr. Brainwash Hip Hop 5 / AJ Mon 7:30 / F 19 Flower Thrower ~ Banksy Contemp Senior / Lauren Tues 5:15 / RDG Scene 3: Expressionism 20 Mystic River ~ Lyonel Feininger Teen Ballet / Lauren Mon 8:00 / RDG 21 Ile-de-France ~ Marie Laurencin -
Pellucid Paper by Adam Wickberg
PELLUCID PAPER BY ADAM WICKBERG Pellucid Paper Bureaucratic Media And Poetry In Early Modern Spain Technographies Series Editors: Steven Connor, David Trotter and James Purdon How was it that technology and writing came to inform each other so exten- sively that today there is only information? Technographies seeks to answer that question by putting the emphasis on writing as an answer to the large question of ‘through what?’. Writing about technographies in history, our con- tributors will themselves write technographically. Pellucid Paper Bureaucratic Media And Poetry In Early Modern Spain Adam Wickberg OPEN HUMANITIES PRESS London 2018 First edition published by Open Humanities Press 2018 Copyright © 2018 Adam Wickberg This is an open access book, licensed under Creative Commons By Attribution Share Alike license. Under this license, authors allow anyone to download, reuse, reprint, modify, distribute, and/or copy their work so long as the authors and source are cited and resulting derivative works are licensed under the same or simi- lar license. No permission is required from the authors or the publisher. Statutory fair use and other rights are in no way affected by the above. Read more about the license at creativecommons.org/licenses/by-sa/4.0 Freely available at: http://www.openhumanitiespress.org/books/titles/pellucid-paper/ Cover Art, figures, and other media included with this book may be under different copyright restrictions. Cover Illustration © 2018 Navine G. Khan-Dossos Print ISBN 978-1-78542-054-2 PDF ISBN 978-1-78542-055-9 OPEN HUMANITIES PRESS Open Humanities Press is an international, scholar-led open access publishing collective whose mission is to make leading works of contemporary critical thought freely available worldwide. -
Van Gogh Museum Journal 1997-1998
Van Gogh Museum Journal 1997-1998 bron Van Gogh Museum Journal 1997-1998. Waanders, Zwolle 1998 Zie voor verantwoording: http://www.dbnl.org/tekst/_van012199701_01/colofon.php © 2012 dbnl / Rijksmuseum Vincent Van Gogh 7 Director's foreword This is an exciting period for the Van Gogh Museum. At the time of publication, the museum is building a new wing for temporary exhibitions and is engaged in a project to renovate its existing building. After eight months, during which the museum will be completely closed to the public (from 1 September 1998), the new wing and the renovation are to be completed and ready for opening in May 1999. The original museum building, designed by Gerrit Rietveld and his partners, requires extensive refurbishment. Numerous improvements will be made to the fabric of the building and the worn-out installations for climate control will be replaced. A whole range of facilities will be up-graded so that the museum can offer a better service to its growing numbers of visitors. Plans have been laid for housing the collection during the period of closure, and thanks to the co-operation of our neighbours in the Rijksmuseum, visitors to Amsterdam will not be deprived of seeing a great display of works by Van Gogh. A representative selection from the collection will be on show in the South Wing of the Rijksmuseum from mid-September 1998 until early April 1999. In addition, a group of works will be lent to the Rijksmuseum Twenthe in Enschede. We have also taken this opportunity to lend an important exhibition to the United States. -
Vincent Van Gogh Is One of the Most Famous Artists Who Ever Lived. He Is
Vincent van Gogh is one of the most famous artists who ever lived. He is known for his colorful, thick paintings, of which he created around 900 of in just ten years! Unfortunately, even with so many paintings that are popular today, he never became famous or earned any money from his art when he was still alive. In fact, he only ever sold one painting in his lifetime, The Red Vineyard. At the time, his paintings were too expressive, which means they had too much emotion and did not look very real to the audience, so people didn’t like them as much. But this was Vincent’s goal - not to paint things like a photograph, but to show what he saw through his eyes, with his own artistic style. He tried to balance what something actually looked like on the outside, with his interpretation, or understanding, of it on the inside - like when he painted his bedroom. You see a bed, window and chair, but they are painted in vibrant colors and in a way that makes the objects feel more exciting and personal than they are in real life. In fact, Vincent looked for balance between what was real and what was inside his mind his whole life. He felt emotions strongly, was smart, and a gifted artist, but he was also awkward, rude and unhappy. His moods and behaviors were often at the extremes - too gloomy, too grouchy and too low (like how he felt when he painted a self-portrait during his sad days) or too excitable, too energetic and too high (like in his joyful Sunflowers painting). -
Bartolomeo Maranta's 'Discourse' on Titian's Annunciation in Naples: Introduction1
Bartolomeo Maranta’s ‘Discourse’ on Titian’s Annunciation in Naples: introduction1 Luba Freedman Figure 1 Titian, The Annunciation, c. 1562. Oil on canvas, 280 x 193.5 cm. Naples: Museo Nazionale di Capodimonte (on temporary loan). Scala/Ministero per i Beni e le Attività culturali/Art Resource. Overview The ‘Discourse’ on Titian’s Annunciation is the first known text of considerable length whose subject is a painting by a then-living artist.2 The only manuscript of 1 The author must acknowledge with gratitude the several scholars who contributed to this project: Barbara De Marco, Christiane J. Hessler, Peter Humfrey, Francesco S. Minervini, Angela M. Nuovo, Pietro D. Omodeo, Ulrich Pfisterer, Gavriel Shapiro, Graziella Travaglini, Raymond B. Waddington, Kathleen M. Ward and Richard Woodfield. 2 Angelo Borzelli, Bartolommeo Maranta. Difensore del Tiziano, Naples: Gennaro, 1902; Giuseppe Solimene, Un umanista venosino (Bartolomeo Maranta) giudica Tiziano, Naples: Società aspetti letterari, 1952; and Paola Barocchi, ed., Scritti d’arte del Cinquecento, Milan- Naples: Einaudi, 1971, 3 vols, 1:863-900. For the translation click here. Journal of Art Historiography Number 13 December 2015 Luba Freedman Bartolomeo Maranta’s ‘Discourse’ on Titian’s Annunciation in Naples: introduction this text is held in the Biblioteca Nazionale of Naples. The translated title is: ‘A Discourse of Bartolomeo Maranta to the most ill. Sig. Ferrante Carrafa, Marquis of Santo Lucido, on the subject of painting. In which the picture, made by Titian for the chapel of Sig. Cosmo Pinelli, is defended against some opposing comments made by some persons’.3 Maranta wrote the discourse to argue against groundless opinions about Titian’s Annunciation he overheard in the Pinelli chapel. -
Almond Blossoms Avincent Van Gogh Story Lesson Plan
Painted Tales - Almond Blossoms AVincent Van Gogh Story Lesson Plan By Louise Sarrasin, Educator Commission scolaire de Montréal (CSDM), Montréal (Québec) Objective Give students the opportunity to discover the painter Vincent Van Gogh and to develop an appreciation of his artistic works through the story Almond Blossoms, inspired by O. Henry’s short story The Last Leaf. Target audience Students aged 6 to 9 Connections Languages and literature Arts and culture Personal development Film needed for lesson plan – Almond Blossoms (10 min 1 s) Summary This lesson plan will enable students to explore the artistic universe of Vincent Van Gogh through the story Almond Blossoms, based on O. Henry’s short story The Last Leaf. Start and preparatory activity: Diary or sketches of my pain Approximate duration: 60 minutes Begin by asking students to describe the most dreadful day that they have ever experienced or, if they have not had such a day, to talk about an event that they found especially painful. Ask students to tell each other about their experiences in groups of two, then have them come together as a class to recap their discussions. Pay special attention to the feelings they experienced during that day or during that incident. Once the discussion has ended, ask students to paint or sketch this day or event. Have the student pairs show each other their drawings and ask them to pay special attention to the colours and the elements chosen to illustrate this day or event. Ask them also to describe their sketch or painting in one word, a short sentence (for the younger ones) or a short text (for the older ones). -
Exhibition Museum Der Bildenden Künste Leipzig April 18
Exhibition Museum der bildenden Künste Leipzig April 18 – August 15, 2010 Neo Rauch Paintings Foreword travelers yet to be identified, or supporters, but they could an evolution in the artist’s work that was formulated with Rauch supported the exhibition and publication with great also be less identifiable feelings, positive or negative, guard- great mastery. We are sincerely grateful to all of them. Such sensitivity from the outset. His personal contribution of ian angels, or recurring nightmares of a life-path that, in the an exhibition project could not be realized without the publishing two lithographs especially for the exhibition Born in Leipzig in 1960, Neo Rauch is undoubtedly the meantime, has covered fifty years. help of third parties. In this case, we have to thank, above venues deserves our utmost appreciation. We are therefore most internationally significant and most discussed German A total of 120 paintings are on view in Leipzig and Munich. all, the Sparkassen-Finanzgruppe: for the support of the extremely grateful to the artist and his wife Rosa Loy. painter of his generation. His paintings are like a theatrum Selected in close cooperation with Neo Rauch, the works exhibition in Leipzig, we are grateful to the Ostdeutsche mundi, overlapping scenes that gradually lend a sur real are taken from a period that began around twenty years Sparkassenstiftung together with the Sparkasse Leipzig; for aura to their formal verism and their narrative. Following ago. Many of the paintings, some of which are large-format the sponsorship of the exhibition in Munich, we are in- Hans-Werner Schmidt the political changes of 1989 and the ensuing great socio- works, have never been shown before in Germany.