DOCSLIB.ORG

INXS Kick Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
INXS Kick Mp3, Flac, Wma INXS Kick mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Pop Album: Kick Country: Malaysia Released: 1987 Style: Pop Rock MP3 version RAR size: 1195 mb FLAC version RAR size: 1560 mb WMA version RAR size: 1283 mb Rating: 4.6 Votes: 218 Other Formats: WAV MOD DXD APE WMA VOC AUD Tracklist Hide Credits Guns In The Sky A1 2:20 Written-By – M. Hutchence* New Sensation A2 3:39 Written-By – A. Farriss*, M. Hutchence* Devil Inside A3 5:11 Written-By – A. Farriss*, M. Hutchence* Need You Tonight A4 3:04 Written-By – A. Farriss*, M. Hutchence* Mediate A5 2:32 Written-By – A. Farriss* The Loved One A6 3:25 Written-By – Humphries*, Clyne*, Lovett* Wild Life B1 3:07 Written-By – A. Farriss*, M. Hutchence* Never Tear Us Apart B2 3:02 Written-By – A. Farriss*, M. Hutchence* Mystify B3 3:15 Written-By – A. Farriss*, M. Hutchence* Kick B4 3:13 Written-By – A. Farriss*, M. Hutchence* Calling All Nations B5 3:00 Written-By – A. Farriss*, M. Hutchence* Tiny Daggers B6 3:29 Written-By – A. Farriss*, M. Hutchence* Companies, etc. Manufactured By – Atlantic Recording Corporation Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Published By – MCA Music Publishing Published By – Woomera Music Recorded At – Rhinoceros Studios Recorded At – Studio De La Grande Armée Mixed At – Air Studios Published By – Tol Muziek Mastered At – Specialty Records Corporation Mastered At – Sheffield Lab Matrix – △18368 Pressed By – Allied Record Company – B-29252 Pressed By – Allied Record Company – B-29253 Credits Art Direction, Design – Bob Withers, Ken Smith , Nick Egan Bass – Garry Gary Beers Cover [Cover Concept] – Michael Hutchence, Nick Egan Drums, Percussion – Jon Farriss Engineer – David Nicholas Engineer [Assistant Mix] – Richard Moakes Engineer [Assistant Recording] – Paula Jones Guitar – Andrew Farriss, Kirk Pengilly, Tim Farriss Keyboards – Andrew Farriss Lacquer Cut By – TY1* Mixed By – Bob Clearmountain Photography By – Grant Matthews Producer – Chris Thomas Saxophone – Kirk Pengilly Vocals – Kirk Pengilly, Michael Hutchence Notes Allied Record Company pressing denoted by "-AR" suffix in label matrix and AR etches in runouts. Recorded at Rhinoceros Recordings (Sydney) and Studio De La Grand Armeé (Paris). Mixed at Air Studios (London). Manufactured by Atlantic Recording Corp. Printed in U.S.A. All songs Published by MCA Music Publishing, a division of MCA, Inc., ASCAP except: A6 - Published by Woomera Music (P)(C) 1987 Atlantic Recording Corporation *Plating (Processing / Metalwork) was done at Specialty Records Corporation but the record itself was actually Pressed at Allied Record Company. Barcode and Other Identifiers Barcode (Text): 0 7567-81796-1 Barcode (Scan; Format: UPC_A): 075678179617 Matrix / Runout (Variant 1, Matrix side B, on label): ST-A-876610-AR Matrix / Runout (Variant 1, Runout A, etched): ST-A-876609 A 1-2 SP-AR △18368 B-29252-A Matrix / Runout (Variant 1, Runout B, etched): ST-A-876610 B 1-2 SP-AR △18368-X B-29253-B Matrix / Runout (Variant 1, Runout both sides, stamped): ɑ TY1 [SRC Logo] Matrix / Runout (Variant 2, Side A etched matrix codes): ST-A-876609 A 1-1 Matrix / Runout (Variant 2, Side B etched matrix codes): ST-A-876610 B 1-4 Matrix / Runout (Variant 2, both sides stamped matrix codes): TY1 [SRC Logo] Matrix / Runout (Variant 3, Side A etched matrix codes): ST-A-876609 A 1-4 SP-AR 0- ∆18368 B-29252-A Matrix / Runout (Variant 3, Side B etched matrix codes): ∆18368-X ST-A-876610-B 1-2 SPAR B-29253-B 0- Matrix / Runout (Variant 3, both sides stamped matrix codes): TY1 [SRC Logo] Pressing Plant ID (On label): AR Rights Society: ASCAP Other versions Category Artist Title (Format) Label Category Country Year 255080.1, Kick (LP, Album, 255080.1, INXS WEA, WEA Australia 1987 255080-1 Gat) 255080-1 7 81796-2, Atlantic, 7 81796-2, INXS Kick (CD, Album) US 1987 81796-2 Atlantic 81796-2 Kick (CD, Album, 832 721-2 INXS Mercury 832 721-2 UK Unknown RP) MERH 114, 832 Kick (LP, Album, Mercury, MERH 114, 832 INXS UK 1987 721-1 Gat) Mercury 721-1 Kick [Special 22P2-2399 INXS Edition] (CD, Album, WEA 22P2-2399 Japan 1989 RE, S/Edition) Related Music albums to Kick by INXS INXS - Kick 25 INXS - Shabooh Shoobah INXS - Heaven Sent INXS And Jimmy Barnes - Good Times INXS - New Sensation INXS - The One Thing INXS - The Swing & Other Stories INXS - Listen Like Thieves INXS - The Very Best INXS - Suicide Blonde.
Load more

Recommended publications
  • September 11,1995
    1351 No Registration Mail GST) 20 plus $2.80( $3.00 11,1995 September - 6 No. 62 Volume 2 - RPM - Monday September 11, 1995 INCANTATION Nominees announced for '95 MuchMusic Video Awards Delerium The MuchMusic/CHUMCity building on Queen ONE LIFE Bill Morrison Street in Toronto will once again be the site for Raggadeath COME INTO MY LIFE the annual MuchMusic Video Awards (formerly Ray Dumas JLM the Canadian Music Video Awards), which take FLOWERS BECOME SCREENS David Howell WAKE UP place Thursday, September 28, from 8-11 pm. Delerium Bill Morrison Spin That Wheel MuchMusic will honour the very best in David Cowdery Canadian music video, dishing out awards in 20 BRAND NEW SONG Mystery Machine FEEL THE GOOD TIMES different categories, chosen from an initial list of Stephen Scott Charlene Smith some 92 nominees. WAKE ME Alain Desrochers Much will also continue the new tradition Rusty FOREIGN VIDEO BY A CANADIAN of having the fans pick their favourites, with the Kris Lefcoe HAVE YOU EVER People's Choice Awards for favourite male, DANCE VIDEO female, group and video being chosen by popular REALLY LOVED A WOMAN? vote. The general public can vote on these awards A DEEPER SHADE OF LOVE Bryan Adams Anton Corbijn (director) at any Blockbuster Video location across Canada, Camille Terrance Babb (director) or by calling 1 -800 -226 -VOTE. NOMINEES continued on page 5 The awards show promises to offer its Wright and Bendeth de BMG Music Canada usual impressive list of live performers, a list that part had yet to be confirmed by press time.
    [Show full text]
  • APAC Agenda V2
    WEDNESDAY, OCTOBER 28 Go from CX Starter to Champion: How to level up your support Time: 2:30 PM AEDT/ 4:30 PM NZDT 11:30 AM SGT 9:00 AM IST 12:30 PM JST/KST About Exceptional customer experience sets your business apart, and Zendesk can help. Join us on 28 October when we share key takeaways to level up your customer support. We’re joined by research firm Enterprise Strategy Group (ESG) who gathered data and insights from over 1,000 global CX Leaders, including your peers throughout Asia Pacific. The ESG analysts will present the 3 levels of Customer Service– Starters, Risers, and Champions–and the benefits Champions are seeing from industry-leading customer support. We’ll also feature local Zendesk CX leaders for a conversation around customer support in the Asia Pacific region. You’ll hear more about: • What leaders need to move from Starter to Champion • The keys to thriving through and embracing change • How to plan for continued success in 2021 There may also be some surprises–like a pop-in by champion surfer Layne Beachley and her husband, INXS guitarist Kirk Pengilly. And don’t forget to connect at our Regional Booths for ANZ, India, Asia, Korea, and Japan. Engage with your local Zendesk Team of experts, check out cool new content, book a meeting, and ask a question or two. Agenda Welcome Sarah Reed Sr. Director of Global Strategic Events, Zendesk 5 Big Bets for the future of CRM Adrian Mcdermott President of Products, Zendesk What it means to be a CX Champion and why you should care Adam DeMattia John McKnight Director of Custom EVP, Research and Research, ESG Analyst Services, ESG Beyond the research Kathy Dalpes Wendy Johnstone Malcom Koh Vice President, Customer Chief Operating Officer, Customer Experience Advocacy, Zendesk APAC, Zendesk Strategist, Zendesk 10 tips for better self care Layne Beachley Kirk Pengilly 7X WORLD FOUNDING CHAMPION SURFER INXS GUITARIST Speakers Sarah Reed SR.
    [Show full text]
  • Making It in the Melbourne Music Scene Post-Punk and Post-Post-Punk
    Making it in the Melbourne Music Scene Post-Punk and Post-Post-Punk Dr Sarah Taylor School of Science RMIT University Victoria, Australia [email protected] This paper uses contemporary documentation, interviews and maps to highlight the different types of music careers, and modes of “making it”, seen in the 1986 feature film Dogs in Space. The film concerns a fictional band of the same name, based on The Ears, a minor group active in the Melbourne band scene between 1979-1981. INXS’s Michael Hutchence plays Sam, the singer in post punk group Dogs in Space. The contrast between Hutchence and Sejavka was seen as remarkable: a major-league rock star, having “made it” by the time of the film’s production, portraying a relatively obscure post-punk musician. However, the trajectories of these bands did overlap in time and place. An historical geographical analysis of INXS and The Ears can help to add context to the Melbourne music scene depicted in the film, as well as to the later cult status popularity of the film, made during a transitional time between norms in the Australian music industry. Keywords — Music industry; post punk; Melbourne; INXS; The Ears; Dogs In Space; restructuring. INTRODUCTION I was far more interested in doing, instead of your rags-to-riches pop star story, your rags-to-gutter story... by actually showing the ones that don’t become famous. — Richard Lowenstein, director of Dogs in Space (quoted in Coupe, 1986) At the time of its release in late 1986, Dogs in Space provided a compelling contrast between the heights of music industry success enjoyed by one of its stars, Michel Hutchence, and the exciting but imploding music movement it depicted (Smith, 1986, McGregor, 1986, Coupe, 1986).
    [Show full text]
  • He· Central Florida Future
    University of Central Florida STARS Central Florida Future University Archives 3-10-1988 Central Florida Future, Vol. 20 No. 49, March10, 1988 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 20 No. 49, March10, 1988" (1988). Central Florida Future. 767. https://stars.library.ucf.edu/centralfloridafuture/767 he ·Central Florida Future e 1988 The Central Florida Future Volume 20, Number 49 University of Central Florida/Orlando Thursday, March 10, 1988 Board selects new editor for newspaper William McCartney, "Brodnax "I think Dave (Schlenker) by Doris Pfister was chosen because ofhis pres­ Will be a great attribute to me CENTRAL FLORIDA FUTURE entation to the board, his ma­ as managing editor because he - • turity, and his background." knows the staff." The university Board of Wittekind said, "What Wittekind added, "David . Publications chose a new edi­ David lacks in newspaper ex­ (Brodnax) has a slight disad­ tor in chief for The Central perience he mak~s up with real vantage because he doesn't Florida Future last week. world business experience. know everyone's capabilities. David Brodnax will fill the Even without newspaper j-0ur­ He has a lot to learn, but with shoes of two-year editor Don nalism experience, his man­ Dave as managing editor, his Wittekind, who has decided to agement abilities can carry job will be a lot easier." leave the paper to pursue pro­ him through." He added, "Dave (Sch­ fessional opportunities.
    [Show full text]
  • INXS X Mp3, Flac, Wma
    INXS X mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: X Country: Europe Released: 1990 Style: Pop Rock MP3 version RAR size: 1351 mb FLAC version RAR size: 1168 mb WMA version RAR size: 1765 mb Rating: 4.8 Votes: 554 Other Formats: APE WAV ADX DXD VOC MP2 MP4 Tracklist Hide Credits Suicide Blonde A1 3:52 Written-By – A. Farriss*, M. Hutchence* Disappear A2 4:09 Written-By – J. Farriss*, M. Hutchence* The Stairs A3 4:56 Written-By – A. Farriss*, M. Hutchence* Faith In Each Other A4 4:08 Written-By – J. Farriss*, M. Hutchence* By My Side A5 3:06 Written-By – A. Farriss*, K. Pengilly* Lately B1 3:36 Written-By – A. Farriss*, M. Hutchence* Who Pays The Price B2 3:37 Harmonica – Charlie MusselwhiteWritten-By – A. Farriss*, M. Hutchence* Know The Difference B3 3:17 Written-By – A. Farriss*, M. Hutchence* Bitter Tears B4 3:49 Written-By – A. Farriss*, M. Hutchence* On My Way B5 2:55 Harmonica – Charlie MusselwhiteWritten-By – A. Farriss*, M. Hutchence* Hear That Sound B6 4:05 Written-By – A. Farriss*, M. Hutchence* Companies, etc. Phonographic Copyright (p) – INXS Copyright (c) – INXS Manufactured By – Fonobrás, Distribuidora Fonográfica Brasileira Ltda. Distributed By – Fonobrás, Distribuidora Fonográfica Brasileira Ltda. Licensed From – Polygram do Brasil Ltda. Marketed By – PolyGram Recorded At – Rhinoceros Studios Mixed At – Air Studios Designed At – Vivid-ID Published By – Tol Muziek Published By – MCA Music Publishing Credits Art Direction – Nick Egan Bass – Garry Gary Beers Design – Nick Egan, Tom Bouman Drums – Jon Farriss Engineer – David Nicholas Engineer [Assistant at Air Studios] – Andy Strange Engineer [Assistant at Rhinoceros Studios & Air Studios] – Brendan Morley Guitar – Andrew Farriss, Kirk Pengilly, Tim Farriss Keyboards – Andrew Farriss, Jon Farriss Management – MMA Management Management [Manager] – C.M.
    [Show full text]
  • Scabs' Dents." He Said
    TCU Daily Skiff Friday, December 3, 1993 Texas Christian University, Fort Worth, Texas 9lst Year, No. 56 O Tannenbaum! Minority students Left, students gather Wednesday night allege harassment around the Christmas Tree at Sadler Hall for Order of Omega's annual tree lighting. Below, a family sings Christmas carols at the holiday by campus police celebration. By ANGELA WRIGHT "The officer told me 'Don't get an TCU Daily Skiff attitude' and asked me 'You got a Photos by Alex Taliercio problem?' Fraternity parties with racial "1 told him 'Yes, I have a problem. themes, the debate over the Confed- I pay to go here and you are harass- erate flag and black student protests ing me,'" he said. have all contributed to the rising Bledsoe said the officer then threw racial tension on college campuses. his ID back at him and all the officers Now campus police forces are left. being brought under tire by African- Bledsoe said he never filed a American students who say they are report. being stopped for no reason other Roy Whatley, a junior business than their race. major, never filed a report either An article in the April 14. 1993, when he was detained by campus edition of the Chronicle of Higher police last spring. Education cited volatile incidents "Black Student Caucus was hav- between black male students and ing a party and I left in my car to go campus police at Princeton, the Uni- to 7-Eleven. On my way back, as I versity of Rhode Island and the Uni- turned off Berry on to Stadium.
    [Show full text]
  • The BG News October 20, 1987
    Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-20-1987 The BG News October 20, 1987 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News October 20, 1987" (1987). BG News (Student Newspaper). 4709. https://scholarworks.bgsu.edu/bg-news/4709 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Rockets offenseless in 20-6 BG win; see page 7 THE BG NEWS Vol. 70 Issue 33 Bowling Green, Ohio Tuesday, October 20,1987 Reagan supports U.S. naval shelling WASHINGTON (AP) - Powers Act. President Reagan yesterday "I support the action as a called the U.S. naval shelling Bush suggests Iranian terrorists may retaliate measured and restrained ac- that destroyed two Iranian plat- tion," said Rep. Dante Fascell, forms in the Persian Gulf a were injuredred in the attack, Hoel, Young and Leftwich For his part, Bush said, "No- Uon as the attack bee ,n -»» 7 o CDT A* l f;-., ,.«j; t\... c...; twviv thinks that thiQ will pnH it " tion,.,in__. as the • attack i began.. D-Fla„ chairman of the House "lawful exercise of the right of which began at 7 a.m.,™ EDT. At openednnnnnr fire, poundingnn Mn the faci- body thinks that this will end it." "What is important is ..
    [Show full text]
  • SPMT$ CAR TAB Members of Hiding Fhelr Real William Slelth
    f - p-m tm aasnnttaatALiy. -nmnufav. oet. ml m MANCHESTER SPORTS Who owns HIM? Squabble (Mays 8V 5 Whalers bi lie N’t up to Judge spending bin with Winnipeg TOWN FMR TIRE IS READY FOR A w ★ Largest Iwveiitofy of SNOW M d MI>Seasoii Tires ...peg# 5 ... peg# 15 * Great Gaaranlee * AH the FREE Services Pies CilARAWTi^ii^**!KL£Bf^ cowriar wc(. BRAND NAMES SNTiSFACriOf* LOW, LOW PIUCES! iHaurlipfilrr) J ' j :|.-p rn ,,. MrralJi Friday. Oof 17,1SSS S'niBB Moumniot 30 Cents S'FBBB BALAlfCm Of:ttJtrte S' FRBB m rrATKM R tsr^ g P E C a A L f ConsoUdation backers want to keep volunteers 0 ^ FREE tsrCHABOEOVERI FREE FRONT-END ALIGNMENT S y John F. Kirch I*/ '"H Tr'F C-i F statement released at the news O' FR EE FLA T REPAIRI Harold Naporfar NA ' ^^F // ripF conference. Susag saM that the district’s the Every fire sow hy Town Pair IS bached by our famous The Cofnmtttea ter Charter volunteer fire departm ent shonld Soi "IRONCLAD NO HASSLE” Guarantee! WfTH Ravlaton today n i d It favors 'GUMIANT{EDlOW{$TPRI(lPOU(r P U R C H A S E he retained, but shonld become a rvwfy for dton-f saerifte® ffw . PLUS! Every fire sow at TOWN r AM TME w poaranfeed conaoHdaften of the town and the separate company Binder the Juris- l o r O F 2 N E W ■ pwformanc* and gMaranta* yow n«ed. Tov*n Fair Tnraa, m worhmansfMp or m M fM t tor aa «MW ae yew ovm the tire — raparetsss of years in service or Eighth t/tlNtiaa District but wants dlcllon of the paid Town of miteape received ft a datoet in vmrfimenehip or maleriato devetop, retorn a to TOWN TAM We C TIRES to keep alive the disfriot's voton- whom jfow can (rusf, has a store near you — and there Wifirepairaaf nochwpaorrepleeeM.
    [Show full text]
  • INXS Casting Announcement
    Never Tear Us Apart: The Untold Story of INXS ʹ Cast Announced In a joint statement today, Shine Australia and Seven announced the cast for Never Tear Us Apart: The Untold Story of INXS. Luke Arnold (Winners & Losers, City Homicide) will star as Michael Hutchence, newcomer Nicholas Masters is Tim Farriss, Ido Drent (Offspring, Shortland Street) is Jon Farriss, Andy Ryan (Underbelly: Squizzy Taylor, Reef Doctors) is Andrew Farriss, Alex Williams (Underground: The Julian Assange Story) is Kirk Pengilly and Hugh Sheridan (Packed to the Rafters) is Garry Gary Beers, while Damon Herriman (The Sullivans, Love My Way) is ƚŚĞďĂŶĚ͛ƐŵĂŶĂŐĞƌ͕CM Murphy. This major, two part television event is being Executive Produced by Mark Fennessy and Rory Callaghan, with CM Murphy as Co-Executive Producer. Promising an authentic behind the scenes look beyond the music, Never Tear Us Apart: The Untold Story of INXS will tell the band's extraordinary and uncensored story ʹ with full access to their archive of music, photography and stories. Mark Fennessy, CEO Shine Australia said: ͞It's a true privilege to be working with such a stellar cast of young acting talent. Together with a powerful script and brilliant production team we will bring to life the extraordinary, untold story of INXS.͟ ƌĂĚ>LJŽŶƐ͕^ĞǀĞŶ͛ƐŝƌĞĐtor of Network Production said: ͞tĞ͛ǀĞƐĞĐƵƌĞĚĂ sensational group of actors to tell the story of three brothers and their best ŵĂƚĞƐ ǁŚŽ ƚŽŽŬ ƚŚĞ ǁŽƌůĚ ďLJ ƐƚŽƌŵ͘ ^ĞǀĞŶ ĐĂŶ͛ƚ ǁĂŝƚ ƚŽ ƐŚĂƌĞ this incredible part of Australian rock history ǁŝƚŚŽƵƌĂƵĚŝĞŶĐĞ͘͟ CM Murphy said: ͞These guys are the new sensation, they already look like rock stars.
    [Show full text]
  • 11Th FCC Annual Charity Ball Rocks for Charity with Sensational Australian Rock Band, INXS
    Press Release 11th FCC Annual Charity Ball Rocks for Charity with Sensational Australian Rock Band, INXS HKCEC’s Grand Hall packed to capacity with corporate and individual sponsors who gave generously to support the FCC Charity Fund’s projects (Hong Kong - October 10, 2012) – The Grand Hall of the Hong Kong Convention & Exhibition Centre was packed with almost 1,500 guests [the biggest crowd to–date] for the 11th Foreign Correspondents’ Club Annual Charity Ball held last weekend (October 6th). A Venetian Macau troupe entertained during the cocktail time after which ball guests were treated to a sumptuous dinner with fine wines provided by Distilleria Bottega of Italy and many top Bordeaux chateaux under the Crus Bourgeois label. Then it was into a sensational programme of entertainment starting with the young performers from the Po Leung Kuk, a guest appearance by Japanese child prodigy/rock guitarist Yuto Miyazawa and finally, a two –hour marathon from the evening’s featured performer, INXS, Australia’s most famous rock export. INXS continues a stellar line up of famous performers at the FCC ball including the Doobie Brothers, Beach Boys, Blondie, Sergio Mendes, the Charlie Daniels Band and Credence Clearwater Revisited. The FCC Charity Ball is the club’s main annual fund raising event for the Po Leung Kuk/UBS/FCC Language Training Program, the Po Leung Kuk/Bank of America Merrill Lynch/FCC Children’s Learning Centre, the Po Leung Kuk/UBS/FCC Child Development Program, the Po Leung Kuk/Henrik Nielsen/FCC Scholarship Fund and the Po Leung Kuk/Sprouts Foundation/FCC Education Services Centre, charities that help provide a better future for the underprivileged children of Hong Kong.
    [Show full text]
  • MICHAEL EMERY Production Sound Mixer 6 Cypress Road, San Anselmo, CA 94960 (415) 459-6615
    MICHAEL EMERY Production Sound Mixer 6 Cypress Road, San Anselmo, CA 94960 (415) 459-6615 Employment ________________ * Feature METALLICA “SOME KIND OF MONSTER”, 2001-2003. Production Sound Mixer. Radical Media. Director: Joe Berlinger, Bruce Sinofsky. Producer: Joe Berlinger. TWEEK CITY 2002. Production Sound Mixer. Tweek City LLC.. Director:Eric Johnson. Producer: Eric Johnson. JERRY SEINFELD “DIARY OF A JOKE”, 2001. Production Sound Mixer. BridgNorth Films, Inc.. Director: Christan Charles. Producer: Gary Steiner. MARGRET CHO “I’M THE ONE THAT I WANT” 2000. Production Sound Mixer. ChoTaussig Productions. Director: Lionel Coleman. Producer: Margret Cho. AMERICAN PERFEKT 1996. Production Sound Mixer. Amanda Plummer, David Theuliss, Robert Forester, Louise Fletcher, Paul Sorvino. American Perfekt Productions. Director: Paul Chart. Producer: Irwin Kirshner. DREAM WITH THE FISHES 1996. Production Sound Mixer. David Arquette, Cathy Moriarty, Brad Hunt, Kathryn Erbe. 3 Ring Circus. Director: Finn Taylor. Producer: Finn Taylor . DEADFALL 1993. Production Sound Mixer. Nicholas Cage, James Coburn, Michael Biehn, Charlie Sheen, Peter Fonda, Talia Shire, Mickey Dolenz. Trimark/Deadfall Productions. Director: Christopher Coppola. Producer: Ted Fox. FARMER & CHASE 1995. Production Sound Mixer. Ben Gazzara, Laura Flynn Boyle, Todd Field. Red Sky Films. Director: Michael Seitzman. Producer: Doug Humphreys. HORSES & CHAMPIONS 1994. Production Sound Mixer. Timothy Bottoms. Augusta Grace Productions. Director: Jonathon Tydor. Producer: Joseph Ruiz. THE GUNFIGHTER 1997. Production Sound Mixer, Sound Designer, Sound Effects Editor. Martin Sheen, Robert Carradine. Commercial Pictures/Zoetrope Studios. Director: Christopher Coppola. Producer: Michael Danty. MAD CITY 1996. Production Sound Mixer, 2nd Unit. Dustin Hoffman, John Travolta, Mia Kirshner. Warner Brothers. Director: Costa Gavras. Producer: Arnold & Anne Kopelson. LIFE TASTES GOOD 1998.
    [Show full text]
  • Never Tear Us Apart Free
    FREE NEVER TEAR US APART PDF Monica Murphy | 416 pages | 05 Jan 2016 | Headline Publishing Group | 9781472237194 | English | London, United Kingdom Never Tear Us Apart: The Untold Story of INXS (TV Mini-Series ) - IMDb Your Library Podcasts News. Stream Top Podcasts Stream the best podcasts from your favorite stations. Crime Never Tear Us Apart. If you can never get enough true crime Stuff You Should Know. Josh and Chuck have you covered. Dateline NBC. Current and classic episodes, featuring compelling true-crime mysteries, powerful documentaries and in-depth investigations. View All Popular Podcasts. Welcome to Hawthorne Manor. As our newest arrival, Never Tear Us Apart caretaker himself Keegan-Michael Key will be providing a daily tour and introduction to another guest. Please remember to wear headphones throughout your stay. And make yourself at home. After all, this is it! Halloween in Hell. A scripted horror musical podcast, just in time for Halloween. On Halloween, Satan lures three performers to his sadistic game show in Hell where they must perform or die. The winner returns to Earth. The losers will play out their showbiz careers in fiery hellfire and damnation. Full Body Chills. Ever miss those spooky campfire stories you heard growing up? Well, gather round Never Tear Us Apart All Featured Podcasts. Help Privacy Policy Terms of Use. NEVER TEAR US APART Chords - INXS | E-Chords From " Veronica Mars " to Rebecca take a look back at the career of Armie Hammer on and off the screen. See the full gallery. The story of INXStheir personal lives and their rise to fame from Australian pubs to stadiums all around the world.
    [Show full text]