SPMT$ CAR TAB Members of Hiding Fhelr Real William Slelth
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December 26, 1992
INTRODUCTION TO MICROCOMPUTERS AND DATA PROCESSING Written By: Brett L. Schuchert Last Updated: December 26, 1992 Gopyright 1988, 89, 9@, 91, 92,93 Brett L. Schuchert TABLE OF CONTENTS TTIE COMPI.JTER 13 Chapter 0 -- INTRODUCTION Power Switch T3 Contrast Knob . t3 1 -- . Chapter Notatronal Conventions . J Brightness Knob . 13 PURPOSE J Disk Drives t3 SPECIAL NOTATIONS J Disk Eject Button I3 Alr- J Drive Access Light 13 Ctrl- J DISK CARE 15 Shifr- J COMMANDS AND PARAMETERS 15 0 3 DOS COMMANDS l6 u ) Logged Drive . t7 .) A: 17 a 4 B: 1'7 EXAMPLES 4 CLS.. 17 DATE 17 2 -- Chapter Lab Manual 5 TIME . 17 PL]RPOSE 5 COPY TI1- T}M PRINTER 5 DEL t7 LOADING PRINTER PAPER 5 REN 17 PAPER ALICNMENT 6 Directory/Disk Related DOS Commands 18 PzuNTER BUTTONS/LIGHTS 6 DIR.. 18 Power 6 FORMAT 18 Ready 6 Notes on Directories t9 Paper Out 6 INTERNAL & EXTERNAL DOS On line 6 COMMANDS . ... 20 On line 7 BOOTING TI{E SYSTEM 2l Form Feed(NLQ) 7 FORMATNNG A DATA DISK 22 Line Feed(Draft) . 7 ASSIGNMENTS.... 24 REMOVING PAPER FROM TT{E PzuNTER 8 THE KEYBOARD 8 Chapter 3 -- Word Processmg Concepts 25 TYPINGDEFIMTIONS... 8 TERWCONCEPT LIST 25 SPECIAL KEYS I BLOCK 25 Alt-(Altemare).... l1 BLOCK COMMANDS 25 Caps Lock 11 CENTEzuNG 26 Ctrl-(Controi).... 11 CHARACTER ATTzuBUTES 26 Cursor(arrow) 11 CHARACTER IIEIGI{T 26 delete . l1 DOCUMENT 26 ESC(Escape) 11 ENDNOTES 26 Home. l1 FONT 26 End.. 11 FOOTERS 26 function t1 FOOTNOTES .... 26 1') FORMATTING . .. 26 Num Lock 12 HARD RETURN 26 Page Up t2 HEADERS 27 Page Down t2 INDENT/OT]TDENT . -
80S 697 Songs, 2 Days, 3.53 GB
80s 697 songs, 2 days, 3.53 GB Name Artist Album Year Take on Me a-ha Hunting High and Low 1985 A Woman's Got the Power A's A Woman's Got the Power 1981 The Look of Love (Part One) ABC The Lexicon of Love 1982 Poison Arrow ABC The Lexicon of Love 1982 Hells Bells AC/DC Back in Black 1980 Back in Black AC/DC Back in Black 1980 You Shook Me All Night Long AC/DC Back in Black 1980 For Those About to Rock (We Salute You) AC/DC For Those About to Rock We Salute You 1981 Balls to the Wall Accept Balls to the Wall 1983 Antmusic Adam & The Ants Kings of the Wild Frontier 1980 Goody Two Shoes Adam Ant Friend or Foe 1982 Angel Aerosmith Permanent Vacation 1987 Rag Doll Aerosmith Permanent Vacation 1987 Dude (Looks Like a Lady) Aerosmith Permanent Vacation 1987 Love In An Elevator Aerosmith Pump 1989 Janie's Got A Gun Aerosmith Pump 1989 The Other Side Aerosmith Pump 1989 What It Takes Aerosmith Pump 1989 Lightning Strikes Aerosmith Rock in a Hard Place 1982 Der Komimissar After The Fire Der Komimissar 1982 Sirius/Eye in the Sky Alan Parsons Project Eye in the Sky 1982 The Stand Alarm Declaration 1983 Rain in the Summertime Alarm Eye of the Hurricane 1987 Big In Japan Alphaville Big In Japan 1984 Freeway of Love Aretha Franklin Who's Zoomin' Who? 1985 Who's Zooming Who Aretha Franklin Who's Zoomin' Who? 1985 Close (To The Edit) Art of Noise Who's Afraid of the Art of Noise? 1984 Solid Ashford & Simpson Solid 1984 Heat of the Moment Asia Asia 1982 Only Time Will Tell Asia Asia 1982 Sole Survivor Asia Asia 1982 Turn Up The Radio Autograph Sign In Please 1984 Love Shack B-52's Cosmic Thing 1989 Roam B-52's Cosmic Thing 1989 Private Idaho B-52's Wild Planet 1980 Change Babys Ignition 1982 Mr. -
New Campus Phone System to Be Installed
New student health store Delaware bounces ~ provides birth control back at Bosto~----1····-~.. --.; page2 page 15 / Student demonstrators condemn Columbus' 'discovery' By Donna Murphy that Columbus did not discover America but instead "'Their culture goes with the land hand in hand," she Columbus Day is not a day of pride, but one of shame." and Lori Salotto opened the way for the devastation of native American added. "The land was their culture; their spirit and soul." Jack Ellis, chairman of the history department, said, News Editors culture and environment. Mark Glyde (AS SR), another member of SEAC, said "The real issue is not who discovered America, but the What many refer to as the Age of Discovery was in Yesterday, about 20 members of the Student the holiday represents 499 years of destruction to native impact of the voyage." fact the Age of Collision - an era of confrontation Environmental Action Coalition (SEAC) staged brief cultures. The collision of native American and Western between cultures and continents from wh~h neithu the demonstrations around campus, denouncing Columbus "The United States has broken every treaty we ever cultures had a devastating impact on the biological, Old nor the New World ever recovered. Day. made with the indigenous people of this land," he said. economical, social and political aspects of the nation, he -William Graves, editor of National Geographic The protestors marched to a melancholy drum beat This is also true for recent treaties between the said. · magazine across campus, dressed as trees, natives and white government and existing tribes, he said. "In Columbus' log," Glyde said, "he notes how oppressors, reenacting what they believed to be the " We want to make people aware that Native friendly the people he encountered in this land were and For years, school history books portrayed Christopher initial interactions between Europeans and original Americans continue to struggle for their rights," Glyde how easy it would be to enslave them." Columbus as a cross-continental hero. -
Stan Magazynu Caĺ†Oĺıäƒ Lp Cd Sacd Akcesoria.Xls
CENA WYKONAWCA/TYTUŁ BRUTTO NOŚNIK DOSTAWCA ALLMAN BROTHERS BAND - AT FILLMORE EAST 159,99 SACD BERTUS ALLMAN BROTHERS BAND - AT FILLMORE EAST (NUMBERED 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - BROTHERS AND SISTERS (NUMBE 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - EAT A PEACH (NUMBERED LIMIT 149,99 SACD MOBILE FIDELITY ALLMAN BROTHERS BAND - IDLEWILD SOUTH (GOLD CD) 129,99 CD GOLD MOBILE FIDELITY ALLMAN BROTHERS BAND - THE ALLMAN BROTHERS BAND (N 149,99 SACD MOBILE FIDELITY ASIA - ASIA 179,99 SACD BERTUS BAND - STAGE FRIGHT (HYBRID SACD) 89,99 SACD MOBILE FIDELITY BAND, THE - MUSIC FROM BIG PINK (NUMBERED LIMITED 89,99 SACD MOBILE FIDELITY BAND, THE - THE LAST WALTZ (NUMBERED LIMITED EDITI 179,99 2 SACD MOBILE FIDELITY BASIE, COUNT - LIVE AT THE SANDS: BEFORE FRANK (N 149,99 SACD MOBILE FIDELITY BIBB, ERIC - BLUES, BALLADS & WORK SONGS 89,99 SACD OPUS 3 BIBB, ERIC - JUST LIKE LOVE 89,99 SACD OPUS 3 BIBB, ERIC - RAINBOW PEOPLE 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - GOOD STUFF 89,99 SACD OPUS 3 BIBB, ERIC & NEEDED TIME - SPIRIT & THE BLUES 89,99 SACD OPUS 3 BLIND FAITH - BLIND FAITH 159,99 SACD BERTUS BOTTLENECK, JOHN - ALL AROUND MAN 89,99 SACD OPUS 3 CAMEL - RAIN DANCES 139,99 SHMCD BERTUS CAMEL - SNOW GOOSE 99,99 SHMCD BERTUS CARAVAN - IN THE LAND OF GREY AND PINK 159,99 SACD BERTUS CARS - HEARTBEAT CITY (NUMBERED LIMITED EDITION HY 149,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS AFTER HOURS (NUMBERED LI 99,99 SACD MOBILE FIDELITY CHARLES, RAY - THE GENIUS OF RAY CHARLES (NUMBERED 129,99 SACD MOBILE FIDELITY -
Making It in the Melbourne Music Scene Post-Punk and Post-Post-Punk
Making it in the Melbourne Music Scene Post-Punk and Post-Post-Punk Dr Sarah Taylor School of Science RMIT University Victoria, Australia [email protected] This paper uses contemporary documentation, interviews and maps to highlight the different types of music careers, and modes of “making it”, seen in the 1986 feature film Dogs in Space. The film concerns a fictional band of the same name, based on The Ears, a minor group active in the Melbourne band scene between 1979-1981. INXS’s Michael Hutchence plays Sam, the singer in post punk group Dogs in Space. The contrast between Hutchence and Sejavka was seen as remarkable: a major-league rock star, having “made it” by the time of the film’s production, portraying a relatively obscure post-punk musician. However, the trajectories of these bands did overlap in time and place. An historical geographical analysis of INXS and The Ears can help to add context to the Melbourne music scene depicted in the film, as well as to the later cult status popularity of the film, made during a transitional time between norms in the Australian music industry. Keywords — Music industry; post punk; Melbourne; INXS; The Ears; Dogs In Space; restructuring. INTRODUCTION I was far more interested in doing, instead of your rags-to-riches pop star story, your rags-to-gutter story... by actually showing the ones that don’t become famous. — Richard Lowenstein, director of Dogs in Space (quoted in Coupe, 1986) At the time of its release in late 1986, Dogs in Space provided a compelling contrast between the heights of music industry success enjoyed by one of its stars, Michel Hutchence, and the exciting but imploding music movement it depicted (Smith, 1986, McGregor, 1986, Coupe, 1986). -
He· Central Florida Future
University of Central Florida STARS Central Florida Future University Archives 3-10-1988 Central Florida Future, Vol. 20 No. 49, March10, 1988 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 20 No. 49, March10, 1988" (1988). Central Florida Future. 767. https://stars.library.ucf.edu/centralfloridafuture/767 he ·Central Florida Future e 1988 The Central Florida Future Volume 20, Number 49 University of Central Florida/Orlando Thursday, March 10, 1988 Board selects new editor for newspaper William McCartney, "Brodnax "I think Dave (Schlenker) by Doris Pfister was chosen because ofhis pres Will be a great attribute to me CENTRAL FLORIDA FUTURE entation to the board, his ma as managing editor because he - • turity, and his background." knows the staff." The university Board of Wittekind said, "What Wittekind added, "David . Publications chose a new edi David lacks in newspaper ex (Brodnax) has a slight disad tor in chief for The Central perience he mak~s up with real vantage because he doesn't Florida Future last week. world business experience. know everyone's capabilities. David Brodnax will fill the Even without newspaper j-0ur He has a lot to learn, but with shoes of two-year editor Don nalism experience, his man Dave as managing editor, his Wittekind, who has decided to agement abilities can carry job will be a lot easier." leave the paper to pursue pro him through." He added, "Dave (Sch fessional opportunities. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Recorded Jazz in the 20Th Century
Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana -
Remembering Charles Ellsworth Russell STOMP the 45Th Annual NJJS Pee Wee Russell Memorial Stomp SUNDAY Is All Set to Chase Away Winter’S Chill on Sunday, March 2
Volume 42 • Issue 2 February 2014 Journal of the New Jersey Jazz Society Dedicated to the performance, promotion and preservation of jazz. PEE WEE Pee Wee Russell, New York City c. 1944-46. Photo by William Gottlieb. RUSSELL MEMORIAL Remembering Charles Ellsworth Russell STOMP The 45th Annual NJJS Pee Wee Russell Memorial Stomp SUNDAY is all set to chase away winter’s chill on Sunday, March 2. Once again presented in MARCH 2 the elegant Grand Ballroom of the Birchwood Manor in Whippany, NJ, this year’s details bands are: Dick Voigt’s Big Apple Jazz Band, David Ostwald’s Louis Armstrong pages Eternity Band, the Keith Ingham Quintet and the Warren Vaché Quintet. More info page 26. 2, 5, 26 New JerseyJazzSociety in this issue: New Jersey Jazz socIety Prez Sez. 2 Bulletin Board ......................2 NJJS Calendar ......................3 Jazz Trivia .........................4 The Mail Bag .......................4 Editor’s Pick/Deadlines/NJJS Info .......6 Prez Sez Crow’s Nest. 46 New Patron Level Benefits ...........47 By Mike Katz President, NJJS Change of Address/Support NJJS/ Volunteer/Join NJJS. 47 NJJS/Pee Wee T-shirts. 48 s this issue of Jersey Jazz is on its way to the New/Renewed Members ............49 APost Office, Jackie Wetcher and I are on our storIes way down to Port Everglades in Fort Lauderdale Pee Wee Preview. ...............cover to leave on a week-long Caribbean jazz cruise, Big Band in the Sky ..................8 which, we have been told, will feature more than Talking Jazz: James Chirillo ...........14 Dan’s Den ........................22 100 jazz musicians, many of them NJJS favorites. -
Scabs' Dents." He Said
TCU Daily Skiff Friday, December 3, 1993 Texas Christian University, Fort Worth, Texas 9lst Year, No. 56 O Tannenbaum! Minority students Left, students gather Wednesday night allege harassment around the Christmas Tree at Sadler Hall for Order of Omega's annual tree lighting. Below, a family sings Christmas carols at the holiday by campus police celebration. By ANGELA WRIGHT "The officer told me 'Don't get an TCU Daily Skiff attitude' and asked me 'You got a Photos by Alex Taliercio problem?' Fraternity parties with racial "1 told him 'Yes, I have a problem. themes, the debate over the Confed- I pay to go here and you are harass- erate flag and black student protests ing me,'" he said. have all contributed to the rising Bledsoe said the officer then threw racial tension on college campuses. his ID back at him and all the officers Now campus police forces are left. being brought under tire by African- Bledsoe said he never filed a American students who say they are report. being stopped for no reason other Roy Whatley, a junior business than their race. major, never filed a report either An article in the April 14. 1993, when he was detained by campus edition of the Chronicle of Higher police last spring. Education cited volatile incidents "Black Student Caucus was hav- between black male students and ing a party and I left in my car to go campus police at Princeton, the Uni- to 7-Eleven. On my way back, as I versity of Rhode Island and the Uni- turned off Berry on to Stadium. -
The BG News October 20, 1987
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 10-20-1987 The BG News October 20, 1987 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News October 20, 1987" (1987). BG News (Student Newspaper). 4709. https://scholarworks.bgsu.edu/bg-news/4709 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Rockets offenseless in 20-6 BG win; see page 7 THE BG NEWS Vol. 70 Issue 33 Bowling Green, Ohio Tuesday, October 20,1987 Reagan supports U.S. naval shelling WASHINGTON (AP) - Powers Act. President Reagan yesterday "I support the action as a called the U.S. naval shelling Bush suggests Iranian terrorists may retaliate measured and restrained ac- that destroyed two Iranian plat- tion," said Rep. Dante Fascell, forms in the Persian Gulf a were injuredred in the attack, Hoel, Young and Leftwich For his part, Bush said, "No- Uon as the attack bee ,n -»» 7 o CDT A* l f;-., ,.«j; t\... c...; twviv thinks that thiQ will pnH it " tion,.,in__. as the • attack i began.. D-Fla„ chairman of the House "lawful exercise of the right of which began at 7 a.m.,™ EDT. At openednnnnnr fire, poundingnn Mn the faci- body thinks that this will end it." "What is important is .. -
Jorge Sylvester ACE (Afro Caribbean Experimental)
FOR IMMEDIATE RELEASE Contact: Glenn Siegel, 413-320-1089 [email protected] Pioneer Valley Jazz Shares presents: Jorge Sylvester ACE (Afro Caribbean Experimental) Collective Pioneer Valley Jazz Shares continues its 4th season with a performance by Jorge Sylvester ACE (Afro Caribbean Experimental) Collective featuring Sylvester , saxophone ; Nora McCarthy , vocals; Gene Torres , electric bass; Kenny Grohowski , drums, on Friday, December 11, 7:30pm, Parlor Room, 32 Masonic St., Northampton, MA. Single tickets ($15) available at www.jazzshares.org and at the door. Born in Colon, Panama, alto-saxophonist, composer, arranger and teacher Jorge Sylvester began his professional career at age 14, and was soon writing arrangements and compositions for his own Caribbean dance band. He studied privately with renowned Panamanian jazz saxophonist, Euclides Hall, before attending the Panama Conservatory of Music and the University of Panama. Sylvester arrived in New York City in 1980, where his blend of African-Caribbean rhythms with new music gave him a distinguished voice. Sylvester has performed with: Stefon Harris, the David Murray Big Band, poet Sekou Sundiata, the Black Rock Coalition Orchestra, the Oliver Lake Big Band, Kuumba Frank Lacy‘s Vibe Tribe, Joe Bowie‘s Defunkt Big Band and the World Saxophone Quartet. His latest ACE Collective release is Spirit Driven . A poet, songwriter and a highly original singer and improviser, Nora McCarthy has been an important force in the New York jazz vocal scene since 1996 when she recorded her first of eight CD’s, red&blue . She currently leads: The Nora McCarthy Trio, The HeartStrings Project, Nora McCarthy Qu’ART’et and its feminine counterpart, Nora McCarthy ♀u’ART’et, The Modern Voice Ensemble, and Jay Clayton’s cappella group, “Different Voices”.