MICHAEL EMERY Production Sound Mixer 6 Cypress Road, San Anselmo, CA 94960 (415) 459-6615
MICHAEL EMERY Production Sound Mixer 6 Cypress Road, San Anselmo, CA 94960 (415) 459-6615 Employment ________________ * Feature METALLICA “SOME KIND OF MONSTER”, 2001-2003. Production Sound Mixer. Radical Media. Director: Joe Berlinger, Bruce Sinofsky. Producer: Joe Berlinger. TWEEK CITY 2002. Production Sound Mixer. Tweek City LLC.. Director:Eric Johnson. Producer: Eric Johnson. JERRY SEINFELD “DIARY OF A JOKE”, 2001. Production Sound Mixer. BridgNorth Films, Inc.. Director: Christan Charles. Producer: Gary Steiner. MARGRET CHO “I’M THE ONE THAT I WANT” 2000. Production Sound Mixer. ChoTaussig Productions. Director: Lionel Coleman. Producer: Margret Cho. AMERICAN PERFEKT 1996. Production Sound Mixer. Amanda Plummer, David Theuliss, Robert Forester, Louise Fletcher, Paul Sorvino. American Perfekt Productions. Director: Paul Chart. Producer: Irwin Kirshner. DREAM WITH THE FISHES 1996. Production Sound Mixer. David Arquette, Cathy Moriarty, Brad Hunt, Kathryn Erbe. 3 Ring Circus. Director: Finn Taylor. Producer: Finn Taylor . DEADFALL 1993. Production Sound Mixer. Nicholas Cage, James Coburn, Michael Biehn, Charlie Sheen, Peter Fonda, Talia Shire, Mickey Dolenz. Trimark/Deadfall Productions. Director: Christopher Coppola. Producer: Ted Fox. FARMER & CHASE 1995. Production Sound Mixer. Ben Gazzara, Laura Flynn Boyle, Todd Field. Red Sky Films. Director: Michael Seitzman. Producer: Doug Humphreys. HORSES & CHAMPIONS 1994. Production Sound Mixer. Timothy Bottoms. Augusta Grace Productions. Director: Jonathon Tydor. Producer: Joseph Ruiz. THE GUNFIGHTER 1997. Production Sound Mixer, Sound Designer, Sound Effects Editor. Martin Sheen, Robert Carradine. Commercial Pictures/Zoetrope Studios. Director: Christopher Coppola. Producer: Michael Danty. MAD CITY 1996. Production Sound Mixer, 2nd Unit. Dustin Hoffman, John Travolta, Mia Kirshner. Warner Brothers. Director: Costa Gavras. Producer: Arnold & Anne Kopelson. LIFE TASTES GOOD 1998.
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