DOCSLIB.ORG

1966/67 Come Blow Your Horn* Scrooge* See How They Run

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

1966/67 Amicable Parting - Fisherman’s Wife The Foreigner Come Blow Your Horn* Plaza Suite* Anything Goes Scrooge* 1982/83 1994/95 See How They Run* Gaslight Nunsense* 1967/68 A Funny Thing Happened on the Way to the Christmas Carol* Mary, Mary Forum* Mousetrap Middle of the Night Mornings at Seven Annie The Happy Time 1983/84 1995/96 Sunday in the Park The Good Doctor You Can’t Take it With You* 1968/69 Peter and the Wolf Christmas Carol* Puss in Boots Goodbye Charlie I Shot My Rich Aunt Caine Mutiny Courtmartial Oklahoma Mame Cloud 7 1984/85 1996/97 Under the Yum Yum Tree A Flea in Her Ear 1940’s Radio Hour* The Tender Trap The Hollow Christmas Carol* 1969/70 Hello Dolly* Arsenic and Old Lace* Never Too Late Snow White and the Seven Dwarfs Oliver The Man Who Came To Dinner* 1985/86 1997/98 All Because of Agatha The Fantastics The Hound of the Baskervilles 1970/71 The Pied Piper of Hamelin Christmas Carol* Cactus Flower You Can’t Take it With You* The Odd Couple My Three Angels Fiddler On the Roof* Guys and Dolls* Arsenic and Old Lace* Dames at Sea (summer show) 1986/87 1971/72 Arsenic and Old Lace* 1998/99 Plaza Suite* Pinocchio Broadway: Stuff happens Adaptation/Next Bedroom Farce Christmas Carol* Forty Carats* Music Man* Out of the Frying Pan The Unsinkable Molly Brown 1972/73 1987/88 A Shot in the Dark Noises off 1999/2000 Bell, Book, and Candle Jack and the Beanstalk Something’s Afoot Black Comedy Wait Until Dark Christmas Carol* Annie Get Your Gun Play On 1973/74 Phantom I’ll Get My Man 1988/89 You’re a Good Man Charlie Brown Don’t Drink the Water Working (summer show) Catch Me If You Can Cinderella* Barefoot in the Park* 2000/2001 - Revival Season 1974/75 Kiss Me Kate 1940’s Radio Hour* Butterflies are Free Christmas Carol* How Green Was My Brownie 1989/90 The Nerd* The Nerd* 1975/76 Hello Dolly* Scrooge* Blithe Spirit Nunsense* (summer show) Deathtrap Exit the Body No, No Nanette 2001/2002 1976/77 A Funny Thing Happened on the Way to the 1990/91 Come Blow Your Horn* Forum* Love, Sex and the IRS Harvey Christmas Carol* Scrooge* Murder at the Vicarage 1977/78 Ten Little Indians Joseph and the Amazing Technicolor® Dreamcoat* Forty Carats* Fiddler on the Roof* School House Rock Live (summer show) Dear Phoebe 1991/92 2002/2003 1978/79 Little Shop of Horrors The Man Who Came to Dinner* You Can’t Take it With You* Scrooge* Christmas Carol* Barefoot in the Park* Rumors See How They Run* My Fair Lady 1979/80 South Pacific* Any Number Can Die 1992/93 2003/2004 South Pacific* Lend Me a Tenor Picasso at the Lapin Agile Scrooge* 1980/81 Christmas Carol* The Musical Comedy Murders of 1940* Deadwood Dick Witness for the Prosecution Sound of Music* Finian’s Rainbow Cinderella* 1993/94 1981/82 I Hate Hamlet Glass Menagerie Scrooge* 2004/2005 Guys and Dolls* Don’t Dress for Dinner An Evening of One Act Plays: Christmas Carol* 2015/2016 Girls of the Garden Club Godspell Music Man* Disney’s Aladdin, Jr. Christmas Carol* 2005/2006 Odd Couple (Female Version) Funny Money My Fair Lady* Christmas Carol* Squabbles Fiddler on the Roof* * These shows have been performed in 2006/2007 more than one season at Falls Patio Moon Over Buffalo The Best Christmas Pageant Ever* ** These shows were included in our Studio The Unexpected Guest Series, a series of dramatic readings with The Sound of Music* small audiences and limited staging 2007/2008 The Musical Comedy Murders of 1940* The Best Christmas Pageant Ever* Plaza Suite* The Pajama Game 2008/2009 Perfect Wedding Christmas Carol* Over the River and Through the Woods Grease 2009/2010 Forever Plaid Christmas Carol* Where There’s a Will There’s a Relative Oliver* 2010/2011 Quilters Christmas Carol* ‘Til Beth Do Us Part Annie* 2011/2012 Dead Man’s Cell Phone** Some Enchanted Evening Christmas Carol* Almost, Maine Escanaba in Da Moonlight** Joseph and the Amazing Technicolor® Dreamcoat* 2012/2013 Stuck** Guys on Ice The Woman in Black** Christmas Carol* And Then There Were None* Five Women Wearing the Same Dress** 9 to 5 The Baltimore Waltz** 2013/2014 Leading Ladies HONK Jr Christmas Carol* The Agony and the Ecstasy of Steve Jobs** Dixie Swim Club Seven Brides for Seven Brothers 2014/2015 A Murder is Announced Little Mermaid, Jr Christmas Carol* Mama Won’t Fly Hairspray .
Recommended publications
  • THE SOUND of MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles

    THE SOUND of MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles

    experienceL.A. THE SOUND OF MUSIC Wednesday, October 7, 2015 Ahmanson Theatre, Los Angeles THE SOUND OF MUSIC The Sound of Music is a stage and film musical based on The Story of the Trapp Family Singers, the memoir of Maria von Trapp. The story takes place in Austria at the brink of World War II. Maria, a plucky nun turned governess, is charged with caring for the seven children of a military captain. Maria’s delightful teaching of music to the children leads to their becoming a celebrated touring act, the innocence of which is shattered as the realities of Nazi rule become inescapable. Notably, many details of the von Trapp family story were changed to increase the dramatic impact of the musical version. Inspired by a pair of German films about the von Trapps from the mid-1950s, the stage version of The Sound of Music premiered on Broadway in 1959. The production won multiple Tony Awards, and the show has been revived many times since, including a renowned 1998 Broadway revival. The 1965 film version starring Julie Andrews won five Academy Awards and is still beloved today by viewers around the world. Written by Rodgers and Hammerstein, the songs of The Sound of Music—including “My Favorite Things,” “Do, Re, Mi,” “Edelweiss,” and the title song—have been celebrated for more than half a century. RODGERS AND HAMMERSTEIN Composer Richard Rodgers and librettist Oscar Hammerstein were one of the most prolific, successful songwriting teams in the history of musical theatre. The pair’s first collaboration, Oklahoma! (1943), marked the start of a new theatrical genre: the musical play, which combined elements of musical comedy, operetta, and drama.
  • Cosmopolitanism, Remediation and the Ghost World of Bollywood

    Cosmopolitanism, Remediation and the Ghost World of Bollywood

    COSMOPOLITANISM, REMEDIATION, AND THE GHOST WORLD OF BOLLYWOOD DAVID NOVAK CUniversity ofA California, Santa Barbara Over the past two decades, there has been unprecedented interest in Asian popular media in the United States. Regionally identified productions such as Japanese anime, Hong Kong action movies, and Bollywood film have developed substantial nondiasporic fan bases in North America and Europe. This transnational consumption has passed largely under the radar of culturalist interpretations, to be described as an ephemeral by-product of media circulation and its eclectic overproduction of images and signifiers. But culture is produced anew in these “foreign takes” on popular media, in which acts of cultural borrowing channel emergent forms of cosmopolitan subjectivity. Bollywood’s global circulations have been especially complex and surprising in reaching beyond South Asian diasporas to connect with audiences throughout the world. But unlike markets in Africa, Eastern Europe, and Southeast Asia, the growing North American reception of Bollywood is not necessarily based on the films themselves but on excerpts from classic Bollywood films, especially song-and- dance sequences. The music is redistributed on Western-produced compilations andsampledonDJremixCDssuchasBollywood Beats, Bollywood Breaks, and Bollywood Funk; costumes and choreography are parodied on mainstream television programs; “Bollywood dancing” is all over YouTube and classes are offered both in India and the United States.1 In this essay, I trace the circulation of Jaan Pehechaan Ho, a song-and-dance sequence from the 1965 Raja Nawathe film Gumnaam that has been widely recircu- lated in an “alternative” nondiasporic reception in the United States. I begin with CULTURAL ANTHROPOLOGY, Vol. 25, Issue 1, pp.
  • Agatha Christie's and Then There Were None

    Agatha Christie's and Then There Were None

    DTCF Dergisi 57.2 (2017): 1127-1150 DETECTION OR ENDLESS DEFERRAL/ABSENCE IN DETECTIVE FICTION: AGATHA CHRISTIE'S AND THEN THERE WERE NONE POLİSİYE ROMANDA YAKALAMA YA DA SONSUZ KAÇMA/KAYBOLMA: AGATHA CHRISTIE'NİN “AND THEN THERE WERE NONE” BAŞLIKLI ROMANI M. Ayça VURMAY Yrd. Doç. Dr., Mustafa Kemal Üniversitesi, Fen-Edebiyat Fakültesi, Batı Dilleri ve Edebiyatları Bölümü, İngiliz Dili ve Edebiyatı Anabilim Dalı, [email protected] Abstract Detective ction, one of the most popular genres of the novel, is grounded on the concepts of crime and detection. The rise in detective ction is followed by the surge of theories on this genre, particularly informed by (post)modern readings. Agatha Christie, "the Queen of Makale Bilgisi Crime", not only contributed to the founding of the conventions of the genre, the "rules" of the "game", but she also deed and subverted the very codes of the genre during the Gönderildiği tarih: 16 Ağustos 2017 Golden Age of Detective Fiction. Therefore, Christie's novels can be read as the decoding or Kabul edildiği tarih: 22 Ekim 2017 deconstruction of the genre as well. Christie's And Then There Were None depicts the Yayınlanma tarihi: 27 Aralık 2017 double-faced nature of truth or detection, as it reects the endless doubling and deferral of presence/absence, criminal/victim, and lawgiver/lawbreaker. The nursery rhyme "Ten Article Info Little Indians" ("niggers"/"soldiers"), which is central to the novel, is a centripetal as well as Date submitted: 16 August 2017 a centrifugal force serving as the element through which meaning disseminates into others Date accepted: 22 October 2017 inside and outside.
  • 8Th Grade Book Overviews and Then There Were None (Ten Little Indians) by Agatha Christie Ten People, Each with a Guilty Secret

    8Th Grade Book Overviews and Then There Were None (Ten Little Indians) by Agatha Christie Ten People, Each with a Guilty Secret

    8th Grade Book Overviews And Then There Were None (Ten Little Indians) by Agatha Christie Ten people, each with a guilty secret, are lured to an isolated island off the Devon coast. Shortly after they arrive, a mysterious voice accuses each of them of murder. And then, one by one, they begin dying. Who is killing them? Where is he or she hiding? Is the murderer in fact one of them? *Brown Girl Dreaming by Jacqueline Woodson Jacqueline Woodson, one of today's finest writers, tells the moving story of her childhood in mesmerizing verse. Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world. Woodson's eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become. Esperanza Rising by Pam Muñoz Ryan Esperanza thought she'd always live like a princess on their Mexican ranch, but disaster strikes, and her life starts over in the U.S. Frankenstein by Mary Wollstonecraft Shelley Victor Frankenstein is a mad scientist who makes a giant monster out of dead bodies — and brings it to life! When the monster is alive, Victor knows he has made a mistake.
  • June 1-3,2(>(>7

    June 1-3,2(>(>7

    Leonard A. Anderson M. Seth Reines Executive Director Artistic Director June 1-3,2(>(>7 nte Media -I1 I - I , ,, This program is partially supportec grant from the Illinois Arts Council. Named a Partner In Excellence by the Illinois Arts Council. IF IT'S GOT OUR NAME ON IT YOlU'VE GOT OUR WORD ON If. attachments that are tough enough for folks Ib you. And then we put wr gllarantee on m,m, In fact,we ofb the WustryS only 3-year warm&, Visit mgrHd.com. Book By James Goldman Music Lyrics by Stephen Sondheim Produced Originally on Broadway by Harold Prince By special arrangement with Cameron Mackintosh Directed & Staged by Tony Parise Assistant To The Directorr AEA Stage Manager Marie Jagger-Taylor* Tom Reynolds* Lighting Designer Musical Director Sound Designer Joe Spratt P. Jason Yarcho David J. Scobbie The Cast (In Order of Appearance) Dimitri Weismann .............................................................................................Guy S. Little Jr.* Roscoe....................................................................................................................... Tom Bunfill Phyllis Rogers Stone................................................................................... Colleen Zenk Pinter* Benjamin Stone....................................................................................................... Mark Pinter* Sally Durant Plumrner........................................................................................ a McNeely* Buddy Plummer........................................................................................................
  • The Sound of Music at the Paramount Seattle

    The Sound of Music at the Paramount Seattle

    SEPTEMBER 2017 September 6 – 11, 2017 My wealth. My priorities. My partner. You’ve spent your life accumulating wealth. And, no doubt, that wealth now takes many forms, sits in many places, and is managed by many advisors. Unfortunately, that kind of fragmentation creates gaps that can hold your wealth back from its full potential. The Private Bank can help. The Private Bank uses a proprietary approach called the LIFE Wealth Cycle SM to ­ind those gaps—and help you achieve what is important to you. To learn more, please visit unionbank.com/theprivatebank or contact: Lisa Roberts Managing Director, Private Wealth Management [email protected] 4157057159 Wills, trusts, foundations, and wealth planning strategies have legal, tax, accounting, and other implications. Clients should consult a legal or tax advisor. ©2017 MUFG Union Bank, N.A. All rights reserved. Member FDIC. Union Bank is a registered trademark and brand name of MUFG Union Bank, N.A. EAP full-page template.indd 1 7/17/17 3:08 PM September 2017 Volume 22, No. 1 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning Seattle Area Account Executives Amelia Heppner, Marilyn Kallins, Terri Reed STG at a Glance San Francisco/Bay Area Account Executives Carol Yip Sales Coordinator One of STG’s core values is to serve as stewards of Seattle’s historic Sara Keats Paramount, Moore, and Neptune Theatres, and part of our commitment to Online Editor keeping these spaces healthy and vibrant is to welcome a new generation of visitors and patrons to experience their magic firsthand.
  • South Pacific

    South Pacific

    THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.
  • Do-Re-Mi - the Sound of Music Lyrics!

    Do-Re-Mi - the Sound of Music Lyrics!

    Do-Re-Mi - The Sound of Music Lyrics! (Solo) Let’s start at the very beginning, a very good place to start. When you read you begin with (child) A-B-C, (Solo) when you sing you begin with Do-Re-Mi. (pause) Do-Re-Mi The first three notes just happen to be, Do-Re-Mi. (children) Do-Re-Mi (Solo) Do-Re-Mi-Fa-So-La-Ti Oh, come I’ll make it easier, Listen ... Chorus: Doe, a deer, a female deer, Ray, a drop of golden sun, Me, a name, I call myself, Far, a long, long way to run! Sew, a needle pulling thread, La, a note to follow so! Tea, I drink with jam and bread! That will bring us back to ... Do, Oh, Oh, (child) Oh! Chorus: (child) Doe, (solo) a deer, a female deer, (child) Ray, (solo) a drop of golden sun, (child) Me, (solo) a name, I call myself, (other child) Far, (solo) a long, long way to run! (child and solo) Sew, (solo) a needle pulling thread, La, a note to follow so! Tea, I drink with jam and bread! That will bring us back to ... (Everyone) Doe, a deer, a female deer, Ray, a drop of golden sun, Me, a name, I call myself, Far, a long, long way to run! Sew, a needle pulling thread, (solo) La, (everyone) a note to follow so! Tea, I drink with jam and bread! That will bring us back to ... Do (solo) Do-Re-Mi-Fa-So-La-Ti-Do, so Do! Once we have these notes in our heads, We can sing a million different tunes! (other child) How? (solo) By .
  • Low Male Voice Repertoire in Contemporary Musical Theatre: a Studio and Performance Guide of Selected Songs 1996-2020

    Low Male Voice Repertoire in Contemporary Musical Theatre: a Studio and Performance Guide of Selected Songs 1996-2020

    LOW MALE VOICE REPERTOIRE IN CONTEMPORARY MUSICAL THEATRE: A STUDIO AND PERFORMANCE GUIDE OF SELECTED SONGS 1996-2020 by Jeremy C. Gussin Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University December 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee __________________________________________ Ray Fellman, Research Director __________________________________________ Brian Gill, Chair __________________________________________ Jane Dutton __________________________________________ Peter Volpe December 10, 2020 ii Copyright © 2020 Jeremy Gussin iii Preface This project is intended to be a resource document for bass voices and teachers of low male voices at all levels. For the purposes of this document, I will make use of the established term low male voice (LMV) while acknowledging that there is a push for the removal of gender from voice classification in the industry out of respect for our trans, non-binary and gender fluid populations. In addition to analysis and summation of musical concepts and content found within each selection, each repertoire selection will include discussions of style, vocal technique, vocalism, and character in an effort to establish routes towards authenticity in the field of musical theatre over the last twenty five years. The explosion of online streaming and online sheet music resources over the last decade enable analysis involving original cast recordings, specific noteworthy performances, and discussions on transposition as it relates to the honoring of character and capability of an individual singer. My experiences with challenges as a young low voice (waiting for upper notes to develop, struggling with resonance strategies above a D♭4) with significant musicianship prowess left me searching for a musically challenging outlet outside of the Bel Canto aesthetic.
  • What's Playing at the Playhouse

    What's Playing at the Playhouse

    March TACOMA MUSICAL PLAYHOUSE Non-Profit Org. 2015 U.S. Postage 7116 Sixth Avenue VOLUME XVIII, ISSUE IV Tacoma, WA 98406 PAID 253-565-6867 Tacoma, WA TMP Box Office Permit No. 1317 [email protected] Tue ˗ Fri | 10AM ˗ 6PM 253-565-6867 www.tmp.org THE OFFICIAL NEWSLETTER OF TACOMA MUSICAL PLAYHOUSE Order Online www.tmp.org American Express MasterCard Proud Sponsor of Visa EVITA No service charges for online or phone orders. What’s Playing at the Playhouse... Tacoma Musical Playhouse’s fourth Mainstage RAFE WADLEIGH (Che Guevara) A music teach- musical of the 2014/15 season is Evita. Win- er at Holy Names Academy in Seattle, Rafe grew ner of seven Tony Awards, and one of the up in a theater household, performing each summer most popular collaborations between Andrew with his family in the summer stock company his Lloyd Webber and Tim Rice. father founded at WSU. Past roles at TMP include Nine (Guido Contini), Guys & Dolls (Skye Master- Enriching lives through the art form of musical theater! April 10 – May 3, 2015 son), She Loves Me (Kodaly) and South Pacific Tacoma’s Award-Winning Musical Theater Fridays & Saturdays | 8PM & Sundays | 2PM (Emile). & Saturday Matinees JONATHAN BILL (Juan Peron) April 25 & May 2, 2015 | 2PM Jonathan a high school teacher, is enjoying his second show at TMP, previously appearing in The Sound Of About the Show Music (Capt. Von Trapp). Other favorite roles in the Upcoming TMP Events—Save the Date! EVITA is both inspiring and tragic in that it last several years include Spamalot (King Arthur), The tells of Eva Peron’s unlikely rise from an Ar- Drowsy Chaperone (Aldolpho), Dirty Rotten Scoun- gentine slum, where she is the child of a single drels (Lawrence), and The Odd Couple (Oscar).
  • The Sound of Music

    The Sound of Music

    HUNTINGTON HIGH SCHOOL ShowBill R o d g e R s & H a m m e R s t e i n ’ s A Huntington High School Drama Club Production FRIDAY, APRIL 12 – 7:30 PM SATURDAY, APRIL 13 – 2:00 & 7:30 PM “The hills would not be alive without you…” The Sound of Music Special Thanks Music By Lyrics By Richard Rodgers Oscar Hammerstein II Book By Ken Gilbert Howard Lindsay & Russell Crouse For everything & anything Suggested by “The Trapp Family Singers” by Maria Augusta Trapp Dana Freed For keeping us dressed Orchestrations By Choral Arrangements By Russell Bennett Trude Rittman Jennifer Mosden For taking us on as a second job Musical Director Director Technical Director Fran & Donna Brian Stellato Michael Schwendemann Ken Gilbert For keeping our accounting in order Vocal Coach Choreographer The custodial staff & HHS security Veronica Mainville Michelle Mallardi For keeping us clean Kathy Shea Dance Captains Student Directors Costumes & Set Dressing For all you do behind the scenes Nancy Fallon Brendan Higgins Dana Freed Monica Owen Meghan Latini Norcostco Costumes Inc. Dave Burden Bobby Marcus For helping us sound terrific Jaime Moskowitz The Drama Club Parents Logo Design Program Photos Without you we’re nothing – the dinners – the support – the fundraising . Katherine Gerdes Ellen Fleury Zach Burden Ilene Messina Emily McGoldrick Stage Managers Sarah Mosden For making us look picture perfect Anna Wertheim Alex Ulloa Martha & Sarge Ashley Veliz For dealing with me for 8 years & letting your children share their talent with me not to mention all you’ve done in that time Director’s Notes Ellen Fleury The Sound of Music — Icon with a twist..
  • Press Release the Sound of Music.Pdf

    Press Release the Sound of Music.Pdf

    THE SOUND OF MUSIC Page 1 of 8 **FOR IMMEDIATE RELEASE** October 15, 2019 Asolo Rep Announces Casting for Josh Rhodes Helmed THE SOUND OF MUSIC November 13 - December 28 Photos are available by visiting: https://asolorep.smugmug.com/THE-SOUND-OF-MUSIC-Pre-production-Photos/ (SARASOTA, October 15, 2019) — Asolo Repertory Theatre proudly kicks off its highly anticipated 2019-20 season with Rodgers and Hammerstein's beloved classic THE SOUND OF MUSIC. This Tony Award®-winning musical sensation will be directed and choreographed by Josh Rhodes (Broadway: Bright Star, It Shoulda Been You, First Date, Rodgers + Hammerstein's Cinderella). Rhodes returns to Asolo Rep where he previously directed and choreographed the theatre's record-breaking smash hit production of Evita in 2017 and Guys and Dolls in 2016. THE SOUND OF MUSIC previews November 13 - 15, opens November 16 and runs through December 28 in the Mertz Theatre, located in the FSU Center for the Performing Arts. THE SOUND OF MUSIC tells the timeless coming-of-age story of Maria, a young, free-spirited nun who longs to find her true purpose beyond the walls of the Abbey. When she is sent off to be a governess to the strict Captain von Trapp's seven troublesome children, she brings much- needed love and joy to the family, the Captain and her own heart. But when the epidemic rise of Nazism threatens their country and newfound happiness, the von Trapps must choose between the home they know and love and a life of uncertainty. Featuring some of the most iconic songs in the American musical theatre canon ("My Favorite Things," "Do-Re-Mi," "Sixteen Going on Seventeen," "Climb Ev'ry Mountain" and "Edelweiss"), THE SOUND OF MUSIC is a must-see musical celebration perfect for the whole family this holiday season.