Cosmopolitanism, Remediation and the Ghost World of Bollywood
COSMOPOLITANISM, REMEDIATION, AND THE GHOST WORLD OF BOLLYWOOD DAVID NOVAK CUniversity ofA California, Santa Barbara Over the past two decades, there has been unprecedented interest in Asian popular media in the United States. Regionally identified productions such as Japanese anime, Hong Kong action movies, and Bollywood film have developed substantial nondiasporic fan bases in North America and Europe. This transnational consumption has passed largely under the radar of culturalist interpretations, to be described as an ephemeral by-product of media circulation and its eclectic overproduction of images and signifiers. But culture is produced anew in these “foreign takes” on popular media, in which acts of cultural borrowing channel emergent forms of cosmopolitan subjectivity. Bollywood’s global circulations have been especially complex and surprising in reaching beyond South Asian diasporas to connect with audiences throughout the world. But unlike markets in Africa, Eastern Europe, and Southeast Asia, the growing North American reception of Bollywood is not necessarily based on the films themselves but on excerpts from classic Bollywood films, especially song-and- dance sequences. The music is redistributed on Western-produced compilations andsampledonDJremixCDssuchasBollywood Beats, Bollywood Breaks, and Bollywood Funk; costumes and choreography are parodied on mainstream television programs; “Bollywood dancing” is all over YouTube and classes are offered both in India and the United States.1 In this essay, I trace the circulation of Jaan Pehechaan Ho, a song-and-dance sequence from the 1965 Raja Nawathe film Gumnaam that has been widely recircu- lated in an “alternative” nondiasporic reception in the United States. I begin with CULTURAL ANTHROPOLOGY, Vol. 25, Issue 1, pp.
DTCF Dergisi 57.2 (2017): 1127-1150 DETECTION OR ENDLESS DEFERRAL/ABSENCE IN DETECTIVE FICTION: AGATHA CHRISTIE'S AND THEN THERE WERE NONE POLİSİYE ROMANDA YAKALAMA YA DA SONSUZ KAÇMA/KAYBOLMA: AGATHA CHRISTIE'NİN “AND THEN THERE WERE NONE” BAŞLIKLI ROMANI M. Ayça VURMAY Yrd. Doç. Dr., Mustafa Kemal Üniversitesi, Fen-Edebiyat Fakültesi, Batı Dilleri ve Edebiyatları Bölümü, İngiliz Dili ve Edebiyatı Anabilim Dalı, aycavurmay@yahoo.com Abstract Detective ction, one of the most popular genres of the novel, is grounded on the concepts of crime and detection. The rise in detective ction is followed by the surge of theories on this genre, particularly informed by (post)modern readings. Agatha Christie, "the Queen of Makale Bilgisi Crime", not only contributed to the founding of the conventions of the genre, the "rules" of the "game", but she also deed and subverted the very codes of the genre during the Gönderildiği tarih: 16 Ağustos 2017 Golden Age of Detective Fiction. Therefore, Christie's novels can be read as the decoding or Kabul edildiği tarih: 22 Ekim 2017 deconstruction of the genre as well. Christie's And Then There Were None depicts the Yayınlanma tarihi: 27 Aralık 2017 double-faced nature of truth or detection, as it reects the endless doubling and deferral of presence/absence, criminal/victim, and lawgiver/lawbreaker. The nursery rhyme "Ten Article Info Little Indians" ("niggers"/"soldiers"), which is central to the novel, is a centripetal as well as Date submitted: 16 August 2017 a centrifugal force serving as the element through which meaning disseminates into others Date accepted: 22 October 2017 inside and outside.
8Th Grade Book Overviews and Then There Were None (Ten Little Indians) by Agatha Christie Ten People, Each with a Guilty Secret
8th Grade Book Overviews And Then There Were None (Ten Little Indians) by Agatha Christie Ten people, each with a guilty secret, are lured to an isolated island off the Devon coast. Shortly after they arrive, a mysterious voice accuses each of them of murder. And then, one by one, they begin dying. Who is killing them? Where is he or she hiding? Is the murderer in fact one of them? *Brown Girl Dreaming by Jacqueline Woodson Jacqueline Woodson, one of today's finest writers, tells the moving story of her childhood in mesmerizing verse. Raised in South Carolina and New York, Woodson always felt halfway home in each place. In vivid poems, she shares what it was like to grow up as an African American in the 1960s and 1970s, living with the remnants of Jim Crow and her growing awareness of the Civil Rights movement. Touching and powerful, each poem is both accessible and emotionally charged, each line a glimpse into a child's soul as she searches for her place in the world. Woodson's eloquent poetry also reflects the joy of finding her voice through writing stories, despite the fact that she struggled with reading as a child. Her love of stories inspired her and stayed with her, creating the first sparks of the gifted writer she was to become. Esperanza Rising by Pam Muñoz Ryan Esperanza thought she'd always live like a princess on their Mexican ranch, but disaster strikes, and her life starts over in the U.S. Frankenstein by Mary Wollstonecraft Shelley Victor Frankenstein is a mad scientist who makes a giant monster out of dead bodies — and brings it to life! When the monster is alive, Victor knows he has made a mistake.
Emma S. Clark Memorial Library MYSTERIES FOR TEENS PLEASE NOTE: BOOKS VARY WIDELY IN MATURITY LEVEL AND CONTENT Acceleration by Graham McNamee ------------------------------------------------------------------------------------------------YA & TEEN MCNAM Stuck working in the Lost and Found of the Toronto Transit Authority for the summer, seventeen-year-old Duncan finds the diary of a serial killer and sets out to stop him. (670L) Adventures of Sherlock Holmes by Arthur Conan Doyle -------------------------------------------------------------MYSTERY & TEEN DOYLE The master sleuth's character and amazing skills of detection are presented as they originally were depicted in twelve stories appearing in the pages of The Strand Magazine. (1080L) Always Emily: a novel of intrigue and romance by Michaela MacColl------------------------------------------------------YA MACCO Young Emily and Charlotte Brontë solve a mystery. (lexile unavailable) Amelia Anne is Dead and Gone by Kat Rosenfeld-----------------------------------------------------------------------------------------YA ROSEN Unveils the details of a horrific murder, its effects on permanent and summer residents of the small Appalachian town where a body is discovered, and especially how the related violence shakes eighteen-year-old Becca's determination to leave home as soon as possible. (lexile unavailable) And Then There Were None by Agatha Christie ------------------------------------------------------------------------------------MYSTERY CHRIST When ten people arrive on private Indian
ISSN: 2527-8037 Proceedings of the 1st English Education International Conference (EEIC) in conjunction with the 2nd Reciprocal Graduate Research Symposium (RGRS) of the Consortium of Asia-Pacific Education Universities (CAPEU) between Sultan Idris Education University and Syiah Kuala University November 12-13, 2016, Banda Aceh, Indonesia A PASSWORD TO DIE: ANALYZING CHARACTERS’ PERSONALITY IN AGATHA CHRISTIE’S TEN LITTLE NIGGERS Dian Fajrina Syiah Kuala University, Banda Aceh, INDONESIA Email: dfajrina80@gmail.com Abstract Ten Little Niggers first published in 1939, was Agatha Christie’s best seller novel and the only novel she wrote where there was no detective to solve the mystery. The story began by introducing eight persons who were invited to The Indian Island by a person who claimed to be an old friend. Arriving in the island, the guests were only welcomed by a couple who were hired to be the house keeper and the cook. One by one of ten persons living in that house were killed based on the nursery rhyme hanged on the wall of each room. This paper is aimed to find out the reason and the personality of each character which resulted in them being killed. Content analysis was applied to gather and analyze the data from the novel. It was found out that Marston was the first to be killed because of his careless personality and the least sin he made in the past. Claythorne was the last to be killed because she made the biggest sin and therefore, suffered a lot from fear and guilt which made her hang herself with the equipment prepared by the murderer.
1966/67 Come Blow Your Horn* Scrooge* See How They Run
1966/67 Amicable Parting - Fisherman’s Wife The Foreigner Come Blow Your Horn* Plaza Suite* Anything Goes Scrooge* 1982/83 1994/95 See How They Run* Gaslight Nunsense* 1967/68 A Funny Thing Happened on the Way to the Christmas Carol* Mary, Mary Forum* Mousetrap Middle of the Night Mornings at Seven Annie The Happy Time 1983/84 1995/96 Sunday in the Park The Good Doctor You Can’t Take it With You* 1968/69 Peter and the Wolf Christmas Carol* Puss in Boots Goodbye Charlie I Shot My Rich Aunt Caine Mutiny Courtmartial Oklahoma Mame Cloud 7 1984/85 1996/97 Under the Yum Yum Tree A Flea in Her Ear 1940’s Radio Hour* The Tender Trap The Hollow Christmas Carol* 1969/70 Hello Dolly* Arsenic and Old Lace* Never Too Late Snow White and the Seven Dwarfs Oliver The Man Who Came To Dinner* 1985/86 1997/98 All Because of Agatha The Fantastics The Hound of the Baskervilles 1970/71 The Pied Piper of Hamelin Christmas Carol* Cactus Flower You Can’t Take it With You* The Odd Couple My Three Angels Fiddler On the Roof* Guys and Dolls* Arsenic and Old Lace* Dames at Sea (summer show) 1986/87 1971/72 Arsenic and Old Lace* 1998/99 Plaza Suite* Pinocchio Broadway: Stuff happens Adaptation/Next Bedroom Farce Christmas Carol* Forty Carats* Music Man* Out of the Frying Pan The Unsinkable Molly Brown 1972/73 1987/88 A Shot in the Dark Noises off 1999/2000 Bell, Book, and Candle Jack and the Beanstalk Something’s Afoot Black Comedy Wait Until Dark Christmas Carol* Annie Get Your Gun Play On 1973/74 Phantom I’ll Get My Man 1988/89 You’re a Good Man Charlie Brown Don’t
Elite Karaoke Draft by Artist 2 Pistols Feat. Ray J You Know Me (Hed) Planet Earth 2 Pistols Feat. T-Pain & Tay Bartender Dizm Blackout She Got It Other Side 2 Play Feat. Thomas Jules & Renegade Jucxi D 10 Years Careless Whisper Actions & Motives 2 Unlimited Beautiful No Limit Drug Of Choice Twilight Zone Fix Me 20 Fingers Fix Me (Acoustic) Short Dick Man Shoot It Out 21 Demands Through The Iris Give Me A Minute Wasteland 21 Savage Feat. Offset, Metro 10,000 Maniacs Boomin & Travis Scott Because The Night Ghostface Killers Candy Everybody Wants 2Pac Like The Weather Changes More Than This Dear Mama These Are The Days How Do You Want It Trouble Me I Get Around 100 Proof (Aged In Soul) So Many Tears Somebody's Been Sleeping Until The End Of Time 101 Dalmations 2Pac Feat. Dr. Dre Cruella De Vil California Love 10cc 2Pac Feat. Elton John Dreadlock Holiday Ghetto Gospel Good Morning Judge 2Pac Feat. Eminem I'm Not In Love One Day At A Time The Things We Do For Love 2Pac Feat. Eric Williams Things We Do For Love Do For Love 112 2Pac Feat. Notorious B.I.G. Dance With Me Runnin' Peaches & Cream 3 Doors Down Right Here For You Away From The Sun U Already Know Be Like That 112 Feat. Ludacris Behind Those Eyes Hot & Wet Citizen Soldier 112 Feat. Super Cat Dangerous Game Na Na Na Duck & Run 12 Gauge Every Time You Go Dunkie Butt Going Down In Flames 12 Stones Here By Me Arms Of A Stranger Here Without You Far Away It's Not My Time (I Won't Go) Shadows Kryptonite We Are One Landing In London 1910 Fruitgum Co.
, patronJ (continued) Mr. and Mrs'. William P. Murphy Mr. and Mrs. Jack Snyder Jheatl'e Priscilla Neeley Mr. and Mrs. Paul Somers Mr. and Mrs. Dixie Neubert Mr. and Mrs. Gene Songer Mr. and Mrs. Lawrence Newtson Mr. and Mrs. Howard Spain Miss Ometa M. O'Connell Mr. and Mrs. Max Sperling presents Cydnic Pacot Mrs. Meredith Spiering Mr. and Mrs. Andrew Palti Mr. and Mrs. Tom Stephenson Mrs. Nina Payne Mr. and Mrs. Jack Stewart Mr. and Mrs. William Payne Florence Strawser Mr. and Mrs. John Pittman Mr. and Mrs. Chester Stultz Mr. and Mrs. Al Pontecore Mr. and Mrs. Gene Surina Mr. and Mrs. Anthony Potter Dr. and Mrs. Robert Talty Mr. and Mrs. Kasey Povelones Virginia Tanner Dr. and Mrs. Alden Rarick Mr. and Mrs. Patrick Tanquary in Mr. and Mrs. Ray Redenbaugh Mr. and Mrs. Charles Taylor Mr. and Mrs. Eugene Rice Mr. and Mrs. Wayne Thomas Mr. and Mrs. Ed Robbins Mr. and Mrs. Glenn Timmons Me. and Mrs. Charles Rohlfing Mr. and Mrs. Fred Underhill Mrs. Charles T. Roos Dr. and Mrs. William W. Vaught Beatrice Rose Mr. and Mrs. Charles C. Vinson Mr. and Mrs. Fred Royalty Mr. and Mrs. Neil Von Lanken Virginia Royalty Mrs. Elton Wagner Frances Ruda Mr. and Mrs. Joe Ward Mr. and Mrs. Wesley Rush Mr. and Mrs. Stephen Ward Mr. and Mrs. Norman Sanders Miss Frances Watkins Mr. and Mrs. George Satterwhite Jack Wilkinson Jerry Savesky Mr. and Mrs. John Wilkinson Mr. and Mrs. Bill Schatz Mrs. Dorothy Wilson Dr. and Mrs. James L. Schoon Mr. and Mrs.
Practical Steps for Liberating Music for the Black Child By Devin L. Walker The history of racist nursery rhymes and Cultural History Imposition in the United States and beyond. The role nursery rhymes played in the Impact maintenance of slavery and segregation in the U.S. The The current state of children’s music in the black Present community. Practical What you can do to help combat Music Steps Adultification. Two Paths of Development For Humanity One that advances One that advances the few the masses The process of making The means of production another human being a in society is used to slave and the actual Chattel-Slavery was the advance one or a small property of someone else precursor to Capitalism group of people at the who could be bought, expense of another group sold, traded or inherited. of people. Slave Revolts . Negro Spirituals . Quilts of the Underground Railroad Originally a song about catching slaves EENIE, MEENIE, Used the phrase “Catch a MINY, MOE Nigger by it’s toe” Over 8 million views since 2015 on Super Simple Songs - Kids Songs . Released in March 1916 by Columbia Records . Written by actor Harry C. Browne and played on the familiar depiction of black people as mindless beasts of burden greedily devouring slices of watermelon. The origin of the song is most likely George Washington Dixon's "Zip Coon", a racist ditty penned in 1838 and later adapted to the less offensive "Turkey in the Straw". “Nigger love a watermelon ha ha, ha ha! Nigger love a watermelon ha ha, ha ha! For here, they're made with a half a pound of co'l There's nothing like a watermelon for a hungry coon” It was adapted in 1869 by Frank J.