PERFORMING ARTS DEPARTMENT INSTRUMENTAL MUSIC TEAM - 2016 at King’S We Have a Dynamic Instrumental Music Program Incorporating a Wide Variety of Instruments
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The Following Schemes Are Used by Christian Heritage College (CHC) to Provide Adjustments to the Selection Ranks of Applicants T
The following schemes are used by Christian Heritage College (CHC) to provide adjustments to the selection ranks of applicants to CHC courses for admissions purposes: • CHC Partnership School Scheme; • CHC Community Engagement Scheme; and • Educational Access Scheme (EAS). Applicants must meet all other admission requirements for their preferred courses prior to the adjustments being applied. Only one scheme can be applied to an applicant’s selection rank. The requirements of the schemes, and the adjustments they provide, are explained below. Year 12 applicants can benefit from an adjustment of 2.00 selection ranks by completing Year 12 at a CHC Partner School (see Appendix 1). The CHC Community Engagement Scheme allows an adjustment of 2.00 selection ranks for applicants in CHC’s catchment area, according to their residential postcode (see Appendix 2). The Educational Access Scheme (EAS) allows an adjustment to be applied to the selection rank of applicants who have experienced difficult circumstances that have adversely impacted their studies. To be considered, applicants apply to QTAC for a confidential assessment of their circumstances. CRICOS Provider Name: Christian Heritage College CRICOS Provider No: 01016F The following are the schools to which the CHC Partnership School Scheme applies (as at July 2021): Greater Brisbane Area Regional Queensland Alta 1 College - Caboolture Bayside Christian College Hervey Bay (Urraween) Annandale Christian College Border Rivers Christian College (Goondiwindi) Arethusa College (Deception Bay Campus) -
1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE -
Top 40 Singles Top 40 Albums
25 November 1979 CHART #214 Top 40 Singles Top 40 Albums Don't Stop Till You Get Enough Heaven Must Have Sent You Greatest Hits The Roussos Phenomenon 1 Michael Jackson 21 Bonnie Pointer 1 Rod Stewart 21 Demis Roussos Last week 1 / 9 weeks CBS Last week 22 / 7 weeks EMI Last week 1 / 3 weeks Platinum / WEA Last week 19 / 22 weeks Platinum / POLYGRAM Jezebel Driver's Seat Best Of Kenny Rogers Bop Till You Drop 2 Jon Stevens 22 Sniff'N' The Tears 2 Kenny Rogers 22 Ry Cooder Last week 5 / 4 weeks CBS Last week 21 / 4 weeks EMI Last week 2 / 3 weeks Platinum / FESTIVAL Last week 27 / 10 weeks WEA Six Ribbons Dim All The Lights The Long Run On The Road With Charley Pride 3 Jon English 23 Donna Summer 3 The Eagles 23 Charley Pride Last week 3 / 6 weeks POLYGRAM Last week 14 / 11 weeks POLYGRAM Last week 5 / 7 weeks Platinum / WEA Last week 13 / 4 weeks RCA Get Your Love Right I Don't Like Mondays English History The Cars 4 Jon English 24 Boomtown Rats 4 Jon English 24 The Cars Last week 8 / 5 weeks POLYGRAM Last week 10 / 13 weeks POLYGRAM Last week 4 / 5 weeks POLYGRAM Last week 24 / 56 weeks Platinum / WEA Born To Be Alive The Part Of Me Tusk Into The Music 5 Patrick Hernandez 25 Exile 5 Fleetwood Mac 25 Van Morrison Last week 2 / 10 weeks CBS Last week 30 / 5 weeks EMI Last week 6 / 6 weeks Gold / WEA Last week 35 / 9 weeks POLYGRAM Lost In Love Somethings Missing In My Life Eat To The Beat Midnight Magic 6 Air Supply 26 Marcia Hines 6 Blondie 26 The Commodores Last week 4 / 10 weeks RCA Last week 32 / 4 weeks RCA Last week 3 / 2 weeks Gold -
Annual Report 2016-2017
Non-State Schools Accreditation Board Non-State Schools Accreditation Board and Non-State Schools Eligibility for Government Funding Committee Level 8, Education House 30 Mary Street Brisbane, Queensland, Australia Tel +61 7 3513 6773 Postal address: PO Box 15347 City East, Queensland 4002 Email address: [email protected] Website address: www.nssab.qld.edu.au Further copies of this Annual Report may be obtained from the Board's website at www.nssab.qld.edu.au or from the Non-State Schools Accreditation Board Secretariat. ISSN 2206-9623 © Non-State Schools Accreditation Board 2017 22 August 2017 The Honourable Kate Jones MP Minister for Education Minister for Tourism, Major Events and the Commonwealth Games PO Box 15033 CITY EAST QLD 4002 Dear Minister I am pleased to submit for presentation to the Parliament the Annual Report 2016 – 2017 and financial statements for the Non-State Schools Accreditation Board. I certify that this Annual Report complies with: the prescribed requirements of the Financial Accountability Act 2009 and the Financial and Performance Management Standard 2009, and the detailed requirements set out in the Annual report requirements for Queensland Government agencies. A checklist outlining the annual reporting requirements can be found at Appendix N of this Annual Report. Yours sincerely Emeritus Professor S Vianne (Vi) McLean AM Chairperson Non-State Schools Accreditation Board Contents About this report ..................................................................................................................................... -
2016 Annual Report Independent Schools Queensland Ltd ABN 88 662 995 577
2016 Annual Report Independent Schools Queensland Ltd ABN 88 662 995 577 John Paul College Front cover: Groves Christian College St Margaret’s Anglican Girls School Contents By the Numbers 2 Chair’s Report 4 Executive Director’s Report 8 ISQ Board and Committees 12 Independent Schools Advocacy, Research and Representation 14 Education Services 23 Queensland is the peak Governance and School Services 26 body representing Organisational Capability 29 Queensland’s independent Membership 30 schooling sector. Alliance Partners 34 Our 203 member schools ISQ Secretariat 36 are a vital part of the state’s education system. Together, these schools educate more than 120,000 students, or 15 percent of Queensland school enrolments. Independent Schools Queensland 2016 Annual Report 1 By the Numbers MEMBER SCHOOLS 15% of Queensland school enrolments 203 including nearly 20% of secondary enrolments 1 112 schools with approved Kindy 2 3 programs 78 schools with full fee paying overseas students 188 schools with Indigenous students 181 schools educated students with disability 35 schools offered boarding Cairns 114 schools with English as a Second Language or Dialect students 7 schools offered Townsville distance education Schools located 120,911 across 37 local government areas students enrolled Mackay 117,880 at 198 independent schools 3,031 at 5 Catholic schools 13 180 9 girls only schools offered boys only schools co-ed schooling schools Rockhampton 168 149 schools schools offered Bundaberg offered Prep primary & secondary Toowoomba Brisbane Warwick Data Source: 2016 Non-State School Census (State) February Collection 2 2016 Annual Report Independent Schools Queensland Flagship programs in 2016: Teaching and Learning Self-Improving Our Schools Governance Great Teachers in Academy Schools – Our Future Services Independent Schools 36% of member 45% of member Commissioned 39% of schools 97% of member schools participated in schools participated. -
Singles 1970 to 1983
AUSTRALIAN RECORD LABELS PHILIPS–PHONOGRAM 7”, EP’s and 12” singles 1970 to 1983 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 PHILIPS-PHONOGRAM, 1970-83 2001 POLYDOR, ROCKY ROAD, JET 2001 007 SYMPATHY / MOONSHINE MARY STEVE ROWLAND & FAMILY DOGG 5.70 2001 072 SPILL THE WINE / MAGIC MOUNTAIN ERIC BURDON & WAR 8.70 2001 073 BACK HOME / THIS IS THE TIME OF THE YEAR GOLDEN EARRING 10.70 2001 096 AFTER MIDNIGHT / EASY NOW ERIC CLAPTON 10.70 2001 112 CAROLINA IN MY MIND / IF I LIVE CRYSTAL MANSION 11.70 2001 120 MAMA / A MOTHER’S TEARS HEINTJE 3.71 2001 122 HEAVY MAKES YOU HAPPY / GIVE ‘EM A HAND BOBBY BLOOM 1.71 2001 127 I DIG EVERYTHING ABOUT YOU / LOVE HAS GOT A HOLD ON ME THE MOB 1.71 2001 134 HOUSE OF THE KING / BLACK BEAUTY FOCUS 3.71 2001 135 HOLY, HOLY LIFE / JESSICA GOLDEN EARING 4.71 2001 140 MAKE ME HAPPY / THIS THING I’VE GOTTEN INTO BOBBY BLOOM 4.71 2001 163 SOUL POWER (PT.1) / (PTS.2 & 3) JAMES BROWN 4.71 2001 164 MIXED UP GUY / LOVED YOU DARLIN’ FROM THE VERY START JOEY SCARBURY 3.71 2001 172 LAYLA / I AM YOURS DEREK AND THE DOMINOS 7.72 2001 203 HOT PANTS (PT.1) / (PT.2) JAMES BROWN 10.71 2001 206 MONEY / GIVE IT TO ME THE MOB 7.71 2001 215 BLOSSOM LADY / IS THIS A DREAM SHOCKING BLUE 10.71 2001 223 MAKE IT FUNKY (PART 1) / (PART 2) JAMES BROWN 11.71 2001 233 I’VE GOT YOU ON MY MIND / GIVE ME YOUR LOVE CAROLYN DAYE LTD. -
2017-Into-The-Woods.Pdf
The Magazine ■ 2 Music and Lyrics by Stephen Sondheim Book by James Lapine Originally Directed on Broadway by James Lapine Original Broadway Production by Heidi Landesman, Rocco Landesman, Rick Steiner, M. Anthony Fisher, Frederic H. Mayerson, Jujamcyn Theatres Originally Produced by the Old Globe Theatre, San Diego, Ca. Originally Directed on Broadway by James Lapine. Licenced exclusively by Music Theatre International (Australasia). All performance materials supplied by Hal Leonard Australia. Program devising and layout: Julia Faragher Program Graphic Design: Zoe O’Leary Cameron StockInDesign ■ 3 FROM THE EXECUTIVE nlivening Stephen Sondheim, whose musicals are full of such lyrical and orchestral dextrosity, in less than ten weeks, we knew would be a phe- Enomenal achievement. However, we knew we had a Director and Mu- sical Director more than capable of exceeding every expectation placed on them in CAT Award winners Spencer Cliff and Katrina Tang. When the full production team, cast and orchestra were announced, I knew we would have an incredible show on our hands because they were full of such fantastically talented and mo- tivated people. IHP is incredibly fortunate to have the amazingly diverse people who make up the society; it is all of your commitment and generosity that make these shows so spectacular and makes the society such a joy to be a part of. I am sincerely grateful to all of you. his is the last performance that will be held in the ANU Arts Centre, and I know the show will be a fitting vale. Becoming involved in the arts at ANU Twas one of the best decisions I have ever made, and this venue carries very fond memories with it for thousands of students. -
SQ Question on Notice
Senate Committee: Education and Employment QUESTION ON NOTICE Supplementary Budget Estimates 2016 - 2017 Outcome: Schools and Youth Department of Education and Training Question No. SQ16-000931 Senator Collins, Jacinta asked on 20 October 2016, Proof Hansard page 40 Schools funding models Question Mr Cook: So we are up to 25, then for the independent sector again there are approved authorities that are not systemic authorities. They have a model as well. So that is 26. Senator JACINTA COLLINS: Who are they? Mr Cook: Things like Seventh-day Adventists or something like that. We can take that on notice, again. It is a loose collection of schools, where they do not reallocate at a system level like other systems do. They work together under the act as an approved authority— Senator JACINTA COLLINS: Are there a number of Christian ones? Mr Cook: There are a number of Christian ones. Senator JACINTA COLLINS: Are they bunched together? Is that how we get to 27? Mr Cook: Autism Spectrum Australia, for example, is one. The Uniting Church in Australia Property Trust is another one. We will give you some examples. So, we are up to 26. Answer The table at Attachment A lists 38 non-systemic Approved Authorities attracting Commonwealth recurrent school funding for more than one school under the Australian Education Act 2013 at 27 October 2016. Attachment A Non-System Approved Authorities with more than one school eligible for Commonwealth Recurrent School Funding at 27 October 2016 Autism Spectrum Australia (ASPECT) Trustees of the Christian Brothers -
Shame Music Credits
Original Music by Mario Millo Music Engineering Cos Russo 'He's My Man' Composed and Arranged by Lucky Oceans Composer Mario Millo: At time of writing, Millo had an eponymous website here, which contained this biography, together with other details: Mario Millo was born in Sydney, Australia in May 1955 to Italian parents, both whom had musical backgrounds. His music career began at the age of five when his father taught him to play the mandolin. By nine, he had begun performing in various Sydney night-clubs and was fast becoming an accomplished guitar player. In 1967, at twelve years of age, he formed his first band, wrote his first song and two years later his second band "The Clik" were the winners of a major "battle of the bands" launching the group into mainstream live venues and their first record release. "The Clik" broke up in late 1973 and Millo decided to join Sydney band "Sebastian Hardie". It was with this band that he began to develop his unique writing style and in 1975, Sebastian Hardie released their debut album "Four Moments" which achieved gold status soon after its release. The bands second album "Windchase" was released a year later - both these albums were hailed as classic progressive rock performances, with Sebastian Hardie recognised as one of the most innovative rock bands of the seventies. The band toured Australia with many international acts including Santana, Lou Reed, Osibisa and Focus. Sebastian Hardie held their own alongside these major acts in the eyes and ears of audiences and the press with Millo's melodic and soulful guitar playing gaining the respect of legend guitarists Carlos Santana and Jan Akkermann and the praise of his many followers. -
An Overview of Stile, Australia's #1 Science Resource Provider
An overview of Stile, Australia’s #1 science resource provider EXECUTIVE SUMMARY FOR SCHOOL LEADERS Stile | Executive summary for school leaders 2 Table of contents Welcome letter 3 How we are rethinking science education > Our principles 5 > Our pedagogy 7 > Our approach 9 A simple solution > Stile Classroom 12 > Squiz 14 > Professional learning 15 > Stile Concierge 16 Key benefits 17 The Stile community of schools 19 The rest is easy 24 Stile | Executive summary for school leaders 3 It’s time to rethink science at school I’m continuously awestruck by the sheer power of science. In a mere 500 years, a tiny fraction of humanity’s long history, science – and the technological advances that have stemmed from it – has completely transformed every part of our lives. The scale of humanity’s scientific transformation in such a short period is so immense it’s hard to grasp. My grandmother was alive when one of the world’s oldest airlines, Qantas, was born. In her lifetime, flight has become as routine as daily roll call. Disease, famine and the toll of manual labour that once ravaged the world’s population have also been dramatically reduced. Science is at the heart of this progress. Given such incredible advancement, it’s tempting to think that science education must be in pretty good shape. Sadly, it isn’t. We could talk about falling PISA rankings, or declining STEM enrolments. But instead, and perhaps more importantly, let’s consider the world to which our students will graduate. A world of “fake news” and “alternative facts”. -
Music Business and the Experience Economy the Australasian Case Music Business and the Experience Economy
Peter Tschmuck Philip L. Pearce Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Music Business and the Experience Economy . Peter Tschmuck • Philip L. Pearce • Steven Campbell Editors Music Business and the Experience Economy The Australasian Case Editors Peter Tschmuck Philip L. Pearce Institute for Cultural Management and School of Business Cultural Studies James Cook University Townsville University of Music and Townsville, Queensland Performing Arts Vienna Australia Vienna, Austria Steven Campbell School of Creative Arts James Cook University Townsville Townsville, Queensland Australia ISBN 978-3-642-27897-6 ISBN 978-3-642-27898-3 (eBook) DOI 10.1007/978-3-642-27898-3 Springer Heidelberg New York Dordrecht London Library of Congress Control Number: 2013936544 # Springer-Verlag Berlin Heidelberg 2013 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. Exempted from this legal reservation are brief excerpts in connection with reviews or scholarly analysis or material supplied specifically for the purpose of being entered and executed on a computer system, for exclusive use by the purchaser of the work. Duplication of this publication or parts thereof is permitted only under the provisions of the Copyright Law of the Publisher’s location, in its current version, and permission for use must always be obtained from Springer. -
The Australian Songwriter Edition
The Australian Songwriter Issue 104, October 2014 First published 1979 The Magazine of The Australian Songwriters Association Inc. In this edition: Chairman’s Message Editor’s Message 2014 National Songwriting Awards Night ASA Member Profile: Jill Riddiford ASA Member Profile: Fiona Karamanlidis Interview: Graeme Connors Composing With Loops and Samples: Saara Lamberg Songwriters Block: What Do Berklee And James Linderman Say? Sponsors Profiles Songwriters Fighting Fund ASA Member Profile: Glen Naylor ASA Member Profile: Steve McNaughton Members News and Information (including 2014 Australian Songwriting Contest update) The Load Out Official Sponsors of the Australian Songwriting Contest About Us: o Aims of the ASA o History of the Association o Contact Us o Patron o Life Members o Directors o Regional Co-Ordinators 1 Chairman’s Message Hey All, Isn’t this just about the most awesome time of the year? All entries for the 2014 Competition are now in the hands of the Judges, and pretty soon the ASA will be publishing the long awaited ‘SHORTLIST’. Throughout the last month, my fellow Directors and I have overheard snippets of songs as the Judges began the huge task of going through all the entries to whittle them down. We have all ended up excited and anticipating a bumper year from what has come to light so far. Each and every year the standard of songwriting just seems to improve, and it is a matter of contentment for me personally, to know that amongst our ASA Members we definitely have some of the best Songwriters in the country. Roll on November! Also, this month I want to direct all Members to our Regional Coordinators page.