Top Ten Things to Do with Scrap Glass Every Art Classroom with a Glass Program Has Scrap Glass
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Quarterly Journal of the All India Glass Manufacturers' Federation
Vol. 3 | No. 4 | January - March 2016 Quarterly Journal of The All India Glass Manufacturers’ Federation Bi-lingual www.aigmf.com Technical Articles Prof. (Dr.) A. K. Bandyopadhyay Prof. (Dr.) A Sustainable 50 for postage postage for 50 ` ASS ASS www.aigmf.com Building and Packaging material An Publication - GlASS Gl Gl 500 (within India) + + India) (within 500 ` ` Kanch | Vol. 3 | No. 4 | January-March 2016 2 Overseas: US$ 60 (including postage and bank charges) bank and postage (including 60 US$ Overseas: Order Print Copies: Print Order Price: Price: www.aigmf.com President SANJAY GANJOO Sr. Vice President ARUN KUMAR DUKKIPATI Vice President RAJ KUMAR MITTAL Hon. General Secretary BHARAT SOMANY Hon. Treasurer SANJAY AGARWAL Member Editorial Board A K Bandyopadhyay Quarterly Journal of THE ALL INDIA GLASS MANUFACTURERS’ FEDERATION Former Principal, Govt. College of Engineering & Ceramic Technology-GCECT, Kolkata DEVENDRA KUMAR Prof. & HOD, Dept. of Ceramic, Indian Institute of Technology (Banaras Hindu University) Vol. 3 | No. 4 | January-March 2016 K K SHARMA President, NIGMA and Plant Head, HNG Neemrana, Rajasthan MEMBER ASSOCIatIONS EASTERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (EIGMA) Contents c/o La Opala RG Ltd. Chitrakoot, 10th Floor, 230 A, A.J.C. Bose Road From President's Desk 5 Kolkata - 700 020 President - Sushil Jhunjhunwala Glass as Vital Building Material for Smart / Solar Cities NORTHERN INDIA GLASS MANUFACTURERS’ ASSOCIATION (NIGMA) & c/o Hindustan National Glass & Industries Limited 6 Post Office - Bahadurgarh, Jhajjar, Haryana-124 507 Book Launch: “Glass - A Sustainable Building and Packaging President - KK Sharma Material” Vice President - Jimmy Tyagi Honorary General Secretary - NN Goyal Glass News 13 Secretary & Treasurer - JB Bhardwaj SOUTH INDIA GLASS MANUFACTURERS’ ASSOCIATION (SIGMA) Smart City and Glasses for Flat-Screen Products – Part II 21 c/o AGI Glasspac (An SBU of HSIL Ltd.) Glass Factory Road, Off. -
Jon Erickson Lending a Contemporary Aesthetic to Ecclesiastical Work
Art Glass Studio Profile Lending a Contemporary Jon Erickson Aesthetic to Ecclesiastical Work by Shawn Waggoner erfectly capable of producing a compassionate The Eighth Bomber Command (Re-designated 8th Christ or beloved saint, Jon Erickson lends a AF in February 1944) was activated as part of the United Ppersonal and modern touch to his ecclesiastical work. States Army Air Forces January 28, 1942, at Hunter Field Through his studio Aurora Stained Glass, Savannah, in Savannah, Georgia. Brigadier General Ira C. Eaker took Georgia, he has been exposed to some of the brightest the headquarters to England the next month to prepare for talents of the 20th century and has had the opportunity its mission of conducting aerial bombardment missions to learn many skills as a painter from one of the last against Nazi-occupied Europe. During World War II, un- classically trained glass painters, Dick Millard. “One der the leadership of such Generals as Eaker and Jimmy of the truths in life taught by Dick and others is that Doolittle, the 8th AF became the greatest air armada in true learning begins when one admits the vastness of history. At its peak, the 8th AF could dispatch more than their ignorance.” 2,000 four-engine bombers and 1,000 fighters on a single Born in Rhode Island in 1966, Erickson was raised mission. For these reasons, the 8th AF became known as in a family whose members nurtured his artistic devel- the “Mighty Eighth.” opment. He was enrolled in various youth programs The Chapel of the Fallen Eagles was built to resemble and figure drawing classes at the Rhode Island School an English chapel and is meant to give visitors a place of of Design, and his grandparents inspired his interest in quiet reflection. -
Basic Guide to Bottle Identification Say You're Planting a New Tree in Your
Basic Guide to Bottle Age Identification Say you’re planting a new tree in your backyard, and you dig a hole deeper than you’ve had to dig before. In the hole you find a glass bottle that you didn’t put there. How can you identify the bottle? How can you tell if it is old or just a piece of modern recycling that the previous owner left behind? Below please find a basic guide to help you identify a bottle’s age. Bottle identification is a rabbit hole that I’ve found fun to fall into; one bottle can take hours to research, and sometimes, you can’t find anything on it at all! In addition, manufacturing technological advances were adopted over time, not all at once, so older techniques were used at the same time as newer ones. This makes determining exact age for a bottle that wasn’t machine-made a little tricky. But, by looking at a few basic characteristics, you can learn if you want to toss your find in the recycling bin or place it at the center of your mantle. If you are interested in discovering more, I’ve listed some helpful web sites at the end. If you just want a basic guide, hope this helps! How was the bottle made? The first thing that I do when I handle a bottle is look at the construction – the sides, the top or lip, and the base. Free-Blown - Bottles were blown by hand in antiquity, and free-blown bottles were the main manufacturing technique used before the mid-1800s for utilitarian bottles. -
The Stained Glass Windows at Messiah Episcopal Church Were Designed and Installed by Peter Dohmen, a German Glassmaker Who Immigrated to St
The Stained Glass Windows of Messiah Episcopal Church St. Paul, Minn. The stained glass windows at Messiah Episcopal Church were designed and installed by Peter Dohmen, a German glassmaker who immigrated to St. Paul from Germany in 1951. Individual glass pieces were made in Germany in accordance with Dohmen’s design, using a technique first developed by Irish monks in the 9th and 10th centuries. The completed glass pieces were then mailed back to Dohmen’s St. Paul studio, where they were fitted together and installed. (More information about Peter Dohmen is included at the end.) Window Location There are 12 stained glass windows at Messiah. Ten are tall, narrative windows, mostly located in the sanctuary. There is also a large window in the choir loft and the St. Cecilia window overlooking the Gathering Space. Window locations are described using cardinal directions—the congregation in the sanctuary is facing north when viewing the altar, so the east wall is to the right, the west wall is to the left, and south is the back wall of the sanctuary, facing Ford Parkway. Relocated Windows The west wall in the sanctuary was originally an exterior wall, but since the church was expanded in 2005 those windows have looked out to the Gathering Space. One of these windows had to be removed in 2005 to accommodate the new west entrance doors to the sanctuary. The window depicting Christ’s resurrection was moved to the entryway bell tower, facing Ford Parkway. The window depicting Christ’s crucifixion was moved over to the resurrection window’s original position to make way for the new entrance. -
Float Glass Inspection and Measurement Phone: +1-651-730-4090 Fax: +1-651-730-1955 for Highest Quality and Optimized Yields
Germany Phone: +49-89-85695-0 Fax: +49-89-85695-200 USA Float Glass Inspection and Measurement Phone: +1-651-730-4090 Fax: +1-651-730-1955 for Highest Quality and Optimized Yields Korea Phone: +82-2-527-1633 Fax: +82-2-527-1635 Taiwan Phone: +886-2-2920-7899 Fax: +886-2-2920-8198 Dr. Schenk’s production site Hong Kong Phone: +852-2425-1860 Fax: +852-2425-6775 China-Beijing Dr. Schenk GmbH, established in 1985, is an innovative Phone: +86-10-6503-2159 high-tech company based near Munich, Germany. Fax: +86-10-6503-2161 Dr. Schenk develops, produces and markets optical surface inspection and measurement solutions for automated China-Shanghai quality assurance and production process monitoring. Phone: +86-21-5836-6700 The systems are a key success factor in the making and Fax: +86-21-5836-6701 converting of many materials, e.g. plastics, glass, metal, PV modules, wovens & nonwovens, and the semiconduc- tor industry. Throughout the world Dr. Schenk’s 220 employees con- For further regional sales & tinue to set new standards for the inspection of surfaces. service representatives please refer Over 10,000 m² of modern production and testing facili- to www.drschenk.com ties are available to research, development and production to apply cutting-edge optics and electronics to customer applications. The company’s objective is complete customer satisfaction. This is achieved through innovative and practical solutions that can be implemented into new and existing production lines. Local sales and service facilities around the world ensure fast support, technical service, training and consult- ing at any phase of a project. -
ENABLING WONDERS. INSPIRING AWE. AIS Architectural Product Profile
ENABLING WONDERS. INSPIRING AWE. AIS Architectural Product Profile 1 FROM ART TO ARCHITECTURE Architecture is an emotional experience that begins in the mind of the architect. It starts from a vision that transforms into an art. Just like any artist, the architect gets to play with various materials and ideas. Glass is the latest material that is allowing architects to interpret space in a whole new way, inspire creative designs, and create structures that reflect beauty. AIS has the knowledge, expertise, and an unmatched array of products to bring an artistic idea from a vision to a masterpiece. 2 Cummins, Pune 3 ENABLING A FUTURE THAT SEES MORE AIS is India’s leading integrated glass company. Being a leader, AIS delivers top-of-the-line products and solutions through three Strategic Business Units (SBUs) of Automotive Glass, Architectural Glass and Consumer Glass. We use our glass product portfolio – which is the biggest in the country – to meet functional needs in an aesthetic and contemporary manner. With products that provide next-generation solutions, AIS brings new ideas to life – enabling an age of ‘green buildings’ and the dawn of a truly sustainable future. Taking the versatility of glass to the next level, AIS today has unmatched glass processing capabilities, including the processing of special glass products, that enables us to meet your every need, and fulfil every requirement. And help you realise your dream house in glass. 4 ARCHITECTURAL GLASS Architectural Glass, or float glass, is manufactured by floating the molten glass on a bed of molten metal, typically tin. This method gives the glass product uniform thickness and a very flat surface. -
Thoughts of an Artist in Stained Glass
Syracuse University SURFACE School of Information Studies - Faculty Scholarship School of Information Studies (iSchool) October 1999 Thoughts of an Artist in Stained Glass Robert N. Oddy Syracuse University Follow this and additional works at: https://surface.syr.edu/istpub Part of the Art and Design Commons Recommended Citation Oddy, Robert N., "Thoughts of an Artist in Stained Glass" (1999). School of Information Studies - Faculty Scholarship. 163. https://surface.syr.edu/istpub/163 This Article is brought to you for free and open access by the School of Information Studies (iSchool) at SURFACE. It has been accepted for inclusion in School of Information Studies - Faculty Scholarship by an authorized administrator of SURFACE. For more information, please contact [email protected]. Thoughts of an Artist in Stained Glass Robert Oddy This is the text of an article that appeared in the magazine Central New York Art Guide, 2000 Special Millennium Edition, Fall 1999 Stained glass is a distinctive medium for art. It is different from painting and it is different from sculpture, but it has strong connections to both. Like a painter, I explore light, color and texture. Like a sculptor, I create pieces that are both 3- dimensional in reality and also give the viewer a 3-dimensional illusion; and they are tactile – at a recent show, nearly everyone who stopped to look at my windows also touched them and felt the contours. Most people love glass, and are fascinated by its transparency or translucence, and the way it toys with light. Colors and textures float in it as though in free space, and shift with changes in the light source as though alive. -
Order Form Full
JAZZ ARTIST TITLE LABEL RETAIL ADDERLEY, CANNONBALL SOMETHIN' ELSE BLUE NOTE RM112.00 ARMSTRONG, LOUIS LOUIS ARMSTRONG PLAYS W.C. HANDY PURE PLEASURE RM188.00 ARMSTRONG, LOUIS & DUKE ELLINGTON THE GREAT REUNION (180 GR) PARLOPHONE RM124.00 AYLER, ALBERT LIVE IN FRANCE JULY 25, 1970 B13 RM136.00 BAKER, CHET DAYBREAK (180 GR) STEEPLECHASE RM139.00 BAKER, CHET IT COULD HAPPEN TO YOU RIVERSIDE RM119.00 BAKER, CHET SINGS & STRINGS VINYL PASSION RM146.00 BAKER, CHET THE LYRICAL TRUMPET OF CHET JAZZ WAX RM134.00 BAKER, CHET WITH STRINGS (180 GR) MUSIC ON VINYL RM155.00 BERRY, OVERTON T.O.B.E. + LIVE AT THE DOUBLET LIGHT 1/T ATTIC RM124.00 BIG BAD VOODOO DADDY BIG BAD VOODOO DADDY (PURPLE VINYL) LONESTAR RECORDS RM115.00 BLAKEY, ART 3 BLIND MICE UNITED ARTISTS RM95.00 BROETZMANN, PETER FULL BLAST JAZZWERKSTATT RM95.00 BRUBECK, DAVE THE ESSENTIAL DAVE BRUBECK COLUMBIA RM146.00 BRUBECK, DAVE - OCTET DAVE BRUBECK OCTET FANTASY RM119.00 BRUBECK, DAVE - QUARTET BRUBECK TIME DOXY RM125.00 BRUUT! MAD PACK (180 GR WHITE) MUSIC ON VINYL RM149.00 BUCKSHOT LEFONQUE MUSIC EVOLUTION MUSIC ON VINYL RM147.00 BURRELL, KENNY MIDNIGHT BLUE (MONO) (200 GR) CLASSIC RECORDS RM147.00 BURRELL, KENNY WEAVER OF DREAMS (180 GR) WAX TIME RM138.00 BYRD, DONALD BLACK BYRD BLUE NOTE RM112.00 CHERRY, DON MU (FIRST PART) (180 GR) BYG ACTUEL RM95.00 CLAYTON, BUCK HOW HI THE FI PURE PLEASURE RM188.00 COLE, NAT KING PENTHOUSE SERENADE PURE PLEASURE RM157.00 COLEMAN, ORNETTE AT THE TOWN HALL, DECEMBER 1962 WAX LOVE RM107.00 COLTRANE, ALICE JOURNEY IN SATCHIDANANDA (180 GR) IMPULSE -
Glass Shaping
MIT 3.071 Amorphous Materials 6: Glass Shaping Juejun (JJ) Hu 1 After-class reading list Fundamentals of Inorganic Glasses Ch. 20 Introduction to Glass Science and Technology Ch. 13 2 Image @ MIT. All rights reserved. This content is excluded from our Creative Commons license. For more information, see http://ocw.mit.edu/help/faq-fair-use/. “Viscosity makes things happen essentially in slow motion. If you are trying to melt a crystalline solid (like ice or an aluminum oxide ceramic), as soon as you reach the melting point, a drop of liquid forms and falls away from the melting surface. Glass, on the other hand, … gradually transforms from a hard solid to a slowly softening liquid. This soft liquid gradually stiffens as it cools (because of its increasing viscosity), allowing glass blower time to shape and manipulate the glass.” http://madsci.org/posts/archives/2007-09/1188944613.Ph.r.html 3 Viscosity reference points Working range PGM Glass blowing Lehr annealing Fiber drawing Float glass Pitch: 2.3 × 108 h 101 103 106.6 1012 1013.5 (Pa·s) Melting Working Softening Annealing Straining point point point point (Tg) point 4 Basic properties of common silicate glasses Soda-lime Borosilicate Fused silica CTE (ppm/°C) 9.2 3.2 0.5 Working point 1005 1252 N/A (°C) Softening point 696 821 1650 (°C) Annealing point 510 560 1140 (°C) Strain point (°C) 475 510 1070 5 Flat glass manufacturing: float glass process Forming of a continuous ribbon of glass using a molten tin bath Melting and refining (homogenization and bubble removal) Float bath: glass thickness controlled by flow speed Annealing: stress release Inspection, cutting and shipping 1 2.5 12 15 10 Pa·s 10 Pa·s 10 Pa·s > 10 Pa·s © H.S. -
The Historic Stained Glass Windows of St. John's
THE HISTORIC STAINED GLASS WINDOWS OF ST. JOHN’S CHURCH, LAFAYETTE SQUARE November 1, 2015 Richard F. Grimmett, Ph.D. 1 On July 1, 1883, the pew holders of St. John’s Church were formally notified that within a week a member of St. John’s was departing for France to order Stained Glass Windows for the church. The members of St. John’s were advised that the vestry and a Stained Glass Windows Committee created to shepherd this endeavor had agreed that the subjects to be incorporated into the windows were to be limited to scenes from the life of Jesus, and subjects from the Gospel of St. John and the Apocalypse. Church members were informed of the expected costs for each size of window, and were invited to donate windows, and indicate promptly what subject they would prefer be incorporated in their specific window. While donors would be consulted on topics for the windows they chose to donate, the vestry and the Stained Glass Windows Committee would have the ultimate authority to modify any style of a donated window to ensure uniformity of basic format of all the windows ultimately crafted for St. John’s. Soon after receiving a number of responses and commitments from St. John’s members for window donations, the leading member of the Stained Glass Windows Committee, John Chandler Bancroft Davis (who preferred to be called Bancroft Davis), sailed for France to meet with the owner of the noted Lorin Stained Glass Windows firm in Chartres, France. Bancroft Davis met with Mrs. Marie-Francoise (Dian) Lorin, the recently widowed owner of the Lorin firm, established by her husband, Nicholas Lorin, in 1863. -
Precision Sensors & Applications Glass Industry
Sensors & Applications Glass Industry More Precision Sensors and measuring systems confocalDT 2421 / 2422 Confocal chromatic sensors for for glass production distance and thickness measurements Modern glass production is increasin- One-sided thickness measurement of gly determined by maximum efficiency. transparent materials Therefore, rapid access to fundamental Synchronous 2-channel measurement process variables is required in order to with max. measuring rate ensure fast control of the process. With Best price/performance ratio in its class products such as container glass, flat glass or special glasses, tight manufac- turing tolerances must be adhered to while maintaining the shortest possible cycle times. colorCONTROL ACS Sensors for color measurement of transparent materials Due to the high degree of integration as Ideal for integration into processing lines well as the high accuracy and measure- due to high measuring rates ment speed, sensors from Micro-Epsilon are used in the glass industry for different High accuracy measurement tasks: robust eddy current Robust and suitable for industrial applications sensors are integrated into machines in order to detect machine movements while optical sensors monitor glass products in processing lines. Typical measured para- meters include displacement, position, thermoIMAGER / thermoMETER thickness, color and temperature. Thermal imaging cameras and infrared pyrometers for non-contact temperature measurement Fast and precise temperature measurement Real-time process monitoring and system control Compact design & extensive range of interfaces optoNCDT 1420 Compact laser triangulation displacement sensor for high speed, precision measurements Non-contact displacement and distance measurements with large measuring ranges from 10mm to 500mm High accuracy High measuring rate for dynamic measurements Compact design and easy to install Flat glass Temperature measurement of float glass After the tin bath, flat glass has a temperature of approx. -
Download New Glass Review 11
The Corning Museum of Glass NewGlass Review 11 The Corning Museum of Glass Corning, New York 1990 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within derVoraussetzung ausgewahlt, da(3 sie the 1989 calendar year. innerhalb des Kalenderjahres 1989 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare des New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 (607) 937-5371 All rights reserved, 1990 Alle Rechte vorbehalten, 1990 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Dusseldorf FRG Gedruckt in Dusseldorf, Bundesrepublik Deutschland Standard Book Number 0-87290-122-X ISSN: 0275-469X Library of Congress Catalog Number Aufgefuhrt im Katalog der KongreB-Bucherei 81-641214 unter der Nummer 81-641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstler und Objekte 9 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Verzeichnis der Eigennamen und Orte 53 Is das Jury-Mitglied, das seit dem Beginn der New Glass Review Jury Statements A1976 kein Jahr verpaBt hat, fuhle ich mich immer dazu verpflichtet, neueTrends und Richtungen zu suchen und daruber zu berichten, wel- chen Weg Glas meiner Meinung nach einschlagt. Es scheint mir zum Beispiele, daB es immer mehr Frauen in der Review gibt und daB ihre Arbeiten zu den Besten gehoren.