Ingmar Bergman Zum 100. ANIMANIA
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CELEBRATING FORTY YEARS of FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and Counting…
5 JAN 18 1 FEB 18 1 | 5 JAN 18 - 1 FEB 18 88 LOTHIAN ROAD | FILMHOUSECinema.COM CELEBRATING FORTY YEARS OF FILMS WORTH TALKING ABOUT 39 Years, 2 Months, and counting… As you’ll spot deep within this programme (and hinted at on the front cover) January 2018 sees the start of a series of films that lead up to celebrations in October marking the 40th birthday of Filmhouse as a public cinema on Lothian Road. We’ve chosen to screen a film from every year we’ve been bringing the very best cinema to the good people of Edinburgh, and while it is tremendous fun looking back through the history of what has shown here, it was quite an undertaking going through all the old programmes and choosing what to show, and a bit of a personal journey for me as one who started coming here as a customer in the mid-80s (I know, I must have started very young...). At that time, I’d no idea that Filmhouse had only been in existence for less than 10 years – it seemed like such an established, essential institution and impossible to imagine it not existing in a city such as Edinburgh. My only hope is that the cinema is as important today as I felt it was then, and that the giants on whose shoulders we currently stand feel we’re worthy of their legacy. I hope you can join us for at least some of the screenings on this trip down memory lane... And now, back to the now. -
The Inventory of the Richard Roud Collection #1117
The Inventory of the Richard Roud Collection #1117 Howard Gotlieb Archival Research Center ROOD, RICHARD #1117 September 1989 - June 1997 Biography: Richard Roud ( 1929-1989), as director of both the New York and London Film Festivals, was responsible for both discovering and introducing to a wider audience many of the important directors of the latter half th of the 20 - century (many of whom he knew personally) including Bernardo Bertolucci, Robert Bresson, Luis Buiiuel, R.W. Fassbinder, Jean-Luc Godard, Werner Herzog, Terry Malick, Ermanno Ohni, Jacques Rivette and Martin Scorsese. He was an author of books on Jean-Marie Straub, Jean-Luc Godard, Max Ophuls, and Henri Langlois, as well as the editor of CINEMA: A CRITICAL DICTIONARY. In addition, Mr. Roud wrote extensive criticism on film, the theater and other visual arts for The Manchester Guardian and Sight and Sound and was an occasional contributor to many other publications. At his death he was working on an authorized biography of Fran9ois Truffaut and a book on New Wave film. Richard Roud was a Fulbright recipient and a Chevalier in the Legion of Honor. Scope and contents: The Roud Collection (9 Paige boxes, 2 Manuscript boxes and 3 Packages) consists primarily of book research, articles by RR and printed matter related to the New York Film Festival and prominent directors. Material on Jean-Luc Godard, Francois Truffaut and Henri Langlois is particularly extensive. Though considerably smaller, the Correspondence file contains personal letters from many important directors (see List ofNotable Correspondents). The Photographs file contains an eclectic group of movie stills. -
February 2018 at BFI Southbank Events
BFI SOUTHBANK EVENTS LISTINGS FOR FEBRUARY 2018 PREVIEWS Catch the latest film and TV alongside Q&As and special events Preview: The Shape of Water USA 2017. Dir Guillermo del Toro. With Sally Hawkins, Michael Shannon, Doug Jones, Octavia Spencer. Digital. 123min. Courtesy of Twentieth Century Fox Sally Hawkins shines as Elisa, a curious woman rendered mute in a childhood accident, who is now working as a janitor in a research center in early 1960s Baltimore. Her comfortable, albeit lonely, routine is thrown when a newly-discovered humanoid sea creature is brought into the facility. Del Toro’s fascination with the creature features of the 50s is beautifully translated here into a supernatural romance with dark fairy tale flourishes. Tickets £15, concs £12 (Members pay £2 less) WED 7 FEB 20:30 NFT1 Preview: Dark River UK 2017. Dir Clio Barnard. With Ruth Wilson, Mark Stanley, Sean Bean. Digital. 89min. Courtesy of Arrow Films After the death of her father, Alice (Wilson) returns to her family farm for the first time in 15 years, with the intention to take over the failing business. Her alcoholic older brother Joe (Stanley) has other ideas though, and Alice’s return conjures up the family’s dark and dysfunctional past. Writer-director Clio Barnard’s new film, which premiered at the BFI London Film Festival, incorporates gothic landscapes and stunning performances. Tickets £15, concs £12 (Members pay £2 less) MON 12 FEB 20:30 NFT1 Preview: You Were Never Really Here + extended intro by director Lynne Ramsay UK 2017. Dir Lynne Ramsay. With Joaquin Phoenix, Ekaterina Samsonov, Alessandro Nivola. -
Berkeley Art Museum·Pacific Film Archive W Inte R 2 0 18 – 19
WINTER 2018–19 BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE 100 YEARS OF COLLECTING JAPANESE ART ARTHUR JAFA MASAKO MIKI HANS HOFMANN FRITZ LANG & GERMAN EXPRESSIONISM INGMAR BERGMAN JIŘÍ TRNKA MIA HANSEN-LØVE JIA ZHANGKE JAMES IVORY JAPANESE FILM CLASSICS DOCUMENTARY VOICES OUT OF THE VAULT IN FOCUS: WRITING FOR CINEMA 1 / 2 / 3 / 4 CALENDAR DEC 9/SUN 21/FRI JAN 2:00 A Midsummer Night’s Dream 4:00 The Price of Everything P. 15 Introduction by Jan Pinkava 7:00 Fanny and Alexander BERGMAN P. 15 1/SAT TRNKA P. 12 3/THU 7:00 Full: Home Again—Tapestry 1:00 Making a Performance 1:15 Exhibition Highlights Tour P. 6 4:30 The Cabinet of Dr. Caligari P. 5 WORKSHOP P. 6 Reimagined Judith Rosenberg on piano 4–7 Five Tables of the Sea P. 4 5:30 The Good Soldier Švejk TRNKA P. 12 LANG & EXPRESSIONISM P. 16 22/SAT Free First Thursday: Galleries Free All Day 7:30 Persona BERGMAN P. 14 7:00 The Price of Everything P. 15 6:00 The Firemen’s Ball P. 29 5/SAT 2/SUN 12/WED 8:00 The Apartment P. 19 6:00 Future Landscapes WORKSHOP P. 6 12:30 Scenes from a 6:00 Arthur Jafa & Stephen Best 23/SUN Marriage BERGMAN P. 14 CONVERSATION P. 6 9/WED 2:00 Boom for Real: The Late Teenage 2:00 Guided Tour: Old Masters P. 6 7:00 Ugetsu JAPANESE CLASSICS P. 20 Years of Jean-Michel Basquiat P. 15 12:15 Exhibition Highlights Tour P. -
Ingmar Bergman Woche Im Abc Kino 12.07
INGMAR BERGMAN WOCHE IM ABC KINO 12.07. – 18.07.2018 PERSONA – 100 Jahre Ingmar Bergman Do.,12.7.17:15/21:15 ABC SE 1966 – 85 Min – Mit Bibi Andersson, Liv Ullmann Liv Ullmanns Debüt bei Bergman. Sie spielt eine Bühnenschauspielerin, die beschließt, nicht mehr zu sprechen. „PERSONA entspringt einer persönlichen Erfahrung, einer Art von Wahrheitskrise. Ich dachte stets, die einzige Form von Wahrheit ist einfach Schweigen.“ (Ingmar Bergman) DAS SCHWEIGEN – 100 Jahre Ingmar Bergman Fr.,13.7.:17:15/21:15 ABC SE 1963 – 91 Min – Mit Ingrid Thulin, Gunnel Lindblom, Birger Malmstem Unzensiert und mit dem Prädikat „besonders wertvoll“ kam Bergmans freizügiges Drama über die sexuelle Liebe zweier Schwestern 1964 in die Kinos der Bundesrepublik. Der Skandal folgte prompt, aber auch ein unglaublicher Kassenerfolg. WILDE ERDBEEREN – 100 Jahre Ingmar Bergman Sa.,14.7.:17:15/21:15 ABC SE 1957 – 91 Min – Mit Bibi Andersson, Victor Sjöström, Ingrid Thulin Der Professor Isak Borg lebt nach dem Tod seiner Frau allein mit einer mürrischen alten Haushälterin. Nun hat seine Schwiegertochter bei ihm Zuflucht gesucht nach einem Streit mit ihrem Ehemann. In der Nacht träumt Professor Borg, wie er sich in einer geisterhaften Stadt verirrt und seinem eigenen Leichnam begegnet. Doch dann erinnert er sich an seine erste große Liebe: die wilden Erdbeeren HERBSTSONATE – 100 Jahre Ingmar Bergman So.,15.7.:17:15 ABC SE 1978 – 90 Min – Mit Ingrid Bergman, Liv Ullmann, Lena Nyman Jahrelang hat die gefeierte Star-Pianistin Charlotte Andergast (Ingrid Bergman) ihre Kinder für ihre Karriere vernachlässigt. Nun will sie sich mit ihrer ältesten Tochter Eva (Liv Ullmann) versöhnen und stattet ihr und ihrem Ehemann einen Besuch ab, voller Hoffnung, dass sich so etwas wie ein normal-familiäres Verhältnis wiederaufbauen lässt. -
1. Eva Dahlbeck - “Pansarskeppet Kvinnligheten”
“Pansarskeppet kvinnligheten” deconstructed A study of Eva Dahlbeck’s stardom in the intersection between Swedish post-war popular film culture and the auteur Ingmar Bergman Saki Kobayashi Department of Media Studies Master’s Thesis 30 ECTS credits Cinema Studies Master’s Programme in Cinema Studies 120 ECTS credits Spring 2018 Supervisor: Maaret Koskinen “Pansarskeppet kvinnligheten” deconstructed A study of Eva Dahlbeck’s stardom in the intersection between Swedish post-war popular film culture and the auteur Ingmar Bergman Saki Kobayashi Abstract Eva Dahlbeck was one of Sweden’s most respected and popular actresses from the 1940s to the 1960s and is now remembered for her work with Ingmar Bergman, who allegedly nicknamed her “Pansarskeppet kvinnligheten” (“H.M.S. Femininity”). However, Dahlbeck had already established herself as a star long before her collaborations with Bergman. The popularity of Bergman’s three comedies (Waiting Women (Kvinnors väntan, 1952), A Lesson in Love (En lektion i kärlek, 1954), and Smiles of a Summer Night (Sommarnattens leende, 1955)) suggests that they catered to the Swedish audience’s desire to see the star Dahlbeck. To explore the interrelation between Swedish post-war popular film culture and the auteur Bergman, this thesis examines the stardom of Dahlbeck, who can, as inter-texts between various films, bridge the gap between popular film and auteur film. Focusing on the decade from 1946 to 1956, the process whereby her star image was created, the aspects that constructed it, and its relation to her characters in three Bergman titles will be analysed. In doing so, this thesis will illustrate how the concept “Pansarskeppet kvinnligheten” was interactively constructed by Bergman’s films, the post-war Swedish film industry, and the media discourses which cultivated the star cult as a part of popular culture. -
Ambler Theater a NONPROFIT
A NONPROFIT Ambler Theater ART HOUSE Previews105A SEPTEMBER – DECEMBER 2018 Bengt Ekerot and Max von Sydow in THE SEVENTH SEAL in Sydow and Max von Bengt Ekerot INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLERT HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. Policies ADMISSION Children under 6 – Children under age 6 will not be admitted to our films or programs unless specifically indicated. General ............................................................$11.25 Late Arrivals – The theater reserves the right to stop selling Members ...........................................................$6.75 tickets (and/or seating patrons) 10 minutes after a film has Seniors (62+) & Students ..................................$9.00 started. Matinees Outside Food and Drink – Patrons are not permitted to bring Mon, Tues, Thurs & Fri before 4:30 outside food and drink into the theater. Sat & Sun before 2:30 .....................................$9.00 Wed Early Matinee before 2:30 ........................$8.00 Accessibility & Hearing Assistance – The Ambler Theater has wheelchair-accessible auditoriums and restrooms, and is Affiliated Theater Members* .............................$6.75 equipped with hearing enhancement headsets and closed You must present your membership card to obtain membership discounts. caption devices. (Please inquire at the concession stand.) The above ticket prices are subject to change. Parking – Check our website for parking information. THANK YOU MEMBERS! Your membership is the foundation of the theater’s success. Without your membership support, we would not How can you support AMBLER THEATER exist. Thank you for being a member. Contact us with your feedback the Ambler Theater? MEMBER or questions at 215 348 1878 x115 or email us at Be a member. -
Study Guide: the Elderquest in Today’S Movies and Novels
THE ElderquestIN TODAY'S MOVIES AND NOVELS A Study Guide Developed by the Osher Lifelong Learning Institute (OLLI) At the University of Massachusetts Boston Funded in part by a grant from The National Endowment for the Humanities Visit Our Website: www.olli.umb.edu\elderquest © Copyright, 2006, the Gerontology Institute, John W. McCormack Graduate School of Policy Studies, University of Massachusetts Boston. Gerontology Institute University of Massachusetts Boston 100 Morrissey Blvd. Boston, MA 02125-3393 Call: (617) 287-7300; fax: (617) 287-7080 e-mail: [email protected] Gerontology Institute website: http://www.geront.umb.edu/ Osher Life Long Learning Institute website: http://www.olli.umb.edu Study Guide: The Elderquest in Today’s Movies and Novels Introduction For Facilitators and Discussion Leaders The background information and many of the questions for discussion contained in this study guide seemed essential since the Elderquest, its history, its nature, and its implications are such new subjects, ones that have been researched, developed, and tested by Chuck Nicholas and the other members of the project staff. The insistence that all facilitators have doctorates in the humanities is, on the other hand, a requirement that the National Endowment for the Humanities builds into all its educational program grants. Some of you have had to ask for exceptions to this requirement, and in all instances, we have approved these exceptions because you have come up with people who are both experienced teachers and also have a special interest in film, literature, and/or aging. In short, we are fully confident that you will all do an excellent job introducing your students to this new, timely, entertaining and yet extremely important subject, one that promises to have a direct personal impact on its participants. -
Movie Museum AUGUST 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY
Movie Museum AUGUST 2018 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY MAMMA MIA! ISLE OF DOGS MAMMA MIA! DISOBEDIENCE HACHI: A DOG'S TALE (2008-US/UK/Germany) (2018-Germany/US) (2008-US/UK/Germany) (2017-UK/Ireland/US) (2009-US/UK) in widescreen in widescreen animation in widescreen in widescreen in widescreen with Richard Gere Meryl Streep, Colin Firth, voiced by Bryan Cranston, Meryl Streep, Colin Firth, with Rachel Weisz, Directed by Lasse Hallström Pierce Brosnan Koyu Rankin, Edward Norton Pierce Brosnan Rachel McAdams 12:00, 3:30 & 7:00pm 11am, 3 & 7pm 12:00 & 7:00pm 11am, 3:15, 5:15 & 7:15pm 11:30am, 3:15 & 7:00pm ------------------------------------ ------------------------------------ ------------------------------------ ---------------------------------- ---------------------------------- THE FACE OF JIZO DISOBEDIENCE HACHI: A DOG'S TALE AT THE END OF THE ISLE OF DOGS (2004-Japan) (2017-UK/Ireland/US) (2009-US/UK) in widescreen TUNNEL (2018-Germany/US) Japanese w/Eng subtitles ws in widescreen with Richard Gere (2016-Argentina/Spain) animation in widescreen with Rie Miyazawa, Yoshio with Rachel Weisz Directed by Lasse Hallström Spanish w/Eng subtitles ws Directed by Wes Anderson Harada, Tadanobu Asano 1, 5 & 9pm 2 1:45, 3:30, 5:15, 8:45pm 3 1:00 & 9:15pm 4 1:30, 5:15pm & 9:00pm 5 1:45, 5:15 & 8:45pm 6 NAGASAKI: AT THE END OF THE Hawaii Premiere! TULLY 2 Hawaii Premieres! MEMORIES OF MY SON TUNNEL HOTEL HIBISCUS (2018-US) KAFOO: WAITING (2015-Japan) (2016-Argentina/Spain) (2002-Japan) in widescreen FOR HAPPINESS Japanese -
Swedish Film Magazine #1 2008
SWEDISH FILM NO.1/08 BERLIN PREMIERES:HEAVEN’S HEART LEO CIAO BELLA SPENDING THE NIGHT TOMMY MY UNCLE LOVED THE COLOUR YELLOW www.swedishfi lm.orgXX XX XX SWEDISH FILM NO. 1 2008 FOREWORD A NEW SPRING FOR SWEDISH FILM Director International Pia Lundberg On one of last summer’s sunniest days we received the news that Ingmar Bergman Department Phone +46 70 692 79 80 pia.lundberg@sfi .se had passed away at his home on Fårö at the age of 89. The stream of condolences that Festivals, features Gunnar Almér poured in from all over the world reminded us Swedes just how great Bergman truly was. Im- Phone +46 70 640 46 56 gunnar.almer@sfi .se mediately the question was being asked as to who would inherit Bergman’s mantle. The answer Features, special Petter Mattsson projects Phone +46 70 607 11 34 is nobody. Or lots of people. Because in the new Swedish fi lms that are emerging, one can de- petter.mattsson@sfi .se tect a strong measure of personal expression and the re-emergence of the auteur tradition. Festivals, Sara Yamashita Rüster documentaries Phone +46 76 117 26 78 An impressive year of Swedish fi lms awaits us. Many of our most successful, award- sara.ruster@sfi .se winning and internationally-acclaimed directors will be presenting new fi lms this year. They Festivals, short fi lms Andreas Fock Phone +46 70 519 59 66 include Lukas Moodysson (Show Me Love, Together, Lilya 4-ever) whose fi rst major interna- andreas.fock@sfi .se tional collaboration, Mammoth, will star Gael Garcia Bernal and Michelle Williams in the Press Offi cer Jan Göransson Phone +46 70 603 03 62 leading roles. -
Wc Omen Vs, Pannes by Barbara Halpern Martineau
Wcome n vs, pannes by Barbara Halpern Martineau Cher Monsieur, creates a "female" iconography of humourous resilience and Si vous n'etes pas misogyne, j'aimerais attirer votre attention sur la love amidst the sensuous statues and pamtings of the brothel, projection de Vivre Ensemble, le premier film ecrit et realise par Anna and a "male" iconography of power amongst the monuments Karina n a, a notre avis cette particularite d'etre non seulement mis en scene of imperial Rome, and there are men and women on both par une "femme-actrice", mais Vivre Ensemble est probablement un des sides. I first saw the film in Milan, where it played to packed rares films ecrit, senti et realise au feminia Est-ce la raison peut-etre houses and roars of laughter, macho Milan, where the fascists pour laquelle la Censure a interdit ce film aux personnes dgees de moins parade openly in the streets. de 18 ans? There was much more attention paid at Cannes to films Press notice, Cannes, 12 May 1973 about women by men. That's easier, the old, comfortable story. So Losey's A Doll House did pretty well under the guise Dear Sir, of "Women's Lib," and a more admirable director, Bergman, If you are not a misogynist, I would like to draw your attention to picked up quite well-deserved praise for Cries and Whispers, the screening of Living Together, the first film to be written and (both films shown out of competition). A very nice fUm, Cries directed by Anna Karina. Not only is this film noteworthy because it is directed by an actress, and Whispers, but not a woman's film. -
Anuncio Jun15
1998-2015 ALUCINE JUNIO DE 2015 Dirección: Philippe Falardeau País: Canadá Año: 2011. Color - Duración: 94 min. Guión: Philippe Falardeau Producción: Kim McCraw, Luc Dery Fotografía: Ronald Plante Música: Martin Léon Reparto: Mohamed Fellag, Sophie Nélisse, Émilien Néron, Marie-Ève Beauregard, Vincent Millard, Seddik Benslimane, Louis-David Leblanc. SINOPSIS: Bachir Lazhar, un humilde maestro de primaria, es contratado en un colegio de Montreal para sustituir a una profesora que se ha suicidado. PROFESOR LAZHAR En la escuela, Lazhar entra en contacto con un grupo de niños que están muy afectados por el trágico suceso. Pero Lazhar entiende bien el (Monsieur Lazhar) duelo de los pequeños porque él también ha sufrido una gran pérdida. Lunes 1 / 6 Festival del Cine Venezolano 2015 Dirección: François Dupeyron País: Francia Año: 2003. Color - Duración: 94 min. Guión: François Dupeyron (Obra: Eric-Emmanuel Schmitt) Producción: Katia Wyszkop Fotografía: Remy Chevrin Música: Valérie Lindon Reparto: Omar Sharif, Pierre Boulanger, Isabelle Adjani, Gilbert Melki, Isabelle Renauld, Lola Naynmark, Anne Suarez, Mata Gavin. SINOPSIS: En un barrio marginal y multirracial de París Momo vive con su padre judío, un hombre sumido en la depresión. Sus únicas amigas son las EL SEÑOR IBRAHIM Y prostitutas callejeras, que lo tratan con mucho cariño. Momo hace la compra en la pequeña y oscura tienda del señor Ibrahim (Omar Sharif), LAS FLORES DEL CORAN un silencioso musulmán que lo observa todo y sabe más de lo que parece. Lunes 15 / 6 TEATRO CÉSAR RENGIFO / 7:00 PM / Bs. 5 www.alucine.ula.ve 1998-2015 ALUCINE JUNIO DE 2015 Dirección: Max Färberböck País: Alemania Año: 1999.