Demeter, Vol. 3 No. 8
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Women's News of the Monterey Bay Area VOLUME 3 NO. 8 NOVEMBER, 1980 Demeter Productions Presents Meg Christian in Concert Nov. 28 Demeter Productions will present Meg Christian in concert Friday, November 28 at 8 p.m. in the John t . Steinbeck Forum, Monterey Con ference Center. Meg Christian is a bold and joyous pioneer of women's music as a singer, songwriter and guitarist. Her style en compasses classical, folk, country, mountain and contemporary elements. She has written and collected a large and varied repertoire of women's music; music that creates an at mosphere that helps women feel positive about themselves and that pro vides support for their choices, their changes, their growth. As Meg puts it, ''The world does so much to try to isolate us - I want to use my music to help us support each other's process and celebrate our mutual strength." Meg is an incredible guitarist and lyri cist. She has been featured in Guitar Player Magazine, and excerpts of her songs have been published in Rolling Stone, Paid My Dues, Southern Ex posure, Frontiers, Gyn!Ecology by Mary Daly, and innumerable song books. Meg Christian is a co-founder of Olivia Records. With Olivia she co release their first album in the spring of Monterey; and Cymbaline Records in produced and arranged her first two 1981 on the Rising Records label. Santa Cruz. albums, I Know You Know, 1975, and Sandra Faulkner will provide This will be Meg Christian's last Face the Music, 1977. She has also per American Sign Language interpreta Northern California appearance this formed as guitarist and/ or vocalist on tion for the concert. Sandra teaches year before she heads east on her na many Olivia albums with such artists as sign language interpretation at tionwide tour. Meg is a warm and in Cris Williamson, Teresa Trull, Kay Monterey Peninsula College and has spiring performer. As one woman Gardner, Linda Tillery, Margie Adam, interpreted concerts for Holly Near, commented after a concert, ''She made and Holly Near. In 1981, Olivia will Joan Baez, Cris Williamson, River, us feel as if we could have done release Meg's third album, tentatively and Robin Flower and Band. anything, as if no barrier could ever titled Turning It Over. withstand the united strength of all of Joining Meg will be special guests Free child care wili be provided with our voices ... She has a gift, an ability River, the all-women's band from San advance reservations. The hall is wheel to stand beside us when she sings and ta Cruz. River, consisting of Cackie chair accessible. Because of production plays instead of in front of us . I Gates, Vicky Bleyins, Jerilyn Munyon, expenses, ticket prices will be on a have never been so moved, so touched, and Beth Ma;lis, has played to en sliding scale of $5, $6, and $7 for energized, loved, lifted or gifted by any thusiastic audiences in Monterey and general seating. Tickets are available at one performer in my life .... " Santa Cruz, selling out each perfor The Open Book in Pacific Grove; Do For more information on the concert mance. Their music is a beautiful blend Re Mi Records in the Barnyard, or for chld care reservations, please of folk, country and jazz. They will Carmel; Women's Center/YWCA, call 375-5629 or 659-3752. 2-Demeter-November, 1980 An Editorial The Politics of Child Care The First Annual West Coast Women's Music and she had not even been conscious _of how ever-present that Cultural Festival held recently in Yosemite has served to re fear was. Although some women may differ about whether mind us once more how strong women's culture is and how women-only spaces are the means to an end or the end itself, far we have come in actualizing what once were dreams there is the same celebration of ourselves as strong, loving shared around coffee tables. It also reminded us of the and powerful beings experienced at such events. amount of work we still have to do, specifically in our Coming together and feeling our strength and connection politics around child care. as women is important experientially, but it is also vital for Co-producers Torie Osborn and Robin Tyler did an in us to carry that knowledge back into our daily lives. And it's credible job organizing the festival and setting up a volunteer just as important for our children, sons and daughters, to see work-shift system whereby all 3,000 women shared in the us in these situations and for them to carry back into their basic mechanics - security, health care, kitchen, child care, daily lives the same visions and knowledge of women and clean-up crews - that turned the festival site into a com strength. plete "women's city" for four days. Women not actively involved in raising children may not The main complaint expressed about this "women's be aware that the same social conditioning we are now seek city" was that child care issues were not being properly ad ing to unlearn is being dished out daily to children via TV, dressed. There were practical complaints - that the child schools, books and general social consensus. With very few care facilities were inadequate and understaffed - that were exceptions, school textbooks continue to be largely sexist and quickly resolved. The child care area was completely racist, as do movies, TV shows, commercials, etc. Accep reorganized and more volunteer workers were recruited for table role models are still limited. child care shifts. This alleviated the immediate problem but And it is difficult to counteract that conditioning, even as did little to ease the underlying question of why child care a conscientious parent. How many of us grew up believing was the least well organized aspect of the concert. that men were the workers and women the homemakers, The f es ti val also brought up the issue of women-only even as our mothers set out daily for outside jobs? space and how that concept applies to the male children of As overwhelming as it sometimes seems just to raise women in attendance. The producers of this festival chose to ourselves in this world, we as feminists, mothers and non set a cut-off age of 10 years and younger for male children. mothers alike, have to take a strong and active stand in the However, one performer, Alix Dobkin, a staunch feminist/ raising of children. It would be more than absurd if, while we separatist, asked t:1at during her performance all male are involed in personal CR and movement work, a genera children leave the main stage area. This action added to a tion of children is being passively raised under the same growing resentment by women who came to the festival with social system from which we are ourselves seeking to break children expecting a loving, supportive environment - a free. break from the traditional lack of concern of the "outside We have to break through and discover new ways, new world." systems and alternatives, for ourselves while simultaneously It's easy to get stuck, either as individuals or a move providing as many of these alternatives as possible for our ment, between the visions and ideals we strive for, and the children. The very things we learn from women-only events, reality of the prevailing social system. There are few things our daughters and sons need to learn. The lessons are endless more difficult than trying to actualize dreams of freedom or at such events: from the shared labor and cooperative as op humanistic equality while living in a repressive society. The posed to hierarchical strength, to the many images of women balance involved in working on our personal and group as performers, sound technicians, health care workers, politics, unlearning social programming, and simultaneously lovers, sisters, and trash collectors. If we don't show our working to effect change in the dominant, repressive struc sons these parts of ourselves, where else are they going to see ture is delicate and complex. them? The need for women-only spaces and events is evident. If we don't pay attention to our politics around child One woman stated after the f es ti val that the four days not care, we not only discriminate against women with children, only were the first time in her life she could remember walk but we perpetuate the very system we seek to change. ing around without fear of rape or assault, but that until then Debi Busman r Editors: JT Mason Debi Busman New Production: Joan Weiner Maureen McEvoy Subscribers Graphics: Barbara Bastian Reporters: Janie Forrest Polly Parker Thanks and welcome to our new Diana Skiles Sandra McKee subscribers: Corby Wright Demeter is a feminist publication designed to keep women informed Nancy Hendryx of pertinent issues. Contributions of articles, graphics and money Jeane Vaughn are welcome. Subscriptions are $3 for six months or $6 for one year. Ahnnie White Mail check or money order to Demeter, P.O. Box 1661, Monterey, CA Dr. Viera Ivanovna-Pablant 93940. Editorial office is located at 229 Seventeenth St., Pacific Toni Shaw Grove, CA 93950. Phone number is (408) 375-5629. Sandy Kaplan ~ ~ rr~================~D;e;;m;;e;te;'=~N;o~vember, 1980-3 I Letters to the Editor II Women and Alcohol All Things Considered - Ready For Sports! Cheers to Janie Forrest! Editor: Editor: First of all. warm congratulations on Editor: I read with great interest your Oc the successful June Millington con~ert It's on your back page, but I want to tober 1980 editorial on "Women, Sex I'm new to the area.