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Sterling Ruby Press Release Kukje Gallery Sterling Ruby April 11 – May 10 SP223 2012 spray paint on canvas 243.8 x 213.4 x 5.1 cm Image provided by Kukje Gallery © Sterling Ruby Courtesy of the artist and Kukje Gallery ○ Exhibition Information Artist: Sterling Ruby (American, 1972- ) Exhibition Dates: April 11 – May 10, 2013 Exhibition Space: Kukje Gallery K3 and K1 Press Conference: April 11 (11am), Kukje Gallery K3 B1 Opening Hours: Monday – Saturday: 10am-6pm, Sunday, Holiday: 10am-5pm Contact: PR Director Zoe Chun (82-2-3210-9885, 82-10-9601-5411 / E-mail. [email protected]) Website: www.kukjegallery.com Press Release ○ About the Exhibition Kukje Gallery is pleased to present a solo exhibition of Sterling Ruby opening on April 11, 2013. This will be the artist’s first exhibition in Korea. The artist will present an installation of new works in galleries K1 and K3 including large color field paintings, ceramic and bronze basin sculptures, and soft sculptures in black leather. This stripped down exhibition highlights the artist’s masterful manipulations of his materials and surfaces—from the atmospheric layering of spray paint on canvas, to the dripping excessive glazes on his large-scale ceramic basins, to pieces cast in bronze, to his fabric collages, with their rags and fabric scraps, edged with glue and grime and formally arranged on a ground of bleached denim. This installation of works feels tomblike and austere. Large scale cardboard and fabric collages hang on the walls. Basin sculptures made in ceramic and bronze are installed in the center of the galleries as if serving as archaic sites of sacrifices or offerings. A set of pastel hued paintings stands in striking contrast to the dark and monochromatic shades of the ceramics and the fabric sculptures--the Vampire soft sculptures that the artist often creates from bright colored fabrics are presented here in stark black leather. The cardboard collages, collectively titled EXHM, provide entry to the content and tensions buried within these new works. The artist makes collages with the large cardboard pieces that are used to protect the floor of the studio during the making of his large urethane sculptures. These cardboard pieces covered in urethane, dirt, tape and footprints are reinvented as formal compositions. They contain clues to a latent trauma with their incorporation of images of burial grounds, correctional facilities, prescription packages and other objects found within the studio. In his recent ceramic series, titled Basin Theology, Ruby fills low basins with fractured pieces of broken and discarded ceramic works. This reuse of broken remnants becomes symbolic of an unburdening, a redemption of past mistakes and failures. The ceramic fragments, often resembling animal remains or pottery shards, are melded together through a process of repeated glazing and firing. Press Release ○ About the Artist Sterling Ruby (American b.1972) has become known for his monumental sculptural works, hallucinogenic color field paintings, heavily layered collages, his performance influenced video works, and for his innovative use of form and glaze in his ceramic sculptures. He has also become known for the issues he channels in his varied practice-- the conflict between individual impulses and mechanisms of social control, the powerful influence of institutional architecture on behavior, his engagement with irrationality and dysfunctional psychologies (particularly within America), and social alienation and marginalization which often results in upheaval. Sterling Ruby lives and works in Los Angeles CA. Major solo exhibitions include the travelling exhibition 'Soft Work', which opened at Centre D'Art Contemporain, Geneva, Switzerland (2012) and travelled to FRAC Champagne-Ardenne, Reims, France (2012) and Bonniers Konsthall, Stockholm, Sweden (2012); 'Grid Ripper', Galleria d'Arte Moderna e Contemporanea, Bergamo, Italy (2008); 'Supermax 2008', Museum of Contemporary Art, Los Angeles (2008); and 'Chron', The Drawing Center, New York (2008). 'Soft Work' travels to Museo d'Arte Contemporanea, Rome, Italy in May 2013. Ruby will also have solo exhibitions opening at Fondazione Memmo, Rome, Italy in May 2013 and Museum Dhondt- Dhaenens, Ghent, Belgium in the fall of 2013. The artist’s works are included in the following public collections: Whitney Museum of Art, New York, NY; Nasher Musem, Dallas, TX; The Museum of Contemporary Art, Chicago, IL ; The Tate Modern, London, UK; Los Angeles County Museum of Art, Los Angeles, CA; The Museum of Contemporary Art, Los Angeles, CA; The Museum of Modern Art, New York, NY; The Hammer Museum, Los Angeles, CA; Astrup Fearnley Museet for Moderne Kunst , Oslo, Norway; The Solomon Guggenheim, New York, NY. Press Release Exhibition Images & Captions Use of images must clearly credit the artist and other relevant parties, and image editing cannot be performed without prior permission. Artist Sterling Ruby Image courtesy of the artist and Kukje Gallery Press Release Exhibition Images & Captions Use of images must clearly credit the artist and other relevant parties, and image editing cannot be performed without prior permission. Sterling Ruby SP223 2012 spray paint on canvas 243.8 x 213.4 x 5.1 cm © Sterling Ruby Image provided by Kukje Gallery Courtesy of the artist and Kukje Gallery Press Release Exhibition Images & Captions Use of images must clearly credit the artist and other relevant parties, and image editing cannot be performed without prior permission. Sterling Ruby Debt Basin 2 2011 bronze + stainless steel pedestal 243.8 x 243.8 x 50.8 cm © Sterling Ruby Image provided by Kukje Gallery Courtesy of the artist and Kukje Gallery Press Release Exhibition Images & Captions Use of images must clearly credit the artist and other relevant parties, and image editing cannot be performed without prior permission. Sterling Ruby BC(3977) 2012 collage, paint, bleach, glue, fabric on wood 213. 4 x 213.4 x 5.1 cm © Sterling Ruby Image provided by Kukje Gallery Courtesy of the artist and Kukje Gallery Press Release Exhibition Images & Captions Use of images must clearly credit the artist and other relevant parties, and image editing cannot be performed without prior permission. Sterling Ruby Basin Theology / Ephedra Expansion 2012 ceramic 33 x 99.1 x 99.1 cm © Sterling Ruby Image provided by Kukje Gallery Courtesy of the artist and Kukje Gallery Press Release Exhibition Images & Captions Use of images must clearly credit the artist and other relevant parties, and image editing cannot be performed without prior permission. Sterling Ruby SP235 2013 spray paint on canvas 254 x 365.8 x 5.1 cm © Sterling Ruby Image provided by Kukje Gallery Courtesy of the artist and Kukje Gallery .
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  • Sterling Ruby
    Sterling Ruby American and Dutch, born in 1972, in Bitburg, Germany Lives and works in Los Angeles Education 2003-2005 Master of Fine Arts, Art Center College of Design, Pasadena 2000-2002 Bachelor of Fine Arts, The School of the Art Institute of Chicago, Chicago 1992-1996 Pennsylvania School of Art & Design, Lancaster Selected solo exhibitions 2018 Sterling Ruby: Ceramics, Des Moines Art Center, Iowa 1 Xavier Hufkens, Brussels Sterling Ruby: Ceramics, Museum of Art & Design, New York Sterling Ruby: Ceramics, Museum of Arts and Design (MAD), New York, NY, USA; Des Moines Art Center, Des Moines, IA, USA — Vert, Taka Ishii Gallery, Tokyo, Japan 2017 Mix Piz, Vito Schnabel Gallery, St. Moritz, Switzerland — Sterling Ruby, Gagosian Gallery, New York, NY, USA 2016 The Jungle, Sprueth Magers, Berlin, Germany — Sterling Ruby, Winterpalais, Belvedere Museum, Vienna, Austria — Work Wear: Garment And Textile Archive 2008-2016, Sprueth Magers, London, UK 2015 Stoves, Kulm Hotel, Vito Schnabel Gallery, St. Moritz, Switzerland — Stoves, Musée De La Chasse Et De La Nature, Paris, France — Paris, Gagosian Gallery, Paris, France — Paris, Gagosian Gallery, Le Bourget, Paris, France — Study #8. Monument Stalagmite David Roberts Art Foundation, London, UK — Spray, Memory: Sterling Ruby & Mike Kelley, Inigo Philbrick, London, UK — Scales, Xavier Hufkens, Brussels, Belgium — Eclpse, Xavier Hufkens, Brussels, Belgium 2014 Vivids, Gagosian Gallery, Central, Hong Kong — Bc Rips, Taka Ishii Gallery, Tokyo, Japan — Sunrise Sunset, Hauser & Wirth, New York, NY,
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  • Medium Specificity and Materiality
    Sydney College of the Arts The University of Sydney DOCTOR OF PHILOSOPHY 2015 THESIS Dirty Tricks The relevance of skill, expression and authenticity in contemporary clay-based art by Trevor Fry December 2015 STATEMENT This volume is presented as a record of the work undertaken for the degree of Doctor of Philosophy at Sydney College of the Arts, University of Sydney. ii TABLE OF CONTENTS TABLE OF FIGURES .......................................................................................... v SUMMARY.......................................................................................................... ix INTRODUCTION ................................................................................................ 1 1. THE MAGIC OF CLAY .................................................................................. 9 1.1 Phenomenology and post-structuralism, Edmund de Waal and Rosalind Krauss .......... 19 1.2 De Waal and the magic of clay ........................................................................................ 20 1.3 The deskilled present ....................................................................................................... 30 1.3.1 Urs Fischer’s lumpy spectacles ................................................................................ 33 1.4 Rosalind Krauss ............................................................................................................... 42 1.4.1 Medium specificity ....................................................................................................
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  • Sterling Ruby
    STERLING RUBY Sterling Ruby (born 1972) is an American artist who works in a wide range of aesthetic and material strategies, from sculptures made of saturated, glossy, poured polyurethane, bronze and steel, to drawings, collages, richly glazed ceramics, spray-paint paintings, photography and video, as well as textile works that include quilts, tapestries, garments and soft sculptures. He was born on an American military base in Bitburg, Germany to a Dutch mother and an American father. He received a BFA from the School of the Art Institute of Chicago, and an MFA from Art Center College of Design in Pasadena, California. Ruby has cited a diverse range of sources and influences including aberrant psychologies, urban gangs and graffiti, hip-hop culture, craft, masculinity, violence, public art and civic monuments, prisons, globalization, American domination and decline, waste and consumption. Even as his work deals with issues related to the violence and pressures within society, and art history, it also reflects his personal biography. In his work, he vacillates between the fluid and static, the minimalist and expressionistic, the hard and the soft, the pristine and the defaced. His voracious cycling through materials and subject matter has given rise to numerous recurring series and extended bodies of work. Ruby has exhibited at institutions including the Whitney Museum of American Art, New York; Los Angeles County Museum of Art; Toyota Municipal Museum of Art, Tokyo; Ullens Center for Contemporary Art, Beijing; Museum of Modern Art, New York; Drawing Center, New York; Museum of Contemporary Art, Chicago; Walker Art Center, Minneapolis; Institute of Contemporary Art, Philadelphia; Museum of Contemporary Art, Los Angeles; Musée de la Chasse et de la Nature, Paris, France; Museum Dhondt-Dhaenens, Ghent, Belgium; FRAC Champagne-Ardenne, Reims, France, Centre d’Art Contemporain, Geneva, Switzerland; Bonniers Konsthall, Stockholm, Sweden; and Museo d’Arte Contemporanea, Rome, Italy.
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  • Media Contact
    FOR IMMEDIATE RELEASE Friday, January 18, 2013 THE MUSEUM OF CONTEMPORARY ART, LOS ANGELES (MOCA), ANNOUNCES 2012 ACQUISITIONS 117 significant objects added to museum’s renowned permanent collection through generous gifts and new acquisitions Two permanent collection exhibitions MOCA’s Permanent Collection: A Selection of Recent Acquisitions and A Point of View: Selected Gifts from the Lawrence A. Rickels Collection opening at MOCA Grand Avenue Los Angeles - The Museum of Contemporary Art announced today the acquisition of 117 important objects, adding to its renowned collection of more than 6,700 works. 2012 saw an extremely generous level of giving among its donors and artists, and the efforts of the museum’s Acquisition & Collection, Photography, and Drawings committees, as well as those of many philanthropic individuals and institutions have enabled MOCA to cultivate one of the premier collections of contemporary art in the world. ‚2012 was an extraordinary year for gifts and new acquisitions to the MOCA collection. Several major works acquired have been presented in recent MOCA exhibitions, including the original storyboard for Kenneth Anger’s seminal film Puce Moment, one of the great body prints by David Hammons, a large-scale gunpowder drawing by Cai Guo-Qiang, an installation by the late Mike Kelley donated as a gift from the artist, and the first work by Mark Bradford to enter the MOCA collection,‛ said MOCA Director Jeffrey Deitch. Among the 2012 acquisition highlights are; MOCA Announces 2012 Acquisitions Page 2 of 5 MAJOR GIFTS Continuing her generous tradition of giving, one of MOCA’s most engaged patrons and long-serving trustee Dallas Van Breda made a promised gift of Ghost and Stooges (2011), a new painting by Los Angeles artist Mark Bradford, recently presented at MOCA in The Painting Factory, and the first work by the artist to enter the museum’s permanent collection.
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  • Sterling Ruby WIDW, DRFTRS 7 September — 20 Oktober 2018
    Sterling Ruby WIDW, DRFTRS 7 september — 20 oktober 2018 Persbericht Xavier Hufkens presenteert vanaf 7 september een solotentoonstelling van de in Los Angeles gevestigde kunstenaar Sterling Ruby. De tentoonstelling met nieuwe schilderijen en collages - allen uit 2018 en nooit eerder getoond - vindt plaats in de twee locaties van de galerie. Sterling Ruby behoort ontegensprekelijk tot de meeste vernieuwende en radicale kunstenaars van zijn generatie. Hij staat bekend om de veelzijdige aard van zijn praktijk, die schilderkunst, keramiek, collage, video en fotografie, textiel, beeldhouwkunst en installaties omvat. Daarnaast werkte hij onder meer samen met modehuizen als Calvin Klein en ontwerpers als Raf Simons. Voor deze tentoonstelling presenteert Ruby nieuwe werken uit zijn DRFTRS- en WIDW-reeksen, twee steeds evoluerende reeksen die getuigen van de intense relatie van de kunstenaar met materialen en zijn interesse in kwesties als sociaal-culturele evolutie, populaire cultuur en geweld. De DRFTRS (een acroniem van DRIFTERS of ‘zwervers') zijn hybride collages op papier, waarin geknipte en geplakte beelden expressionistische landschappen behelsen. Deze nomadische elementen, drijvend door de schilderkunstige ruimte, worden geselecteerd uit een enorme beeldbank, samengesteld door de kunstenaar. Ze onthullen een groot aantal van zijn huidige interesses, waaronder protestposters, horrorfilms, kunst en ambacht, albumhoezen, orchideeën en papavers, slangenhuiden, stalagmieten en stalactieten, schedels en botten, gevangenissen, archeologische opgravingen en oude artefacten. De geschilderde decors, in paletten van rood en groen; rood, wit en blauw; oranje, geel en duistere zwarten, gaan van intens en dreigend naar zuinig en levendig. Gecombineerd met de fotografische beelden, creëren ze een psychologische spanning die de hedendaagse tijdgeest kanaliseert. Ruby omschrijft de collage als een 'ongeoorloofde fusie', waarbij de overmatige aard van het medium wordt benadrukt.
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  • Sterling Ruby Los Angeles, °1972 (Bitburg, Germany)
    Sterling Ruby Los Angeles, °1972 (Bitburg, Germany) Biography Selected One-Person Exhibitions 2021 — Sterling Ruby at Cycladic: Ceramics, Museum of Cycladic Art, Athens, Greece — THAT MY NAILS CAN REACH UNTO THINE EYES, Gagosian, Athens, Greece 2020 — A RELIEF LASHED + A STILL POSE, Xavier Hufkens, Brussels, Belgium 2019 — Institute of Contemporary Art, Miami, FL, USA (traveling to Institute of Contemporary Art, Boston, MA, USA) — ACTS + TABLE, Gagosian, London — Spazio Maiocchi, Milan, Italy — DAMNATION, Sprüth Magers, Los Angeles, CA, USA — Sterling Ruby: Sculpture, Nasher Sculpture Center, Dallas, TX, USA 2018 — DRFTRS, Xavier Hufkens, 107 rue St-Georges, Brussels, Belgium (cat.) — WIDW, Xavier Hufkens, 6 rue St-Georges, Brussels, Belgium (cat.) — HEARTS + CLUBS, Pierre Marie Giraud, Brussels, Belgium (cat.) — Sterling Ruby: Ceramics, Des Moines Art Center, Des Moines, IA, USA (cat.) (travelled to Museum of Arts and Design (MAD), New York, NY, USA) — VERT, Taka Ishii Gallery, Tokyo, Japan (cat.) 2017 — MIX PIZ, Vito Schnabel Gallery, St. Moritz, Switzerland — Sterling Ruby, Gagosian Gallery, New York, NY, USA (cat.) 2016 — THE JUNGLE, Sprüth Magers, Berlin, Germany — Sterling Ruby, Winterpalais, Belvedere Museum, Vienna, Austria (cat.) — WORK WEAR: Garment And Textile Archive 2008-2016, Sprüth/Magers, London, UK 2015-2016 — Stoves, Vito Schnabel Projects, Kulm Hotel, St. Moritz, Switzerland — Stoves, Musée de la Chasse et de la Nature, Paris, France (cat.) 2015 — PA RIS, Gagosian Gallery, Le Bourget & Rue de Ponthieu, Paris, France
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  • Light in the Age of Darkness Marie, Is That You?
    For Immediate Release DEPART Foundation Announces Two New Exhibitions LIGHT IN THE AGE OF DARKNESS A Group Exhibition Featuring Works from The Past Decade by 17 International Contemporary Artists Darren Bader, Elisabetta Benassi, Mike Bouchet, Sarah Braman, Roe Ethridge, Sam Falls, Piero Golia, Christian Holstad, Gabriel Kuri, Oliver Payne, Amalia Pica, Stephen G. Rhodes, Amanda Ross-Ho, Sterling Ruby, Slavs and Tatars, Frances Stark and Rirkrit Tiravanija and MARIE, IS THAT YOU? A Solo Exhibition by Keegan Gibbs Both exhibitions will be on view November 17-December 27, 2018 PUBLIC OPENING Saturday, November 17, 2018 6-9pm DEPART FOUNDATION at MALIBU VILLAGE 3822 Cross Creek Rd, Suite 3844, Malibu, CA 90265 L to R: Slavs and Tatars, Mother Tongues and Father Throats, 2012. Wool and yarn, Ed. 2/2, 118" x1 96.31". Amalia Pica, Under The Spotlight (white on white), 2011. Installation with spotlight, motion sensor and pap, variable dimensions. Courtesy DEPART Foundation. Malibu, Calif. – DEPART Foundation is pleased to announce two concurrent exhibitions opening on Saturday, November 17 at its Malibu location. On view in the main gallery will be Light In The Age of Darkness, a group exhibition featuring works made in the past decade by 17 international, critically acclaimed artists. On view in the Project Room will be Marie, Is That You?, a solo exhibition by Los Angeles-based artist, surfer, and photographer Keegan Gibbs. As DEPART Foundation looks forward to commemorating the 10th anniversary of its founding in Rome in 2009, Light in the Age of Darkness explores the broader themes of identity, language, and communication emerging in a moment of shifting socio-political and cultural landscapes.
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  • Sterling Ruby
    Sterling Ruby 1972 Born in Bitburg, Germany Lives and works in Los Angeles, CA, USA EDUCATION 1992-1996 Pennsylvania School of Art & Design, Lancaster, PA, USA 2000-2002 Bachelor of Fine Arts, The School of the Art Institute of Chicago, Chicago, IL, USA 2003-2005 Master of Fine Arts, Art Center College of Design, Pasadena, CA, USA SOLO EXHIBITIONS (selected) 2019 Institute of Contemporary Art, Miami, FL, USA (traveling to Institute of Contemporary Art, Boston, MA, USA) [Cat.] ACTS + TABLE, Gagosian, London, UK [Cat.] DAMNATION, Sprüth Magers, Los Angeles, CA, USA Sterling Ruby: Sculpture, Nasher Sculpture Center, Dallas, TX, USA [Cat.] 2018 DRFTRS, Xavier Hufkens, 107 rue St-Georges, Brussels, Belgium [Cat.] WIDW, Xavier Hufkens, 6 rue St-Georges, Brussels, Belgium [Cat.] HEARTS + CLUBS, Pierre Marie Giraud, Brussels, Belgium [Cat.] Sterling Ruby: Ceramics, Museum of Arts and Design (MAD), New York, NY, USA (traveling exhibition) Sterling Ruby: Ceramics, Des Moines Art Center, Des Moines, IA, USA [Cat.] (traveling exhibition) VERT, Taka Ishii Gallery, Tokyo, Japan [Cat.] 2017 MIX PIZ, Vito Schnabel Gallery, St. Moritz, Switzerland Sterling Ruby, Gagosian Gallery, New York, NY, USA [Cat.] 2016 THE JUNGLE, Sprüth Magers, Berlin, Germany Sterling Ruby, Winterpalais, Belvedere Museum, Vienna, Austria [Cat.] WORK WEAR: Garment and Textile Archive 2008-2016, Sprüth Magers, London, England 2015 STOVES, Kulm Hotel, Vito Schnabel Gallery, St. Moritz, Switzerland STOVES, Musée de la Chasse et de la Nature, Paris, France [Cat.] PARIS, Gagosian Gallery
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  • THAT MY NAILS CAN REACH UNTO THINE EYES May 13–July 31, 2021 22 Anapiron Polemou Street, Athens
    THAT MY NAILS CAN REACH UNTO THINE EYES May 13–July 31, 2021 22 Anapiron Polemou Street, Athens Sterling Ruby, WIDW. KNACKS. TRIFLES. NOSEGAYS. SWEETMEATS., 2020, acrylic, oil, elastic, and cardboard on canvas, framed: 73 7/8 × 53 7/8 × 3 1/4 inches (187.6 × 136.8 × 8.3 cm) © Sterling Ruby. Photo: Robert Wedemeyer April , And are you grown so high in his esteem Because I am so dwarfish and so low? How low am I, thou painted maypole? Speak! How low am I? I am not yet so low But that my nails can reach unto thine eyes. —William Shakespeare, A Midsummer Night’s Dream (act , scene ) Gagosian is pleased to present THAT MY NAILS CAN REACH UNTO THINE EYES, an exhibition of new paintings and ceramics by Sterling Ruby. In an oeuvre encompassing sculpture, ceramics, painting, drawing, collage, video, and textiles, Ruby engages art history, his own autobiography, and balances of social power. Creating disruption by contrasting clean lines and recognizable objects with rough and uncanny forms, his works interrogate the canon of art while seeking to critique the institutions and shortcomings of modern society. Ruby composes his WIDW paintings (–)—the series is titled after an abbreviated form of “window”—with thick, vibrant coats of acrylic and oil paint, also adhering squares of cardboard and patterned fabric onto canvas. These collaged elements demarcate the canvas into halves and smaller rectangles, transforming the compositions into gridded windowpanes that offer a glimpse into the physical and cerebral strata of Ruby’s working process. In this new body of work inspired by William Shakespeare’s A Midsummer Night’s Dream, Ruby makes allusions to theater, likening the vantage of a window frame to the proscenium.
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  • Chronology 000 Bibliography (000)
    trails end restaurant, kanab, utah, august 10, 1973 from the series uncommon places CONTENTS colour photograph 51 x 61 cm INTERVIEW 007 Kate Fowle in conversation with Sterling Ruby. SURVEY 000 Franklin Sirmans, Encounters with Sterling Ruby. FOCUS 000 Jessica Morgan, STOVES. STUDIO VISIT 000. ARTIST’S WRITINGS 000 APOLOGETICS, 2015 (000). ChRONOlOGY 000 Bibliography (000). 007 INTERVIEW Kate Fowle in conversation with Sterling Ruby trails end restaurant, kanab, utah, august 10, 1973 from the series uncommon places colour photograph 51 x 61 cm basic instinct No matter how much video and film take on the apparatus of the installation format and create situations and spaces specifically geared toward the viewing of the work, there’s nothing comparable to discerning one’s own body in space via objects and sculpture. With the exception of those early video installations, rare is the occasion when finds a work by Ruby in sculpture or two dimensions that is not being juxtaposed with another object. The association between works is what make the artists tick seemingly and is evident of the hypertextual cut and mix aesthetic that is so apropos of Ruby’s art. Nothing is so precious it deserves to be rarefied by itself in Ruby’s oeuvre , which is why it is easy to speak of the work in series and bodies rather than in it’s singular object status. One thing that is less evident in the very early work, and specifically from his time in Chicago, is that he was also a student of clay and ceramics. At the beginning of Transient Trilogy is that long, loving close-up of the surface of a ceramic sculpture.
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  • Stretching the Canvas by Kevin Mcgarry Surface
    Surface Magazine February 13, 2017 G A G O S I A N Stretching the Canvas Sterling Ruby combines art and fashion with his close friend Raf Simons. Kevin McGarry Sterling Ruby has a star’s name. It invokes a gothic opulence, calling to mind a cursed dagger, perhaps, or a vampire’s jewelry. That sense of fantasy provides an apt portal for entering Ruby’s world. He styles himself in self-made uniforms chemically mangled to the extent that he looks a little like an extra from Mad Max. One meme that circulated among young artists on Instagram about a year ago paired him, in his then-signature bandana, with his burlier doppelgänger, David Foster Wallace. There is surely an element of an aching poet to Ruby’s persona, one that mixes with his abiding earnestness to form a counterpoint to the fact that his studio practice has grown to be among the largest and more lucrative enterprises in contemporary art today. Ruby’s first Chelsea solo exhibition at Foxy Production, in 2004, and two mid-aughts shows at the Los Angeles gallery Marc Foxx led to a meteoric rise. Since then, he has developed into a renaissance man for the end of the world: with an apocalyptic palette, his prodigious, often sinister-looking output has spanned far beyond art objects, traversing into fashion and interior design. “Nowadays,” he says, tugging on his monastic, acid-washed hoodie, “I only wear what I make. Except for my pair of studio Nikes.” A bit later, he tells me, “At one point, I realized I should cannibalize my work and wear it.” In addition to collages, paintings, ceramics, videos, sculptures, and drawings, Ruby, 45, has been making his own clothes for almost a decade.
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  • Sterling Ruby
    Sterling Ruby Bibliographie / Bibliography Bücher und Kataloge (Auswahl) / Selected books and catalogues 2019 Gartenfeld, Alex / Respini, Eva: Sterling Ruby, Munich, DE: Prestel Verlag; Miami, FL: Institute of Contemporary Art; Boston, MA: Institute of Contemporary Art. Morse, Jed: Sterling Ruby: Sculpture, Esslingen, DE: Cantz. Nakanishi, Hiroyuki / Ikeda, Ayumi / Stephens, Christopher: Abstraction: Aspects of Contemporary Art, Osaka, JP: The National Museum of Art. Porter, Jenelle: Sterling Ruby: ACTS + TABLES, New York, NY: Gagosian. Respini, Eva, et al.: Huma Bhabha: They Live., New Haven, CT: Yale University Press; Boston, MA: Institute of Contemporary Art. Dior: From Paris to the World, Dallas, TX: Dallas Museum of Art. La Source, Paris, FR: David Desrimais Editeur, Fondation Carmignac. REFLECTIONS Seoul, KR: Gana Art Center. 2018 Berardini, Andrew: Sterling Ruby: HEARTS + CLUBS, Brussels, BE: Pierre Marie Giraud. Betsky, Aaron: Jim Olson: Building, Nature, Art, London, UK: Thames & Hudson. Böhm, Elisabeth, et al.: Proof of Life, Bremen, DE: Weserburg Museum für moderne Kunst. Britt, Tyler: Sterling Ruby: DRFTRS, Brussels, BE: Xavier Hufkens. Fleming, Jeff / Peña, Theodore / Clark, Garth: Sterling Ruby: Ceramics, Des Moines, IA: Des Moines Art Center. Ruby, Sterling: Sterling Ruby: VERT, Tokyo, JP: Taka Ishii Gallery. Ruby, Sterling: Sterling Ruby: WIDW, Brussels, BE: Xavier Hufkens. Simons, Raf / Ruby, Sterling, et al.: Beyond the Collaboration, Berlin, DE: Sternberg Press; Cambridge, MA: Havard University, Graduate School of Design. Sinding, Adam Katz: This is Not A F*cking Street Style Book, Kempen, DE: TeNeues Publishing Group. Zana, Charles / Vignal, Marion: Charles Zana: The Art of Interiors, New York, NY: Rizzoli. 2017 Acevedo, Melanie, et al.: The Authentics, New York, NY: Clarkson Potter.
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