Sterling Ruby
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Translation in the Work of Omer Fast Kelli Bodle Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 (Mis)translation in the work of Omer Fast Kelli Bodle Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Bodle, Kelli, "(Mis)translation in the work of Omer Fast" (2007). LSU Master's Theses. 4069. https://digitalcommons.lsu.edu/gradschool_theses/4069 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. (MIS)TRANSLATION IN THE WORK OF OMER FAST A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Kelli Bodle B.A., Michigan State University, 2002 August 2007 Table of Contents Abstract……...……………………………………………………………………………iii Chapter 1 Documentary and Alienation: Why Omer Fast’s Style Choice and Technique Aid Him in the Creation of a Critical Audience……………………………… 1 2 Postmodern Theory: What Aspects Does Fast Use to Engage Audiences and How Are They Revealed in His Work……………………………………….13 3 Omer Fast as Part of a Media Critique……………………….………………31 4 Artists and Ethics……………….……………………………………………39 5 (Dis)Appearance of Ethics in Omer Fast’s Videos..…………………………53 Bibliography……………………………………………………………………………..64 Vita...……………………………………………………………………………………..69 ii Abstract For the majority of people, video art does not have a major impact on their daily lives. -
2018 – Volume 6, Number
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 2 & 3 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor KEVIN CALCAMP Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Bump in the Night” by Brent Jones © 2018 Courtesy of Pixabay/Kellepics EDITORIAL ADVISORY BOARD ANTHONY ADAH PAUL BOOTH Minnesota State University, Moorhead DePaul University GARY BURNS ANNE M. CANAVAN Northern Illinois University Salt Lake Community College BRIAN COGAN ASHLEY M. DONNELLY Molloy College Ball State University LEIGH H. EDWARDS KATIE FREDICKS Florida State University Rutgers University ART HERBIG ANDREW F. HERRMANN Indiana University - Purdue University, Fort Wayne East Tennessee State University JESSE KAVADLO KATHLEEN A. KENNEDY Maryville University of St. Louis Missouri State University SARAH MCFARLAND TAYLOR KIT MEDJESKY Northwestern University University of Findlay CARLOS D. MORRISON SALVADOR MURGUIA Alabama State University Akita International -
1 a Day in New York Alain Elkann It Had Been a Few Days Since I Was
A Day in New York Alain Elkann It had been a few days since I was alone in the house. They were all away for different reasons. Now and then a young Ukrainian man came to do some work on the basement and the garden. His name was Sergio and he spoke Italian with me as he knew no English, no French, or any other languages but Ukrainian and Italian. We had both lived in Italy for many years. He had lived in the country in Umbria, I in Rome. Now we were both in New York for work. Sergio was in his mid-twenties, thin and tall, very pale with brown eyes. He was kind, but extremely stubborn. He rarely smiled and was a pessimist by nature. In New York he refused to visit anything cultural and had no friends. The only thing he liked was having some free time to visit stores that sold electronics. He pretended to know about and understand everything, but he was often wrong. That morning we had breakfast together at around eight. He only ate white bread and butter, and drank coffee with two spoons of white sugar. He liked to listen to the radio, Ukrainian programmes in particular, songs or sporting events. He loved cars and the Internet. He loved country villages and small towns. He liked order and Italian shoes. As I said, the house was empty. Anita was in the country, Victoria on vacation in London, Zeno in California, Masha in Europe for a friend’s wedding. The dogs were with Anita in the country. -
Sterling Ruby
Press Release Kukje Gallery Sterling Ruby April 11 – May 10 SP223 2012 spray paint on canvas 243.8 x 213.4 x 5.1 cm Image provided by Kukje Gallery © Sterling Ruby Courtesy of the artist and Kukje Gallery ○ Exhibition Information Artist: Sterling Ruby (American, 1972- ) Exhibition Dates: April 11 – May 10, 2013 Exhibition Space: Kukje Gallery K3 and K1 Press Conference: April 11 (11am), Kukje Gallery K3 B1 Opening Hours: Monday – Saturday: 10am-6pm, Sunday, Holiday: 10am-5pm Contact: PR Director Zoe Chun (82-2-3210-9885, 82-10-9601-5411 / E-mail. [email protected]) Website: www.kukjegallery.com Press Release ○ About the Exhibition Kukje Gallery is pleased to present a solo exhibition of Sterling Ruby opening on April 11, 2013. This will be the artist’s first exhibition in Korea. The artist will present an installation of new works in galleries K1 and K3 including large color field paintings, ceramic and bronze basin sculptures, and soft sculptures in black leather. This stripped down exhibition highlights the artist’s masterful manipulations of his materials and surfaces—from the atmospheric layering of spray paint on canvas, to the dripping excessive glazes on his large-scale ceramic basins, to pieces cast in bronze, to his fabric collages, with their rags and fabric scraps, edged with glue and grime and formally arranged on a ground of bleached denim. This installation of works feels tomblike and austere. Large scale cardboard and fabric collages hang on the walls. Basin sculptures made in ceramic and bronze are installed in the center of the galleries as if serving as archaic sites of sacrifices or offerings. -
Sterling Ruby
Sterling Ruby American and Dutch, born in 1972, in Bitburg, Germany Lives and works in Los Angeles Education 2003-2005 Master of Fine Arts, Art Center College of Design, Pasadena 2000-2002 Bachelor of Fine Arts, The School of the Art Institute of Chicago, Chicago 1992-1996 Pennsylvania School of Art & Design, Lancaster Selected solo exhibitions 2018 Sterling Ruby: Ceramics, Des Moines Art Center, Iowa 1 Xavier Hufkens, Brussels Sterling Ruby: Ceramics, Museum of Art & Design, New York Sterling Ruby: Ceramics, Museum of Arts and Design (MAD), New York, NY, USA; Des Moines Art Center, Des Moines, IA, USA — Vert, Taka Ishii Gallery, Tokyo, Japan 2017 Mix Piz, Vito Schnabel Gallery, St. Moritz, Switzerland — Sterling Ruby, Gagosian Gallery, New York, NY, USA 2016 The Jungle, Sprueth Magers, Berlin, Germany — Sterling Ruby, Winterpalais, Belvedere Museum, Vienna, Austria — Work Wear: Garment And Textile Archive 2008-2016, Sprueth Magers, London, UK 2015 Stoves, Kulm Hotel, Vito Schnabel Gallery, St. Moritz, Switzerland — Stoves, Musée De La Chasse Et De La Nature, Paris, France — Paris, Gagosian Gallery, Paris, France — Paris, Gagosian Gallery, Le Bourget, Paris, France — Study #8. Monument Stalagmite David Roberts Art Foundation, London, UK — Spray, Memory: Sterling Ruby & Mike Kelley, Inigo Philbrick, London, UK — Scales, Xavier Hufkens, Brussels, Belgium — Eclpse, Xavier Hufkens, Brussels, Belgium 2014 Vivids, Gagosian Gallery, Central, Hong Kong — Bc Rips, Taka Ishii Gallery, Tokyo, Japan — Sunrise Sunset, Hauser & Wirth, New York, NY, -
Pressemappe Deutsch
¬ UNDABDIEPOST2002 - Fünftes Festival der neuenNeuen Kunst ¬ insideout 15.09.15.09. - - 20.10.2002 20.10.2002 BunkerBunker an an der der Reinhardtstraße Reinhardtstraße Berlin-MitteBerlin-Mitte Der Bunker Reinhardtstraße, Ecke Albrechtstraße erbaut 1942 Inhalt Pressemitteilung Liste der Künstler und Kuratoren Veranstaltungsort Veranstalter Kooperationspartner Künstler Kuratoren Impressum Pressemitteilung Kunst und Raum - Symbiose oder Konfrontation? Das Festival kombiniert Dynamik und Statik an einem historischen Ort, dem überirdischen Bunker an der Reinhardtstraße, Berlin-Mitte. Aus militärischer Hilflosigkeit entstanden, stellt sich der Bunker heute nur selbst dar. Die Dominanz des Bauwerkes fordert die Künstler heraus, den Ort mit Leben zu erfüllen, welches die Statik dieses Raumes aufbricht. INSIDEOUT ist darauf ausgerichtet, Berliner Kunst neuen Positionen anderer Metropolen gegenüberzustellen. Das Festival zeigt künstlerische Tendenzen beispielhaft an den signifikant Impulse gebenden Weltstädten Prag, Berlin und New York. INSIDEOUT wird das Innere des Bunkers erstmalig für Neue Kunst zugänglich machen und leitet damit den Prozeß des Umbaus in einen internationalen Ausstellungsraum ein. Ziel ist es, diesen ungewöhnlichen Raum künstlerisch zu erschließen und für eine kontinuierliche Bespielung zu sorgen. Der Eigentümer, die Nippon Development Corporation, wird den Bunker im Anschluß an das Festival im Zuge einer Komplettsanierung neu gestalten. Die Berliner Kunstlandschaft wird um eine ungewöhnliche und dauerhafte Kunststätte reicher. INSIDEOUT Eröffnung 14.09.2002 um 20:00 Uhr Dauer 15.09.2002 – 20.10.2002 Öffnungszeiten Sonntag - Donnerstag, 11:00 - 21:00 Uhr Freitag - Samstag, 11:00 - 24:00 Uhr Eintritt 4,-- EUR, montags 2,-- EUR Veranstaltungsort Bunker an der Reinhardtstraße, Berlin-Mitte Kuratoren Johann Nowak (Berlin), Simona Mehnert (Prag), Eva Scharrer (New York) Veranstalter aktions galerie e.V., Auguststraße 21, 10117 Berlin Schirmherrschaft S.E. -
Medium Specificity and Materiality
Sydney College of the Arts The University of Sydney DOCTOR OF PHILOSOPHY 2015 THESIS Dirty Tricks The relevance of skill, expression and authenticity in contemporary clay-based art by Trevor Fry December 2015 STATEMENT This volume is presented as a record of the work undertaken for the degree of Doctor of Philosophy at Sydney College of the Arts, University of Sydney. ii TABLE OF CONTENTS TABLE OF FIGURES .......................................................................................... v SUMMARY.......................................................................................................... ix INTRODUCTION ................................................................................................ 1 1. THE MAGIC OF CLAY .................................................................................. 9 1.1 Phenomenology and post-structuralism, Edmund de Waal and Rosalind Krauss .......... 19 1.2 De Waal and the magic of clay ........................................................................................ 20 1.3 The deskilled present ....................................................................................................... 30 1.3.1 Urs Fischer’s lumpy spectacles ................................................................................ 33 1.4 Rosalind Krauss ............................................................................................................... 42 1.4.1 Medium specificity .................................................................................................... -
Western Europe
Western Europe Great Britain National Affairs A STRANGE DICHOTOMY marked the year. While the country enjoyed continued prosperity and stability, the government—especially Prime Minister Tony Blair—incurred increasing unpopularity, albeit not to a degree that would threaten Labour's continuance in office. The sustained growth of the economy and low interest rates softened the impact of tax increases on disposable income, although opinion polls did register discontent, particularly over local taxation. Chancellor of the Exchequer Gordon Brown's pre-budget report in December indicated that receipts were lower than anticipated while costs associated with the Iraq war had pushed spending above expectations. Nevertheless, Brown adhered to his "golden rule" that over the economic cycle the government should borrow only to invest. Employment reached a record high of 28.1 million, and the number of people applying for unemployment benefits dropped steadily, reaching 917,800 in November, 7,900 lower than a year before. High employment raised the threat of wage inflation. The burden of interest payments on the growing public debt raised similar concerns. In July, interest rates were cut a quarter-percent to 3.50 percent to stim- ulate the economy, but in December this was reversed for the first time in almost four years; rates went back up to 3.75 percent so as to coun- teract the danger of rises in house prices and personal debt. Politically, satisfaction with the government continued to decline from its peak of about 55 percent just after 9/11 to about 25 percent in De- cember 2003. The results of local elections held in May registered the po- litical fallout: Labour lost a combined 800 seats, and the Conservatives, winning the largest share of the vote, gained about 500. -
Man in the News: John Elkann” Written by Paul Betts on Financial Times, April 23Rd 2010
Abstracts of the article “Man in the News: John Elkann” Written by Paul Betts On Financial Times, April 23rd 2010 “This week’s appointment of the 34-year-old John Elkann as chairman of Fiat, the automotive group founded in 1899 by his great-great-grandfather Giovanni Agnelli, is on the face of it only the latest chapter in the Agnelli story.” (...) “At the tender age of 22, he was appointed to the Fiat board while continuing to study for his engineering degree at the Turin polytechnic. He was sent to work incognito in a Fiat headlight manufacturing plant in Birmingham in the UK, lodging with a local family who had no clue who he was and spending his evenings eating dinners in front of the television. He then worked, incognito again, on a Fiat assembly line in Poland, and later in General Electric’s audit department in the US under the wing of Jack Welch, the former GE chairman and chief executive, who was a friend of his grandfather Gianni and a Fiat board member.” (...) “For Italy has traditionally been a country that likes change as long as nothing changes. Mr Elkann and Mr Marchionne are ignoring the caveat. Mr Elkann has already streamlined the family assets into one listed company, Exor, and is now prepared to dilute control of its historic car business if this means he will end up with a smaller stake in a bigger and more viable business. He has also agreed to split the company in two, something his grandfather would never have even considered. -
Leading Culture Destinations Awards, Which Recognises Those Institutions and Activations at the Cutting-Edge of the Cultural Zeitgeist
LT U C U R E G D I N E D S T A I E N L A T I O N S L O N D O N 001 002 LEADING CULTURE DESTINATIONS The Leading Culture Destinations journey started five years ago in London driven by a passion to find unique cultural experiences outside of the mainstream travel market. We turned to our close friends, asking them for cultural travel recommendations in places such as Paris, New York or Beijing, but we were also very curious in emerging and, as yet, less discovered gems, such as Quebec City, Belo Horizonte, Malta, Mexico City or Marfa, Texas, to name but a few. Today, Leading Culture Destinations is an opinion-led platform bringing global nomads together with cultural destinations. Our community not only travels with us, but also share their insights and experiences on our platform, and throughout their networks. This creates unique opportunities for destinations to reach new audiences, transforming places into destinations of cultural desire. Over the coming pages, you will be introduced to some of the key players in The Leading Culture Destinations network, and gain personal insights into those destinations at the forefront of a new cultural movement–namely, the winners of this year’s Leading Culture Destinations Awards, which recognises those institutions and activations at the cutting-edge of the cultural zeitgeist. We also bring you thought-leadership from our Select Jury, Ambassadors, and extended friends and family, on everything from artifial intelligence, to the slow places movement and the emergence of restaraunts that allow you to taste history, by resurrecting dishes from a distant past for a modern audience. -
Sterling Ruby
STERLING RUBY Sterling Ruby (born 1972) is an American artist who works in a wide range of aesthetic and material strategies, from sculptures made of saturated, glossy, poured polyurethane, bronze and steel, to drawings, collages, richly glazed ceramics, spray-paint paintings, photography and video, as well as textile works that include quilts, tapestries, garments and soft sculptures. He was born on an American military base in Bitburg, Germany to a Dutch mother and an American father. He received a BFA from the School of the Art Institute of Chicago, and an MFA from Art Center College of Design in Pasadena, California. Ruby has cited a diverse range of sources and influences including aberrant psychologies, urban gangs and graffiti, hip-hop culture, craft, masculinity, violence, public art and civic monuments, prisons, globalization, American domination and decline, waste and consumption. Even as his work deals with issues related to the violence and pressures within society, and art history, it also reflects his personal biography. In his work, he vacillates between the fluid and static, the minimalist and expressionistic, the hard and the soft, the pristine and the defaced. His voracious cycling through materials and subject matter has given rise to numerous recurring series and extended bodies of work. Ruby has exhibited at institutions including the Whitney Museum of American Art, New York; Los Angeles County Museum of Art; Toyota Municipal Museum of Art, Tokyo; Ullens Center for Contemporary Art, Beijing; Museum of Modern Art, New York; Drawing Center, New York; Museum of Contemporary Art, Chicago; Walker Art Center, Minneapolis; Institute of Contemporary Art, Philadelphia; Museum of Contemporary Art, Los Angeles; Musée de la Chasse et de la Nature, Paris, France; Museum Dhondt-Dhaenens, Ghent, Belgium; FRAC Champagne-Ardenne, Reims, France, Centre d’Art Contemporain, Geneva, Switzerland; Bonniers Konsthall, Stockholm, Sweden; and Museo d’Arte Contemporanea, Rome, Italy. -
Download PDF of CV
Productions & Exhibitions 2019 Web-Retro, SeMA, Buk-Seoul Museum of Art, South Korea 2018 NEGOCIO, Caja Blanca del Centro Cultural Las Cigarreras, Alicante, Spain curated by David Machado Gutierrez, Alba Garcia Martinez, Beatriz Martinez-Villagrasa, Miguel Soria Andurell Future Perfect, curated by Nadav Assor, Hygienic Art Gallery, New London, Connecticut as part of Intersections: the 16th Biennial Symposium on Arts & Technology, Connecticut College OS 2018, curated by Flavia Souza, The Clemente Soto Velez Cultural and Educational Center, Manhattan, NY 2017 Art In Odd Places, El Museo del Barrio, NYC, curated by Nicolás Dumit Estévez Raful with Rocío Aranda (El Museo) and Jodi Waynberg (Artists Alliance Inc) Stronger Together, Knockdown Center, NYC, curated by Leaders in Software and Art (LISA) Interface/Landscape 2016 New Media Exhibition, Ithaca College, NY, curated by Claudia Costa and Dale Hudson for the Finger Lakes Environmental Film Festival 7th International Video Art Festival Camaguey, Cuba, curated by Jorge Luis Santana Unnatural Election: Artists Respond to the 2016 US Presidential Election, Kimmel Galleries, New York University, curated by Andrea Arroyo 2016 CURRENTS 2016 International New Media Festival, El Museo Cultural de Santa Fe, NM curated by Mariannah Amster and Frank Ragano Lettuce, Artichokes, Red Beets, Mangoes, Broccoli, Honey and Nutmeg: The Essex Street Market as Collaborator, Cuchifritos Gallery + Project Space, curated by Nicolas Dumit Estevez 2015 Electronic Arts and Video Festival Transitio_MX,curated by