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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
The Complete Peanuts Volume I by Charles M. Schulz
NACAE National Association of Comics Art Educators STUDY GUIDE: THE COMPLETE PEANUTS by Charles M. Schulz Volume One: 1950-1952 Study guide written by Art Baxter Introduction America was in the throes of post-war transition in 1950. Soldiers had returned home, started families and abandoned the cities for the sprawling green lawns of newly constructed suburbia. They had sacrificed during the Great Depression and subsequent war effort and this was their reward. Television was beginning to replace the picture-less radio not to mention live theater, supper clubs and dance halls, as Americans stayed home and raised families. Despite all this “progress” an empty feeling still resided in the pit of the American soul. Psychology, that new science that had recently gone mainstream, tried to explain why. Then, Charles M. Schulz’s little filler comic strip, Peanuts, appeared in the funny pages. Schulz was born in 1922, the solitary child of a barber and his wife, in St. Paul, Minnesota. Sparky, his lifelong nickname, was given to him when he was an infant, by an uncle, after the comic strip character Barney Google’s racehorse Spark Plug. Schulz had an early love and talent for drawing. He enjoyed famous comic strips like Roy Crane’s Wash Tubbs/Captain Easy (1924- 1943), the prototype of the adventure strip; E. C. Segar’s Thimble Theater (1919-1938), and its diverse cast of colorful characters going in and out rollicking adventures; and Percy Crosby’s Skippy (1925-1945) with its wise-for-his-age perceptive child protagonist. Schulz was a bright student and skipped several grades, making him the youngest and smallest in his class. -
Hagar the Horrible Beetle Bailey Snuffy Smith
The Anniston Star MONDAY’S STAR LITE Tuesday, October 26, 2015 Blondie HOROSCOPE BY EUGENIA LAST ARIES (March 21-April 19) — A misun- derstanding will develop into a confron- Nothing will stop you from reaching the tation if you aren’t precise in the way you top this year. Using the power of persuasion, present your thoughts. Make sure you have you will entice all the allies you need to make all the facts before challenging someone’s your dreams a reality. Determination and idea or opinion. focus will be key factors that help you out- TAURUS (April 20-May 20) — Don’t maneuver any competition you encounter. jump to conclusions. Moneymaking oppor- SCORPIO (Oct. 24-Nov. 22) — Keep tunities are on the horizon, so be prepared plugging away and don’t let what others to act. Concentrate on your financial secu- do deter you from reaching your goals. Pro- rity before you take on concerns that are Hagar the Horrible mote and present your ideas and you will less pressing. convince others to pitch in and help. GEMINI (May 21-June 20) — Someone SAGITTARIUS (Nov. 23-Dec. 21) — will try to win your friendship to improve Don’t become reclusive. Get together with his or her position or status. Be wary of friends and make plans to do something anyone who presses for personal informa- out of the ordinary. Reduce your anxiety by tion. Don’t fall for someone else’s hard-luck not dwelling on past regrets or events you story. cannot change. CANCER (June 21-July 22) — A relation- CAPRICORN (Dec. -
The Practical Use of Comics by TESOL Professionals By
Comics Aren’t Just For Fun Anymore: The Practical Use of Comics by TESOL Professionals by David Recine A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in TESOL _________________________________________ Adviser Date _________________________________________ Graduate Committee Member Date _________________________________________ Graduate Committee Member Date University of Wisconsin-River Falls 2013 Comics, in the form of comic strips, comic books, and single panel cartoons are ubiquitous in classroom materials for teaching English to speakers of other languages (TESOL). While comics material is widely accepted as a teaching aid in TESOL, there is relatively little research into why comics are popular as a teaching instrument and how the effectiveness of comics can be maximized in TESOL. This thesis is designed to bridge the gap between conventional wisdom on the use of comics in ESL/EFL instruction and research related to visual aids in learning and language acquisition. The hidden science behind comics use in TESOL is examined to reveal the nature of comics, the psychological impact of the medium on learners, the qualities that make some comics more educational than others, and the most empirically sound ways to use comics in education. The definition of the comics medium itself is explored; characterizations of comics created by TESOL professionals, comic scholars, and psychologists are indexed and analyzed. This definition is followed by a look at the current role of comics in society at large, the teaching community in general, and TESOL specifically. From there, this paper explores the psycholinguistic concepts of construction of meaning and the language faculty. -
75 Years of Blondie
Special Collections presents October 1 – October 31, 2005 On Display in the Exhibit Gallery Second Floor Smathers Library (East) George A. Smathers Libraries University of Florida The Early Years ON SEPTEMBER 8, 2005, THE COMIC STRIP Although the comic strip is seventy-fi ve years old, Blondie celebrated its 75th anniversary. Created by Blondie and Dagwood have only been married for Murat Bernard “Chic” Young (1901-1973), Blondie seventy-three of those years. Blondie had many is one of the longest running newspaper strips. suitors, but her early leading man was Hiho. Hiho Young produced Blondie seven days a week until Hennepin was a shorter prototype of Dagwood his death, at which time right down to the trademark his son, Dean Young, as- bow tie they both sport. sumed creative control of Young fazed out Hiho the comic strip. shortly after Blondie’s marriage to his taller and This exhibit commemo- richer rival. rates Blondie’s anniver- sary by exploring its early Dagwood was introduced history. Few realize or in 1933 as the rich play- remember that Blondie’s boy and son of railroad origins are in the genre tycoon J. Bollinger of fl apper strips that were Bumstead. Blondie had popular in the twen- Above: Hiho courted Blondie from 1930 to 1933, without success. to make a choice between ties and thirties. Prior Bottom Right: This early example of Dagwood’s classic food balancing the ne’er-do-well Hiho and to Blondie, Chic Young technique shows how he is visually distinguishable from Hiho only by Dagwood’s millions. -
A Character Presentation from © Moomin Characters™
a character presentation from © Moomin Characters™ Moomin is created by the Finnish artist and author Tove Jansson in 1945, and the books have been translated into more than 40 languages. The Moomin books make up an extraordinary collection of artwork, from expressive pen and ink drawings in the novels to explosively colourful illustrations in the picture books. Thousands of comic strip illustrations complete the collection, making it a tremendous source of inspiration and material for design. A TV animation is sold to 140 countries. A new movie animation is launched in 2014. Tove Jansson 100 years - 2014. © Apple Corps Ltd, a Beatles™ product. The Beatles is the most successful phenomenon in the music history with sales of more than 1,5 billion records. The group is still selling huge, more than forty years after the break-up. There are more than 200 licensees all over the world producing many different products, and the artwork consists of thousands of photos, graphics, album covers and logotypes from the merry sixties. © 2012 King Features Syndicate, Inc/Fleischer Studios Inc. ™ Hearst Holdings, INC. /Fleischer Studios, Inc. www.bettyboop.com Betty Boop is the first sex symbol of the silver screen, created by Max Fleischer in the early thirties. She has turned out to be an American cult icon, —a forever young Diva. Her popularity is still huge, with one of the biggest licensing programs worldwide for a variety of products. The artwork is divided into many themes and emotions. In 2012 the cosmetic company Lancôme is using the Betty Boop character in a worlwide campaign. -
Keane, for Allowing Us to Come and Visit with You Today
BIL KEANE June 28, 1999 Joan Horne and myself, Ann Townsend, interviewers for the Town of Paradise Valley Historical Committee are privileged to interview Bil Keane. Mr. Keane has been a long time resident of the Town of Paradise Valley, but is best known and loved for his cartoon, The Family Circus. Thank you, Mr. Keane, for allowing us to come and visit with you today. May we have your permission to quote you in part or all of our conversation today? Bil Keane: Absolutely, anything you want to quote from it, if it's worthwhile quoting of course, I'm happy to do it. Ann Townsend: Thank you very much. Tell us a little bit about yourself and what brought you to hot Arizona? Bil Keane: Well, it was a TWA plane. I worked on the Philadelphia Bulletin for 15 years after I got out of the army in 1945. It was just before then end of 1958 that I had been bothered each year with allergies. I would sneeze in the summertime and mainly in the spring. Then it got in to be in the fall, then spring, summer and fall. The doctor would always prescribe at that time something that would alleviate it. At the Bulletin I was doing a regular comic and I was editor of their Fun Book. I had a nine to five job there and we lived in Roslyn which was outside Philadelphia and it was one hour and a half commute on the train and subway. I was selling a feature to the newspapers called Channel Chuckles, which was the little cartoon about television which I enjoyed doing. -
AIR FORCE Magazine / July 2007 42
A Brush With the Air Force 42 AIR FORCE Magazine / July 2007 prototype for Corkin was Air Force Col. Milton Caniff was out front with “Terry and Philip Cochran, a noted World War II pilot and leader of air commandos in the Pirates,” but other cartoonists also found Burma. (See “The All-American Air- their calling in the wild blue yonder. man,” March 2000, p. 52.) He became a continuing character in “Terry.” In a famous “Terry and the Pirates” Sunday page from 1943, Corkin opened with, “Let’s take a walk, Terry,” and then delivered an inspirational talk about A Brush With the war and the Air Force as he and the newly fledged pilot Terry strolled around the flight line. The page was “read” into the Congressional Record and reported in the newspapers. Terry, Flip, and their colleagues had a great following among airmen, and the Air Force By John T. Correll the strip had considerable morale and public relations value. Gen. Henry H. “Hap” Arnold, Chief of the Army Air Forces, assigned an officer to as- sist Caniff with any technical details he needed. Caniff produced another strip, “Male Call,” without charge for camp and base newspapers. It featured Miss Lace, who was reminiscent of the Dragon Lady but less standoffish. It is difficult today to comprehend what a big deal the funnies used to be. Everybody read the comic strips. Characters were as well known as movie stars. The strips were printed much larger than present comic strips are. On Sunday, a popular strip might get a whole color page to itself. -
High Museum Car Exhibit a Gearhead's Dream
EM123 LIFESTYLE [ SECTION E ] Sunday, April 25, 2010 ONLINE POLL You be the Judge, and tell us what they’re Worth Alright, alright, we hear you. We made some changes to our comics’ lineup a few weeks ago, and scores of you have responded that we should not have dropped the long-running comic “Judge Parker.” Did we misjudge the judge’s popularity ? Maybe. We’ll let you decide. Many of you told us that we dropped the wrong soap opera, or continuity, comic strip, meaning comics whose storylines carry over from day to day. “Mary Worth’s Family” would have been the better choice, fans of “Judge Parker” say. So, instead of inviting you, or the vener- able comic strip characters, downtown for a street fight, we’re going to put this to a vote. Go to blog.al.com/bn/comics and tell us who should stay in The Birmingham News comics lineup: “Judge Parker” or “Mary Worth’s Family.” You have until Sun- day, May 2, at 6 p.m. to vote. COMICS NEWS STAFF/HAL YEAGER SMACKDOWN! Henry “Gip” Gipson, who got his first taste of the blues while growing up in Uniontown, has been playing guitar at his Bessemer juke joint since 1952. “Whether there is anybody there or not, he plugs into an amp, gets a microphone and sings for hours and hours,” blues musician Elliott New says. “He loves the music that much.” Gip’s Place in Bessemer This joint is one of the last remaining JUDGE PARKER authentic VS. is jumpin’ juke joints MARY WORTH By BOB CARLTON j News staff writer n a Saturday night in Besse- Mike Hunley and his wife, Barbara, steel mills around Bessemer, asks for a mer, under a tin-roofed shed sit at a table near the front, sipping their show of hands. -
VFW Will Have a Breakdown of the Results When They Become Available
Chris Garcia Wins TAFF! Chris Garcia has polled the majority of the 174 votes cast in the 2008 Trans Atlantic Fan Fund election. Administrators Suzle Tompkins and Bridget Bradshaw made the announcement. Chris will attend the British National Convention over the Easter weekend in 2008. VFW will have a breakdown of the results when they become available. Vegrants to Hold Special Meeting! At the December 1 meeting of Las Vegrants, most of the 13 attendees expressed the desire to get together between then and the New Year’s Open House. So the informal, invitational group has scheduled a meeting for December 22 at the usual 7:30 PM time. Merric Anderson Breaks Fannish Cherry! The Earth Shakes and the planets wander from their celestial courses! Life *as we know it* will cease to exist! You’ve heard the rumors; now read the incredible facts: Merric Anderson has committed two certified instances of fanac. Las Ve- grants’ lovable sideliner has suddenly decided to Get into the Game. The first thing he did was produce an unofficial commercial for the 2008 Westercon, scheduled for the July 4th weekend in Las Ve- gas under the sponsorship of those amiable California carpetbag- gers, James & Kathryn Daugherty. You can see it at www.cineholics.com Merric and his lovely and talented wife Lubov have also de- cided to sponsor a regional convention in Las Vegas in April, 2009. Called Xanadu, it is still coalescing into a concrete proposition. So far, Merric has declared his intention to make it a weekend-long party, but he is also planning a variety of events including program- ming that focuses on technology. -
Manga As a Teaching Tool 1
Manga as a Teaching Tool 1 Manga as a Teaching Tool: Comic Books Without Borders Ikue Kunai, California State University, East Bay Clarissa C. S. Ryan, California State University, East Bay Proceedings of the CATESOL State Conference, 2007 Manga as a Teaching Tool 2 Manga as a Teaching Tool: Comic Books Without Borders The [manga] titles are flying off the shelves. Students who were not interested in EFL have suddenly become avid readers ...students get hooked and read [a] whole series within days. (E. Kane, personal communication, January 17, 2007) For Americans, it may be difficult to comprehend the prominence of manga, or comic books, East Asia.1. Most East Asian nations both produce their own comics and publish translated Japanese manga, so Japanese publications are popular across the region and beyond. Japan is well-known as a highly literate society; what is less well-known is the role that manga plays in Japanese text consumption (Consulate General of Japan in San Francisco). 37% of all publications sold in Japan are manga of one form or another, including monthly magazines, collections, etc. (Japan External Trade Organization [JETRO], 2006). Although Japan has less than half the population of the United States, manga in all formats amounted to sales within Japan of around 4 billion dollars in 2005 (JETRO, 2006). This total is about seven times the United States' 2005 total comic book, manga, and graphic novel sales of 565 million dollars (Publisher's Weekly, 2007a, 2007b). Additionally, manga is closely connected to the Japanese animation industry, as most anime2 television series and films are based on manga; manga also provides inspiration for Japan's thriving video game industry. -
Korean Webtoonist Yoon Tae Ho: History, Webtoon Industry, and Transmedia Storytelling
International Journal of Communication 13(2019), Feature 2216–2230 1932–8036/2019FEA0002 Korean Webtoonist Yoon Tae Ho: History, Webtoon Industry, and Transmedia Storytelling DAL YONG JIN1 Simon Fraser University, Canada At the Asian Transmedia Storytelling in the Age of Digital Media Conference held in Vancouver, Canada, June 8–9, 2018, webtoonist Yoon Tae Ho as a keynote speaker shared several interesting and important inside stories people would not otherwise hear easily. He also provided his experience with, ideas about, and vision for transmedia storytelling during in-depth interviews with me, the organizer of the conference. I divide this article into two major sections—Yoon’s keynote speech in the first part and the interview in the second part—to give readers engaging and interesting perspectives on webtoons and transmedia storytelling. I organized his talk into several major subcategories based on key dimensions. I expect that this kind of unusual documentation of this famous webtoonist will shed light on our discussions about Korean webtoons and their transmedia storytelling prospects. Keywords: webtoon, manhwa, Yoon Tae Ho, transmedia, history Introduction Korean webtoons have come to make up one of the most significant youth cultures as well as snack cultures: Audiences consume popular culture like webtoons and Web dramas within 10 minutes on their notebook computers or smartphones (Jin, 2019; Miller, 2007). The Korean webtoon industry has grown rapidly, and many talented webtoonists, including Ju Ho-min, Kang Full, and Yoon Tae Ho, are now among the most famous and successful webtoonists since the mid-2000s. Their webtoons—in particular, Yoon Tae Ho’s, including Moss (Ikki, 2008–2009), Misaeng (2012–2013), and Inside Men (2010–in progress)—have gained huge popularity, and all were successfully transformed into films, television dramas, and digital games.