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Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. -
Katherine Mansfield Menton Fellowship Application Form 2019
The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis. -
City of Literature Vision
1 United Nations Designated Educational, Scientific and UNESCO Creative City Cultural Organization in 2014 This publication was written as part of Dunedin City’s bid for UNESCO City of Literature status in March 2014. Some information has been updated since its publication mid-2015. Thank you to all of the people who contributed to developing Dunedin’s bid and in particular the Steering Team members Bernie Hawke, Noel Waite, Annie Villiers and Liz Knowles. A special thank you also to Eleanor Parker, Michael Moeahu, Lisa McCauley; and Elizabeth Rose and Susan Isaacs from the New Zealand National Commission of UNESCO. ISBN: 978-0-473-32950-1 | PUBLISHED BY: Dunedin Public Libraries 2015 | DESIGNER: Casey Thomas COVER IMAGE: Macandrew Bay, Dunedin by Paul le Comte Olveston Historic Home by Guy Frederick ONE OF THE WORLD’S GREAT SMALL CITIES Otago Harbour by David Steer CONTENTS New Zealand: It's People and Place in the World 7 Multi-cultural Heritage 17 • Books for Children 33 City's Contribution to the Creative City Network 49 • Bookshops 33 • Policy 49 Dunedin's Literary Cultural Assets 19 About Us: Dunedin 11 • Musical Lyricists 35 • International Cooperation and Partnerships 50 • City's Layout and Geographical Area 14 • Te Pukapuka M¯aori – M¯aori Literature 21 • Literature-focused Festivals 35 • A Great City for Writers 23 City of Literature Vision 55 • Population and Economy 14 • Residencies and Awards 25 Dunedin's Creative City Assets 37 • Infrastructure 15 • Impressive Publishing Heritage 28 • Arts and Culture 37 • Municipal/Government Structure 15 • Centre for the Book 29 • Events 41 • Urban Planning, Policy and Strategy 15 • Libraries 31 • Educational Institutes 45 Panoramic of the Steamer Basin, Dunedin by Paul le Comte NEW ZEALAND ITS PEOPLE AND PLACE IN THE WORLD Aotearoa New Zealand. -
YOU CAN ALWAYS HAND THEM BACK Music and Lyrics by Peter Skellern THANKS to OUR SUPPORTERS
Vol. 2 No. 3 Apr 2016 Roger Hall’s YOU CAN ALWAYS HAND THEM BACK Music and lyrics by Peter Skellern THANKS TO OUR SUPPORTERS FUNDERS PRINCIPAL CORE FUNDER PARTNERS PRESENTING FUNDER PARTNER UNIVERSITY Artistic Director's Note Artistic Director Colin McColl M A J O R SUPPORTERS It's extraordinary to think that You Can Always Hand Them Back is for forty years Roger Hall has been a collaboration between Roger and entertaining us with his comedies. For Peter Skellern – distinguished UK forty years he’s charted New Zealand’s singer/songwriter – and has enjoyed social history and presented it to us tremendous success throughout New MEDIA as an entertaining and assured "good Zealand and in England. PARTNERS night out", with lots of laughs, lots of For this Auckland premiere we’re heart and a few home truths. From the lucky to have gathered a talented team early days of Glide Time and Middle Age of Hall “veterans”. Director Janice Spread through to recent hit comedies Finn and actors Darien Takle and like Who Wants to be 100? and Four Peter Hayden are all superb exponents PARTNERS SUPPORTING Flat Whites In Italy, Roger is without a of Roger’s work. Huge thanks to doubt NZ’s best-loved playwright, so them and to music director Jason Te it’s a great delight to present his latest Mete (who also appears as the third Q Theatre work for you. character in the play), choreographer SKYCITY Theatre You Can Always Hand Them Back Jeremy Birchall, set designer Rachael Herald Theatre PARTNERS puts the “grand” into grandparenting. -
City of Literature Vision
1 United Nations Designated Educational, Scientific and UNESCO Creative City Cultural Organization in 2014 This publication was written as part of Dunedin City’s bid for UNESCO City of Literature status in March 2014. Some information has been updated since its publication mid-2015. Thank you to all of the people who contributed to developing Dunedin’s bid and in particular the Steering Team members Bernie Hawke, Noel Waite, Annie Villiers and Liz Knowles. A special thank you also to Eleanor Parker, Michael Moeahu, Lisa McCauley; and Elizabeth Rose and Susan Isaacs from the New Zealand National Commission of UNESCO. ISBN: 978-0-473-32950-1 | PUBLISHED BY: Dunedin Public Libraries 2015 | DESIGNER: Casey Thomas COVER IMAGE: Macandrew Bay, Dunedin by Paul le Comte Olveston Historic Home by Guy Frederick ONE OF THE WORLD’S GREAT SMALL CITIES Otago Harbour by David Steer CONTENTS New Zealand: It's People and Place in the World 9 Multi-cultural Heritage 19 • Books for Children 35 City's Contribution to the Creative City Network 51 • Bookshops 35 • Policy 51 Dunedin's Literary Cultural Assets 21 About Us: Dunedin 13 • Musical Lyricists 37 • International Cooperation and Partnerships 52 • City's Layout and Geographical Area 16 • Te Pukapuka M¯aori – M¯aori Literature 23 • Literature-focused Festivals 37 • A Great City for Writers 25 City of Literature Vision 57 • Population and Economy 16 • Residencies and Awards 27 Dunedin's Creative City Assets 39 • Infrastructure 17 • Impressive Publishing Heritage 30 • Arts and Culture 39 • Municipal/Government Structure 17 • Centre for the Book 31 • Events 43 • Urban Planning, Policy and Strategy 17 • Libraries 33 • Educational Institutes 47 Panoramic of the Steamer Basin, Dunedin by Paul le Comte NEW ZEALAND ITS PEOPLE AND PLACE IN THE WORLD Aotearoa New Zealand. -
The Year That Was
Kunapipi Volume 2 Issue 1 Article 18 1980 The Year That Was Anna Rutherford University of Aarhus, Denmark Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Rutherford, Anna, The Year That Was, Kunapipi, 2(1), 1980. Available at:https://ro.uow.edu.au/kunapipi/vol2/iss1/18 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] The Year That Was Abstract Australia It's been a year for the bizarre in Australian fiction: a transvestite who is a Byzantine empress/ station hand/ whore-mistress; a narrating foetus; a plantation owner who takes you out at night to wrestle renegade pineapples to the ground; characters with words stamped on their foreheads and one with a coffin owinggr out of his side ... This journal article is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol2/iss1/18 The Year That Was AUSTRALIA It's been a year for the bizarre in Australian fiction: a transvestite who is a Byzantine empress/ station hand/ whore-mistress; a narrating foetus; a plantation owner who takes you out at night to wrestle renegade pine apples to the ground; characters with words stamped on their foreheads and one with a coffin growing out of his side ... Little did Synge know when he said there should be material for drama with all those 'shepherds going mad in lonely huts'! The theme of the year's most remarkable book, Patrick White's The Twybom Affair Oonathan Cape) is caught early when one of its charac· ters remarks, 'The difference between the sexes is no worse than their appalling similarity'. -
MODERN LETTERS Te P¯U Tahi Tuhi Auaha O Te Ao
INTERNATIONAL INSTITUTE OF MODERN LETTERS Te P¯u tahi Tuhi Auaha o te Ao Newsletter – 28 March 2008 This is the 121 st in a series of occasional newsletters from the Victoria University centre of the International Institute of Modern Letters. For more information about any of the items, please email [email protected] 1. We have a winner!.............................................................................................. 1 2. Life across the Tasman........................................................................................ 2 3. Muldooniana....................................................................................................... 2 4. A Spanish story.................................................................................................... 2 5. And still on the subject of writers’ festivals . .................................................. 3 6. Newsflash ............................................................................................................ 3 7. Best New Zealand Poems.................................................................................... 3 8. From the whiteboard.......................................................................................... 3 9. Writing on the run.............................................................................................. 3 10. Online pioneers ................................................................................................. 3 11. The expanding bookshelf................................................................................. -
UNIVERSITY of OTAGO ANNUAL REPORT 2007 University of Otago Annual Report
UNIVERSITY OF OTAGO ANNUAL REPORT 2007 UNIVERSITY OF OTAGO ANNUAL REPORT 1 UNIVERSITY OF OTAGO ANNUAL REPORT 2007 UNIVERSITY OF OTAGO CONTACTS UNIVERSITY OF OTAGO Leith Street, Dunedin New Zealand Mail PO Box 56, Dunedin 9054, New Zealand Tel 64 3 479 1100 Fax 64 3 479 8692 Email [email protected] Web www.otago.ac.nz CHRISTCHURCH University of Otago, Christchurch 2 Riccarton Avenue Christchurch, New Zealand Mail PO Box 4345, Christchurch 8140, New Zealand Tel 64 3 364 0530 Fax 64 3 364 0525 Email [email protected] WELLINGTON University of Otago, Wellington Mein Street, Newtown Wellington South, New Zealand Mail PO Box 7343, Wellington South 6242, New Zealand Tel 64 4 385 5541 Fax 64 4 389 5725 Email [email protected] University of Otago Stadium Centre Westpac Stadium, Waterloo Quay, Wellington Mail PO Box 400, Wellington 6140, New Zealand Tel 64 4 460 9800 Fax 64 4 460 9801 Email [email protected] AUCKLAND University of Otago Auckland Centre University of Otago House Levels 3 & 4, 385 Queen Street Auckland, New Zealand Mail PO Box 5543, Wellesley Street, Auckland 1141, New Zealand Tel 64 9 373 9700 Fax 64 9 373 9701 Email [email protected] INVERCARGILL College of Education, Southland Campus 100 Nelson Street, Invercargill New Zealand Mail PO Box 886, Invercargill 9840, New Zealand Tel 64 3 211 6724 Fax 64 3 216 1399 Email [email protected] Published May 2008 ISSN 1171-2708 2 VISION A research-led University with an international reputation for excellence. -
7 00 NZ Short Short Stories Edited by Graeme Lay
7 00 NZ Short Short Stories edited by Graeme Lay TANDEM PRESS Contents Acknowledgements 8 Introduction 9 THE HAT Judy Parker 11 THE LEARNING WEB Waiata Dawn Davies 12 LOVE AFFAIR Tina Shaw 15 ANOTHER GOOD REASON NOTTO READT. P. McLEAN SteveWhitehouse 17 CATASTROPHE Joan Rosier-Jones 19 THE WHITE TOP A. K. Grant 21 ATASTE OF PARIS JaneWestaway 23 STUART Ian Williams 25 THE LEATHER BOOTS Barbara Grigor 27 NOBODY WANTED TO BE INDIANS Witi Ihimaera 29 PLEASURE Vivienne Plumb 31 A PIECE OFYELLOW SOAP Frank Sargeson 33 TANIWHA GOLD Joy MacKenzie 35 THE FLOE RIDERS Britta Stabenow 37 FRIDAY NIGHTS BenYong 39 KING OFTHETARSEAL Patricia Murphy 41 CARNIVORE Rowan Metcalfe 43 TWO DOWN Chris Else 45 TON-UP Bernard Brown 47 AUBADE Owen Marshall 49 COALS OF FIRE Mary Stuart 52 BUTTERFLIES Patricia Grace 53 JUST ANOTHER WEDNESDAY ON THE WEST COAST WAITING FOR THE MUSE TO STRIKE Sarah Quigley 55 FAX John Connor 57 IS RAINING SOON Michael Morrissey 59 JOCK Rachael King 61 USELESS FLESH Roger Hall 63 PUSHING UP DAISIES Noel Simpson 65 ROSES Sarah Gaitanos 67 AN EXPATRIATE PARCEL OF NOSTALGIA Jonathan Owen 69 THE LASSIE FROM LANCASHIRE Frances Cherry 71 WARMTH Tomzin Blair 7 3 THE BIG GAME Jenni-Lynne Harris 7 5 SOLID MATTER Kath Beattie 7 7 DOUBLEVISION Toni Quinlan 79 DEPRIVATION Valerie Matuku 81 HAPPY JACK David Somerset 8 3 PERSONALLY SEEKING Norman Bilbrough 85 DEMPSEY P. A. Armstrong 8 7 THE CHRISTENING Graeme lay 8 9 JURY DUTY Aiita Seccombe 91 THE DAY . Sue McCauley 93 BROKEN CHINA Richard Brooke 95 ASH Virainia Were 98 SIBYL'S PSYCHIC HOTLINE Jon Thomas 99 THE BACH Patricia Donnelly . -
The University of Otago College of Education Creative New Zealand Children’S Writer in Residence 2022
The University of Otago College of Education Creative New Zealand Children’s Writer in Residence 2022 The University of Otago is the only tertiary institute in New Zealand which offers a residency for a children's writer. Started by the Dunedin College of Education in 1992, it allows writers to work full time while working in a compatible environment among colleagues who are concerned with the teaching of reading and literature to children. Remuneration of $35,000 is jointly funded by the University and Creative New Zealand. The residency is open to established children's writers who are normally resident in New Zealand. The annual residency is for a six month period between February and August and includes an office within the College. The residency is offered in association with the Robert Lord Trust which provides rent-free accommodation to writers in the historic Titan Street cottage bequeathed by the late playwright Robert Lord. Writers appointed to date 1992 Ruth Corrin * 1993 Diana Noonan 1994 Paula Boock 1995 Jack Lasenby 1996 Ken Catran 1997 Dame Kāterina Te Heikōkō Mataira 1998 Janice Marriott and William Taylor (joint residency) 1999 Fleur Beale 2000 David Elliot 2001 Penelope Todd 2002 Sandy McKay 2003 Pauline Cartwright * and David Hill *(joint residency) 2004 Brigid Lowry * 2005 Margaret Beames and Shirley Corlett *(joint residency) 2006 Tania-Maree Roxborogh * 2007 Vincent Ford * 2008 Bill O’Brien 2009 Joanna Orwin * 2010 Karen Trebilcock (Ella West) 2011 Kyle Mewburn * 2012 James Norcliffe * 2013 Leonie Agnew * 2014 Melinda -
February 2004
New Zealand Poetry Society PO Box 5283 7KH1HZ=HDODQG Lambton Quay 3RHWU\6RFLHW\ WELLINGTON Patrons Dame Fiona Kidman Vincent O’Sullivan Te Hunga Tito Ruri o Aotearoa President Margaret Vos With the assistance of Creative NZ Email: [email protected] Arts Council of New Zealand Toi Aotearoa Website: www.poetrysociety.org.nz Poetry can be at times something of a risky venture, taking you mentally to places or notions you might not F 7KLV0RQWKV0HHWLQJ G have come across before. Or even more disconcertingly, where you have been but with not quite the frame of mind of the writer, as with this summer idyll from Australian poet Judith Beveridge in her sequence Ten poems in the Michael Harlow voice of Siddatha Gotama as he wanders the forest: Thursday February 19th 2004 Today has an easy somnolence. 8 p.m. Winds drift and my head nods. Turnbull House This wheat is a hypnotist’s chain Wellington swaying up remembrance. Scents mingle, then carry me off by my disparate parts. preceded by an open reading I’m no expert on Buddhism but clearly the smell of the wheat field reclaims the senses, and sets off an explosion of memories as if he’s suddenly and irresistibly split into Is reading poetry good for you? the past selves and events that make up the Siddatha of the poem. by Bernard Gadd R. A. K. Mason suggests a use for poetry for those who nod out of sync with the great and the powerful: Poetry can confirm who you are and your ideas and If the drink that satisfied feelings. -
Literary and Theatre Sources at the Hocken Collections
Reference Guide Literary and Theatre Sources at the Hocken Collections New Zealand poet and Landfall editor Charles Brasch, 1937. Charles Brasch papers, MS-0996- 012/654, S09-539a, Archives & Manuscripts collection. Hocken Collections/Te Uare Taoka o Hākena, University of Otago Library Nau Mai Haere Mai ki Te Uare Taoka o Hākena: Welcome to the Hocken Collections He mihi nui tēnei ki a koutou kā uri o kā hau e whā arā, kā mātāwaka o te motu, o te ao whānui hoki. Nau mai, haere mai ki te taumata. As you arrive We seek to preserve all the taoka we hold for future generations. So that all taoka are properly protected, we ask that you: place your bags (including computer bags and sleeves) in the lockers provided leave all food and drink including water bottles in the lockers (we have a researcher lounge off the foyer which everyone is welcome to use) bring any materials you need for research and some ID in with you sign the Readers’ Register each day enquire at the reference desk first if you wish to take digital photographs Beginning your research This guide gives examples of the types of material relating to New Zealand literature and theatre held at the Hocken. All items must be used within the library. As the collection is large and constantly growing not every item is listed here, but you can search for other material on our Online Public Access Catalogues: for books, theses, journals, magazines, newspapers, maps, and audiovisual material, use Library Search|Ketu. The advanced search ‐ https://goo.gl/HVNTqH gives you several search options, and you can refine your results to the Hocken Library on the left side of the screen.