Literary and Theatre Sources at the Hocken Collections
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NZSA Bulletin of New Zealand Studies
NZSA Bulletin of New Zealand Studies Issue Number 2 Edited by Ian Conrich ISSN 1758-8626 Published 2010 by Kakapo Books 15 Garrett Grove, Clifton Village, Nottingham NG11 8PU © 2010 Kakapo Books © 2010 for the poetry, which remains with the authors. No part of this publication may be reprinted or reproduced in any form or by any means, electronic, recording or otherwise, or stored in an information retrieval system without written permission from the publisher. Editor: Ian Conrich Assistant Editor: Tory Straker Typesetter: Opuscule Advisory Board: Dominic Alessio (Richmond The American International University) Clare Barker (University of Birmingham) Kezia Barker (Birkbeck, University of London) Claudia Bell (University of Auckland, New Zealand) Judy Bennett (University of Otago, New Zealand) Roger Collins ( Dunedin, New Zealand) Sean Cubitt (University of Melbourne, Australia) Peter Gathercole (Darwin College, University of Cambridge) Nelly Gillet (University of Technology of Angoulême, France) Manying Ip (University of Auckland, New Zealand) Michelle Keown (University of Edinburgh) Yvonne Kozlovsky-Golan (Sapir Academic College, Israel) Geoff Lealand (University of Waikato, New Zealand) Martin Lodge (University of Waikato, New Zealand) Bill Manhire (Victoria University of Wellington, New Zealand) Rachael Morgan (Edinburgh) Michaela Moura-Koçuglu (Goethe University, Frankfurt, Germany) David Newman (Simon Fraser University, Canada) Claudia Orange (Te Papa Tongarewa Museum of New Zealand) Vincent O’Sullivan (Victoria University of Wellington, -
A Survey of Recent New Zealand Writing TREVOR REEVES
A Survey of Recent New Zealand Writing TREVOR REEVES O achieve any depth or spread in an article attempt• ing to cover the whole gamut of New Zealand writing * must be deemed to be a New Zealand madman's dream, but I wonder if it would be so difficult for people overseas, particularly in other parts of the Commonwealth. It would appear to them, perhaps, that two or three rather good poets have emerged from these islands. So good, in fact, that their appearance in any anthology of Common• wealth poetry would make for a matter of rather pleasurable comment and would certainly not lower the general stand• ard of the book. I'll come back to these two or three poets presently, but let us first consider the question of New Zealand's prose writers. Ah yes, we have, or had, Kath• erine Mansfield, who died exactly fifty years ago. Her work is legendary — her Collected Stories (Constable) goes from reprint to reprint, and indeed, pirate printings are being shovelled off to the priting mills now that her fifty year copyright protection has run out. But Katherine Mansfield never was a "New Zealand writer" as such. She left early in the piece. But how did later writers fare, internationally speaking? It was Janet Frame who first wrote the long awaited "New Zealand Novel." Owls Do Cry was published in 1957. A rather cruel but incisive novel, about herself (everyone has one good novel in them), it centred on her own childhood experiences in Oamaru, a small town eighty miles north of Dunedin -— a town in which rough farmers drove sheep-shit-smelling American V-8 jalopies inexpertly down the main drag — where the local "bikies" as they are now called, grouped in vociferous RECENT NEW ZEALAND WRITING 17 bunches outside the corner milk bar. -
Bruce Mason, James K. Baxter, Mervyn Thompson, Renée and Robert Lord, Five Playwrights
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. METAMORPHOSIS AT 'THE MARGIN': BRUCE MASON, JAMES K. BAXTER, MERVYN THOMPSON, RENtE AND ROBERT LORD, FIVE PLAYWRIGHTS WHO HAVE HELPED TO CHANGE THE FACE OF NEW ZEALAND DRAMA. A thesis presented in fulfilment of the requirements for the degree of Doctor of Philosophy III English at Massey University [Palmerston North], New Zealand Susan Lillian Williams 2006 11 DEDICATION I dedicate this thesis to my grandfather and my mother, neither of whom had the privilege of gaining the education that they both so much deserved. I stand on their shoulders, just as my son, David, will stand on mine. The writing of this thesis, however, would not have been possible without the unstinting assistance of Ainslie Hewton. Finally, to my irreplaceable friend,Zeb, the puppy I wanted and never had as a child. Zeb nurtured me throughout this long project and then, in the last week of completion, was called by the black rabbit. Thank you for everything you taught me Zebedee. You and I will always be playing alongside your beloved riverbank. III ABSTRACT Drama has been the slowest of the arts to develop an authentic New Zealand 'voice.' This thesis focuses on the work of five playwrights: Bruce Mason, James K. Baxter, Mervyn Thompson, Renee and Robert Lord, all of whom have set out to identify such a 'voice' and in so doing have brought about a metamorphosis in the nature of New Zealand drama. -
Office for Contemporary Art Norway / Valiz
and Criticism and Indigenous Art, Curation Sovereign Words. Sovereign Words García-Antón Katya by Edited Tripura. Bikash Sontosh Tripura, Prashanta Tamati-Quennell, Megan Garneau, Biung Ismahasan, Kimberley Moulton, Máret Ánne Sara, Venkat Raman Singh Shyam, Irene Snarby, ÁndeDaniel Somby, Browning, Kabita Chakma, Megan Cope, Santosh Kumar Das, Hannah Donnelly, Léuli Māzyār Luna’i Eshrāghi, David Indigenous Art, Curation and Criticism Office for Contemporary Art Norway / Valiz With this publication we pay respect to our peers in Sápmi, as well as to the myriad Indigenous histories, presents and futures harboured in lands and oceans across the world. We acknowledge their Ancestors and the stories of survivance (survival, resistance and presence) in the face of colonial mechanisms that are still ongoing. We also honour the agency possible in the constitution of alliances between Indigenous and non-Indigenous communities within the fields of culture and beyond. Sovereign Words. Indigenous Art, Curation and Criticism Edited by Katya García-Antón Office for Contemporary Art Norway Valiz, Amsterdam – 2018 7 Preface Katya García-Antón Sounding the Global Sovereign Histories Indigenous. Language, of the Visual Contemporaneity and Indigenous Art Writing 15 Can I Get a Witness? 63 Jođi lea buoret go oru. Indigenous Art Criticism Better in Motion than at David Garneau Rest. Iver Jåks 33 What Does or Should (1932–2007) ‘Indigenous Art’ Mean? Irene Snarby Prashanta Tripura 77 Toi te kupu, toi te mana, 47 History and Context of toi te whenua. The Madhubani (Mithila) Art Permanence of Language, Santosh Kumar Das Prestige and Land Megan Tamati-Quennell 97 Sovereignty over Representation. Indigenous Cinema in the Chittagong Hill Tracts of Bangladesh Kabita Chakma Statues, Maps, Stories Sovereign World-Building. -
September 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri O Aotearoa Vincent O’Sullivan
Newsletter New Zealand Poetry Society PO Box 5283 September 2005 Lambton Quay WELLINGTON New Zealand Poetry Society Patrons Dame Fiona Kidman Te Hunga Tito Ruri o Aotearoa Vincent O’Sullivan President James Norcliffe With the Assistance of Creative NZ Arts Council of New Zealand Toi Aotearoa Email [email protected] and Lion Foundation Website ISSN 1176-6409 www.poetrysociety.org.nz NZPS Competition – an insider view at them over Queen’s Birthday Weekend. Then I went to the Post Office. I should have been suspicious when the Our International Poetry Competition has recently door opened too easily. The box was empty, except for concluded for another year. How did you do? Were you a small yellow card. The yellow card is what appears in amongst The Chosen Ones? I wasn’t and, as usual, I your box when there is too much mail. There was a flood. consoled myself with the thought that maybe I’d be in the I received from the Post Shop counter a sack containing 81 anthology again this year. envelopes, about half of them from schools and containing I’ve been entering the NZPS competition for a long multiple entries. For the rest of the week I worked until time, and this year I got to see how it works, after agreeing midnight every night, processing envelopes. Several took to take on the role of competition secretary. The first thing more than 1½ hours each. A few were requests for entry I discovered was that the work starts in November, when forms – too late.The slowest part was twinking out names the anthology is launched and the new competition opens. -
Katherine Mansfield Menton Fellowship Application Form 2019
The Art Foundation Katherine Mansfield Menton Fellowship 2019 The Katherine Mansfield Menton Fellowship is for an established creative writer to spend three months or more in Menton in southern France to work on a project or projects. Tihe Mauriora, e nga iwi o te motu, anei he karahipi whakaharahara. Ko te Katherine Mansfield Menton Fellowship tenei karahipi. Kia kaha koutou ki te tonohia mo tenei putea tautoko. Mena he tangata angitu koe i tenei karahipi, ka taea e koe haere ki te Whenua Wiwi ki te whakamahi to kaupapa, kei te mohio koe, ko te manu i kai i te matauranga nona te ao. Ko koe tena? Amount $35,000 (includes travel and accommodation) Application closing date 5:00pm, Monday 1 July, 2019 The successful applicant will become an Arts Foundation Laureate. What can you write? The residency is open to creative writers across all genres including fiction, children's fiction, poetry, creative non-fiction and playwriting. What do we cover? The residency provides: • a grant of $35,000 to cover all costs including travel to Menton, insurance, living and accommodation costs. $15,000 is paid when your itinerary and insurance is confirmed, with $10,000 payments usually made in month two and three of the residency, assuming the Fellow remains in residency through this period. • a room beneath the terrace of Villa Isola Bella is available for use as a study. Accommodation is not available at the villa. Fellows make their own accommodation arrangements, often with advice from a previous Fellow. Katherine Mansfield spent long periods at Villa Isola Bella in 1919 and 1920 after she contracted tuberculosis. -
Otago Abroad
Otago poetry on Krakow walls The poetry of Otago alumni writers is shining on Krakow city walls, as part of the UNESCO Cities of Literature Multipoetry Project. Read on to learn more about the poets, and view more images of the poetry beaming in to the heart of Krakow. The eight alumni poets are: Emma Neale Emma is a former Burns Fellows at Otago. She currently teaches Creative Writing in the English Department, and her latest book of poetry Tender Machines has recently been published by University of Otago Press. Hone Tuwhare New Zealand's most distinguished Māori poet, and a former Burns Fellow at Otago. Hone Tuwhare is the people’s poet. He was loved and cher ished by New Zealan ders from all walks of life. A picture of Hone's poem in Krakow is featured below. David Eggleton David is editor of pre-eminent NZ literary journal Landfall, published by University of Otago Press. Landfall is New Zealand's foremost and longest-running arts and literary journal, showcasing new fiction and poetry, as well as biographical and critical essays, and cultural commentary. He recently won the 2015 Janet Frame Literary Trust Award for Poetry. A picture of David's poem in Krakow is featured below. Janet Frame Janet Frame is New Zealand’s most distinguished writer. Among her numerous honours, Frame is a Member of the Order of New Zealand, a Nominee for the Nobel Prize in Literature and an Honorary Foreign Member of the American Academy and Institute of Arts and Letters. She was among ten of New Zealand’s greatest living artists named as Arts Foundation of New Zealand Icon Artists in 2003. -
Our Finest Illustrated Non-Fiction Award
Our Finest Illustrated Non-Fiction Award Crafting Aotearoa: Protest Tautohetohe: A Cultural History of Making Objects of Resistance, The New Zealand Book Awards Trust has immense in New Zealand and the Persistence and Defiance pleasure in presenting the 16 finalists in the 2020 Wider Moana Oceania Stephanie Gibson, Matariki Williams, Ockham New Zealand Book Awards, the country’s Puawai Cairns Karl Chitham, Kolokesa U Māhina-Tuai, Published by Te Papa Press most prestigious awards for literature. Damian Skinner Published by Te Papa Press Bringing together a variety of protest matter of national significance, both celebrated and Challenging the traditional categorisations The Trust is so grateful to the organisations that continue to share our previously disregarded, this ambitious book of art and craft, this significant book traverses builds a substantial history of protest and belief in the importance of literature to the cultural fabric of our society. the history of making in Aotearoa New Zealand activism within Aotearoa New Zealand. from an inclusive vantage. Māori, Pākehā and Creative New Zealand remains our stalwart cornerstone funder, and The design itself is rebellious in nature Moana Oceania knowledge and practices are and masterfully brings objects, song lyrics we salute the vision and passion of our naming rights sponsor, Ockham presented together, and artworks to Residential. This year we are delighted to reveal the donor behind the acknowledging the the centre of our influences, similarities enormously generous fiction prize as Jann Medlicott, and we treasure attention. Well and divergences of written, and with our ongoing relationships with the Acorn Foundation, Mary and Peter each. -
City of Literature Vision
1 United Nations Designated Educational, Scientific and UNESCO Creative City Cultural Organization in 2014 This publication was written as part of Dunedin City’s bid for UNESCO City of Literature status in March 2014. Some information has been updated since its publication mid-2015. Thank you to all of the people who contributed to developing Dunedin’s bid and in particular the Steering Team members Bernie Hawke, Noel Waite, Annie Villiers and Liz Knowles. A special thank you also to Eleanor Parker, Michael Moeahu, Lisa McCauley; and Elizabeth Rose and Susan Isaacs from the New Zealand National Commission of UNESCO. ISBN: 978-0-473-32950-1 | PUBLISHED BY: Dunedin Public Libraries 2015 | DESIGNER: Casey Thomas COVER IMAGE: Macandrew Bay, Dunedin by Paul le Comte Olveston Historic Home by Guy Frederick ONE OF THE WORLD’S GREAT SMALL CITIES Otago Harbour by David Steer CONTENTS New Zealand: It's People and Place in the World 7 Multi-cultural Heritage 17 • Books for Children 33 City's Contribution to the Creative City Network 49 • Bookshops 33 • Policy 49 Dunedin's Literary Cultural Assets 19 About Us: Dunedin 11 • Musical Lyricists 35 • International Cooperation and Partnerships 50 • City's Layout and Geographical Area 14 • Te Pukapuka M¯aori – M¯aori Literature 21 • Literature-focused Festivals 35 • A Great City for Writers 23 City of Literature Vision 55 • Population and Economy 14 • Residencies and Awards 25 Dunedin's Creative City Assets 37 • Infrastructure 15 • Impressive Publishing Heritage 28 • Arts and Culture 37 • Municipal/Government Structure 15 • Centre for the Book 29 • Events 41 • Urban Planning, Policy and Strategy 15 • Libraries 31 • Educational Institutes 45 Panoramic of the Steamer Basin, Dunedin by Paul le Comte NEW ZEALAND ITS PEOPLE AND PLACE IN THE WORLD Aotearoa New Zealand. -
YOU CAN ALWAYS HAND THEM BACK Music and Lyrics by Peter Skellern THANKS to OUR SUPPORTERS
Vol. 2 No. 3 Apr 2016 Roger Hall’s YOU CAN ALWAYS HAND THEM BACK Music and lyrics by Peter Skellern THANKS TO OUR SUPPORTERS FUNDERS PRINCIPAL CORE FUNDER PARTNERS PRESENTING FUNDER PARTNER UNIVERSITY Artistic Director's Note Artistic Director Colin McColl M A J O R SUPPORTERS It's extraordinary to think that You Can Always Hand Them Back is for forty years Roger Hall has been a collaboration between Roger and entertaining us with his comedies. For Peter Skellern – distinguished UK forty years he’s charted New Zealand’s singer/songwriter – and has enjoyed social history and presented it to us tremendous success throughout New MEDIA as an entertaining and assured "good Zealand and in England. PARTNERS night out", with lots of laughs, lots of For this Auckland premiere we’re heart and a few home truths. From the lucky to have gathered a talented team early days of Glide Time and Middle Age of Hall “veterans”. Director Janice Spread through to recent hit comedies Finn and actors Darien Takle and like Who Wants to be 100? and Four Peter Hayden are all superb exponents PARTNERS SUPPORTING Flat Whites In Italy, Roger is without a of Roger’s work. Huge thanks to doubt NZ’s best-loved playwright, so them and to music director Jason Te it’s a great delight to present his latest Mete (who also appears as the third Q Theatre work for you. character in the play), choreographer SKYCITY Theatre You Can Always Hand Them Back Jeremy Birchall, set designer Rachael Herald Theatre PARTNERS puts the “grand” into grandparenting. -
YOUNG SCIENTIST of the YEAR Internationalisation the ALUMNUS BEHIND FIREFOX CHAMPION SCULLER SPRING 2006 – Ingenio the University of Auckland Alumni Magazine
THE UNIVERSITY OF AUCKLAND ALUMNI MAGAZINE SpRING 2006 SHAPING AUCKLAND YOUNG SCIENTIST OF THE YEAR INTERNatIONALISatION THE ALUMNUS BEHIND FIREFOX CHAMPION SCULLER SPRING 2006 – INGENIO THE UNIVERSITY OF AUCKLAND ALUMNI MAGAZINE In this issue . Ingenio – The University of Auckland alumni magazine Spring 2006 ISSN 1176-211X Editor Tess Redgrave Photography Godfrey Boehnke Design/production Ingrid Atvars 5 9 10 32 Publication management and proof reading Bill Williams Advertising manager Don Wilson 4 Letters to the Editor OpINION Editorial contact details Entrepreneurship Ingenio 25 Communications and Marketing UNIVERSITY NEWS The University of Auckland Eminent Mäori professor dies ALUMNI Private Bag 92 019 4 Auckland 1142 New Zealand 5 London Royal Society, NZ Trio, 26 Top fox Ben Goodger Level 10 Fisher Building Primatologist 18 Waterloo Quadrant Auckland 28 News and noticeboard Telephone 64 9 373 7599 Leigh Marine, Long QT syndrome 6 Film-maker Roseanne Liang ext 84149 test, Maurice Wilkins Centre 30 Facsimile 64 9 373 7047 email [email protected] www.auckland.ac.nz/ingenio HISTORY PHILANTHROPY Engineering Chris Bennett How alumni keep in touch 7 32 To ensure that you continue to 8 Education 30 Jean Heywood receive Ingenio, and to subscribe to @auckland, the University’s email 9 Old Government House newsletter for alumni and friends, REGULAR COLUMNS please update your details at: RESEARCH www.alumni.auckland.ac.nz/update 34 Sport Alumni Relations Office 10 Young Scientist The University of Auckland 35 Alumni snapshots 19A Princes Street 12 Shaping Auckland Art Private Bag 92019 36 Auckland 1142 New Zealand Books StRatEGY 37 odfrey Boehnke Telephone 64 9 373 7599 G – ext 82246 18 Internationalisation 38 Student life email [email protected] AGE M www.alumni.auckland.ac.nz I TEACHING Copyright ER V Articles reflect personal opinions O Poetry in transmission C and are not those of The University 22 of Auckland. -
City of Literature Vision
1 United Nations Designated Educational, Scientific and UNESCO Creative City Cultural Organization in 2014 This publication was written as part of Dunedin City’s bid for UNESCO City of Literature status in March 2014. Some information has been updated since its publication mid-2015. Thank you to all of the people who contributed to developing Dunedin’s bid and in particular the Steering Team members Bernie Hawke, Noel Waite, Annie Villiers and Liz Knowles. A special thank you also to Eleanor Parker, Michael Moeahu, Lisa McCauley; and Elizabeth Rose and Susan Isaacs from the New Zealand National Commission of UNESCO. ISBN: 978-0-473-32950-1 | PUBLISHED BY: Dunedin Public Libraries 2015 | DESIGNER: Casey Thomas COVER IMAGE: Macandrew Bay, Dunedin by Paul le Comte Olveston Historic Home by Guy Frederick ONE OF THE WORLD’S GREAT SMALL CITIES Otago Harbour by David Steer CONTENTS New Zealand: It's People and Place in the World 9 Multi-cultural Heritage 19 • Books for Children 35 City's Contribution to the Creative City Network 51 • Bookshops 35 • Policy 51 Dunedin's Literary Cultural Assets 21 About Us: Dunedin 13 • Musical Lyricists 37 • International Cooperation and Partnerships 52 • City's Layout and Geographical Area 16 • Te Pukapuka M¯aori – M¯aori Literature 23 • Literature-focused Festivals 37 • A Great City for Writers 25 City of Literature Vision 57 • Population and Economy 16 • Residencies and Awards 27 Dunedin's Creative City Assets 39 • Infrastructure 17 • Impressive Publishing Heritage 30 • Arts and Culture 39 • Municipal/Government Structure 17 • Centre for the Book 31 • Events 43 • Urban Planning, Policy and Strategy 17 • Libraries 33 • Educational Institutes 47 Panoramic of the Steamer Basin, Dunedin by Paul le Comte NEW ZEALAND ITS PEOPLE AND PLACE IN THE WORLD Aotearoa New Zealand.