Introduction: Reading Persia in Renaissance England

Total Page:16

File Type:pdf, Size:1020Kb

Introduction: Reading Persia in Renaissance England Notes Introduction: Reading Persia in Renaissance England 1. Chartered in 1555, its origins lie in the failed 1553 Willoughby and Chancellor voyage to the northeast passage, and the company was founded as the Mystery and Company of Merchant Adventurers to New Found Lands. 2. ‘The voyage to Cathaio by the East is doutlesse very easie and short’, the geogra- pher Gerardus Mercator wrote to Richard Hakluyt, ‘and I haue oftentimes mar- velled, that being so happily begun it hath bene left of[f], and the course changed into the West, after that more then half of your voyage was discovered’. Richard Hakluyt, The Original Writings and Correspondence of the Two Richard Hakluyts, 2 vols. (London: Hakluyt Society, 1935), vol. 1, p. 161. 3. He was not, however, the first Englishman sent on embassy to the Safavid court. The cloth merchant Robert Brancetour was sent by Charles V in 1529. See Sanjay Subrahmanyam, Three Ways to be Alien: Travails and Encounteres in the Early Modern World (Waltham, MA: Brandeis University Press, 2011), pp. 82–3. 4. Richard Hakluyt, The Principall Nauigations, Voiages, and Discoueries of the English Nation (London: George Bishop and Ralphe Newberie, 1589), sig. [2K6]r–v/ff. 361–2. 5. On Achaemenid iconography in Safavid royal ideology, see Colin Mitchell, The Practice of Politics in Safavid Iran: Power, Religion and Rhetoric (London and New York: I. B. Tauris, 2011). 6. Johannes Boemus, one of the few to lament the difference between the Achaemenids and Safavids, presents it as one of military culture. He is writing barely twenty years after the Safavid accession, however, having observed only the early days of the Persian campaign against the Ottomans: ‘It was once a warlike nation, and had for a long space the gouernment of the East: but now for want of excercise in armes, it fayleth much of his ancient glory.’ The manners, lawes, and customes of all nations, trans. Edward Aston (London: George Eld, 1611), sig. H1v. 7. Giovanni-Tommaso Minadoi The History of the Warres Betweene the Turkes and the Persians, trans. Abraham Hartwell (London: John Wolfe, 1595), sig. H2v; the English traveller to Persia John Cartwright repeats it in The Preachers Trauels (London: for Thomas Thorppe, 1611), sig. H2v. The translation is that of Abraham Hartwell, secretary to Elizabeth’s trusted friend and Privy Councillor, Archbishop Whitgift; by 1595 Elizabeth’s potential sources on Persia had improved greatly. On Minadoi and the introduction of his text to England even before its 1587 publication, see Abid Hafiz Masood’s unpublished doctoral dissertation, ‘From Cyrus to Abbas: Staging Persia in Early Modern England’ (University of Sussex, 2011), p. 84. 8. Both Elizabeth and Minadoi overstate Persian political and economic power, however: the Ottoman empire was undeniably the superpower in the region. See pp. 8–11. 9. Gerald MacLean and Nabil Matar, Britain and the Islamic World, 1558–1713 (Oxford: Oxford University Press, 2011), p. 14. 10. Lodowick Lloyd gives an extensive summary of the various classical accounts of Cyrus in The Consent of Time (London: George Bishop and Ralphe Newberie, 1590) at sig. Q1–Q3. 185 186 Notes 11. Richard III, 5.4.13; Philip Sidney, An Apology for Poetry, ed. Geoffrey Shepherd (Manchester: Manchester University Press, 1989), p. 111; Thomas Wilson, The Arte of Rhetorique (London: Richard Grafton, 1553), sig. 2F1; Roger Ascham, The Schoolmaster (1570), ed. Lawrence V. Ryan (Ithaca, NY: Cornell University Press, 1967), p. 38. 12. See Nabil Matar, Islam in Britain, 1558–1685 (Cambridge: Cambridge University Press, 1998), p. 3. 13. On the medieval European constructions of Islam in which these representations partake, see Suzanne Conklin Akbari, Idols in the East: European Representations of Islam and the Orient 1100–1450 (Ithaca: Cornell University Press, 2009). 14. The Faerie Queene, I.iv.7. These particular examples are cited by Samuel Chew in The Crescent and the Rose: Islam and England During the Renaissance (New York: Octagon Books, 1937; rpt. 1965), pp. 234–5, but there are many more. 15. See Jonathan Woolfson, ‘Thomas Hoby, William Thomas and Mid-Tudor Travel to Italy’, in The Oxford Handbook to Tudor Literature, 1485–1603, ed. Mike Pincombe and Cathy Shrank (Oxford: Blackwell, 2009), pp. 404–17. 16. Roger Savory, Iran Under the Safavids (Cambridge: Cambridge University Press, 1980), p. 118. 17. Carole Levin and John Watkins, Shakespeare’s Foreign Worlds: National and Transnational Identities in the Elizabethan Age (Ithaca: Cornell University Press, 2009), pp. 51–2. 18. Anthony Parr, ‘Foreign Relations in Jacobean England: The Sherley Brothers and the “Voyage of Persia”’, in Travel and Drama in Shakespeare’s Time, ed. Jean- Pierre Maquerlot and Michèle Willems (Cambridge: Cambridge University Press, 1996), pp. 14–31 (p. 20). 19. See also Su Fang Ng, ‘Pirating Paradise: Alexander the Great, Dutch East Indies, and Satanic Empire in Milton’s Paradise Lost’, Milton Studies 52 (2011): 59–91. 20. ‘Linguistic cues signaled the reader to engage the conceptual operation of relat- ing.’ Frances Dolan, True Relations: Reading, Literature, and Evidence in Seventeenth- Century England (Philadelphia: University of Pennsylvania Press, 2013), p. 15. 21. This compliment comes from Thomas Middleton’s translation of Andrew Leech’s pamphlet on Robert Sherley’s reception at Cracow. In ‘England’s complaint to Persia’, England apostrophizes Persia and reproaches her for keeping Sherley away from her: ‘O thou glorious kingdome, thou chief of empires, the palace where wisdom only kept her court, the land that was governed by none but wise men […] thou robbest me of my subject.’ ‘Sir Robert Sherley His Entertainment in Cracovia’, in Thomas Middleton: The Collected Works, ed. Gary Taylor and John Lavagnino (Oxford: Oxford University Press, 2007), pp. 673–8 (p. 675). 22. See Stewart Mottram, ‘Reading the Rhetoric of Nationhood in Two Reformation Pamphlets by Richard Morison and Nicholas Bodrugan’, Renaissance Studies 19 (2005): 523–40. 23. See David Armitage, The Ideological Origins of the British Empire (Cambridge: Cambridge University Press, 2000), pp. 70–81. The 1580s also witnessed some of England’s foundational imperial moments: the Munster plantation in Ireland, the first settlements of what would become the Virginia colony. 24. Sidney, Apology, p. 103. 25. The Boke Named the Governour (1531), Book 2, chapter 9 is particularly closely modelled on the Cyropaedia. 26. David Harris Sacks, ‘The True Temper of Empire: Dominion, Friendship and Exchange in the English Atlantic, c. 1575–1625’, Renaissance Studies 26 (2012): 531–58 (pp. 531–2, 534–5). Notes 187 27. On Renaissance republican thought see Andrew Hadfield, Shakespeare and Republicanism (Cambridge: Cambridge University Press, 2005); David Norbrook, Writing the English Republic: Poetry, Rhetoric and Politics, 1627–1660 (Cambridge: Cambridge University Press, 2000); Markku Peltonen, Classical Humanism and Republicanism in English Political Thought, 1570–1640 (Cambridge: Cambridge University Press, 1995). 28. Minadoi, History of the Warres, sig. B4v. 29. On the strained efforts of Italian humanist scholars to identify some kind of classical origins for the Ottomans in the absence of evidence, see Margaret Meserve, Empires of Islam in Renaissance Historical Thought (Cambridge, MA: Harvard University Press, 2008), pp. 117–54. 30. So, for example, the title of William Parry’s 1601 travel account refers to Anthony Sherley’s travels ‘to the Persian Empire’. 31. See Mitchell, The Practice of Politics, especially pp. 19–67 (p. 17) and Kathryn Babayan, Mystics, Monarchs, and Messiahs: Cultural Landscapes of Early Modern Iran (Cambridge, MA: Harvard University Press, 2002). 32. See Mitchell, The Practice of Politics, pp. 15–16. Access (albeit indirect) to the writings of Hetoum of Korikos also helped to consolidate that imperial link between ancient and Safavid Persia thanks to his evincing of Persian imperium in the period following the Arab invasions, especially under the Seljuks. See Meserve, Empires of Islam, pp. 163–8. 33. Daniel Vitkus critiques Fuchs’s ‘imperium studies’ model, arguing that we should call this an age of plunder rather than of empire. Turning Turk: English Theater and the Multicultural Mediterranean, 1570–1630 (Basingstoke: Palgrave Macmillan, 2003), p. 3. 34. Samuel Daniel, Defence of Ryme, in A Panegyrike Congratulatory … (London: [R. Read] for Edward Blount, 1603), sig. G4v. 35. Mary Floyd-Wilson, English Ethnicity and Race in Early Modern Drama (Cambridge: Cambridge University Press, 2006; first published 2003), p. 107. 36. On British efforts to escape or rewrite its ‘barbarian’ past, see Neil Rhodes, ‘Shakespeare the Barbarian’, in Early Modern Civil Discourses, ed. Jennifer Richards (Basingstoke: Palgrave Macmillan, 2003), pp. 99–114; Sean Keilen, Vulgar Eloquence: On the Renaissance Invention of English Literature (New Haven: Yale University Press, 2006); Jodi Mikalachki, The Legend of Boadicea: Gender and Nation in Early Modern England (London and New York: Routledge, 1998). On the tarnish of Roman Catholicism in English historical engagements with Rome, see John E. Curran, The Roman Invasions: The British History, Protestant Anti-Romanism and the Historical Imagination in England, 1530–1660 (Cranbury, NJ: Rosemont, 2002). 37. Willy Maley, ‘Postcolonial Cymbeline: Sovereignty and Succession from Roman to Renaissance Britain’, in his Nation, State and Empire in English Renaissance Literature: Shakespeare to Milton (Basingstoke: Palgrave Macmillan,
Recommended publications
  • The Dark Lady of the Merchant of Venice
    3 The dark lady of The Merchant of Venice ‘The Sonnets of Shakespeare offer us the greatest puzzle in the history of English literature.’ So began the voyage of Alfred Leslie Rowse (1903–97) through the murky waters cloaking the identi- ties of four persons associated with the publication in 1609 of Shakespeare’s ‘sugared sonnets’: the enigmatic ‘Mr. W.H.’ cited in the forepages as ‘onlie begetter’ of the poems; the unnamed ‘fair youth’ addressed in sonnets 1–126; the ‘rival poet’ who surfaces and submerges in sonnets 78–86; and the mysterious ‘dark lady’ celebrated and castigated in sonnets 127–52.1 Doubtless, even as Thomas Thorpe’s edition was passing through George Eld’s press, London’s mice-eyed must have begun their search for the shadowy four; it has not slacked since. As to those nominated as ‘Mr. W.H.’, the list ranges from William Herbert to Henry Wroithesley (with initials reversed) to William Harvey (Wroithesley’s stepfather). In 1964 Leslie Hotson proposed one William Hatcliffe of Lincolnshire [!], while Thomas Tyrwitt, Edmond Malone, and Oscar Wilde all favoured a (fictional) boy actor, Willie Hughes. Among candidates for the ‘fair youth’, Henry Wroithesley, Earl of Southampton (1573–1624), appears to have outlasted all comers. Those proposed as the rival poet include Christopher Marlowe (more interested in boys than ladies dark or light); Samuel Daniel (Herbert’s sometime tutor);2 Michael Drayton, drinking partner of Jonson and Shakespeare; George Chapman, whose Seaven Bookes of the Iliades (1598) were a source for Troilus and Cressida; and Barnabe Barnes, lampooned by Nashe as ‘Barnaby Bright’ in Have with you to Saffron-Walden.
    [Show full text]
  • 'The Apish Art': Taste in Early Modern England
    ‘THE APISH ART’: TASTE IN EARLY MODERN ENGLAND ELIZABETH LOUISE SWANN PHD THESIS UNIVERSITY OF YORK ENGLISH AND RELATED LITERATURE JULY 2013 Abstract The recent burgeoning of sensory history has produced much valuable work. The sense of taste, however, remains neglected. Focusing on the early modern period, my thesis remedies this deficit. I propose that the eighteenth-century association of ‘taste’ with aesthetics constitutes a restriction, not an expansion, of its scope. Previously, taste’s epistemological jurisdiction was much wider: the word was frequently used to designate trial and testing, experiential knowledge, and mental judgement. Addressing sources ranging across manuscript commonplace books, drama, anatomical textbooks, devotional poetry, and ecclesiastical polemic, I interrogate the relation between taste as a mode of knowing, and contemporary experiences of the physical sense, arguing that the two are inextricable in this period. I focus in particular on four main areas of enquiry: early uses of ‘taste’ as a term for literary discernment; taste’s utility in the production of natural philosophical data and its rhetorical efficacy in the valorisation of experimental methodologies; taste’s role in the experience and articulation of religious faith; and a pervasive contemporary association between sweetness and erotic experience. Poised between acclaim and infamy, the sacred and the profane, taste in the seventeenth century is, as a contemporary iconographical print representing ‘Gustus’ expresses it, an ‘Apish Art’. My thesis illuminates the pivotal role which this ambivalent sense played in the articulation and negotiation of early modern obsessions including the nature and value of empirical knowledge, the attainment of grace, and the moral status of erotic pleasure, attesting in the process to a very real contiguity between different ways of knowing – experimental, empirical, textual, and rational – in the period.
    [Show full text]
  • Marathon 2,500 Years Edited by Christopher Carey & Michael Edwards
    MARATHON 2,500 YEARS EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON MARATHON – 2,500 YEARS BULLETIN OF THE INSTITUTE OF CLASSICAL STUDIES SUPPLEMENT 124 DIRECTOR & GENERAL EDITOR: JOHN NORTH DIRECTOR OF PUBLICATIONS: RICHARD SIMPSON MARATHON – 2,500 YEARS PROCEEDINGS OF THE MARATHON CONFERENCE 2010 EDITED BY CHRISTOPHER CAREY & MICHAEL EDWARDS INSTITUTE OF CLASSICAL STUDIES SCHOOL OF ADVANCED STUDY UNIVERSITY OF LONDON 2013 The cover image shows Persian warriors at Ishtar Gate, from before the fourth century BC. Pergamon Museum/Vorderasiatisches Museum, Berlin. Photo Mohammed Shamma (2003). Used under CC‐BY terms. All rights reserved. This PDF edition published in 2019 First published in print in 2013 This book is published under a Creative Commons Attribution-NonCommercial- NoDerivatives (CC-BY-NC-ND 4.0) license. More information regarding CC licenses is available at http://creativecommons.org/licenses/ Available to download free at http://www.humanities-digital-library.org ISBN: 978-1-905670-81-9 (2019 PDF edition) DOI: 10.14296/1019.9781905670819 ISBN: 978-1-905670-52-9 (2013 paperback edition) ©2013 Institute of Classical Studies, University of London The right of contributors to be identified as the authors of the work published here has been asserted by them in accordance with the Copyright, Designs and Patents Act 1988. Designed and typeset at the Institute of Classical Studies TABLE OF CONTENTS Introductory note 1 P. J. Rhodes The battle of Marathon and modern scholarship 3 Christopher Pelling Herodotus’ Marathon 23 Peter Krentz Marathon and the development of the exclusive hoplite phalanx 35 Andrej Petrovic The battle of Marathon in pre-Herodotean sources: on Marathon verse-inscriptions (IG I3 503/504; Seg Lvi 430) 45 V.
    [Show full text]
  • The History, Printing, and Editing of the Returne from Pernassus
    W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 1-2009 The History, Printing, and Editing of The Returne from Pernassus Christopher A. Adams College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Recommended Citation Adams, Christopher A., "The History, Printing, and Editing of The Returne from Pernassus" (2009). Undergraduate Honors Theses. Paper 237. https://scholarworks.wm.edu/honorstheses/237 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The History, Printing, and Editing of The Returne from Pernassus A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in English from The College of William and Mary by Christopher A. Adams Accepted for____________________________ (Honors, High Honors, Highest Honors ) _________________________ ___________________________ Paula Blank , Director Monica Potkay , Committee Chair English Department English Department _________________________ ___________________________ Erin Minear George Greenia English Department Modern Language Department Williamsburg, VA December, 2008 1 The History, Printing, and Editing of The Returne from Pernassus 2 Dominus illuminatio mea -ceiling panels of Duke Humfrey’s Library, Oxford 3 Acknowledgments I am deeply indebted to my former adviser, Dr. R. Carter Hailey, for starting me on this pilgrimage with the Parnassus plays. He not only introduced me to the world of Parnassus , but also to the wider world of bibliography. Through his help and guidance I have discovered a fascinating field of research.
    [Show full text]
  • The Subterfuge of Friendship: an Examination
    THE SUBTERFUGE OF FRIENDSHIP: AN EXAMINATION OF FRIENDLY RELATIONS IN XENOPHON’S CYROPAEDIA by Emma Hadzi-Antich, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Political Science December 2013 Committee Members: Cecilia Castillo, Chair Kenneth Grasso Kenneth Ward COPYRIGHT by Emma Hadzi-Antich 2013 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Emma Hadzi-Antich, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. ACKNOWLEDGEMENTS I wish to thank all those who helped me complete this project. I am deeply grateful to the Jack Kent Cooke Foundation for supporting me throughout both my undergraduate and graduate education. Thanks are also due to my advisors and committee members, Professor Cecilia Castillo, Professor Kenneth Grasso, and Professor Kenneth Ward. Any acknowledgement of thanks on my part is empty without expressing gratitude for my biggest supporter, Ted Hadzi-Antich. iv TABLE OF CONTENTS Page ACKNOWLEDGMENTS ................................................................................................iv CHAPTER 1. INTRODUCTION: CYRUS AS THE SOLUTION............................................1 2. THE INCOMPLETE EDUCATION OF CYRUS...............................................5 3. PRINCE OF PERSIA: THE NARRATIVE ......................................................16 4.
    [Show full text]
  • The Greek Sources Proceedings of the Groningen 1984 Achaemenid History Workshop Edited by Heleen Sancisi-Weerdenburg and Amélie Kuhrt
    Achaemenid History • II The Greek Sources Proceedings of the Groningen 1984 Achaemenid History Workshop edited by Heleen Sancisi-Weerdenburg and Amélie Kuhrt Nederlands Instituut voor het Nabije Oosten Leiden 1987 ACHAEMENID HISTORY 11 THE GREEK SOURCES PROCEEDINGS OF THE GRONINGEN 1984 ACHAEMENID HISTORY WORKSHOP edited by HELEEN SANCISI-WEERDENBURG and AMELIE KUHRT NEDERLANDS INSTITUUT VOOR HET NABIJE OOSTEN LEIDEN 1987 © Copyright 1987 by Nederlands Instituut voor het Nabije Oosten Witte Singe! 24 Postbus 9515 2300 RA Leiden, Nederland All rights reserved, including the right to translate or to reproduce this book or parts thereof in any form CIP-GEGEVENS KONINKLIJKE BIBLIOTHEEK, DEN HAAG Greek The Greek sources: proceedings of the Groningen 1984 Achaemenid history workshop / ed. by Heleen Sancisi-Weerdenburg and Amelie Kuhrt. - Leiden: Nederlands Instituut voor het Nabije Oosten.- (Achaemenid history; II) ISBN90-6258-402-0 SISO 922.6 UDC 935(063) NUHI 641 Trefw.: AchaemenidenjPerzische Rijk/Griekse oudheid; historiografie. ISBN 90 6258 402 0 Printed in Belgium TABLE OF CONTENTS Abbreviations. VII-VIII Amelie Kuhrt and Heleen Sancisi-Weerdenburg INTRODUCTION. IX-XIII Pierre Briant INSTITUTIONS PERSES ET HISTOIRE COMPARATISTE DANS L'HIS- TORIOGRAPHIE GRECQUE. 1-10 P. Calmeyer GREEK HISTORIOGRAPHY AND ACHAEMENID RELIEFS. 11-26 R.B. Stevenson LIES AND INVENTION IN DEINON'S PERSICA . 27-35 Alan Griffiths DEMOCEDES OF CROTON: A GREEKDOCTORATDARIUS' COURT. 37-51 CL Herrenschmidt NOTES SUR LA PARENTE CHEZ LES PERSES AU DEBUT DE L'EM- PIRE ACHEMENIDE. 53-67 Amelie Kuhrt and Susan Sherwin White XERXES' DESTRUCTION OF BABYLONIAN TEMPLES. 69-78 D.M. Lewis THE KING'S DINNER (Polyaenus IV 3.32).
    [Show full text]
  • A Narrative of Italian Travels in Persia, in the Fifteenth and Sixteen Centuries
    A NARRATIVE ITALIAN TRAVELS PERSIA, FIFTEENTH AND SIXTEENTH CENTURIES. ^Translates antJ iZtittrU CHARLES GREY, Esq. LONDON": PRINTED FOR THE HAKLUYT SOCIETY. M.DCCC.T.XXIII. CONTENTS. PAGE Travels in Persia, by Catering Zeno - 1 Discourse of Messes Giovan Battista Ramusio on the Writings of Giovan Maria Angiglello, etc. - 67 The Travels of a Merchant in Persia - - 139 Narrative of the Most Noble Vincentio d'Alessandri 209 A NARRATIVE ITALIAN TRAVELS IN PERSIA. The close of the fifteenth century is an epoch in the history of the East, and especially of Persia, of which but little is known. The blast of Timour's invasion had swept over that historic land and left it deso- late. These four Accounts of Travels by Europeans are, therefore, especially interesting in a geographi- cal and historical point of view, and will, with the books of Barbaro and Contarini, which are in Ilamusio's collection, complete the series of Italian voyages about that period. In order clearly to un- derstand the facts brought forward, it will be neces- sary to glance at the motives of policy which started the embassies, and the historical changes which in- fluenced their results. In Eastern Europe the Byzantine empire had, after a long and gradual decline, at length crumbled into ruins beneath the power of the Ottomans, which threatened to be as great a scourge to Europe as that of Timur (or Tamerlane) had been to Asia, while the stability and vitality of their empire oifered a great contrast to the ephemeral charac- A 11 A NARRATIVE OF ter of Timur's dominion.
    [Show full text]
  • The Best of the Achaemenids: Benevolence, Self-Interest and the ‘Ironic’ Reading of Cyropaedia
    chapter fifteen THE BEST OF THE ACHAEMENIDS: BENEVOLENCE, SELF-INTEREST AND THE ‘IRONIC’ READING OF CYROPAEDIA Gabriel Danzig The argument of this chapter may be summarized as follows. Critics argue that although he maintains a pretence of benevolence, in reality Cyrus is always relentlessly pursuing his own interest. This, however, is a false dichotomy. For Xenophon, the pursuit of self-interest does not contra- dict either benevolence or bene cence. On the contrary, benevolence and bene cence contribute to obtaining self-interested ends and therefore the pursuit of self-interest requires them (see Memorabilia 3.1.10, Oeconomicus 12.15). This is because the most useful possessions are friends, and these are acquired by acts of benevolence. More di cult is the question of conicts between self-interest and the interests of one’s friends and allies. But con- icts between true interests, as opposed to wishes and desires, need not arise often, since diferent individuals deserve and bene t from diferent things. This compatibility of interest is illustrated especially by Cyrus’ gain- ing the upper hand over his uncle Cyaxares. Rather than harming him, this development advances both his and Cyrus’ interests simultaneously. Introduction Xenophon’s Cyropaedia tells the historical- ctional story of how Cyrus founded the Persian empire. It is easy to assume that in composing this tale Xenophon attributes to Cyrus all the best qualities of his ideal leader. How- ever, a surprisingly large number of scholars has argued that there is irony in the portrait and that in fact Xenophon has serious reservations and objec- tions to the behaviour and modes of governing he attributes to Cyrus.1 This argument was presented rst by Carlier (1978), and has been re- peated and developed by numerous other writers.2 Carlier’s argument was 1 I am glad to see that in her recent book Gray 2011: esp.
    [Show full text]
  • THE EARLY MODERN BOOK AS SPECTACLE by PAULINE
    THROUGH A GLASS DARKLY: THE EARLY MODERN BOOK AS SPECTACLE by PAULINE E. REID (Under the Direction of Sujata Iyengar) ABSTRACT This dissertation approaches the print book as an epistemologically troubled new media in early modern English culture. I look at the visual interface of emblem books, almanacs, book maps, rhetorical tracts, and commonplace books as a lens for both phenomenological and political crises in the era. At the same historical moment that print expanded as a technology, competing concepts of sight took on a new cultural prominence. Vision became both a political tool and a religious controversy. The relationship between sight and perception in prominent classical sources had already been troubled: a projective model of vision, derived from Plato and Democritus, privileged interior, subjective vision, whereas the receptive model of Aristotle characterized sight as a sensory perception of external objects. The empirical model that assumes a less troubled relationship between sight and perception slowly advanced, while popular literature of the era portrayed vision as potentially deceptive, even diabolical. I argue that early print books actively respond to these visual controversies in their layout and design. Further, the act of interpreting different images, texts, and paratexts lends itself to an oscillation of the reading eye between the book’s different, partial components and its more holistic message. This tension between part and whole appears throughout these books’ technical apparatus and ideological concerns; this tension also echoes the conflict between unity and fragmentation in early modern English national politics. Sight, politics, and the reading process interact to construct the early English print book’s formal aspects and to pull these formal components apart in a process of biblioclasm.
    [Show full text]
  • Cyropaedia 8.7 and Anabasis 1.9 Paula Winsor Sage
    SAGE, PAULA WINSOR, Tradition, Genre, and Character Portrayal: "Cyropaedia" 8.7 and "Anabasis" 1.9 , Greek, Roman and Byzantine Studies, 32:1 (1991:Spring) p.61 Tradition, Genre, and Character Portrayal: Cyropaedia 8.7 and Anabasis 1.9 Paula Winsor Sage YRUS THE GREAT, according to Xenophon, died peacefully C at home after a long, illustrious life (529 B.C.). Over a cen­ tury later (401), his namesake and distant relative, Cyrus the Younger, died violently in battle while still a young man, as he attempted to overthrow his brother Artaxerxes II. Their deaths, in Cyr. 8.7 and An. 1.9 respectively, occasion Xen­ ophon's extended tributes to each. He adopts for these accounts narrative techniques that, on the surface, appear very different: at the conclusion of the Cyropaedia, Cyrus the Great, im­ mediately before his death, summarizes his accomplishments in direct speech; when Cyrus the Younger dies, early in the Anabasis, Xenophon interrupts his third-person account of the battle at Cunaxa to summarize his virtues. Apart from some notice of verbal and thematic parallels, there has been no extensive comparison of these passages. 1 A closer examination reveals that, despite their differences in purpose, they also share common rhetorical strategies and a complex intertextual relationship that merit exploration. Sustained allusions-both to a popular tradition and to a genre -constitute a vital part of Xenophon's compositional method here. 2 Specifically, allusions to Solon's well-known discussion of 1 Inter alios, H. A. Holden, The Cyropaedia of Xenophon, Books VI, VII, VIII (Cambridge 1890) 147, 19M; J.
    [Show full text]
  • LIT 372 Topics in Early Modern Literature
    John Jay College of Criminal Justice The City University of New York New Course Proposal When completed, this proposal should be submitted to the Office of the Associate Provost for consideration by the College Curriculum Committee. 1. Department (s) proposing this course: English 2. Title of the course: Topics in Early Modern Literature Abbreviated title (up to 20 characters): TPCS LIT Early Mod 3. Level of this course: ___100 Level ____200 Level ___X__300 Level ____400 Level 4. Course description as it is to appear in the College bulletin: (Write in complete sentences except for prerequisites, hours and credits.) Topics in Early Modern Literature will examine major and minor literary movements, authors, or ideas at work in sixteenth and seventeenth century literature with an eye to the formal features of texts as well as the social, historical, and political contexts in which they appeared. The course will approach the canon for this period not as a fixed entity but as a body of work consistently open to reevaluation and critique; alternative texts, voices, and subject positions relevant to the topic(s) will be included. As a means of understanding the literature of the period, the course may focus on a literary genre or convention (e.g., drama, sonnet) or an important theme (e.g., the Other in literature, hierarchy, literature of love, monarchy in crisis). The specific focus of the course will be determined by the individual professor and may be concerned exclusively with English literature, Western Literature more broadly, or Western and nonWestern literature. Pre-requisite: ENG 102/201 Co-requisite: LIT 2XX (Introduction to Literary Study) or permission of the instructor.
    [Show full text]
  • On the Study of Early Modern “Elegant” Literature(Suzuki Ken’Ichi)
    On the Study of Early Modern “Elegant” Literature(Suzuki Ken’ichi) On the Study of Early Modern“ Elegant” Literature Suzuki Ken’ichi On 21 November 2014, I was fortunate enough to be given the opportunity to talk about my past research at the Research Center for Science Systems affiliated to the Japan Society for the Promotion of Science. There follows a summary of my talk. (1)Elucidating the distinctive qualities of early-Edo 江戸 literature, with a special focus on “elegant” or “refined”(ga 雅)literature, such as the poetry circles of the emperor Go-Mizunoo 後水尾 and the literary activities of Hayashi Razan 林羅山 . The importance of the study of “elegant” literature ・Up until around the 1970s interest in the field of early modern, or Edo-period, literature concentrated on figures such as Bashō 芭蕉,Saikaku 西鶴,and Chikamatsu 近松 of the Genroku 元禄 era(1688─1704)and Sanba 三馬,Ikku 一 九,and Bakin 馬 琴 of the Kasei 化 政 era(1804─30), and the literature of this period tended to be considered to possess a high degree of “common” or “popular”(zoku 俗)appeal. This was linked to a tendency, influenced by postwar views of history and literature, to hold in high regard that aspect of early modern literature in which “commoners resisted the oppression of the feudal 39 On the Study of Early Modern “Elegant” Literature(Suzuki Ken’ichi) system.” But when considered in light of the actual situation at the time, there can be no doubt that ga literature in the form of poetry written in both Japanese (waka 和歌)and Chinese(kanshi 漢詩), with its strong traditions, was a major presence in terms of both its authority and the formation of literary currents of thought.
    [Show full text]