How to Promote Your Music Successfully on the Internet 2011 Edition 1St Edition Pdf, Epub, Ebook
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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
6 Telegraph Road — for Me It's Nearly 4,000
Telegraph Road — for me it’s nearly 4,000 mile long By Rick Astley Telegraph Road is certainly known to every member on the US side of the border and probably also by most who live in Canada . Although I didn’t know it at the time, long before I could reliably point to Detroit on a map, I was somewhat familiar with the road too. Back in the mid-80s, like most parents of teenagers, I would often have to ferry my eldest son to and from some activity or other, in our case, from our home in a small English village to the nearest town about 14 minutes away. Those 14 minutes are significant because it happened to be the same length as a track my son and I would love to play on the car’s cassette player, he on air guitar, me on dashboard drums, at a volume his mother wouldn’t have approved of. The track was called Telegraph Road and it was written and played by Dire Straits. The song’s length meant that it was never heard on the radio and the fact that it would often change mood, volume and tempo, made it impossible to dance to, so it was never played in clubs, or rather, discotheques as they were then known. The track, and Dire Straits’ music in general, became part of our father-son bonding. In fact years later, when my son was in college in Montreal, he bought tickets for my birthday to see the group at the Forum (at that time the Canadiens’ hockey arena). -
Elvis Presley Music
Vogue Madonna Take on Me a-ha Africa Toto Sweet Dreams (Are Made of This) Eurythmics You Make My Dreams Daryl Hall and John Oates Taited Love Soft Cell Don't You (Forget About Me) Simple Minds Heaven Is a Place on Earth Belinda Carlisle I'm Still Standing Elton John Wake Me Up Before You Go-GoWham! Blue Monday New Order Superstition Stevie Wonder Move On Up Curtis Mayfield For Once In My Life Stevie Wonder Red Red Wine UB40 Send Me On My Way Rusted Root Hungry Eyes Eric Carmen Good Vibrations The Beach Boys MMMBop Hanson Boom, Boom, Boom!! Vengaboys Relight My Fire Take That, LuLu Picture Of You Boyzone Pray Take That Shoop Salt-N-Pepa Doo Wop (That Thing) Ms Lauryn Hill One Week Barenaked Ladies In the Summertime Shaggy, Payvon Bills, Bills, Bills Destiny's Child Miami Will Smith Gonna Make You Sweat (Everbody Dance Now) C & C Music Factory Return of the Mack Mark Morrison Proud Heather Small Ironic Alanis Morissette Don't You Want Me The Human League Just Cant Get Enough Depeche Mode The Safety Dance Men Without Hats Eye of the Tiger Survivor Like a Prayer Madonna Rocket Man Elton John My Generation The Who A Little Less Conversation Elvis Presley ABC The Jackson 5 Lessons In Love Level 42 In the Air Tonight Phil Collins September Earth, Wind & Fire In Your Eyes Kylie Minogue I Want You Back The Jackson 5 Jump (For My Love) The Pointer Sisters Rock the Boat Hues Corportation Jolene Dolly Parton Never Too Much Luther Vandross Kiss Prince Karma Chameleon Culture Club Blame It On the Boogie The Jacksons Everywhere Fleetwood Mac Beat It -
Teaching Latin Love Poetry with Pop Music1
Teaching Classical Languages Volume 10, Issue 2 Kopestonsky 71 Never Out of Style: Teaching Latin Love Poetry with Pop Music1 Theodora B. Kopestonsky University of Tennessee, Knoxville ABSTRACT Students often struggle to interpret Latin poetry. To combat the confusion, teachers can turn to a modern parallel (pop music) to assist their students in understanding ancient verse. Pop music is very familiar to most students, and they already trans- late its meaning unconsciously. Building upon what students already know, teach- ers can reframe their approach to poetry in a way that is more effective. This essay shows how to present the concept of meter (dactylic hexameter and elegy) and scansion using contemporary pop music, considers the notion of the constructed persona utilizing a modern musician, Taylor Swift, and then addresses the pattern of the love affair in Latin poetry and Taylor Swift’s music. To illustrate this ap- proach to connecting ancient poetry with modern music, the lyrics and music video from one song, Taylor Swift’s Blank Space (2014), are analyzed and compared to poems by Catullus. Finally, this essay offers instructions on how to create an as- signment employing pop music as a tool to teach poetry — a comparative analysis between a modern song and Latin poetry in the original or in translation. KEY WORDS Latin poetry, pedagogy, popular music, music videos, song lyrics, Taylor Swift INTRODUCTION When I assign Roman poetry to my classes at a large research university, I re- ceive a decidedly unenthusiastic response. For many students, their experience with poetry of any sort, let alone ancient Latin verse, has been fraught with frustration, apprehension, and confusion. -
Song Pack Listing
TRACK LISTING BY TITLE Packs 1-86 Kwizoke Karaoke listings available - tel: 01204 387410 - Title Artist Number "F" You` Lily Allen 66260 'S Wonderful Diana Krall 65083 0 Interest` Jason Mraz 13920 1 2 Step Ciara Ft Missy Elliot. 63899 1000 Miles From Nowhere` Dwight Yoakam 65663 1234 Plain White T's 66239 15 Step Radiohead 65473 18 Til I Die` Bryan Adams 64013 19 Something` Mark Willis 14327 1973` James Blunt 65436 1985` Bowling For Soup 14226 20 Flight Rock Various Artists 66108 21 Guns Green Day 66148 2468 Motorway Tom Robinson 65710 25 Minutes` Michael Learns To Rock 66643 4 In The Morning` Gwen Stefani 65429 455 Rocket Kathy Mattea 66292 4Ever` The Veronicas 64132 5 Colours In Her Hair` Mcfly 13868 505 Arctic Monkeys 65336 7 Things` Miley Cirus [Hannah Montana] 65965 96 Quite Bitter Beings` Cky [Camp Kill Yourself] 13724 A Beautiful Lie` 30 Seconds To Mars 65535 A Bell Will Ring Oasis 64043 A Better Place To Be` Harry Chapin 12417 A Big Hunk O' Love Elvis Presley 2551 A Boy From Nowhere` Tom Jones 12737 A Boy Named Sue Johnny Cash 4633 A Certain Smile Johnny Mathis 6401 A Daisy A Day Judd Strunk 65794 A Day In The Life Beatles 1882 A Design For Life` Manic Street Preachers 4493 A Different Beat` Boyzone 4867 A Different Corner George Michael 2326 A Drop In The Ocean Ron Pope 65655 A Fairytale Of New York` Pogues & Kirsty Mccoll 5860 A Favor House Coheed And Cambria 64258 A Foggy Day In London Town Michael Buble 63921 A Fool Such As I Elvis Presley 1053 A Gentleman's Excuse Me Fish 2838 A Girl Like You Edwyn Collins 2349 A Girl Like -
Vmas” Airing Live on Monday, August 20 at 9:00 PM ET/PT
Ariana Grande, Shawn Mendes and Logic with Ryan Tedder Set to Perform at the 2018 “VMAs” Airing Live on Monday, August 20 at 9:00 PM ET/PT August 2, 2018 NEW YORK--(BUSINESS WIRE)--Aug. 2, 2018-- MTV today announced that Ariana Grande, Shawn Mendes and Logic with Ryan Tedder will take the stage at the 2018 “VMAs.” Grande will perform her smash hit single “God is a Woman” from her forthcoming album “Sweetener,” while Mendes will deliver his chart-topping song “In My Blood,” and Logic will perform his new single, “One Day,” featuring Ryan Tedder of OneRepublic, for the first time. As previously announced, Jennifer Lopez will be honored with the “Michael Jackson Video Vanguard Award.” She is also set to perform at this year’s show for the first time since 2001. The “VMAs” will air live from Radio City Music Hall on Monday, August 20 at 9:00 p.m. ET/PT across MTV's global network of channels in more than 180 countries and territories, reaching more than half a billion households around the world. The full list of nominees for the 2018 “VMAs” is available here. Additional performers will be announced at a later date. Multiplatinum, record-breaking superstar Ariana Grande has delivered three platinum-selling albums and surpassed 18 billion streams, in addition to nabbing four Grammy Award nominations and landing eight hits in the Top 10 on the Billboard Hot 100 chart. With the release of “No Tears Left To Cry” she became the first artist in music history to see the lead single from her first four albums debut on the Top 10 on Billboard Hot 100. -
Alicia Keys Unleashes New Single “Love Looks Better”
ALICIA KEYS UNLEASHES NEW SINGLE “LOVE LOOKS BETTER” The 15-Time GRAMMY Winner Premiered the Song in a Live Performance during Last Night’s 2020 NFL Kickoff Broadcast The Single is the Latest Offering from Keys’ Forthcoming Album ALICIA STREAM/DOWNLOAD “LOVE LOOKS BETTER” DOWNLOAD ARTWORK PRE-ORDER/PRE-SAVE ALICIA New York, NY -- September 11, 2020 -- Last night, global music superstar Alicia Keys released her anthemic new single “Love Looks Better,” from her highly-anticipated seventh studio album ALICIA (via RCA Records). The song - loud, passionate and unapologetically vulnerable - is a high-energy offering from Keys, who was recently crowned the most RIAA-certified R&B artist of the 21st century. The track was co-written and co-produced by Keys, along with OneRepublic frontman and hitmaker Ryan Tedder. “Love Looks Better” is now available to download and stream HERE. Keys premiered the single with a show-stopping performance during last night’s 2020 NFL Kickoff broadcast, after announcing a $1 billion fund that the NFL league will be contributing to, aimed at supporting Black businesses and communities. Earlier this week, she reflected on her participation in the event with a powerful letter, shared with Billboard, about moving forward and using her platform to provoke conversation and change. “This song has such an energy! It really talks about how busy we’ve become and how fast we’ve gotten used to moving. Now we realize that my love looks better on you. It’s time to really be present for each other. This feels like something we can all understand now, and it’s the perfect energy heading into the release of my new album ALICIA,” Keys said. -
2011 – Cincinnati, OH
Society for American Music Thirty-Seventh Annual Conference International Association for the Study of Popular Music, U.S. Branch Time Keeps On Slipping: Popular Music Histories Hosted by the College-Conservatory of Music University of Cincinnati Hilton Cincinnati Netherland Plaza 9–13 March 2011 Cincinnati, Ohio Mission of the Society for American Music he mission of the Society for American Music Tis to stimulate the appreciation, performance, creation, and study of American musics of all eras and in all their diversity, including the full range of activities and institutions associated with these musics throughout the world. ounded and first named in honor of Oscar Sonneck (1873–1928), early Chief of the Library of Congress Music Division and the F pioneer scholar of American music, the Society for American Music is a constituent member of the American Council of Learned Societies. It is designated as a tax-exempt organization, 501(c)(3), by the Internal Revenue Service. Conferences held each year in the early spring give members the opportunity to share information and ideas, to hear performances, and to enjoy the company of others with similar interests. The Society publishes three periodicals. The Journal of the Society for American Music, a quarterly journal, is published for the Society by Cambridge University Press. Contents are chosen through review by a distinguished editorial advisory board representing the many subjects and professions within the field of American music.The Society for American Music Bulletin is published three times yearly and provides a timely and informal means by which members communicate with each other. The annual Directory provides a list of members, their postal and email addresses, and telephone and fax numbers. -
“To Be an American”: How Irving Berlin Assimilated Jewishness and Blackness in His Early Songs
“To Be an American”: How Irving Berlin Assimilated Jewishness and Blackness in his Early Songs A document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music 2011 by Kimberly Gelbwasser B.M., Northwestern University, 2004 M.M., University of Cincinnati, 2006 Committee Chair: Steven Cahn, Ph.D. Abstract During the late nineteenth and early twentieth centuries, millions of immigrants from Central and Eastern Europe as well as the Mediterranean countries arrived in the United States. New York City, in particular, became a hub where various nationalities coexisted and intermingled. Adding to the immigrant population were massive waves of former slaves migrating from the South. In this radically multicultural environment, Irving Berlin, a Jewish- Russian immigrant, became a songwriter. The cultural interaction that had the most profound effect upon Berlin’s early songwriting from 1907 to 1914 was that between his own Jewish population and the African-American population in New York City. In his early songs, Berlin highlights both Jewish and African- American stereotypical identities. Examining stereotypical ethnic markers in Berlin’s early songs reveals how he first revised and then traded his old Jewish identity for a new American identity as the “King of Ragtime.” This document presents two case studies that explore how Berlin not only incorporated stereotypical musical and textual markers of “blackness” within two of his individual Jewish novelty songs, but also converted them later to genres termed “coon” and “ragtime,” which were associated with African Americans. -
De Classic Album Collection
DE CLASSIC ALBUM COLLECTION EDITIE 2013 Album 1 U2 ‐ The Joshua Tree 2 Michael Jackson ‐ Thriller 3 Dire Straits ‐ Brothers in arms 4 Bruce Springsteen ‐ Born in the USA 5 Fleetwood Mac ‐ Rumours 6 Bryan Adams ‐ Reckless 7 Pink Floyd ‐ Dark side of the moon 8 Eagles ‐ Hotel California 9 Adele ‐ 21 10 Beatles ‐ Sgt. Pepper's Lonely Hearts Club Band 11 Prince ‐ Purple Rain 12 Paul Simon ‐ Graceland 13 Meat Loaf ‐ Bat out of hell 14 Coldplay ‐ A rush of blood to the head 15 U2 ‐ The unforgetable Fire 16 Queen ‐ A night at the opera 17 Madonna ‐ Like a prayer 18 Simple Minds ‐ New gold dream (81‐82‐83‐84) 19 Pink Floyd ‐ The wall 20 R.E.M. ‐ Automatic for the people 21 Rolling Stones ‐ Beggar's Banquet 22 Michael Jackson ‐ Bad 23 Police ‐ Outlandos d'Amour 24 Tina Turner ‐ Private dancer 25 Beatles ‐ Beatles (White album) 26 David Bowie ‐ Let's dance 27 Simply Red ‐ Picture Book 28 Nirvana ‐ Nevermind 29 Simon & Garfunkel ‐ Bridge over troubled water 30 Beach Boys ‐ Pet Sounds 31 George Michael ‐ Faith 32 Phil Collins ‐ Face Value 33 Bruce Springsteen ‐ Born to run 34 Fleetwood Mac ‐ Tango in the night 35 Prince ‐ Sign O'the times 36 Lou Reed ‐ Transformer 37 Simple Minds ‐ Once upon a time 38 U2 ‐ Achtung baby 39 Doors ‐ Doors 40 Clouseau ‐ Oker 41 Bruce Springsteen ‐ The River 42 Queen ‐ News of the world 43 Sting ‐ Nothing like the sun 44 Guns N Roses ‐ Appetite for destruction 45 David Bowie ‐ Heroes 46 Eurythmics ‐ Sweet dreams 47 Oasis ‐ What's the story morning glory 48 Dire Straits ‐ Love over gold 49 Stevie Wonder ‐ Songs in the key of life 50 Roxy Music ‐ Avalon 51 Lionel Richie ‐ Can't Slow Down 52 Supertramp ‐ Breakfast in America 53 Talking Heads ‐ Stop making sense (live) 54 Amy Winehouse ‐ Back to black 55 John Lennon ‐ Imagine 56 Whitney Houston ‐ Whitney 57 Elton John ‐ Goodbye Yellow Brick Road 58 Bon Jovi ‐ Slippery when wet 59 Neil Young ‐ Harvest 60 R.E.M. -
ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums). -
English Song Booklet
English Song Booklet SONG NUMBER SONG TITLE SINGER SONG NUMBER SONG TITLE SINGER 100002 1 & 1 BEYONCE 100003 10 SECONDS JAZMINE SULLIVAN 100007 18 INCHES LAUREN ALAINA 100008 19 AND CRAZY BOMSHEL 100012 2 IN THE MORNING 100013 2 REASONS TREY SONGZ,TI 100014 2 UNLIMITED NO LIMIT 100015 2012 IT AIN'T THE END JAY SEAN,NICKI MINAJ 100017 2012PRADA ENGLISH DJ 100018 21 GUNS GREEN DAY 100019 21 QUESTIONS 5 CENT 100021 21ST CENTURY BREAKDOWN GREEN DAY 100022 21ST CENTURY GIRL WILLOW SMITH 100023 22 (ORIGINAL) TAYLOR SWIFT 100027 25 MINUTES 100028 2PAC CALIFORNIA LOVE 100030 3 WAY LADY GAGA 100031 365 DAYS ZZ WARD 100033 3AM MATCHBOX 2 100035 4 MINUTES MADONNA,JUSTIN TIMBERLAKE 100034 4 MINUTES(LIVE) MADONNA 100036 4 MY TOWN LIL WAYNE,DRAKE 100037 40 DAYS BLESSTHEFALL 100038 455 ROCKET KATHY MATTEA 100039 4EVER THE VERONICAS 100040 4H55 (REMIX) LYNDA TRANG DAI 100043 4TH OF JULY KELIS 100042 4TH OF JULY BRIAN MCKNIGHT 100041 4TH OF JULY FIREWORKS KELIS 100044 5 O'CLOCK T PAIN 100046 50 WAYS TO SAY GOODBYE TRAIN 100045 50 WAYS TO SAY GOODBYE TRAIN 100047 6 FOOT 7 FOOT LIL WAYNE 100048 7 DAYS CRAIG DAVID 100049 7 THINGS MILEY CYRUS 100050 9 PIECE RICK ROSS,LIL WAYNE 100051 93 MILLION MILES JASON MRAZ 100052 A BABY CHANGES EVERYTHING FAITH HILL 100053 A BEAUTIFUL LIE 3 SECONDS TO MARS 100054 A DIFFERENT CORNER GEORGE MICHAEL 100055 A DIFFERENT SIDE OF ME ALLSTAR WEEKEND 100056 A FACE LIKE THAT PET SHOP BOYS 100057 A HOLLY JOLLY CHRISTMAS LADY ANTEBELLUM 500164 A KIND OF HUSH HERMAN'S HERMITS 500165 A KISS IS A TERRIBLE THING (TO WASTE) MEAT LOAF 500166 A KISS TO BUILD A DREAM ON LOUIS ARMSTRONG 100058 A KISS WITH A FIST FLORENCE 100059 A LIGHT THAT NEVER COMES LINKIN PARK 500167 A LITTLE BIT LONGER JONAS BROTHERS 500168 A LITTLE BIT ME, A LITTLE BIT YOU THE MONKEES 500170 A LITTLE BIT MORE DR.