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Home , Out Cry, Small Craft Warnings, Stairs to the Roof

Cambridge University Press 978-1-107-01536-4 - Sexual Politics in the Work of Tennessee Williams: Desire Over Protest Michael S. D. Hooper Index More information

I n d e x

27 Wagons Full of Cotton , 3 , 147 , 148 , 149 , 150 , f a m i l y l i f e i n , 3 8 152 , 154 , 156 c a n n i b a l i s m , 8 0 , 2 2 0 in ‘Desire and the Black Masseur’, 139 A House Not Meant to Stand , 225 , 231 c a p i t a l i s m , 1 0 , 2 1 , 5 1 , 6 8 , 1 2 9 , 1 4 8 , 2 1 8 A Lovely Sunday for Creve Coeur , 177 , 195 i n ‘ Th e Malediction’, 42 A d l e r , Th o m a s P . , 2 3 , 5 8 C a s e , B e r t h a , 5 1 a g i t p r o p d r a m a , 2 1 , 3 0 , 4 9 Cat on a Hot Tin Roof , 1 1 , 7 1 , 8 2 – 9 0 , 1 8 6 All Gaul is Divided , 236 Aristotelian unities in, 218 American Blues , 2 6 , 4 8 comparison with And Tell Sad Stories of the And Tell Sad Stories of the Deaths of Queens … , Deaths of Queens … , 9 2 1 3 , 1 5 , 9 0 – 6 , 1 0 3 , 1 0 4 comparison with Th e Red Devil Battery Androgyne Mon Amour , 213 Sign , 6 2 a n d r o g y n y , 2 1 3 c e n s o r s h i p , 1 1 , 1 3 , 9 6 , 1 3 1 , 1 8 3 ‘Angel in the Alcove, Th e’, and Vieux Curr é , 1 2 0 c e n s o r s h i p ( s e l f ) , 9 7 A r t a u d , A n t o n i n , 8 Chalky White Substance, Th e , 1 1 , 6 5 – 7 Children’s Hour, Th e , 194 Baby Doll , 3 , 15 , 125 , 147 , 148 , 149 , 150 , 152 , 153 , C I A , 6 4 154 , 155 , 160 c i v i l r i g h t s m o v e m e n t , 9 , 1 5 , 1 6 , 2 4 , 1 2 5 , 1 4 1 , Badenes, José I., 222 1 4 3 , 1 4 4 Bak, John S., 176 C l a p p , S u s a n n a h ( Th e Observer ) , 3 7 B a l a k i a n , J a n , 4 4 , 4 5 Clothes for a Summer Hotel , 1 7 8 , 2 1 0 – 1 5 Battle of Angels , 1 1 5 , 1 2 7 , 1 2 8 , 1 2 9 androgyny in, 212 Beckett, Samuel, 8 C l u m , J o h n M . , 7 1 , 7 2 , 8 8 , 1 0 9 , 1 3 1 ‘Big Black: A Mississippi Idyll’, 125 , 135–8 , 141 , C o l d W a r , 1 0 , 2 2 , 2 3 , 2 4 , 4 2 , 5 2 , 7 2 , 1 9 4 143 Come Back, Little Sheba , 1 3 Bigsby, C. W. E., 109 , 157 , 159 , 178 c o m m u n i s m , 7 , 1 8 7 b i s e x u a l i t y , 1 1 2 i n Fugitive Kind , 3 3 Black Panther movement, 15 ‘ C o m p l e t e d ’ , 1 7 4 B o w l e s , P a u l C o m s t o c k A c t , 9 8 T e n n e s s e e W i l l i a m s ’ s r e v i e w o f Th e Delicate Confessional , 109 Prey and Other Stories, 7 Conrad, Joseph, 212 B o x i l l , R o g e r , 1 7 8 C o n r o y , J a c k B r a y , R o b e r t , 1 9 , 1 2 0 founder of Th e Anvil , 2 5 and Palmer, R. Barton, 177 C o r b e r , R o b e r t J . , 8 6 , 9 8 B r e e n , J o s e p h , 7 4 Crandell, George W., 125 , 136 , 171 B r i m b e r g , S h i r l e y , 1 1 9 C u b a n M i s s i l e C r i s i s , 5 5 B r o a d w a y t h e a t r e , 1 0 , 1 3 , 4 3 , 7 4 , 9 6 , 9 9 , 1 0 9 , 1 2 5 , 1 7 6 , 2 1 1 , 2 2 5 Dakin, Reverend Walter (grandfather), 5 ‘Das Wasser Ist Kalt’, 174 Camino Real , 11 , 23 , 42–8 , 66 , 82 , 107 , 203 David Frost Show, 109 Candles to the Sun , 1 0 , 2 1 , 2 6 – 3 0 , 3 5 , 3 7 Day on which a Man Dies, Th e , 174 , 177

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© in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01536-4 - Sexual Politics in the Work of Tennessee Williams: Desire Over Protest Michael S. D. Hooper Index More information

248 Index

‘Death Embrace, Th e’, 221 i n Th e Red Devil Battery Sign , 5 9 , 6 7 Demolition Downtown, 6 5 Green Eyes, or No Sight Would Be Worth comparison with Th e Chalky White Seeing , 1 – 3 , 2 2 2 Substance , 6 6 G r i ffi n , A l i c e , 4 5 D e p r e s s i o n , t h e , 2 5 , 3 7 , 3 9 , 1 8 3 , 1 8 5 G r o s s , R o b e r t F . , 5 8 , 5 9 , 6 1 , 6 2 , 6 7 , 6 8 , 6 9 ‘Desire and the Black Masseur’, 3 , 15 , 97 , 102 , Group Th eatre, Th e , 2 5 , 4 8 1 0 8 , 1 2 5 , 1 6 8 , 1 7 2 , 2 2 1 G u n n , A n d r e w , 2 1 9 , 2 2 0 a n d ‘ Th e M a l e d i c t i o n ’ , 4 0 , 4 1 comparison with Suddenly Last Summer , 7 7 , Hale, Allean, 6 , 10 , 23 , 25 , 26 , 29 , 37 , 39 , 48 , 51 7 8 , 7 9 and London premiere of Not About D e v l i n , A l b e r t , 2 4 , 7 0 Nightingales , 238 D o r ff , L i n d a , 1 2 0 ‘ Happy August the Tenth’, 1 7 7 , 1 9 5 , 2 0 1 ‘ H a r d C a n d y ’ ( s h o r t s t o r y ) , 1 3 , 9 6 , 9 8 , 9 9 , 1 0 0 , Eccentricities of a Nightingale, Th e , 177 , 178 , 185 , 101 186 , 236 Hard Candy ( c o l l e c t i o n ) , 1 2 , 9 7 , 1 0 3 , 1 0 8 E l i o t , T . S . , 4 3 , 4 5 , 1 8 5 H a r e , D a v i d , 2 3 9 E m b r e y , G l e n n , 1 6 7 Harper’s Bazaar , 219 E v e r e t t , R u p e r t , 2 0 6 H a y , H a r r y , 8 6 Hays, Peter L., 214 Falk, Signi, 175 Hazan, Joseph, 117 F a l o c c o , J o e , 1 9 6 Headlines , 2 5 F B I , 2 1 , 6 4 , 2 2 1 H e l l e r , J o s e p h , 2 3 i n Fugitive Kind , 3 1 H e l l m a n , L i l l i a n , 1 9 4 Fitzgerald, F. Scott and Zelda, 211 , 214 Hello from Bertha , 215 Fleche, Anne, 176 Hemingway, Ernest, 237 F o u c a u l t , M i c h e l Herron, Ima Honaker, 128 Th e History of Sexuality vol. 1 , 183 ‘ H i s F a t h e r ’ s H o u s e ’ , 1 5 F r e u d , S i g m u n d , 5 , 2 0 9 H o l l a n d , W i l l a r d , 1 0 O e d i p u s C o m p l e x , 1 8 d i r e c t o r o f t h e M u m m e r s , 2 5 F r i e d a n , B e t t y , 1 8 7 , 1 9 4 H o l l i fi e l d , J o s e p h P h e l a n , 2 6 , 2 7 Fugitive Kind , 1 0 , 2 6 , 2 7 , 3 0 – 3 , 3 5 , 3 7 , 3 8 , 4 2 , h o m o p h o b i a , 7 1 , 7 2 , 7 3 , 8 5 , 1 0 4 , 1 1 7 4 6 , 4 9 i n And Tell Sad Stories of the Deaths of comparison with Th e Red Devil Battery Queens … , 9 2 , 9 5 , 9 6 Sign , 5 7 i n Cat on a Hot Tin Roof , 8 4 , 8 5 i n Th e Knightly Quest , 5 3 Gagarin, Yuri, 52 i n Something Cloudy, Something Clear Garc í a, Mario T., 170 and Th e Parade, or Approaching the Garden District End of a Summer , 119 collective title for Suddenly Last Summer and i n A Streetcar Named Desire , 7 4 Something Unspoken , 195 h o m o s e x u a l i t y , 9 , 1 2 , 1 3 , 2 2 , 7 0 , 7 1 , 7 6 , 8 2 , 9 1 , Gassner, John, 227 9 2 , 9 6 , 1 0 9 , 1 1 0 , 1 3 1 , 1 5 3 , 1 7 3 , 1 7 5 , 1 8 6 , Gates Jr, Henry Louis, 147 1 9 4 , 1 9 6 , 1 9 7 g a y l i b e r a t i o n m o v e m e n t , 9 , 1 5 , 2 4 , 7 1 , and religion, 103 1 2 3 , 1 2 4 i n And Tell Sad Stories of the Deaths of gay rights movement, 16 Queens … , 9 3 , 9 5 Gay Sunshine , 7 1 , 7 2 i n Camino Real , 4 3 Gianakaris, C. J., 37 i n Cat on a Hot Tin Roof , 1 1 , 8 2 , 8 5 , 8 6 , 8 7 , Glass Menagerie, Th e , 6 , 1 0 , 3 1 , 3 6 , 4 1 , 6 0 , 6 7 , 8 8 , 8 9 , 9 0 7 6 , 1 1 7 , 1 7 3 , 1 9 9 , 2 0 0 , 2 1 5 i n ‘ Th e Malediction’, 40 Brechtian screens in, 218 i n Th e Parade, or Approaching the End of a comparison with Something Cloudy, Summer , 117 , 119 Something Clear , 114 i n Small Craft Warnings , 1 1 0 , 1 1 1 , 1 1 2 , 1 1 3 comparison with Stairs to the Roof , 4 8 i n Something Cloudy, Something Clear , 115 G l e n n , J o h n , 5 2 i n Stairs to the Roof , 5 1 G n o s t i c i s m i n A Streetcar Named Desire , 7 4 , 7 5

Index 249

i n Suddenly Last Summer , 7 8 , 8 0 , 8 1 post-colonialist interpretation of Kingdom of i n Th ese Are the Stairs You Got to Watch , Earth , 144 1 0 0 , 1 0 4 K o r e a n W a r , 7 , 2 4 , 1 8 7 , 1 8 8 , 1 8 9 , 1 9 0 , 1 9 4 i n Vieux Carr é , 121 K u b i e , L a w r e n c e , 7 7 i n Vieux Carr é and Something Cloudy, K u l l m a n , C o l b y , 2 3 Something Clear , 113 in William Inge’s Th e Tiny Closet , 225 Lahr, John, 219 o f T e n n e s s e e W i l l i a m s , 5 , 1 1 Lamp, Th e , 2 6 Tennessee Williams’s treatment of, 122 Last of My Solid Gold Watches, Th e , 1 5 Hot Milk at Th ree in the Morning , 2 6 L a u g h l i n , J a m e s ( J a y ) , 1 2 , 4 7 , 9 7 , 1 0 8 House Not Meant to Stand, A , 225 , 231 Lawrence, D. H., 18 , 169 House Un-American Activities Committee, i n fl uence of, 26 7 , 1 1 , 2 1 i n fl uence on Williams, 213 H o l l y w o o d T e n , 2 1 ‘Tickets, Please’ H y m a n , S t a n l e y E d g a r , 7 2 similarity to ‘Rubio y Morena’, 169 l e s b i a n i s m , 1 7 , 1 9 6 , 2 3 6 I Rise in Flame, Cried the Phoenix , 213 L e v e r i c h , L y l e , 1 6 , 2 1 , 7 0 i m p e r i a l i s m , 7 L i n d s a y , V a c h e l In the Bar of a Tokyo Hotel , 2 2 , 1 7 4 , 2 0 8 , Edgar Lee Masters’s biography of, 224 210 L i v i n g N e w s p a p e r , t h e , 3 9 I n g e , W i l l i a m , 1 3 , 7 1 L o r c a , F e d e r i c o G a r c í a , 1 5 6 Interior: Panic , 6 7 L o r d C h a m b e r l a i n , 7 4 I n t e r n a t i o n a l S h o e C o m p a n y , 6 , 1 0 , 4 8 Lovely Sunday for Creve Coeur, A , 1 7 7 , 1 9 5 I s a a c , D a n , 2 6 , 2 9 , 1 8 4 MacGregor, Robert, 97 , 100 Johnson, Lyndon, 52 M a d d i s o n , S t e p h e n , 7 2 J o n e s , R o b e r t E m m e t , 1 7 5 Mahan Story Contest, 138 Malden, Karl, 155 Kabuki theatre, 207 ‘Malediction, Th e ’ , 4 0 – 2 f e m a l e i m p e r s o n a t o r s , 2 0 6 ‘Man Bring Th i s U p R o a d ’ , 2 0 3 , 2 0 5 , 2 0 6 stage assistants, 206 M a t t a c h i n e S o c i e t y , 8 5 , 1 0 7 Kataria, Gulshan Rai, 193 M c B u r n e y , C l a r k M i l l s , 2 5 K a z a n , E l i a , 6 , 1 5 5 M c C a r t h y , J o s e p h , 4 4 interview with Jeff Young, 155 M c C a r t h y i s m , 4 4 , 6 6 , 2 2 1 Richard Schickel’s biography of, 155 McGlinn, Jeanne M., 175 K e a t s , J o h n , 3 4 , 3 5 M e e k e r , M a r t i n , 8 5 ‘Ode to a Nightingale’ and Not About M e l v i l l e , H e r m a n , 7 8 Nightingales , 3 4 Memoirs , 1 1 , 1 6 , 4 6 , 7 0 , 1 0 9 , 1 1 7 , 1 1 9 , 2 0 4 reading of ‘When I have Fears that I may M e r l o , F r a n k , 1 0 0 , 1 5 6 , 1 5 9 , 2 0 6 , 2 1 0 Cease to Be’ in Not About Nightingales , Meyerowitz, Joanne Jay, 187 3 4 Milk Train Doesn’t Stop Here Anymore, Th e , Kennedy, J. F., 52 1 4 , 1 7 7 a s s a s s i n a t i o n o f , 5 9 , 6 0 M i l l e r , A r t h u r , 1 3 , 2 2 , 3 1 , 2 1 8 K i e r n a n , K i p , 1 0 9 , 1 1 4 , 1 1 7 , 1 1 9 M i l l e r , H e n r y , 1 8 ‘Killer Chicken and the Closet Queen, Th e’, M i l l e t t , K a t e , 1 8 1 2 2 , 1 2 3 m i s c e g e n a t i o n , 1 2 5 , 1 3 4 Kingdom of Earth, Th e ’ , 9 7 , 1 4 2 , 1 4 3 , 1 4 4 , M i s h i m a , Y u k i o , 2 0 6 147 i n fl uence of, 210 Kingdom of Earth , 1 5 , 1 4 1 – 7 ‘Miss Coynte of Greene’, 125 K i n s e y , A l f r e d Mister Paradise , 9 3 Sexual Behaviour in the Human Male , 107 Mister Paradise and Other One-Act Plays , 9 0 , 9 8 Kleinberg, S. J., 187 ‘Misunderstandings and Fears of an Artist’s Knightly Quest, Th e , 1 1 , 2 1 , 4 4 , 4 7 , 5 2 – 6 , 5 9 , 6 4 Revolt, Th e’ , 219 K o l i n , P h i l i p C . , 1 5 , 1 9 , 2 3 , 4 4 , 4 5 , 6 0 , 6 2 , 6 5 , Moise and the World of Reason , 4 , 122 6 7 , 1 3 8 , 1 4 1 , 1 5 5 , 2 1 1 Mooney’s Kid Don’t Cry , 2 6

250 Index

Moschovakis, Nicholas and Roessel, David P a r k e r , B r i a n , 6 7 , 6 8 , 2 3 4 ( e d i t o r s ) , 9 0 , 9 8 Parks, Suzan-Lori, 126 M u m m e r s , t h e , 1 0 , 2 1 , 2 5 P a r r o t t , J i m , 1 1 3 theatre company in St Louis, 6 Period of Adjustment , 6 6 , 1 7 7 , 1 8 7 – 9 4 Municipal Abbatoir, Th e , 1 0 Picnic , 1 3 Murphy, Brenda, 234 P i s c a t o r , E r w i n , 2 1 ‘Mysteries of the Joy Rio, Th e ’ , 9 6 , 9 8 , 9 9 , 1 0 0 , Pollock, Jackson and Krasner, Lee, 210 1 0 1 , 1 0 3 , 1 0 4 , 1 6 4 , 1 6 8 , 1 7 0 ‘Portrait of a Girl in Glass’ comparison with Stairs to the Roof , 4 8 NASA Portrait of a Madonna , 174 A p o l l o p r o g r a m m e , 5 2 Pretty Trap, Th e , 6 7 N e l s o n , B e n j a m i n , 4 7 P r o d u c t i o n C o d e A d m i n i s t r a t i o n , 7 4 N e w O r l e a n s , 1 2 , 7 1 , 1 1 3 , 1 5 6 P r o v i n c e t o w n ( M a s s a c h u s s e t t s ) , 1 1 4 , 1 1 7 , 1 2 0 , 2004 Scholars’ Conference in, 67 2 1 0 assumed setting for Something Unspoken , as setting for Th e Parade, or Approaching the 196 End of a Summer , 119 Garden District setting for Suddenly Last psychoanalysis, Th e, 1 5 6 , 1 7 1 Summer , 7 8 u n d e r g o n e b y T e n n e s s e e W i l l i a m s , 7 7 i n 27 Wagons Full of Cotton , 148 Purifi cation, Th e, 1 5 6 , 1 7 1 possible setting for ‘Desire and the Black Masseur’, 141 queer theory, 72 , 207 setting for And Tell Sad Stories of the Deaths of Queens … , 9 1 racism, 128 , 129 , 134 , 155 setting for Green Eyes, or No Sight Would Be i n Orpheus Descending and Sweet Bird of Worth Seeing , 1 Youth , 126 setting for ‘One Arm’, 104 , 105 Red Devil Battery Sign, Th e , 8 , 1 1 , 1 5 , 2 1 , 2 3 , setting for A Streetcar Named Desire , 186 5 6 – 6 5 , 6 7 setting for Vieux Carr é , 120 R e d g r a v e , V a n e s s a , 1 0 Night of the lguana, Th e , 2 0 , 6 8 , 1 6 4 , 2 0 6 R o b i n s o n , M a r c , 6 8 ‘ Night of the lguana, Th e’ (short story) , 98 , Rocket to the Moon , 3 9 1 6 4 , 2 1 5 Rodriguez y Gonzalez, Pancho, 156 , 168 N ō t h e a t r e , 2 0 6 , 2 0 8 Roman Spring of Mrs Stone, Th e , 4 , 1 5 6 , 1 6 0 , Not About Nightingales , 1 0 , 2 6 , 2 7 , 3 3 – 9 , 2 1 8 161–4 ‘Klondike’ aff a i r a n d , 2 1 Rose Tattoo, Th e , 1 4 9 , 1 5 6 – 6 0 , 1 6 3 , 1 8 6 Notebook of Trigorin, Th e , 122 androgyny in, 163 Notebooks , 7 0 , 7 9 , 1 1 9 lesbianism in, 163 ‘ R u b i o y M o r e n a ’ , 1 5 6 , 1 6 4 , 1 7 2 O’Connor, Jacqueline, 174 O d e t s , C l i ff o r d , 6 , 2 1 , 3 9 , 2 1 8 Sacre de Printemps , 31 i n fl uence of, 25 S a d d i k , A n n e t t e , 2 , 1 7 2 , 2 1 4 O ff -Broadway theatre, 110 Save Me the Waltz , 212 ‘ O n e A r m ’ ( s h o r t s t o r y ) , 9 6 , 9 8 S a v r a n , D a v i d , 1 3 , 1 6 , 1 9 , 2 2 , 7 2 , 1 0 3 , 1 0 4 , 1 2 4 , religious imagery in, 106 1 3 6 , 1 5 1 , 1 5 2 , 1 5 3 , 1 6 3 , 1 7 1 , 2 1 8 One Arm ( c o l l e c t i o n ) , 1 2 , 1 0 3 , 1 0 8 comment on Moise and the World of Reason , O r p h e u s m y t h 4 i n Th e Red Devil Battery Sign , 5 9 , 6 1 c o m p a r i s o n o f W i l l i a m s a n d M i l l e r , 2 2 , 2 3 Orpheus Descending , 1 1 , 5 3 , 7 7 , 1 2 7 , 1 2 8 – 3 3 , 1 3 4 , S c h i a v i , M i c h a e l , 1 7 6 1 4 3 , 1 7 5 , 2 0 9 , 2 2 1 S c h l a t t e r , J a m e s , 5 9 O r w e l l , G e o r g e , 2 3 , 4 7 S c o t t s b o r o c a s e , 1 3 8 Out Cry , 7 1 Seidel, Kathryn Lee, 178 O z z i e ( n u r s e m a i d ) , 1 6 Selected Letters of Tennessee Williams, Th e, 7 0 , 9 7 Paller, Michael, 12 , 18 , 81 , 82 , 90 , 206 S h a c k l e f o r d , D e a n , 7 3 Parade, or Approaching the End of a Summer, Shaw, Irwin Th e , 4 , 1 9 , 2 2 3 Bury the Dead , Mummers’ production of, 25

Index 251

S i n fi eld, Alan, 77 ‘ Ten Minute Stop’, 125 Sklepowich, Edward A., 104 Tender is the Night , 212 Small Craft Warnings , 1 0 9 – 1 3 , 2 1 6 Th eatre Guild comparison with Th e Parade, or Approaching i n Th e Parade, or Approaching the End of a the End of a Summer , 119 Summer , 119 S m i t h , W i l l i a m J a y , 2 9 i n Something Cloudy, Something Clear , 114 s o c i a l i s m , 8 , 2 1 Th ese Are the Stairs You Got to Watch , 9 8 – 1 0 0 , i n Fugitive Kind , 3 3 104 Something Cloudy, Something Clear , 1 3 , 1 4 , 2 2 , Th is Property is Condemned , 215 7 1 , 1 1 3 – 1 7 , 1 1 8 , 1 2 1 , 2 1 1 Th o m a s , N o r m a n , 2 1 Something Unspoken , 1 4 , 1 7 7 , 1 9 5 – 7 , 1 9 8 , 2 0 1 Th ornton, Margaret, 70 S p o t o , D o n a l d , 4 6 , 5 5 , 6 4 , 1 4 1 ‘ Th ree Players of a Summer Game’, 82 Spring Storm , 1 7 7 , 1 8 3 – 6 , 1 9 5 Timpane, John, 175 S t L o u i s , 1 0 , 2 5 , 9 7 , 1 8 8 T i s c h l e r , N a n c y , 5 , 7 0 , 1 7 5 , 2 0 2 as setting for Fugitive Kind , 3 0 t o t a l i t a r i a n i s m , 6 , 4 7 , 2 2 1 as setting for A Lovely Sunday for Creve Trafalgar Studios (production of Lovely and Coeur , 199 , 200 Misfi t ) , 9 3 as setting for ‘Th e Malediction’, 42 t r a n s v e s t i s m , 9 1 , 9 5 , 1 4 6 H o o v e r v i l l e i n , 2 5 i n And Tell Sad Stories of the Deaths of the Mummers acting company in, 21 , 25 Queens … , 9 5 Williams family moves to, 5 Traveling Companion, Th e , 1 3 , 1 2 2 Stairs to the Roof , 6 , 1 0 , 4 8 – 5 2 , 5 9 , 6 4 , 1 1 7 ‘Treadmill, Th e ’ , 1 0 comparison with Camino Real , 4 7 ‘Twenty-seven Wagons Full of Cotton’, 147 , comparison with Th e Red Devil Battery 1 4 8, 1 4 9 , 1 5 0 , 1 5 1 , 1 5 2 Sign , 5 7 ‘ T w o o n a P a r t y ’ , 9 7 , 9 8 , 1 2 9 comparison with Th e Knightly Quest , 4 7 , 5 2 S t o n e w a l l R i o t s , 1 3 , 7 0 , 7 1 , 9 0 , 1 0 9 , 1 1 3 University of Iowa Stopped Rocking , 174 playwriting classes of E. C. Mabie, 17 Story ( m a g a z i n e ) , 1 7 U n i v e r s i t y o f M i s s o u r i , 6 , 2 5 , 2 6 , 1 3 8 Streetcar Named Desire, A , 3 , 3 2 , 6 6 , 6 7 , 7 1 , i n Cat on a Hot Tin Roof , 8 5 7 2 – 6 , 8 9 , 9 0 , 1 2 5 , 1 7 4 , 1 7 6 , 1 7 8 , 2 0 9 , 2 2 2 Van Duyvenbode, Rachel, 125 comparison with And Tell Sad Stories of the V i e t n a m W a r , 2 , 3 , 7 , 2 1 , 2 4 , 2 1 8 Deaths of Queens … , 9 3 i n Th e Knightly Quest , 5 3 comparison with Kingdom of Earth , 145 i n Th e Red Devil Battery Sign , 5 8 comparison with Suddenly Last My Lai Massacre, 2 Summer , 7 7 Vieux Carr é , 7 1 , 1 1 3 , 1 2 0 – 1 , 2 1 1 D o n m a r Th eatre production of, 76 ‘ V i n e , Th e’, 215 race in, 125 V l a s o p o l o s , A n a , 1 7 6 Suddenly Last Summer , 3 , 4 3 , 7 1 , 7 6 – 8 2 , 8 3 , 9 0 , 1 6 8 , 1 7 4 , 1 9 5 , 1 9 6 , 2 0 5 , 2 2 0 Waiting for Lefty , 25 , 39 comparison with Cat on a Hot Tin Roof , 8 3 W a l e s P a d l o c k L a w , 7 4 Summer and Smoke , 1 6 6 , 1 7 0 , 1 7 7 , 1 7 8 – 8 3 , 1 8 5 , W a s h i n g t o n U n i v e r s i t y , 3 1 186 W a t e r g a t e , 5 9 Summer at the Lake , 9 3 ‘We Are Dissenters Now’, 219 Summers, Claude J., 122 Wertheim, Albert, 225 Sweet Bird of Youth , 4 , 1 1 , 1 2 7 – 8 , 1 3 3 – 4 , 1 4 1 , W h i t m o r e , G e o r g e , 7 1 , 7 2 1 4 8 , 2 2 1 Williams, Cornelius Coffi n , 2 6 , 1 7 3 W i l l i a m s , D a k i n , 1 6 0 , 1 6 3 Talk to Me Like the Rain and Let Me W i l l i a m s , E d w i n a D a k i n , 5 , 5 5 , 2 0 2 Listen … , 215 W i l l i a m s , R o s e , 1 6 , 5 9 , 8 1 , 1 5 7 , 1 7 3 , 2 1 1 , 2 1 9 Ten Blocks on the Camino Real , s e e Windham, Donald, 117 Camino Real ‘Winter Smoke is Blue and Bitter’, 214