© in This Web Service Cambridge University

Total Page:16

File Type:pdf, Size:1020Kb

© in This Web Service Cambridge University Cambridge University Press 978-1-107-01536-4 - Sexual Politics in the Work of Tennessee Williams: Desire Over Protest Michael S. D. Hooper Index More information I n d e x 27 Wagons Full of Cotton , 3 , 147 , 148 , 149 , 150 , f a m i l y l i f e i n , 3 8 152 , 154 , 156 c a n n i b a l i s m , 8 0 , 2 2 0 in ‘Desire and the Black Masseur’, 139 A House Not Meant to Stand , 225 , 231 c a p i t a l i s m , 1 0 , 2 1 , 5 1 , 6 8 , 1 2 9 , 1 4 8 , 2 1 8 A Lovely Sunday for Creve Coeur , 177 , 195 i n ‘ Th e Malediction’, 42 A d l e r , Th o m a s P . , 2 3 , 5 8 C a s e , B e r t h a , 5 1 a g i t p r o p d r a m a , 2 1 , 3 0 , 4 9 Cat on a Hot Tin Roof , 1 1 , 7 1 , 8 2 – 9 0 , 1 8 6 All Gaul is Divided , 236 Aristotelian unities in, 218 American Blues , 2 6 , 4 8 comparison with And Tell Sad Stories of the And Tell Sad Stories of the Deaths of Queens … , Deaths of Queens … , 9 2 1 3 , 1 5 , 9 0 – 6 , 1 0 3 , 1 0 4 comparison with Th e Red Devil Battery Androgyne Mon Amour , 213 Sign , 6 2 a n d r o g y n y , 2 1 3 c e n s o r s h i p , 1 1 , 1 3 , 9 6 , 1 3 1 , 1 8 3 ‘Angel in the Alcove, Th e’, and Vieux Curr é , 1 2 0 c e n s o r s h i p ( s e l f ) , 9 7 A r t a u d , A n t o n i n , 8 Chalky White Substance, Th e , 1 1 , 6 5 – 7 Children’s Hour, Th e , 194 Baby Doll , 3 , 15 , 125 , 147 , 148 , 149 , 150 , 152 , 153 , C I A , 6 4 154 , 155 , 160 c i v i l r i g h t s m o v e m e n t , 9 , 1 5 , 1 6 , 2 4 , 1 2 5 , 1 4 1 , Badenes, Jos é I., 222 1 4 3 , 1 4 4 Bak, John S., 176 C l a p p , S u s a n n a h ( Th e Observer ) , 3 7 B a l a k i a n , J a n , 4 4 , 4 5 Clothes for a Summer Hotel , 1 7 8 , 2 1 0 – 1 5 Battle of Angels , 1 1 5 , 1 2 7 , 1 2 8 , 1 2 9 androgyny in, 212 Beckett, Samuel, 8 C l u m , J o h n M . , 7 1 , 7 2 , 8 8 , 1 0 9 , 1 3 1 ‘Big Black: A Mississippi Idyll’, 125 , 135–8 , 141 , C o l d W a r , 1 0 , 2 2 , 2 3 , 2 4 , 4 2 , 5 2 , 7 2 , 1 9 4 143 Come Back, Little Sheba , 1 3 Bigsby, C. W. E., 109 , 157 , 159 , 178 c o m m u n i s m , 7 , 1 8 7 b i s e x u a l i t y , 1 1 2 i n Fugitive Kind , 3 3 Black Panther movement, 15 ‘ C o m p l e t e d ’ , 1 7 4 B o w l e s , P a u l C o m s t o c k A c t , 9 8 T e n n e s s e e W i l l i a m s ’ s r e v i e w o f Th e Delicate Confessional , 109 Prey and Other Stories, 7 Conrad, Joseph, 212 B o x i l l , R o g e r , 1 7 8 C o n r o y , J a c k B r a y , R o b e r t , 1 9 , 1 2 0 founder of Th e Anvil , 2 5 and Palmer, R. Barton, 177 C o r b e r , R o b e r t J . , 8 6 , 9 8 B r e e n , J o s e p h , 7 4 Crandell, George W., 125 , 136 , 171 B r i m b e r g , S h i r l e y , 1 1 9 C u b a n M i s s i l e C r i s i s , 5 5 B r o a d w a y t h e a t r e , 1 0 , 1 3 , 4 3 , 7 4 , 9 6 , 9 9 , 1 0 9 , 1 2 5 , 1 7 6 , 2 1 1 , 2 2 5 Dakin, Reverend Walter (grandfather), 5 ‘Das Wasser Ist Kalt’, 174 Camino Real , 11 , 23 , 42–8 , 66 , 82 , 107 , 203 David Frost Show, 109 Candles to the Sun , 1 0 , 2 1 , 2 6 – 3 0 , 3 5 , 3 7 Day on which a Man Dies, Th e , 174 , 177 247 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01536-4 - Sexual Politics in the Work of Tennessee Williams: Desire Over Protest Michael S. D. Hooper Index More information 248 Index ‘Death Embrace, Th e’, 221 i n Th e Red Devil Battery Sign , 5 9 , 6 7 Demolition Downtown, 6 5 Green Eyes, or No Sight Would Be Worth comparison with Th e Chalky White Seeing , 1 – 3 , 2 2 2 Substance , 6 6 G r i ffi n , A l i c e , 4 5 D e p r e s s i o n , t h e , 2 5 , 3 7 , 3 9 , 1 8 3 , 1 8 5 G r o s s , R o b e r t F . , 5 8 , 5 9 , 6 1 , 6 2 , 6 7 , 6 8 , 6 9 ‘Desire and the Black Masseur’, 3 , 15 , 97 , 102 , Group Th eatre, Th e , 2 5 , 4 8 1 0 8 , 1 2 5 , 1 6 8 , 1 7 2 , 2 2 1 G u n n , A n d r e w , 2 1 9 , 2 2 0 a n d ‘ Th e M a l e d i c t i o n ’ , 4 0 , 4 1 comparison with Suddenly Last Summer , 7 7 , Hale, Allean, 6 , 10 , 23 , 25 , 26 , 29 , 37 , 39 , 48 , 51 7 8 , 7 9 and London premiere of Not About D e v l i n , A l b e r t , 2 4 , 7 0 Nightingales , 238 D o r ff , L i n d a , 1 2 0 ‘ Happy August the Tenth’, 1 7 7 , 1 9 5 , 2 0 1 ‘ H a r d C a n d y ’ ( s h o r t s t o r y ) , 1 3 , 9 6 , 9 8 , 9 9 , 1 0 0 , Eccentricities of a Nightingale, Th e , 177 , 178 , 185 , 101 186 , 236 Hard Candy ( c o l l e c t i o n ) , 1 2 , 9 7 , 1 0 3 , 1 0 8 E l i o t , T . S . , 4 3 , 4 5 , 1 8 5 H a r e , D a v i d , 2 3 9 E m b r e y , G l e n n , 1 6 7 Harper’s Bazaar , 219 E v e r e t t , R u p e r t , 2 0 6 H a y , H a r r y , 8 6 Hays, Peter L., 214 Falk, Signi, 175 Hazan, Joseph, 117 F a l o c c o , J o e , 1 9 6 Headlines , 2 5 F B I , 2 1 , 6 4 , 2 2 1 H e l l e r , J o s e p h , 2 3 i n Fugitive Kind , 3 1 H e l l m a n , L i l l i a n , 1 9 4 Fitzgerald, F. Scott and Zelda, 211 , 214 Hello from Bertha , 215 Fleche, Anne, 176 Hemingway, Ernest, 237 F o u c a u l t , M i c h e l Herron, Ima Honaker, 128 Th e History of Sexuality vol. 1 , 183 ‘ H i s F a t h e r ’ s H o u s e ’ , 1 5 F r e u d , S i g m u n d , 5 , 2 0 9 H o l l a n d , W i l l a r d , 1 0 O e d i p u s C o m p l e x , 1 8 d i r e c t o r o f t h e M u m m e r s , 2 5 F r i e d a n , B e t t y , 1 8 7 , 1 9 4 H o l l i fi e l d , J o s e p h P h e l a n , 2 6 , 2 7 Fugitive Kind , 1 0 , 2 6 , 2 7 , 3 0 – 3 , 3 5 , 3 7 , 3 8 , 4 2 , h o m o p h o b i a , 7 1 , 7 2 , 7 3 , 8 5 , 1 0 4 , 1 1 7 4 6 , 4 9 i n And Tell Sad Stories of the Deaths of comparison with Th e Red Devil Battery Queens … , 9 2 , 9 5 , 9 6 Sign , 5 7 i n Cat on a Hot Tin Roof , 8 4 , 8 5 i n Th e Knightly Quest , 5 3 Gagarin, Yuri, 52 i n Something Cloudy, Something Clear Garc í a, Mario T., 170 and Th e Parade, or Approaching the Garden District End of a Summer , 119 collective title for Suddenly Last Summer and i n A Streetcar Named Desire , 7 4 Something Unspoken , 195 h o m o s e x u a l i t y , 9 , 1 2 , 1 3 , 2 2 , 7 0 , 7 1 , 7 6 , 8 2 , 9 1 , Gassner, John, 227 9 2 , 9 6 , 1 0 9 , 1 1 0 , 1 3 1 , 1 5 3 , 1 7 3 , 1 7 5 , 1 8 6 , Gates Jr, Henry Louis, 147 1 9 4 , 1 9 6 , 1 9 7 g a y l i b e r a t i o n m o v e m e n t , 9 , 1 5 , 2 4 , 7 1 , and religion, 103 1 2 3 , 1 2 4 i n And Tell Sad Stories of the Deaths of gay rights movement, 16 Queens … , 9 3 , 9 5 Gay Sunshine , 7 1 , 7 2 i n Camino Real , 4 3 Gianakaris, C.
Recommended publications
  • Download Your PDF Copy of Orpheus Descending: a Study Guide
    Tennessee Williams’ Directed by Virginia Reh Assistant Directed by Karen McDonald Designed by Michael Greves Department of Dramatic Arts of the Marilyn I. Walker School of Fine and Performing Arts, Brock University Presented in the Sean O’ Sullivan Theatre Centre for the Arts, Brock University St. Catharines, Ontario November 10-12, 2011 Orpheus Descending: A Study Guide Prepared by: Virginia Reh, Director and Department of Dramatic Arts Associate Professor Michael Greves, Scenographer Karen McDonald, Assistant Director and Dramatic Arts Student Erica Charles, Dramaturge and Third Year Dramatic Arts Student Tami Friedman, Historical Consultant Discussion Questions Prepared by Kathy Cavaleri, Dramatic Arts Student “There’s something wild in the country...” ! -Val Xavier, Act 1, Scene 4i Figure 1. “A Great Black and White Desert Snake Eating” Orpheus Descending: A Study Guide!!! !!!!!!! Brock University Department of Dramatic Arts Marilyn I. Walker School of Fine and Performing Arts Page 1 of 35 November, 2011 TABLE OF CONTENTS 1. Collaboration 2. List of Characters 3. The Plot 4. The Playwright: Tennessee Williams 5. Director’s Notes 6. Production History 7. Faith, Myth and Spirituality 8. Aunt Conjure and the Choctaw 9. Historical Content 10. Dramaturge’s Notes 11. Discussion Questions 12. List of Terms 13. List of Figures 14. Endnotes and Bibliography Orpheus Descending: A Study Guide!!! Brock University Department of Dramatic Arts Marilyn I. Walker School of Fine and Performing Arts Page 2 of 35 November, 2011 1. Collaboration Orpheus Descending !!!!!! Written by Tennessee Williams November 10, 11, 12, 2011 at 7:30pm; November 11, 2011 at 1:00pm Brock University Department of Dramatic Arts Marilyn I.
    [Show full text]
  • Glbtq >> Special Features >> You Are Not the Playwright I Was Expecting: Tennessee Williams's Late Plays
    Special Features Index Tennessee Williams's Late Plays Newsletter April 1, 2012 Sign up for glbtq's You Are Not the Playwright I Was Expecting: free newsletter to Tennessee Williams's Late Plays receive a spotlight on GLBT culture by Thomas Keith every month. e-mail address If you are not familiar with the later plays of Tennessee Williams and would like to be, then it is helpful to put aside some assumptions about the playwright, or throw them out entirely. subscribe Except in snatches, snippets, and occasional arias, you will not find privacy policy Williams's familiar language--the dialogue that, as Arthur Miller unsubscribe declared, "plant[ed] the flag of beauty on the shores of commercial theater." Forget it. Let it go and, for better or worse, take the Encyclopedia dialogue as it comes. Discussion go Okay, some of it will still be beautiful. You'll find a few Southern stories, but even those are not your mother's Tennessee Williams. Certain elements of his aesthetic will be recognizable, but these works do not have the rhythms or tone of his most famous plays. No More Southern Belles Williams declared to the press in the early 1960s, "There will be no more Southern belles!" A decade later he told an interviewer, "I used to write symphonies; now I write chamber music, smaller plays." Log In Now You will recognize familiar themes: the plight of Forgot Your Password? outsiders--the fugitive, the sensitive, the Tennessee Williams in Not a Member Yet? isolated, the artist; the nature of compassion 1965.
    [Show full text]
  • The Relevance of Tennessee Williams for the 21St- Century Actress
    Ouachita Baptist University Scholarly Commons @ Ouachita Honors Theses Carl Goodson Honors Program 2009 Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Ouachita Baptist University Follow this and additional works at: https://scholarlycommons.obu.edu/honors_theses Part of the American Film Studies Commons, and the Theatre and Performance Studies Commons Recommended Citation Bealer, Marcie Danae, "Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress" (2009). Honors Theses. 24. https://scholarlycommons.obu.edu/honors_theses/24 This Thesis is brought to you for free and open access by the Carl Goodson Honors Program at Scholarly Commons @ Ouachita. It has been accepted for inclusion in Honors Theses by an authorized administrator of Scholarly Commons @ Ouachita. For more information, please contact [email protected]. Then & Now: The Relevance of Tennessee Williams for the 21st- Century Actress Marcie Danae Bealer Honors Thesis Ouachita Baptist University Spring 2009 Bealer 2 Finding a place to begin, discussing the role Tennessee Williams has played in the American Theatre is a daunting task. As a playwright Williams has "sustained dramatic power," which allow him to continue to be a large part of American Theatre, from small theatre groups to actor's workshops across the country. Williams holds a central location in the history of American Theatre (Roudane 1). Williams's impact is evidenced in that "there is no actress on earth who will not testify that Williams created the best women characters in the modem theatre" (Benedict, par 1). According to Gore Vidal, "it is widely believed that since Tennessee Williams liked to have sex with men (true), he hated women (untrue); as a result his women characters are thought to be malicious creatures, designed to subvert and destroy godly straightness" (Benedict, par.
    [Show full text]
  • The Theatre of Tennessee Williams: Languages, Bodies and Ecologies
    Barnett, David. "Index." The Theatre of Tennessee Williams: Languages, Bodies and Ecologies. London: Bloomsbury Methuen Drama, 2014. 295–310. Bloomsbury Collections. Web. 29 Sep. 2021. <>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 29 September 2021, 17:43 UTC. Copyright © Brenda Murphy 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. INDEX Major discussions of plays are indicated in bold type . Williams ’ s works are entered under their titles. Plays by other authors are listed under authors ’ names. Actors Studio 87, 95 “ Balcony in Ferrara, Th e ” 55 Adamson, Eve 180 Bankhead, Tallulah 178 Adler, Th omas 163 Barnes, Clive 172, 177, Albee, Edward 167 268n. 17 Alpert, Hollis 189 Barnes, Howard 187 American Blues 95 Barnes, Richard 188 Ames, Daniel R. 196 – 8, Barnes, William 276 203 – 4 Barry, Philip 38 Anderson, Maxwell Here Come the Clowns 168 Truckline Caf é 215 Battle of Angels 2 , 7, 17, 32, Anderson, Robert 35 – 47 , 51, 53, 56, 64, 93, Tea and Sympathy 116 , 119 173, 210, 233, 272 “ Angel in the Alcove, Th e ” Cassandra motif 43 4, 176 censorship of 41 Ashley, Elizabeth 264 fi re scene 39 – 40 Atkinson, Brooks 72, 89, Freudian psychology in 44 104 – 5, 117, 189, 204, political content 46 – 7 209 – 10, 219 – 20 production of 39, 272 Auto-Da-Fe 264 reviews of 40 – 1, 211 Ayers, Lemuel 54, 96 Th eatre Guild production 37 Baby Doll 226 , 273, 276 themes and characters 35 Bak, John S.
    [Show full text]
  • Tennessee Williams' "Plastic Theater" a Formulation of Dramaturgy for "The American Method" Theater
    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2015 Tennessee Williams' "Plastic Theater" A Formulation of Dramaturgy for "The American Method" Theater Peter A. Philips Follow this and additional works at: https://scholarworks.umt.edu/etd Part of the Theatre and Performance Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Philips, Peter A., "Tennessee Williams' "Plastic Theater" A Formulation of Dramaturgy for "The American Method" Theater" (2015). Graduate Student Theses, Dissertations, & Professional Papers. 4471. https://scholarworks.umt.edu/etd/4471 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Contents Acknowledgements ...............................................................................................1 Preface ....................................................................................................................2 Introduction ...........................................................................................................5 Chapter Synopsis .........................................................................................7 Chapter 1. Tennessee Williams: A
    [Show full text]
  • Clothes Playbill
    Ticketing Services Provided By WHITE HORSE THEATER COMPANY PRESENTS..... White Horse Theater website & the contents of this playbill (excluding the front cover) are designed, produced and maintained by Right Side of NY. www.WhiteHorseTheater.com February 5 to 21, 2010 ❖ Hudson Guild Theatre “Life ended for me when Zelda and I crashed. If she could get well, I would be happy again. Otherwise, never.” - SPECIAL POST-SHOW DISCUSSION ON F. Scott Fitzgerald* SUNDAY, FEB 14TH! With Renowned Williams Scholar Dr. Annette J. Saddik "I determined to find an impersonal escape, a world in which I and Nancy Milford, author of Zelda could express myself and walk without the help of somebody who was always far from me." - Zelda Fitzgerald** Moderated by Jennifer-Scott Mobley, Ph.D. Candidate in Theater History & Criticism, CUNY Graduate Center Clothes for a Summer Hotel, Mr. Williams’ highly theatrical and evocative “ghost play”, imagines an ethereal final meeting Dr. Saddik is an Associate Professor in the English between the restless ghosts of literary great F. Scott Fitzgerald Department at New York City College of Technology and his wife Zelda. Set on a windy hilltop at the gates of the Asheville, NC asylum where Zelda was institutionalized before her (CUNY), a teacher in the Ph.D. Program in Theatre at the death by fire in 1948, a desperate Scott pleads for CUNY Graduate Center and the author of Contemporary reconciliation while Zelda blames him for her failed writing American Drama and The Politics of Reputation: The career and ensuing madness. Taking extraordinary liberties with time and place, Clothes fuses the past, present and future as Critical Reception of Tennessee Williams’ Later Plays.
    [Show full text]
  • External Content.Pdf
    i THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy is Board of Trustees Distinguished Professor of English, Emeritus at the University of Connecticut. Among her 18 books on American drama and theatre are Tennessee Williams and Elia Kazan: A Collaboration in the Theatre (1992), Understanding David Mamet (2011), Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television (1999), The Provincetown Players and the Culture of Modernity (2005), and as editor, Critical Insights: Tennessee Williams (2011) and Critical Insights: A Streetcar Named Desire (2010). In the same series from Bloomsbury Methuen Drama: THE PLAYS OF SAMUEL BECKETT by Katherine Weiss THE THEATRE OF MARTIN CRIMP (SECOND EDITION) by Aleks Sierz THE THEATRE OF BRIAN FRIEL by Christopher Murray THE THEATRE OF DAVID GREIG by Clare Wallace THE THEATRE AND FILMS OF MARTIN MCDONAGH by Patrick Lonergan MODERN ASIAN THEATRE AND PERFORMANCE 1900–2000 Kevin J. Wetmore and Siyuan Liu THE THEATRE OF SEAN O’CASEY by James Moran THE THEATRE OF HAROLD PINTER by Mark Taylor-Batty THE THEATRE OF TIMBERLAKE WERTENBAKER by Sophie Bush Forthcoming: THE THEATRE OF CARYL CHURCHILL by R. Darren Gobert THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy Series Editors: Patrick Lonergan and Erin Hurley LONDON • NEW DELHI • NEW YORK • SYDNEY Bloomsbury Methuen Drama An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trademark of Bloomsbury Publishing Plc First published 2014 © Brenda Murphy, 2014 This work is published subject to a Creative Commons Attribution Non-commercial No Derivatives Licence. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher.
    [Show full text]
  • The Bar Plays" Features Productions Of
    FOR IMMEDIATE RELEASE Contemporary, Complex, and Urgent -- The Williams Project's 2-Play Summer Series "The Bar Plays" Features Productions Of SMALL CRAFT WARNINGS By Tennessee Williams THE TIME OF YOUR LIFE By William Saroyan Full Company announced for each play, set to perform in repertory at Washington Hall, August 7-25, 2019. "For me, these are plays about what community looks like and how we treat each other in the midst of uncertainty and catastrophe" -Ryan Purcell, director Seattle, WASH (July 8, 2019) -- The Williams Project today announced the cast and creative team of its 2019 production line-up, "The Bar Plays," a two-play series including productions of Tennessee Williams' Small Craft Warnings and The Time Of Your Life by William Saroyan, performed in repertory at Seattle's historic Washington Hall in the Central District. The two-play series is directed by The Williams Project artistic director Ryan Guzzo Purcell, and will perform August 7-25, 2019 (opening night is August 8 for Small Craft Warnings and August 16 for The Time of Your Life) in Washington Hall's Lodge Room. Tickets are on sale now at TheWilliamsProject.org and every performance of both productions offers the pay-what-you-can ticketing option. The Williams Project always aims to find new ways to welcome diverse audiences into the theatre. One of their strategies has been to build unconventional theatre spaces, creating environments that disrupt expectations around traditional arts attendance and feel welcoming to audience members who don't usually go to the theatre. The company settled on this season's immersive setting because "bars have a way of making people feel at home," Purcell says.
    [Show full text]
  • MODERN DRAMATISTS Modern Dramatists Series Editors: Bruce King and Adele King
    MODERN DRAMATISTS Modern Dramatists Series Editors: Bruce King and Adele King Published Titles Roger Boxill: Tennessee Williams Dennis Carroll: David Mamet Frances Gray: Noel Coward Charles Hayter: Gilbert and Sullivan Gerry McCarthy: Edward Albee Ronald Speirs: Bertolt Brecht Further titles are in preparation MODERN DRAMATISTS ~El\Tl\TESSEE WILLIAMS Roger Boxill Professor of English City College, University of New York Macmillan Education ISBN 978-0-333-30885-1 ISBN 978-1-349-18654-9 (eBook) DOI 10.1007/978-1-349-18654-9 © Roger Boxill 1987 Softcover reprint of the hardcover 1st edition 1987 All rights reserved. For information, write: Scholarly & Reference Division, St. Martin's Press, Inc., 175 Fifth Avenue, New York, NY 10010 First published in the United States of America in 1987 ISBN 978-0-312-00209-1 Library of Congress Cataloging-in-Publication Data Boxill, Roger. Tennessee Williams. (Modern dramatists) Bibliography: p. Includes index. 1. Williams, Tennessee, 1911- -Criticism and interpretation. I. Title. II. Series. PS3545.I5365Z58 1987 812' .54 86-20337 ISBN 978-0-312-00209-1 Editors' Preface The Modern Dramatists is an international series of introductions to major and significant nineteenth- and twentieth-century dramatists, movements and new forms of drama in Europe, Great Britain, America and new nations such as Nigeria and Trinidad. Besides new studies of great and influential dramatists of the past, the series includes volumes on contemporary authors, recent trends in the theatre and on many dramatists, such as writers of farce, who have created theatre 'classics' while being neglected by literary criticism. The volumes in the series devoted to individual dramatists include a biography, a survey of the plays, and detailed analysis of the most significant plays, along with discussion, where relevant, of the political, social, historical and theatrical context.
    [Show full text]
  • Theatre of Tennessee Williams
    i THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy is Board of Trustees Distinguished Professor of English, Emeritus at the University of Connecticut. Among her 18 books on American drama and theatre are Tennessee Williams and Elia Kazan: A Collaboration in the Theatre (1992), Understanding David Mamet (2011), Congressional Theatre: Dramatizing McCarthyism on Stage, Film, and Television (1999), The Provincetown Players and the Culture of Modernity (2005), and as editor, Critical Insights: Tennessee Williams (2011) and Critical Insights: A Streetcar Named Desire (2010). In the same series from Bloomsbury Methuen Drama: THE PLAYS OF SAMUEL BECKETT by Katherine Weiss THE THEATRE OF MARTIN CRIMP (SECOND EDITION) by Aleks Sierz THE THEATRE OF BRIAN FRIEL by Christopher Murray THE THEATRE OF DAVID GREIG by Clare Wallace THE THEATRE AND FILMS OF MARTIN MCDONAGH by Patrick Lonergan MODERN ASIAN THEATRE AND PERFORMANCE 1900–2000 Kevin J. Wetmore and Siyuan Liu THE THEATRE OF SEAN O’CASEY by James Moran THE THEATRE OF HAROLD PINTER by Mark Taylor-Batty THE THEATRE OF TIMBERLAKE WERTENBAKER by Sophie Bush Forthcoming: THE THEATRE OF CARYL CHURCHILL by R. Darren Gobert THE THEATRE OF TENNESSEE WILLIAMS Brenda Murphy Series Editors: Patrick Lonergan and Erin Hurley LONDON • NEW DELHI • NEW YORK • SYDNEY Bloomsbury Methuen Drama An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trademark of Bloomsbury Publishing Plc First published 2014 © Brenda Murphy, 2014 All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers.
    [Show full text]
  • An Interpretive Study of the Religious Element in the Work of Tennessee Williams
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1973 An Interpretive Study of the Religious Element in the Work of Tennessee Williams. Henry R. Beasley Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Beasley, Henry R., "An Interpretive Study of the Religious Element in the Work of Tennessee Williams." (1973). LSU Historical Dissertations and Theses. 2444. https://digitalcommons.lsu.edu/gradschool_disstheses/2444 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. 74-7206 BEASLEY, Henry R., 1939- AN INTERPRETIVE STUDY OF THE RELIGIOUS ELEMENT IN THE WORK OF TENNESSEE WILLIAMS. The Louisiana State University and Agricultural and Mechanical College, Ph.D., 1973 Language and Literature, modern I University Microfilms, A XERQKCompany, Ann Arbor, Michigan TUTC nTCCPOTATTOM HAS RFEN MICROFILMED EXACTLY AS RECEIVED. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. AN INTERPRETIVE STUDY OF THE RELIGIOUS ELEMENT IN THE WORK OF TENNESSEE WILLIAMS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University emd Agricultural emd Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English by Henry R. Beasley B.A., McNeese State University, 1961 M.A., Louisiana State University, 1965 August 1973 Reproduced with permission of the copyright owner.
    [Show full text]
  • Performing Tennessee Williams
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 2012 Performing Tennessee Williams Augustine Correro III Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Theatre and Performance Studies Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/2713 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. © Augustine J Correro 2012 All Rights Reserved Performing Tennessee Williams A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts at Virginia Commonwealth University. by Augustine J Correro Bachelor of Arts, Mississippi University for Women 2006 Associate of Arts, Mississippi Delta Community College 2004 Director: Josh Chenard, Head of Performance, Department of Theatre Virginia Commonwealth University Richmond, Virginia April, 2012 Acknowledgement The author would like to thank Brook Hanemann for first changing his mind about Tennessee Williams. He would like to thank Dr. Noreen Barnes for her valuable insights. Finally, he would like to acknowledge Josh Chenard and Lorri Lindberg for taking the journey of Suddenly Last Summer with him: an opportunity he will not forget. ii Abstract ............................................................................................................................v
    [Show full text]