Short Presentation Research Outputs
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Malamud Release 2013
FOR IMMEDIATE RELEASE PRESS CONTACT: Wednesday, April 3, 2013 Peter Eramo, (202) 675-0344, [email protected] Emma Snyder, (202) 898-9061, [email protected] George Saunders to receive 2013 PEN/Malamud Award for Excellence in the Short Story Washington, D.C.—George Saunders has been selected to receive the 2013 PEN/Malamud Award. Given annually since 1988 in honor of the late Bernard Malamud, this award recognizes a body of work that demonstrates excellence in the art of short fiction. The announcement was made today by the directors of the PEN/Faulkner Foundation, Robert Stone and Susan Richards Shreve, Co-Chairs. George Saunders is an acclaimed essayist and author of novellas, but he is best known for his energetic, inventive, and deeply humane short stories. In the words of Alan Cheuse, a member of the Malamud Award Committee, “Saunders is one of the most gifted and seriously successful comic short story writers working in America today. And his comedy, like most great comedy, is dark. George Saunders is the real thing, the successor to such dark comedians of ordinary speech as Donald Barthelme and Grace Paley. He's a Vonnegutian in his soul and, paradoxically, a writer like no one but himself.” This singular writing voice is equal parts hilarious and compassionate, merging colloquial language with technocratic jargon, surreal futuristic landscapes with everyday homes and yards, foreboding undercurrents with sparks of enormous optimism. The first of Saunders’s four published story collections, CivilWarLand in Bad Decline, arrived in 1996 and moved Thomas Pynchon to describe Saunders as, “An astoundingly tuned voice—graceful, dark, authentic, and funny—telling just the kinds of stories we need to get us through these times.” His most recent collection, Tenth of December, was published to near universal acclaim in January of 2013 and inspired a New York Times Magazine cover story titled, “George Saunders Has Written the Best Book You’ll Read This Year.” Charles Yu, reviewing it in the L.A. -
Dear READER, Winter/Spring 2021 SQUARE BOOKS TOP 100 of 2020 to Understate It—2020 Was Not Square Books’ Best Year
Dear READER, Winter/Spring 2021 SQUARE BOOKS TOP 100 OF 2020 To understate it—2020 was not Square Books’ best year. Like everyone, we struggled—but we are grateful to remain in business, and that all the booksellers here are healthy. When Covid19 arrived, our foot-traffic fell precipitously, and sales with it—2020 second-quarter sales were down 52% from those of the same period in 2019. But our many loyal customers adjusted along with us as we reopened operations when we were more confident of doing business safely. The sales trend improved in the third quarter, and November/December were only slightly down compared to those two months last year. We are immensely grateful to those of you who ordered online or by phone, allowing us to ship, deliver, or hold for curbside pickup, or who waited outside our doors to enter once our visitor count was at capacity. It is only through your abiding support that Square Books remains in business, ending the year down 30% and solid footing to face the continuing challenge of Covid in 2021. And there were some very good books published, of which one hundred bestsellers we’ll mention now. (By the way, we still have signed copies of many of these books; enquire accordingly.) Many books appear on this list every year—old favorites, if you will, including three William Faulkner books: Selected Short Stories (37th on our list) which we often recommend to WF novices, The Sound and the Fury (59) and As I Lay Dying (56), as well as a notably good new biography of Faulkner by Michael Gorra, The Saddest Words: William Faulkner’s Civil War (61). -
Daniel Green
DANIEL GREEN 2 TABLE OF CONTENTS RADICAL REALISTS “Like Life: Radical Realism and the Fiction of Sam Pink” (5) “Reinforcing Hard Reality: Stephen Dixon” (14) “Sincerity and the Surface: On Nicholson Baker” (19) “Not Somewhere or Anywhere” (Ottessa Moshfegh) (26) “Entering Cross River” (Rion Amilcar Scott) (30) “Contextualized Naturalism: The Artfulness of Russell Banks's Affliction” (36) “Sleights of Hand” (Philip Roth) (46) REGRESSIVE REALISTS “Richard Powers I: Forsaking Illusions” (50) “Lost in the Woods: Richard Powers, The Overstory” (58) “Safely Familiar” (Denis Johnson) (63) “Getting At The Thing Itself” (Kent Haruf” (66) “Endless Talk” (Richard Ford) (71) “Killing the Joke” (Lorrie Moore) (80) “Until the Movie Comes Out” (Richard Russo) (84) “Illusions of Substance” (Charles Baxter) (89) 3 PREFACE The underlying assumption of most of my critical writing has been that, far from representing a tangential, eccentric practice (as much of current literary culture would have it), “experimental” fiction in fact provides an indispensable service in helping to keep the literary resources of fiction refreshed. Often this entails contrasting such fiction with a conventionalized or exhausted realism, which despite the interventions of fabulists and postmodernists (not to mention the efforts of many genre writers) remains more or less the default preference in both American fiction and general-interest literary criticism. But the problem with a blanket critique of realism, especially from the years after World War II, and even more especially -
Selected Letters of William Styron
Dear Winter 2013 Selected Letters of William Styron Book Signing Event Rose Styron & Blakeslee Gilpin February 11th THE YEAR IN REVIEW 2012 With 2012 in rear view, we are very thankful for the many writers who came to us and the publishers who sent them to Square Books, as their books tend to dominate our bestseller list; some, like James Meek (The Heart Broke In, #30) and Lawrence Norfolk (John Saturnall’s Feast, #29), from as far as England – perhaps it’s the fascination with Lady Almina and the Real Downton Abbey (67) or J. K. Rowling’s Casual Vacancy (78). But as Dear Readers know, this list is usually crowded with those who live or have lived here, like Dean Wells’ Every Day by the Sun (22) or (long ago) James Meredith (A Mission From God, (10); William Faulkner’s Selected Stories (43), Ole Miss at Oxford, by Bill Morris (37), Mike Stewart’s Sporting Dogs and Retriever Training (39), John Brandon’s A Million Heavens (24), Airships (94), by Barry Hannah, Dream Cabinet by Ann Fisher-Wirth (87), Beginnings & Endings (85) by Ron Borne, Facing the Music (65) by Larry Brown, Neil White’s In the Sanctuary of Outcasts (35), the King twins’ Y’all Twins? (12), Tom Franklin’s Crooked Letter Crooked Letter (13), The Fall of the House of Zeus (15) by Curtis Wilkie, Julie Cantrell’s Into the Free (16), Ole Miss Daily Devotions (18), and two perennial local favorites Wyatt Waters’ Oxford Sketchbook (36) and Square Table (8), which has been in our top ten ever since it was published; not to forget Sam Haskell and Promises I Made My Mother (6) or John Grisham, secure in the top two spots with The Racketeer and Calico Joe, nor our friend Richard Ford, with his great novel, Canada (5). -
Faulkner's Wake: the Emergence of Literary Oxford
University of Mississippi eGrove Honors College (Sally McDonnell Barksdale Honors Theses Honors College) 2004 Faulkner's Wake: The Emergence of Literary Oxford John Louis Fuller Follow this and additional works at: https://egrove.olemiss.edu/hon_thesis Recommended Citation Fuller, John Louis, "Faulkner's Wake: The Emergence of Literary Oxford" (2004). Honors Theses. 2005. https://egrove.olemiss.edu/hon_thesis/2005 This Undergraduate Thesis is brought to you for free and open access by the Honors College (Sally McDonnell Barksdale Honors College) at eGrove. It has been accepted for inclusion in Honors Theses by an authorized administrator of eGrove. For more information, please contact [email protected]. Faulkner’s Wake: The Emergence of Literary Oxford Bv John L. Fuller A thesis submitted to the faculty of The University of Mississippi in partial fulfillment of the requirements of the Sally McDonnell Barksdale Honors College. Oxford April 2005 Advisor; Dr. Judson D. Wafson -7 ■ / ^—- Reader: Dr. Benjamin F. Fisher y. Reader: Dr. Andrew P. D^rffms Copyright © by John L. Fuller All Rights Reserved 1 For my parents Contents Abstract 5 I The Beginnings 9 (4Tell About the South 18 A Literary Awakening 25 II If You Build It, They Will Come 35 An Interview with Pochard Howorth 44Football, Faulkner, and Friends 57 An Interview with Barry Hannah Advancing Oxford’s Message 75 An Interview with Ann J. Abadie Oxford Tom 99 An Interview with Tom Franklin III Literary Grounds 117 Works cited 120 Abstract The genesis of this project was a commercial I saw on television advertising the University of Mississippi. “Is it the words that capture a place, or the place that captures the words?” noted actor and Mississippi native Morgan Freeman asked. -
Fall2011.Pdf
Grove Press Atlantic Monthly Press Black Cat The Mysterious Press Granta Fall 201 1 NOW AVAILABLE Complete and updated coverage by The New York Times about WikiLeaks and their controversial release of diplomatic cables and war logs OPEN SECRETS WikiLeaks, War, and American Diplomacy The New York Times Introduction by Bill Keller • Essential, unparalleled coverage A New York Times Best Seller from the expert writers at The New York Times on the hundreds he controversial antisecrecy organization WikiLeaks, led by Julian of thousands of confidential Assange, made headlines around the world when it released hundreds of documents revealed by WikiLeaks thousands of classified U.S. government documents in 2010. Allowed • Open Secrets also contains a T fascinating selection of original advance access, The New York Times sorted, searched, and analyzed these secret cables and war logs archives, placed them in context, and played a crucial role in breaking the WikiLeaks story. • online promotion at Open Secrets, originally published as an e-book, is the essential collection www.nytimes.com/opensecrets of the Times’s expert reporting and analysis, as well as the definitive chronicle of the documents’ release and the controversy that ensued. An introduction by Times executive editor, Bill Keller, details the paper’s cloak-and-dagger “We may look back at the war logs as relationship with a difficult source. Extended profiles of Assange and Bradley a herald of the end of America’s Manning, the Army private suspected of being his source, offer keen insight engagement in Afghanistan, just as into the main players. Collected news stories offer a broad and deep view into the Pentagon Papers are now a Iraq, Afghanistan, Pakistan, and the messy challenges facing American power milestone in our slo-mo exit from in Europe, Russia, Asia, the Middle East, and Africa. -
Let Me Be Frank with You Richard Ford
BIBLIOTECA TECLA SALA February 15, 2018 Let Me Be Frank With You Richard Ford Introduction A brilliant new work that returns Richard Ford to the hallowed territory that sealed his reputation as an American master: the world of Frank Bascombe, and the landscape of his celebrated novels The Sportswriter, the Pulitzer Prize and PEN/Faulkner winning Independence Day, and The Lay of the Land. In his trio of world-acclaimed novels portraying the life of an entire American generation, Richard Ford has imagined one of the most indelible and widely discussed characters in modern literature, Frank Bascombe. Through Bascombe—protean, funny, profane, wise, often inappropriate—we’ve witnessed the aspirations, sorrows, longings, achievements and failings of an American life in the twilight of the twentieth century. Contents: Now, in Let Me Be Frank with You, Ford reinvents Introduction 1 Bascombe in the aftermath of Hurricane Sandy. In four richly luminous narratives, Bascombe (and Ford) Biography: Richard 2 attempts to reconcile, interpret and console a world Ford undone by calamity. It is a moving and wondrous and extremely funny odyssey through the America we live Living with Frank 3-5 in at this moment. Ford is here again working with the Bascombe: an maturity and brilliance of a writer at the absolute interview with height of his powers. Richard Ford [https://www.harpercollins.com/9780061692062/let- Notes 6 me-be-frank-with-you] Page 2 Biography: Richard Ford Richard Ford, (born February 16, the novellas comprisedin Let Me 1944, Jackson, Mississippi, U.S.), Be Frank with You (2014). American writer of novels and short stories about lonely and In Wildlife (1990) Ford depicted a damaged people. -
Jim Rockford Or Tony Soprano: Coastal Contrasts in American Suburbia
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PDXScholar Portland State University PDXScholar Urban Studies and Planning Faculty Publications Nohad A. Toulan School of Urban Studies and and Presentations Planning 2-2014 Jim Rockford or Tony Soprano: Coastal Contrasts in American Suburbia Carl Abbott Portland State University, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://pdxscholar.library.pdx.edu/usp_fac Part of the American Popular Culture Commons, and the Urban Studies and Planning Commons Citation Details Abbott, C. (2014). Jim Rockford or Tony Soprano: Coastal Contrasts in American Suburbia. Pacific iH storical Review, Vol. 83, No. 1, pp. 1-23. This Article is brought to you for free and open access. It has been accepted for inclusion in Urban Studies and Planning Faculty Publications and Presentations by an authorized administrator of PDXScholar. For more information, please contact [email protected]. Jim Rockford or Tony Soprano: Coastal Contrasts in American Suburbia CARL ABBOTT The author taught urban history and planning in the Toulan School of Urban Studies and Planning at Portland State University. This was his presidential address at the annual meeting of the Pacific Coast Branch, American Historical Association, in Denver, Colorado, on August 10, 2013. Both in television shows such as The Rockford Files and The Sopranos and in the fiction of writers such as John Updike, Richard Ford, and Douglas Coupland, popular culture draws a distinction between Atlantic Coast and Pacific Coast suburbs. The dif- ferences revolve around two themes. -
Addition to Summer Letter
May 2020 Dear Student, You are enrolled in Advanced Placement English Literature and Composition for the coming school year. Bowling Green High School has offered this course since 1983. I thought that I would tell you a little bit about the course and what will be expected of you. Please share this letter with your parents or guardians. A.P. Literature and Composition is a year-long class that is taught on a college freshman level. This means that we will read college level texts—often from college anthologies—and we will deal with other materials generally taught in college. You should be advised that some of these texts are sophisticated and contain mature themes and/or advanced levels of difficulty. In this class we will concentrate on refining reading, writing, and critical analysis skills, as well as personal reactions to literature. A.P. Literature is not a survey course or a history of literature course so instead of studying English and world literature chronologically, we will be studying a mix of classic and contemporary pieces of fiction from all eras and from diverse cultures. This gives us an opportunity to develop more than a superficial understanding of literary works and their ideas. Writing is at the heart of this A.P. course, so you will write often in journals, in both personal and researched essays, and in creative responses. You will need to revise your writing. I have found that even good students—like you—need to refine, mature, and improve their writing skills. You will have to work diligently at revising major essays. -
Suburbs in American Literature
FILOZOFICKÁ FAKULTA UNIVERZITY PALACKÉHO KATEDRA ANGLISTIKY A AMERIKANISTIKY SUBURBS IN AMERICAN LITERATURE A STUDY OF THREE SELECTED SUBURBAN NOVELS (Bakalářská práce) Autor: Lucie Růžičková Anglická filologie- Žurnalistika Vedoucí práce: Mgr. Jiří Flajšar, PhD. OLOMOUC 2013 Katedra anglistiky a amerikanistiky Suburbs in American Literature A Study of Three Selected Suburban Novels (Diplomová práce) Autor: Lucie Růžičková Studijní obor: Anglická a žurnalistika Vedoucí práce: Mgr. Jiří Flajšar, Ph.D. Počet stran (podle čísel): Počet znaků: Olomouc 2013 Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně a uvedla úplný seznam citované a použité literatury. V Olomouci dne 25.4. 2013 ………………………… I would like to say thank you to Mgr. Jiří Flajšar, Ph.D., who has been very patient with me and has been of a great support and help while supervising my thesis. TABLE OF CONTENTS: 1. Introduction ………………………………………………………. 3 2. Suburbs – The Terminology ……………………………………… 5 2.1 American Suburbs ……………………………………………. 5 2.2 Brief history of American suburbia …………………………... 6 2.3 Suburban novel and well-know authors ……………………… 7 3. John Updike ………………………………………………………. 10 3.1 Biography ……………………………………………………... 10 3.2 Bibliography …………………………………………………... 11 4. Rabbit, Run – The Analysis ………………………………………. 13 4.1 The plot ……………………………………………………….. 13 4.2 The portrait of suburb ………………………………………… 16 4.3 Characters and their relationships …………………………….. 17 4.3.1 Harry “Rabbit” Angstrom ……………………………….. 17 4.3.2 Janice Angstrom …………………………………………. 18 4.3.3 Ruth Leonard …………………………………………….. 19 5. Richard Ford ……………………………………………………….. 21 5.1 Biography ……………………………………………………… 21 5.2 Bibliography …………………………………………………… 22 6. The Sportswriter - The Analysis …………………………………… 24 6.1 The plot ………………………………………………………… 24 6.2 The portrait of suburb ………………………………………….. 27 6.3 Characters and their relationships ……………………………… 28 6.3.1 Frank Bascombe …………………………………………. -
The Pulitzer Prize for Fiction Honors a Distinguished Work of Fiction by an American Author, Preferably Dealing with American Life
Pulitzer Prize Winners Named after Hungarian newspaper publisher Joseph Pulitzer, the Pulitzer Prize for fiction honors a distinguished work of fiction by an American author, preferably dealing with American life. Chosen from a selection of 800 titles by five letter juries since 1918, the award has become one of the most prestigious awards in America for fiction. Holdings found in the library are featured in red. 2017 The Underground Railroad by Colson Whitehead 2016 The Sympathizer by Viet Thanh Nguyen 2015 All the Light we Cannot See by Anthony Doerr 2014 The Goldfinch by Donna Tartt 2013: The Orphan Master’s Son by Adam Johnson 2012: No prize (no majority vote reached) 2011: A visit from the Goon Squad by Jennifer Egan 2010:Tinkers by Paul Harding 2009:Olive Kitteridge by Elizabeth Strout 2008:The Brief and Wondrous Life of Oscar Wao by Junot Diaz 2007:The Road by Cormac McCarthy 2006:March by Geraldine Brooks 2005 Gilead: A Novel, by Marilynne Robinson 2004 The Known World by Edward Jones 2003 Middlesex by Jeffrey Eugenides 2002 Empire Falls by Richard Russo 2001 The Amazing Adventures of Kavalier & Clay by Michael Chabon 2000 Interpreter of Maladies by Jhumpa Lahiri 1999 The Hours by Michael Cunningham 1998 American Pastoral by Philip Roth 1997 Martin Dressler: The Tale of an American Dreamer by Stephan Milhauser 1996 Independence Day by Richard Ford 1995 The Stone Diaries by Carol Shields 1994 The Shipping News by E. Anne Proulx 1993 A Good Scent from a Strange Mountain by Robert Olen Butler 1992 A Thousand Acres by Jane Smiley -
The Concept of Space in John Updike's Rabbit Tetralogy And
“Location Is Everything”: The Concept of Space in John Updike’s Rabbit Tetralogy and Richard Ford’s Bascombe Trilogy Dissertation zur Erlangung des akademischen Grades eines Doktors der Philosophie der Philosophischen Fakultäten der Universität des Saarlandes vorgelegt von Katja KohlerGolly aus Ottweiler Saarbrücken, 2014 Der Dekan: Herr Univ.‐Prof. Dr. P. Riemer Berichterstatter/in: Frau Univ.‐Prof. Dr. A. Fellner, Herr Univ.‐Prof. Dr. P. Morris Tag der letzten Prüfungsleistung: 11.06.2014 To Jörg and Max Table of Contents List of Titles and Their Abbreviations..........................................................................................vi Acknowledgments...........................................................................................................................vii 1. Introduction...........................................................................................................1 1.1. “Location Is Everything”..................................................................................................................1 1.2. Critical Reception ..............................................................................................................................7 1.2.1. Updike ...............................................................................................................................................................7 1.2.2. Ford ....................................................................................................................................................................9