Horse Park Fire Entrapment Facilitated Learning Analysis
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Fire Weather Area Forecast Matrices User’S Guide to Decoding the AFW
Fire Weather Area Forecast Matrices User’s Guide to Decoding the AFW What are the Area Forecast Matrices? The Area Forecast Matrices (AFW) is a table that displays the forecasted weather parameters in 3, 6 and 12 hour intervals out to 7 days in the future. Below is a sample AFW, along with a description of each parameter’s code (blue colored numbers). (1) NCZ510-082100- EASTERN POLK- INCLUDING THE CITIES OF...COLUMBUS 939 AM EST THU DEC 8 2011 (2) DATE THU 12/08/11 FRI 12/09/11 SAT 12/10/11 UTC 3HRLY 09 12 15 18 21 00 03 06 09 12 15 18 21 00 03 06 09 12 15 18 21 00 EST 3HRLY 04 07 10 13 16 19 22 01 04 07 10 13 16 19 22 01 04 07 10 13 16 19 (3) MAX/MIN 51 30 54 32 52 (4) TEMP 39 49 51 41 36 33 32 31 42 51 52 44 39 36 33 32 41 49 50 41 (5) DEWPT 24 21 20 23 26 28 28 26 26 25 25 28 28 26 26 26 26 26 25 25 (6) MIN/MAX RH 29 93 34 78 37 (7) RH 55 32 29 47 67 82 86 79 52 36 35 52 65 68 73 78 53 40 37 51 (8) WIND DIR NW S S SE NE NW NW N NW S S W NW NW NW NW N N N N (9) WIND DIR DEG 33 16 18 12 02 33 31 33 32 19 20 25 33 32 32 32 34 35 35 35 (10) WIND SPD 5 4 5 2 3 0 0 1 2 4 3 2 3 5 5 6 8 8 6 5 (11) CLOUDS CL CL CL FW FW SC SC SC SC SC SC SC SC SC SC SC FW FW FW FW (12) CLOUDS(%) 0 2 1 10 25 34 35 35 33 31 34 37 40 43 37 33 24 15 12 9 (13) VSBY 10 10 10 10 10 10 10 10 (14) POP 12HR 0 0 5 10 10 (15) QPF 12HR 0 0 0 0 0 (16) LAL 1 1 1 1 1 1 1 1 1 (17) HAINES 5 4 4 5 5 5 4 4 5 (18) DSI 1 2 2 (19) MIX HGT 2900 1500 300 3000 2900 400 600 4200 4100 (20) T WIND DIR S NE N SW SW NW NW NW N (21) T WIND SPD 5 3 2 6 9 3 8 13 14 (22) ADI 27 2 5 44 51 5 17 -
A Stylistic Analysis of 2Pac Shakur's Rap Lyrics: in the Perpspective of Paul Grice's Theory of Implicature
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2002 A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature Christopher Darnell Campbell Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the Rhetoric Commons Recommended Citation Campbell, Christopher Darnell, "A stylistic analysis of 2pac Shakur's rap lyrics: In the perpspective of Paul Grice's theory of implicature" (2002). Theses Digitization Project. 2130. https://scholarworks.lib.csusb.edu/etd-project/2130 This Thesis is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in English: English Composition by Christopher Darnell Campbell September 2002 A STYLISTIC ANALYSIS OF 2PAC SHAKUR'S RAP LYRICS: IN THE PERSPECTIVE OF PAUL GRICE'S THEORY OF IMPLICATURE A Thesis Presented to the Faculty of California State University, San Bernardino by Christopher Darnell Campbell September 2002 Approved.by: 7=12 Date Bruce Golden, English ABSTRACT 2pac Shakur (a.k.a Makaveli) was a prolific rapper, poet, revolutionary, and thug. His lyrics were bold, unconventional, truthful, controversial, metaphorical and vulgar. -
Rhythm, Dance, and Resistance in the New Orleans Second Line
UNIVERSITY OF CALIFORNIA Los Angeles “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Ethnomusicology by Benjamin Grant Doleac 2018 © Copyright by Benjamin Grant Doleac 2018 ABSTRACT OF THE DISSERTATION “We Made It Through That Water”: Rhythm, Dance, and Resistance in the New Orleans Second Line by Benjamin Grant Doleac Doctor of Philosophy in Ethnomusicology University of California, Los Angeles, 2018 Professor Cheryl L. Keyes, Chair The black brass band parade known as the second line has been a staple of New Orleans culture for nearly 150 years. Through more than a century of social, political and demographic upheaval, the second line has persisted as an institution in the city’s black community, with its swinging march beats and emphasis on collective improvisation eventually giving rise to jazz, funk, and a multitude of other popular genres both locally and around the world. More than any other local custom, the second line served as a crucible in which the participatory, syncretic character of black music in New Orleans took shape. While the beat of the second line reverberates far beyond the city limits today, the neighborhoods that provide the parade’s sustenance face grave challenges to their existence. Ten years after Hurricane Katrina tore up the economic and cultural fabric of New Orleans, these largely poor communities are plagued on one side by underfunded schools and internecine violence, and on the other by the rising tide of post-disaster gentrification and the redlining-in- disguise of neoliberal urban policy. -
Introduction to Wildland Fire Behavior (S-190) Resources Table of Contents
Introduction to Wildland Fire Behavior (S-190) Resources Table of Contents Web Resources ..............................................................................................................................2 Incident Response Pocket Guide (IRPG).....................................................................................3 Glossary .....................................................................................................................................122 Page 1 Web Resources Fireline Handbook http://www.nwcg.gov/pms/pubs/410-1/410-1.pdf Incident Response Pocket Guide http://www.nwcg.gov/pms/pubs/nfes1077/nfes1077.pdf Page 2 Incident Response Pocket Guide A Publication of the National Wildfire Coordinating Group Sponsored by Incident Operations Standards Working Team as a subset to PMS 410-1 Fireline Handbook JANUARY 2006 PMS 461 NFES 1077 Additional copies of this publication may be ordered from: National Interagency Fire Center, ATTN: Great Basin Cache Supply Office, 3833 South Development Avenue, Boise, Idaho 83705. Order NFES #1077 Table of Contents Table of Contents ............................................................... i Operational Leadership ....................................................v Communication Responsibilities ................................... ix Human Factors Barriers to Situation Awareness and Decision-Making ....................................................x GREEN - OPERATIONAL Risk Management Process ...........................................1 Look Up, Down and Around -
Contwe're ACT
Media contacts for Linkin Park: Dvora Vener Englefield / Michael Moses / Luke Burland (310) 248-6161 / (310) 248-6171 / (615) 214-1490 [email protected] / [email protected] / [email protected] LINKIN PARK ADDS BUSTA RHYMES TO 2008 SUMMER TOUR ACCLAIMED HIP HOP INNOVATOR WILL PERFORM WITH LINKIN PARK, CHRIS CORNELL, THE BRAVERY, ASHES DIVIDE ON PROJEKT REVOLUTION MAIN STAGE REVOLUTION STAGE HEADLINED BY ATREYU AND FEATURING 10 YEARS, HAWTHORNE HEIGHTS, ARMOR FOR SLEEP & STREET DRUM CORPS TOUR BEGINS JULY 16 IN BOSTON Los Angeles, CA (June 3, 2008) – Multi-platinum two-time Grammy-winning rock band Linkin Park has announced that acclaimed hip-hop innovator Busta Rhymes will join their Projekt Revolution 2008 lineup. Rhymes and Linkin Park recently collaborated on “We Made It,” the first single and video from Rhymes’ upcoming album, Blessed. By touring together, Linkin Park & Busta are taking a cue from the chorus of their song: “…we took it on the road…”. As recently pointed out in Rolling Stone’s “Summer Tour Guide,” the tour will see nine acts joining rock superstars Linkin Park, who are also offering concertgoers a digital souvenir pack that includes a recording of the band’s entire set. As the band’s co-lead vocalist Mike Shinoda told the magazine, “That puts extra pressure on us to make sure our set is different every night.” The fifth installation of Linkin Park’s raging road show will see them headlining an all-star bill that features former Soundgarden/Audioslave frontman Chris Cornell, electro-rockers The Bravery and Ashes Divide featuring Billy Howerdel, known for his work with A Perfect Circle. -
SW Fire Weather Annual Operating Plan
SOUTHWEST AREA FIRE WEATHER ANNUAL OPERATING PLAN 2018 Arizona New Mexico West Texas Oklahoma Panhandle 2018 SOUTHWEST AREA FIRE WEATHER ANNUAL OPERATING PLAN SECTION PAGE I. INTRODUCTION 1 II. SIGNIFICANT CHANGES SINCE PREVIOUS PLAN 1 III. SERVICE AREAS AND ORGANIZATIONAL DIRECTORIES 2 IV. NATIONAL WEATHER SERVICE SERVICES AND RESPONSIBILITIES 2 A. Basic Services 2 1. Core Forecast Grids and Web-Based Fire Weather Decision Support 2 2. Fire Weather Watches and Red Flag Warnings (RFW) 2 3. Spot Forecasts 5 4. Fire Weather Planning Forecasts (FWF) 7 5. NFDRS 8 6. Fire Weather Area Forecast Discussion (AFD) 9 7. Interagency Participation 9 B. Special Services 9 C. Forecaster Training 9 D. Individual NWS Forecast Office Information 10 1. Northwest Arizona – Las Vegas, NV 10 2. Northern Arizona – Flagstaff, AZ 10 3. Southeast Arizona – Tucson, AZ 10 4. Southwest and South-Central Arizona – Phoenix, AZ 10 5. Northern and Central New Mexico – Albuquerque, NM 10 6. Southwest/South-Central New Mexico and Far West Texas – El Paso, TX 10 7. Southeast New Mexico and Southwest Texas – Midland, TX 10 8. West-Central Texas – Lubbock, TX 10 9. Texas and Oklahoma Panhandles – Amarillo, TX 10 V. WILDLAND FIRE AGENCY SERVICES AND RESPONSIBILITIES 11 A. Operational Support and Predictive Services 11 B. Program Management 12 C. Monitoring, Feedback and Improvement 12 D. Technology Transfer 12 E. Agency Computer Systems 12 F. WIMS ID’s for NFDRS Stations 12 G. Fire Weather Observations 13 H. Local Fire Management Liaisons & Southwest Area Decision Support Committee___14 Southwest Area Fire Weather Annual Operating Plan Table of Contents VI. -
Midlevel Ventilation's Constraint on Tropical Cyclone Intensity Brian
Midlevel Ventilation’s Constraint on Tropical Cyclone Intensity by Brian Hong-An Tang B.S. Atmospheric Science, University of California Los Angeles, 2004 B.S. Applied Mathematics, University of California Los Angeles, 2004 Submitted to the Department of Earth, Atmospheric and Planetary Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Atmospheric Science at the MASSACHUSETTS INSTITUTE OF TECHNOLOGY September 2010 c Massachusetts Institute of Technology 2010. All rights reserved. Author.............................................. ................ Department of Earth, Atmospheric and Planetary Sciences June 14, 2010 Certified by.......................................... ................ Kerry A. Emanuel Breene M. Kerr Professor of Atmospheric Science Director, Program in Atmospheres, Oceans and Climate Thesis Supervisor Accepted by.......................................... ............... Maria Zuber Earle Griswold Professor of Geophysics and Planetary Science Head, Department of Earth, Atmospheric and Planetary Sciences 2 Midlevel Ventilation’s Constraint on Tropical Cyclone Intensity by Brian Hong-An Tang Submitted to the Department of Earth, Atmospheric and Planetary Sciences on June 14, 2010, in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Atmospheric Science Abstract Midlevel ventilation, or the flux of low-entropy air into the inner core of a tropical cyclone (TC), is a hypothesized mechanism by which environmental vertical wind shear can constrain a TC’s intensity. An idealized framework is developed to assess how ventilation affects TC intensity via two pathways: downdrafts outside the eyewall and eddy fluxes directly into the eyewall. Three key aspects are found: ventilation has a detrimental effect on TC intensity by decreasing the maximum steady state intensity, imposing a minimum intensity below which a TC will unconditionally decay, and providing an upper ventilation bound beyond which no steady TC can exist. -
FIRE DANGER INDICES: CURRENT LIMITATIONS and a PATHWAY to BETTER INDICES Setting the Agenda for Fire Danger Policy and Research Into Operations
FIRE DANGER INDICES: CURRENT LIMITATIONS AND A PATHWAY TO BETTER INDICES Setting the agenda for fire danger policy and research into operations Claire S Yeo1, Jeffrey D Kepert123 and Robin Hicks1 1Bureau of Meteorology 2Centre for Australian Weather and Climate Research 3Bushfire and Natural Hazards CRC FIRE DANGER INDICES: CURRENT LIMITATIONS AND A PATHWAY TO BETTER INDICES | Report No. 2014.007 Version Release history Date 1.0 Initial release of document 16/10/2014 1.1 Executive Summary updated and 26/11/2015 editorial clarifications in response to technical comments received. © Bushfire and Natural Hazards CRC 2015 No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form without the prior written permission from the copyright owner, except under the conditions permitted under the Australian Copyright Act 1968 and subsequent amendments. Disclaimer: This material was produced with funding provided by the Attorney-General's Department through the National Emergency Management program. The Bushfire and Natural Hazards CRC, the Attorney-General's Department and the Australian Government make no representations about the suitability of the information contained in this document or any material related to this document for any purpose. The document is provided 'as is' without warranty of any kind to the extent permitted by law. The Bushfire and Natural Hazards CRC, the Attorney-General's Department and the Australian Government hereby disclaim all warranties and conditions with regard to this -
Baroclinic and Barotropic Instabilities in Planetary Atmospheres: Energetics, Equilibration and Adjustment
Nonlin. Processes Geophys., 27, 147–173, 2020 https://doi.org/10.5194/npg-27-147-2020 © Author(s) 2020. This work is distributed under the Creative Commons Attribution 4.0 License. Baroclinic and barotropic instabilities in planetary atmospheres: energetics, equilibration and adjustment Peter Read1,z, Daniel Kennedy2,1, Neil Lewis1, Hélène Scolan3,1, Fachreddin Tabataba-Vakili4,1, Yixiong Wang1, Susie Wright1, and Roland Young5,1 1Clarendon Laboratory, Department of Physics, University of Oxford, Parks Road, Oxford, OX1 3PU, UK 2Max-Planck-Institut für Plasmaphysik, Greifswald, Germany 3Laboratoire de Mécanique des Fluides et d’Acoustique, Université de Lyon, France 4Jet Propulsion Laboratory, Pasadena, California, USA 5Department of Physics & National Space Science and Technology Center, United Arab Emirates University, Al Ain, United Arab Emirates zInvited contribution by Peter Read, recipient of the EGU Lewis Fry Richardson Medal 2016. Correspondence: Peter Read ([email protected]) Received: 3 October 2019 – Discussion started: 15 October 2019 Revised: 14 February 2020 – Accepted: 26 February 2020 – Published: 3 April 2020 Abstract. Baroclinic and barotropic instabilities are well stabilities may efficiently mix potential vorticity to result in known as the mechanisms responsible for the production of a flow configuration that is found to approach a marginally the dominant energy-containing eddies in the atmospheres of unstable state with respect to Arnol’d’s second stability theo- Earth and several other planets, as well as Earth’s oceans. rem. We discuss the implications of these findings and iden- Here we consider insights provided by both linear and non- tify some outstanding open questions. linear instability theories into the conditions under which such instabilities may occur, with reference to forced and dissipative flows obtainable in the laboratory, in simplified numerical atmospheric circulation models and in the plan- 1 Introduction ets of our solar system. -
Chemists Club Spring 2018
chemists club the Spring 2018 IRRATIONAL BRYAN DICKINSON HARNESSES DIRECTED EVOLUTION TO CREATE MOLECULES WITH DESIGN BIOLOGICAL FUNCTIONS An Interview with BRYAN s a graduate student, assistant professor Bryan Dickinson spent much of his time absorbed in the typical undertakings of a synthetic organic chemist: draw- DICKINSON ing molecules, devising ways to create them, and hoping they would have the function he anticipated. “That’s a powerful approach,” he says, “but our intuition By Irene Hsiao A for how to create structure with function is limited to a couple of different types of activities.” Instead, he and others are finding that human insight and design can be supple- mented and even surpassed by processes that have been honed for billions of years. “I’ve always Dickinson with graduate student been interested in the idea of using evolution—nature’s design—to search for molecules that do Saara-Anne Azizi different things in an unbiased way,” he says. Though evolution in nature can take time, Dick- inson’s lab harnesses the principles of natural selection to discover and produce molecules for biological use in just days using an accelerated process known as directed evolution. The particular method Dickinson’s lab uses for directed evolution, To improve their ability to construct an accurate selection pressure, phage-assisted continuous evolution (PACE), was developed dur- Dickinson and his lab have developed biosensors that are able to make ing his postdoctoral studies with David Liu at Harvard. Geneti- measurements about their environment and trigger a biological re- cally encoded material—a protein or a sequence of amino acids—is sponse. -
Spatial, Temporal and Electrical Characteristics of Lightning in Reported Lightning-Initiated Wildfire Events
fire Article Spatial, Temporal and Electrical Characteristics of Lightning in Reported Lightning-Initiated Wildfire Events Christopher J. Schultz 1,*, Nicholas J. Nauslar 2 , J. Brent Wachter 3, Christopher R. Hain 1 and Jordan R. Bell 4 1 NASA George C. Marshall Space Flight Center, Huntsville, AL 35812, USA; [email protected] 2 NOAA/NWS/NCEP Storm Prediction Center, Norman, OK 73072, USA; [email protected] 3 United States Forest Service, Redding, CA 96002, USA; [email protected] 4 Earth System Science Center, University of Alabama in Huntsville, Huntsville, AL 35805, USA; [email protected] * Correspondence: [email protected] Received: 6 March 2019; Accepted: 30 March 2019; Published: 3 April 2019 Abstract: Analysis was performed to determine whether a lightning flash could be associated with every reported lightning-initiated wildfire that grew to at least 4 km2. In total, 905 lightning-initiated wildfires within the Continental United States (CONUS) between 2012 and 2015 were analyzed. Fixed and fire radius search methods showed that 81–88% of wildfires had a corresponding lightning flash within a 14 day period prior to the report date. The two methods showed that 52–60% of lightning-initiated wildfires were reported on the same day as the closest lightning flash. The fire radius method indicated the most promising spatial results, where the median distance between the closest lightning and the wildfire start location was 0.83 km, followed by a 75th percentile of 1.6 km and a 95th percentile of 5.86 km. Ninety percent of the closest lightning flashes to wildfires were negative polarity. -
Then Being in America. Q: and Where Are You Now? SH
SH: Then being in America. Q: And where are you now? SH: I'm in Toronto. Q: Oh, okay. For some reason I thought you were in New York, so-- SH: No. It almost gets so frustrating that by the time you do get called, you don't wanna fuckin' talk, good God. (both laugh) Q: Well, you got through. You're not very late. That's great. Anyway, well, I wanted to talk to you some about the new record and such, and then about your youth here in Indiana, so-- SH: Okay. Q: Let's talk about the new record first. How frustrating is it to know that you've made a better, more interesting followup record and it's gonna be much more difficult to get people to hear it? SH: I think that's something we were aware of when we went in to make the record. I think the one thing that Roger stated about the first record which rang so true is it's a good progressive growth of the band. He talks about the first record being, it was the musical placenta. It was basically the first songs that we ever had written and recorded together. And I think that since then we have managed to hone in on making more of a record this time around, opposed to a record with a few singles on it. I personally like this new record a lot more than I do the first one. The first record was a good reflection of the time we were at the time we made it, but I think that this record has more of a mix of styles, which is the way we like it.