The Merit ofNative Works Calendar for the Current Week Why the Cause of National Was Not Ad- SUNDAY.Carnegie Hall, 8 p. m., concert by the Philharmonic Societv Opera jCnrreat Aeolian Hall, 3 p. m., concert by the Symphony Society; Hippodrome' vanced by Breil and 8 p. m., concert by John McCorrnack; Metropolitan Opera House Hugo-Better Works by of g»3o p. m., concert music by Verdi and Puccini; Great Hall of Predecessors to i"lttiffictioi3^ of the of the Unjustly Relegated Obscurity College City New York, 4 p. m, free organ Samuel A. recital bv atthe J Baldwin; Brooklyn Academy of Music, 3 p. m., song recital by David Bispham. By H. E. Krehbiel tile knowledge of the drama could MONDAY.Aeolian 3 rn., recital The have Hall, p. pianoforte by Beryl Rubinstein* exigencies of newspaper work failed to see the wretched bom¬ 8:15 p. m., pianoforte recital by Bella Hecht; lead to a of the bast of the Metropolitan Opera summary disposition text of "The Legend" or House, 2 p. m., opera-ballet in French, "Le Coq 8 subjects of criticism which is fre- the of its All critics Metropolitan d'Or"; p. rn., French absurdity plot. the .^ opera, Park 8 m. "Mireille"; Theatre, p. (and all week), English ntly unfair. Nobody knows that in town made merry over these things, TUESDAY.Aeolian 3 opera. ¦. better than Hall, p. m., song recital by Elizabeth the conscientious though their opportunity to study the m., Jones; 8:15 ' p. pianoforte recital by Jan Chiapusso; Park 8 tic, who sometimes, on the morning opera was as nothing compared with Theatre, p. m ¡it'ter, feels himself !*i English operetta, "Patience"; Graat Hall of Cooper Union, 8:15 quite to be as that of the man or men who recom- House- I concert of Scandinavian Folksongs. p. m' culpable as the victim of his animad¬ mended it for The performance. crit- WEDNESDAY.Metropolitan Opera House, 8 p. m., French versions on the night before. Not ic's judgment may prove to be opera, "Samson that he believes that his wrong et Dalila"; Great'Hall of the College of the City of New 4 judgment hur¬ i and that of the hundred or more clap- free York, p, m formed more organ recital by Samuel A. Baldwin. riedly and hurriedly ex¬ pers and shouters who gave the com- was but THURSDAY.Carnegie Hall. 8:15 p. m., concert by the Boston pressed wrong, because op¬ | poser an opportunity to show himself Symphony did not offer to an am¬ Orchestra; Aeolian Hall, 3 p. m., pianoforte recital portunity lay before the curtain half a dozen times by Reuben Davies' ple foundation of reason for his ut¬ 8:15 p. m., eoncert of music for two pianofortes the may prove to be right. If so, it will be by Misses Roae ter« nee.--. He knew and Ottilio Sutro; 8 what he meant and evidence in favor of the contention Metropolitan Opera House, p. m., operas in Eng¬ why he said what he did, but did his that lish, "The Legend," "The Temple Dancer" and "Shanewis." neither words nor dramatic situations readers? Of course, ho assumes that FRIDAY.Aeolian Hall, song recital by 8:15 the of which on Mary Kent; p. m., pianoforte the and canons which he meaning depends an recital by Aurelio Giorni for tho benefit of the principles understanding of the words in Constantinople Colletre had often expounded in moments of signify Association; Metropolitan Opera 8 m., French a lyric drama.that the music and the House, p. opera, "Thais"- deliberation had found lodgement in Brooklyn Academy of Music, 8:15 p. m., concert by the Boston the minds of the readers, and therefore singer suffice. But that notion was Symphony Orchestra. did not need to be upset last Wednesday night by the reiterated. Unfort¬ circumstance SATURDAY.Carnegie Hall, 2:30 p. m., concert by the Boston this too that the interest of the 8:15 Symphony unately assumption is often audience Orchestra; p. m., concert of the Beethoven Music Society; Aeolian It is a careless and apparently reached its climax Hall, 3 m., recital groundless. age when the p. song by Vera Janacopulos; 8:15 p. rn.. the reader is a penny-dreadful melodrama piano¬ newspaper ordinarily forte recital by Manfred Malkin; Metropolitan Opera 2 hasty and unreasoning reader. If he was at the height of its absurdity and Russian in House, p, m the music had opera French, "L'Amore dei tre Re"; 8 p. m., of T'ud.-; a criticism to the end he is degenerated into a mere Enrico Caruso's celebration orchestral of twenty-fifth anniversary as a .»»inger: mixed content with the general impression delineation physical con¬ of opera. bill is newspaper has praised a per¬ flict. formance of a work or damned it. Before pursuing the discussion and I re ii for him no middle ground. bringing back to mind tho two operas New York operatic début as Patience, Neither is there for the or performer which we think to havo had a tho milkmaid. Other maid¬ To-night*» "Opera Concert" ..he author. ought "rapturous At better chance to show themselves ens" will be Cora Tracy, Gladys Cald- to-night's "opera concert" a Ver There was in the di-Puccini singular unanimity worthy of life, let us make apprecia¬ wcll and Brooks Browne; Bertram programme will he given. I- critical judgments of the ncwspapei tive record of what the Peacock will be Grosvenor and Herbert will consist of the reviewer:- present Metro- following numbers". on tho subject of the merit politan Opera Company, under the di- Watcrous, John Phillips, Harrold Blake Intermezzo (third act) of "Manon Les¬ of t lu? two new "Patience" To Be operas by Amcricur rection of Mr. Gatti, has done for Sung and John Quine also have caut," o reher,tea; "('ho gélida nianina," which were important composers brought forwtin American Almost at the parts. from "LLa Boheme," Mr. at the composer**. At the Park Theatre Morgan King¬ Metropolitan Opera House last beginning of tho present regime Mr. ston; "0 mio Bambino caro," from Wednesday evening. The greatei Otto II. Kahn announced that it would Lieutenant Concert "Gianni Schicchi," and Musetta's waltz musical merit was ascribed to Mr This Week Europe's be the policy of the house to encour¬ The band of the üfiílth U. S. In¬ song from "J,a Bohème." Mist Marit* tho con Hugo's -Temple Dancer," age opera in In of The Society of American Singers an¬ the "Hell Sundelius; "E lucevan lo stelle," from demnation of the libretto of "Th« English. pursuance fantry, Fighters" of Har¬ this policy Mr. Converse's "Pipe of nounces Gilbert and Sullivan's "Pa¬ lem, which won fame overseas under "Tosca," Mr. Paul Althousc; "Un bel Legend" was emphatic, and the exprès di," from Desire," promised in the prospectus of tience" a3 the next opera to be added the leadership of Lieutenant James "Madama Butterfly,*' Miss sinn of a belief that the works did no Claudia the preceding year, was produced in Europe, has been for a con¬ Muzio; duct from the lirst act represent the best that American com to its repertory, for a limited engage¬ organized March, 1910. After two performances cert tour under the direction of the of "Madama Butterfly," Miss Muzio and posers are capable of was unanimous at the Metropolitan Opera House and ment, beginning Tuesday evening, same colored conductor. Lieutenant Mr. Kingston; "In quelle trine mor¬ The question whether the'cause of na one at the Century Theatre under the March 18. "Patience"1 will also be Europe has men under his bide," from "Manon Lescaut," and tional opera (to into the curren sixty-five drop auspices of the on the "Vissi d'urte," from cant of the hail been advanced Metropolitan Company given Wednesday and Thursday baton, best of all the negro musi¬ "Tosca," Mme, day) it went to its grave. Its was cians of the Rappold; quartet from the third act. of :¦ fl in or plot evenings and Saturday matinee. "Robin country, and the organiza¬ abeyance answerer, amateurishly fantastic and lacking in tion has under his leader¬ "La BMohème," Misses Mu/.ic and Sun- in the negative. Hood" will be retained during the week, developed delius dramatic interest, but its English, as ship into a military concert band of and Messrs. Althousc and M contention that the cause was no with a St. Patrick's English, was pure and its music was special Day cele¬ the highest santo; overture from "La Forza del Dr-- advanced was expressed by The Trio type. tine's scholarly, always dignified, sometimes bration Monday night, when Orville Lieutenant Europe will give his first tino," orchestra; an aria from "Simone reviewer, who might have toi« but seldom Boccanegra," José why if he had had time and beautiful, dramatically ef¬ Harrold will sing "The Wearin' o' the public concert at the Manhattan Opera Mordones; "O dor. space fective. Mr. Converse, having written House this at which Lieu¬ Fatale," from "Don Carlos," Mme. Mat¬ to do so. Perhaps he may now. Pri Green" and other old Irish ballads be¬ evening, much good music in other forms, was tenant Noble Sissle and zenauer; "Eri tu," from "Un Bailo in ,, marily it was because the operas wer tween acts. Ibis will also Creighton not discouraged, but on compos¬ the opera will be Maschera," "Caro not as meritorious in his a kept Thompson the soloists. Montesanto; nome," opinion operas. like be presented matinee and from Miss some of those which had ing Perhaps, Mendelssohn Wednesday "Rigoletto," Beale; duct prccedei at tho height of his fame, he is still night. "The Bohemian Girl" from "Aida," Mis3 Claudia Muzio and them. Also, because those meritoriou -S Saturday N. Y. Syncopated Orchestra hoping that after writing five or six will be given for on« performance only, Mr. Morgan Kingston; "D'amor sull' ali works had been relegated to obscurit; "Mona" a The New York Syncopated operas he will create one that will live. to which remedial hand presentation of the old features in the night, with Orville Harrold in Orchestra, rosse," from "Il Trovatore," Mme. r an insufficient trial -just as th Friday composed of colored musicians Rap¬ That is the spirit that might have been applied were obvious, new work was so fresh, honest and, the role of Thaddeus. fifty pold; duet, "Gia i Sacerdoti" works of Messrs Breil and wil inspires genius. while the under the of Will Marion from Hugo "Natoma," a Spanish-American lyric merits of the poem and ingenuous that it carried conviction "Patience" is the fifth of the Gilbert leadership "A'ida," Mr. Kingston and Mme. i all probability^ score were so that an Cook, will be the attraction at Raji- melodrama, by Kidding and Herbert, great attempt to the minds of the audience. .Some-! and Sullivan cycle to be presented by the pold; quartet from "Rigoletto," Misses .Perhaps the management is not'to b to have been made to save it Nora Bayes Theatre for one week commissioned by Hammerstein, rejected ought thing of the samt* nature may be said the society. given at the only, Beale and Arden and Messrs. Althousc blamed for not pursuing altruistic an as an example of national art and for Originally beginning Monday March 17. (wisely, we think) by Mr, Gatti, made of every character drawn by the poet London Opera Comique, following evening, and Montesanto. Mr. Papi will direct. patriotic aims at the expense of finan the encouragement . of American au¬ This organization aims to alive cial its way onto the Metropolitan stage and clothed in music by the composer. "Pinafore" and "Pirates of Penxance," keep prosperity; but having professed thors. But of this no thought seems to negro music. It does not or through the agency of the Phila¬ They were not only remarkable as it was transferred at the of its play jazz purpose to encourage the America have entered the minds of tho opera height common rag, but rather the delphia-Chicago company in first creations, but so strikingly effec¬ Concerts to to the built music that MUSICAL INSTRUCTION .omposer it is a fair subject for dis February, company's directors or the newspaper -Tome popularity Savoy, newly was made famous the first 1911. It had a large enough clement tive that old observers were compelled Mardi by D'Oyly Carte to house the Gilbert by American cussion whether it would not pursu critics.perhaps not even the minds 23, Princess Theatre, Rudolph minstrels. The include of popularity in it, coupled with Mary to sit back and marvel at what had Bowers. March Aeolian and Sullivan operas. The libretto is programmes ¦hat purpose more wisely and mor of Mr. Hooker and Mr. Parker. 24, Hall, Greta negro folksongs, spirituals and the "infallible Method of Garden's personality, to keep it alive been accomplished by novices and and Samuel March Gilbert's pungent satire on Oscar Memorizing" beneficially to composer as well as th Authors Torpadie Lii'sehcy. modern and more classical T. ANTOINETTE several years outside of the local in¬ Inexperienced wonder more what they might accom- 25, Carnegie Final Concert of Wilde and his fleshly school of poetry composi¬ oublie by producing an American no\ Hall, tions of the colored race. P!ANO Mgft stitution. The inexperience of the authors was push at a second trial. They made tho Russian and on the a*sthetic cult. The struggle These num- ¡ftfftHARMONX flty earlier in the season than has bee Symphony Orchestra. bers are varied the CONCENTRATION«»#ÄflLB MEMORY "Mona" and "Cyrano" exemplified in their indifference to such as trial in California, but not March Aeolian for supremacy over the hearts of love¬ by solo work of DEVELOPED ¦*. ¦»¦¦¦-»» !he rule during the eight years i 26, Hall, Louis Wins Buddie The is TRAINED some of the prime requirements of a here. and Edouard Gcndron. March lorn maidens between the two poets, Gilmore, trap drummer; Frank public Invited in attend tlio Studio which it has given native works The operatic competition establishet 27, Withers, Mrs. H. Recitals given by Hie artist pupil» «if Aii- ¦lace lyric drama. When music enters the Aeolian Hall, Barbara Mil¬ the 8BSth>ctic and the idyllic, provides trombone; King toinnette Ward un Fridays at 3 o'clock. in its repertory, giving it a trii by the Metropolitan company gave birtl Maurcl; Talks hy Ulan tin play in its hichesl estate it is for the dred March to fun at the tender Ileavis, soprano; the Exposition Four Ward '«efore the public and also an in "M6tia," by Messrs. Brian Ilookei of the Week Bryars 30, Aeolian Hall, opportunity poke and others. oppo purpose of and Operas lion in such ballads as "I Cannot Matinees will be on unity for its authors to tl and Professor Horatio Parker, whicl proclaiming celebrating Serge Prokoficff : Princess Theatre, pa ToneConcentration.Memory Training remedy an emotional state up t« which the dia¬ At the Ruano (Mrs. Teil What This Love May Be," "Love Wednesday and Saturday. Production-Technical Freedom cfects disclosed by the performanc had its first representation on Marcl Metropolitan Bogislav Riccardo Mar¬ logue has led. The dialogue itself in tin). 1, Is a Plaintive Song," "Prithee, Pretty Interpretation.Sight N'ot only would it be less costly to pu 14, 1912, and received four perform The gala performance in honor of April Carnegie Hall, Elias Reading an opera is a necessary evil and an in¬ Breeskin. Maiden," etc., while "If You Want a Demonstrations ue this course than the one anees. Then came "Cyrano de Ber present Caruso's silver and for the .,-.., ¦ - MUSICAL PEAYERS: HELEN trusion. There is a paucity of action jubilee Keceipt for That Popular Mystery INSTRUCTION STANCE IIEESMAN. ro\- taging an opera or two every seaso gerac," book after Rostand's play bj MOOENAHUESMAN, GORDON PHILLIPS. in "Mona," but that is not a fatal de¬ benefit of the Metropolitan Opera Known to the World as a Heavy Dra¬ 8COV1LEE, Hi III fill.", ADE¬ orcing it into the repertory a fe Mr. W. J. Henderson, music by Walte Mile. Gall's Concert LAIDE VIAL ANO OTHERS. fect in an opera, speaking of nction as fund goon" and "If You're Anxious for to LOUIS imes and then relegating it to tl Damrosch, on February 27, 3 913. I Company's emergency will take aschen«feldírT Van movement and the doing of on Mlle. Yvonne Gall, of the Shine" are in the best Gilbert and Sul¬ Î1S Dyck Studios, N. Y. imber room. Of course, mu was loudly acclaimed by the Metropol things place next Saturday evening. The bill Chicago Teaching of %& operas the stage, the out¬ Opera Company, will give a concert livan Singing e seen and heard if their itan the composer, wh' changing picture, will at Aeolian Hall on style. .Supplementary courses In sight -Kin-ring:, merits a management, ward incident. It is comprise the third act of Friday, March 28, phonetic-diction, style and i be had had it not the highest in aid of the William Danforth will appear as for interpretation disclosed. in hand ten years, saw in i "L'Elisir d'Amore," with Mmes. Bar- Speedwell Society for concert and ópera. INTERNATIONAL of music to a No one who the foundation of i: province accompany these Convalescent Children. It is the sing¬ Bunthorne, Kate Condon, famous STUDIO: 161 WEST *$(& has a English opera er's 71st ST. knowledge things even in the modern drama, in rientos and Sparkes and Messrs. Ca¬ wish to show her appreciation in Lady Jano, will appear in that role, Telephone 8875 Col. Ment lily recitals. C. .iperlence of operatlce productio America (at least, he said so in on this manner of what American women Partial NICOSIA, Director which music has surrendered much of and and Winifred a so¬ scholarships. PIANO, VIOEIV AND .tpects the first efforts of a co of two speeches from the stage on th ruso, Scotti Dldur; the first act have done for the children of France Marshall, young VOCAL EESSOJfH its nature and Music can who been on tour the OPEKA COACHTNO. loser to be a first but it was sent into th purpose. of with during the war. Her programme will prano,- has with masterpiece which shi night), for "Pagliacci," Miss Muzio and include THE ART MUSIC STUDIO TUESDAYS, TUVBBDATCa. I RIDAIS. ve ior limbo of after five prepare movement and incident and songs by the younger French Henry W. Savage forces, will make her decades or generations; b castaway things per Messrs. De have 1450 Lexington Ay., near 35th St situation, but its highest is in Caruso, Luca and Werren- composers, that not yet been Tha nany masterpieces have been co formances. Mr. Gatti attempted an es potency heard in New York. moat wonderful, rapid ."*..- i'FNOÍ proclaiming and hymning after their rath, and the coronation scene from lent for teaching all DlUalcal lu- »mned on their first production a périment on June 24, 1914, with "Made strnments violin, lian«., Comet, JOHN MASTER OF arrival the emotional states which they "Le with Mme. Matzenauer MUSICAL INSTRUCTION ¦Cello, Mandolin.et«. MODERATE BLAND CALVARY CHOIB ave won that period of life which leine," a one-act opera, words by Gran Prophète," RATES. TEL. LENOX 8036. VOICE PRODUCTION. produce. Therefore, excess of Clef Club Orchestra Ftudlo 20 E. 23rd died immortality in current histo .Stewart, after a play by Deeourcellc dialogue and Messrs. Caruso, Mardones and St. TeL (¡rarafrtr 3H. '. and of are fatal erward. "II Barbiere, di and Thibaut, but the pretty Frene neglect melody to Diaz. An entirely new programme, featur¬ TEACHER OF Slviglli lyrio druiria. If there is to be VOICE 1.a Traviata," in the older li butterfly wa» crushed by Mr, Victo proper ing Josh Beaumont^ a singer, from VAL ABTHOE celebration of emotional states, then "L'Afhore dei Tie Re" will be re¬ and MARIO & PIANO. Madama Butterfly" in the newer, a Herbert's ponderous music, and it die Louisville, George Ilines, world's 6TU0in: 121 CARNEGIE MALL, N. Y. WOODRUFF dramatic conversa'inn must to vived at the Saturday mat mee. The SALVINI BROOKLYN STUDIO; Oí) EUCLIÜ AVENUE. VOICE PLACING. BREATHING. Tiking examples with which t a speedy and unregretted O yield champion trap drummer, will be given Praparatiun for Cliolr. Concnrt ant) Orafori». d,eafh. in the singers will be Miss Muzio and Messrs, VOICE STUDIO, 810 OtMgflst of our is March H, 1917, came "The Canterbur lyricism, lyricism musical score by the Clef Club Jazz Orchestra lit the CARNEGIE HALL. NEW YORK. operagoers famili, no Didur. 205 West 71st New York «i v.«. less than in the verbal text. Only Martinelli, Chalmers and Selwyn at, Street, thinlr, that operas like Profes.* Pilgrim«»" by Percy Mac-Kaye and Reg: The last Theatre, 8¡30 to-night. tife MÄRTIH0 i'arker's "Mona" nald de the once ilid «Mr. Hooker break nwny from performance of the season I2T and Walter ]>n Koven, and, war havin of "Le d'Or" TEACHEtt OF ROSA rnN( Kl.l.K. or GEO.E.SHEA the Tenriysoiiiiiii verse-form which hi Coq will be given lo- Vocal ,r.r»»v osch's "Cyrano do Bergerac" ihöi created n need destined to f-upplar llll, MKTI'OI'OMI AW OPEKA COMPANY. Initructlon.Hfpprtory.Opwatio Auf)»». chose for his and one« iTxirrow afternoon at popular price« I liihnM'ilii.-i BERN- Studio: ill» West End A*«,, near »Olli »1. Uonie Studio: 04» W. )UTH ST.. A. *. av«: been allowed n better trial Oi what had hitherto been n more or It* ? dlalogue( only Orchestra rlid I » r. Parker write the kind of nuisit and with the usual cast. Í.VR"¿ STEINBERG hud nt thn unselfish last season Plans uro under boy hand* of Mr. Oh policy, wo h« already way (at BAHITONK.TKACHE!. OF hínoimí, I Î.<>H I.M I f» M g i* í'«1» Plann«, RetMal«. huir Mr. Cadman'a which fin" public, whether ruling il Other optras this weak will b<* ta a series of live «ft Wl'ieVI" IIIMH HT. I11 Uï i" tinemlilo ClaMei charlotte soprano defeat« were obvious, th-- COB "MhariewiK," which hi concerts by tha Phila¬ Tel, lllvrr. 1)03«, II PI fa*» A ELLIOTT won good or faulting it ni bad, COB follows! wild the ßpiolalty. TTActira or »iNtiiNti nieneen largely of the InexpeH.-nci* the distinction of .fltorlflg «.n justly Monday, "»Mireille," delphia Orchestra next, sett-ion, on IM I'll, Of 1.1,M Hf'/H/KY »lid M 'IIIOU- BMlLPfl»N'>0U4itf»» aider« the kind of mUtliC thai wii cull«-« cast; el 1/1','» TIV« H« Il Or Min «Mil HOI*, fitadlo, 21» W(*t 6!|Oi Ht I«. OVtM »'.*. authori, but had mn eond year of existence. Now we hat original Wednesday» "Samson Tuesday evening« Instead of i-i" WE&f UUflt »T. thay for, n In the fcMUM n- *¦ Aludía Tel CvlUfflbUi MM. and "Tin- Logend" and "Tim was in the chorus of Brltom Imilla," with Mme. Mat/.rtiaucr and afternoon as heretofore. The eubehKLEE''",;,,,,'"'':''''''''*"',;/''Ilfcafcfa i.PtMit-t..c lu Viirnl Art. bl| mi) Tomp dates '»m ii HARRY J. CLARK b<)«n «lived Dancer." near lbs close "f the second net, of ih« Mr Caruso; 'I hui day, "Tho mi" 11, in iiim; .»i" inn v. "Tin»» Northern, Haftjt«,SO111 by Ifitelllgr-tit rttvlnl Temple camber '¿i SCI HI'.HT Oil»! Wi. T« |i, OH*, i "I" ,«. !i< FC '.InMllil have been BlttH" Jftnuaiy ¦ludio, 'Ul! i»M» r retention In Um Wo have out 'Mona" nu Dancer,.hit Legend" ftnd "Shane ÍM'iury 10 and March !>. report« «inglsd ni i« ¡i iii'-iiU'oy v.-n ni Of third «e/iHon ttfl the I'M musical (iplsodei wit)" I'Vi'iny, "Tim '1th Mine, TI «ill. SKRONOLD^ wo "Cyrano" In lir opt thif even »t. ii««- < QNOI HI WIÍHUGTIÜN Mt » from winch Momod to us lacriflofl of th« construct!*/) I'luiur and Mottra, Whltchlll and Dltz, <»M II« I'M, mi w, u'tn «t., h, y, 'i A.i'i'ii.'iii itií,» lUndard which ot of ..» ..,_.- IVHTHI » doiorving method which th« composer hud chosoi Ml BICAI« M0RENZ0«r »JON nbitlottg composer« might h !Hrg»r effort to proterva them tho INSTRUCTION H. Ml «¦ -lull »t. Tel, IT, I'.iliunl.wa, III! tl | I! :.¦ HO) j. «ru« -I, was made in their behalf". Tho fa« in adopt« f ¡YÍoihIh of Munir ;:«,,, ouMAv ovr^irvo ^iAwii»r «nie One« v/hf.n a young composer \ that "Mona" did not achieve Tho play in n linn one, but tin TROEMELi^E. otlOUg NEW YORK COLLEGE Bu-lien«, ITI'II, Ol II iii'n: o api ,j r»lL,K,lb>tl.t\ Tí ALU*. -..ai-iic a had Mr. Gntti to The I'rieiiilM of T'Hi'lii'f nt nifí mu i -,.. urna master showed his fl 1000*11 to keep poetry too full of artistic elements t- Music will give the Hinging lUVi-UMM, iMUVi Apt, .\, a¿ ifloih fttatnwai Bait im» ''»at Uta »VI ¦'* to a in the at leant another yei v/in third and laut, of il« serles of con¬ OF MUSIC HALL, greater master he *, repertory recognition In a mixed «rt-fom i:hi.io 'Caul ng'ii si, RUI QAWNKOIB T.l. nri'io IBM. luntly told that the first wa« deplorable at the time, and uti like lb«; certa at the lUt/. this . Orjlorlo, GiuFFRioAa litter of p opera« That, to nome, ma afternoon, EXPERT ANNA (.'onuri't, í'^'a::;:;::;»,.!..,